Francis William Galpin

"When completely dry the plant should be mounted on stiff white paper. The size depends on the purpose of the collection; paper 17 in. by 10 in. will be found useful and workable, and can be obtained from most printers. It is a bad system to fasten the specimens on with glue or gum, as it renders it impossible to shift the mount, and finer parts of the flowers are destroyed. The writer has found that very thin strips of parchment, cut with wider ends, laid across the stoutest parts of the plant and fastened to the paper with strong cement, form a most easy and effectual way of mounting with the least possible unsightliness."

"That the was the predecessor and counterpart of the of the present day is a matter of common knowledge, but, when we come to unravel the origin of the name, we are landed at once into the region of wild conjecture. Some writers have wisely passed the subject over in silence; others have propounded solutions more plausible than probable."

"Of ancient stringed instruments there are, we may roughly say, two broad types; in one the strings are stretched across a sound-box and lie parallel to it—this we may call the ‘’ type, though including, for our present purpose, the various forms of and ; in the other the strings are attached to the upper board of the sound-box and rise vertically from it—this is the ‘harp’ type."

"Sir (Ur Excavations, vol. , 1934) records that in the grave of the (c. 2700 ) he notices close to the coffin a quantity of small "" of thin cope sheeting, laid over wooden cores; with them there were plentiful traces of wood and also of some substance which looked like leather or skin; he suggests that they formed the remains of a drum."