Enya

"I think they find it — they find me quite confusing, because — they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them."

"On the project The Celts I was asked to ... to write a song. And, at the time I was ... arranging with Nicky, and writing the music and performing ... so, no desire whatsoever to write lyrics!... But Roma was actually writing poetry at the time, and she was involved, with listening in the studio ... being the audience in the studio ... so she was involved with the project. So, it was very obvious that she would write the lyrics."

"There is no set sort of rules, or no set sort of formula to the way we work in the studio ... so it's difficult to know ... what we'll move on to next. We don't like to say, "Never, no we'd never do this" ... But, we ... like the setup as far as there's only three people in the studio ... because the work is very personal, very intimate, very emotional ... and that is very important to the album."

"I get very inspired by traveling, by being home in Donegal ... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody."

"For me, I've derived from religion ... what... I enjoy ... and it's to go to church, but usually ... when there's nobody else there. I just love that moment, ah, to just sit there. It's very peaceful, very calm, and very therapeutic, and it's ... wonderful."

"A lot of people tend to think that because I need all this time on my own in the studio, that I need time on my own, period. And that's not really true."

"I like to stay up-to-date with what's happening musically ... I wish people wouldn't think that such things were going to shock me. 'Wow! Does Enya really watch TV?'"

"Regardless of how I live my life, there are people who develop fixations that are not healthy. It could be a visual thing, or it could be the music that they are drawn to. These people need help."

"I do promotion when it is necessary ... But I always want to get back to the music. The personal appearances and red carpet events are very glitzy, but it's a bit false."

"I'm not one for walking the beaches humming a melody ... I love the discipline of sitting in the studio, writing and listening. That is my domain."

"They are as much "Enya" as I am."

"There is no formula to it because writing every song, for me, is a little journey. The first note has to lift you and make you go, 'What's this?' You play C, but why is it that one day it leads to G and it didn't yesterday? I don't know. It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting."

"I suppose there's a certain way I like the music to be performed, and I feel I can capture it better than anyone else. I know every note in every song, the whole history of it, even parts that were there and are gone."

"The word workaholic is so severe, but I do focus a lot on my work ... I think a lot about what I'm doing in all aspects of my life, what am I trying to achieve here, am I happy with this? Music is like a mirror in front of you. You're exposing everything, but surely that's better than suppressing. ... You have to dig deep and that can be hard for anybody, no matter what profession. I feel that I need to actually push myself to the limit to feel happy with the end result."

"Many childless single woman would be at my age already in panic. Also I have been thinking for the last 3 years, why I have been sacrificing so much time for my work. But, I have ended up to a thought that I would never change a single day out of my life. It would be lovely to get a family one day, but my life doesn't end even if that would not happen."

"I and Nicky have got a lot of disagreements, but they are nearly always associated to music. Because we both are very strong-willing persons, we might sit in the opposite corners in the studio argueing about things. One does never know beforehand, whose idea works the best way."

"Amarantine is an ancient word, which means eternity. The poets describe an undying flower with that word, and I fell in love with that idea ... For me that word suited rhythmically to the refrain of the piece. A-ma-ran-ti-ne. In our website the fans tried to guess something super-romantic to be the album's name, but this word was obviously never guessed by anyone."

"When entering the studio, I don't know what will happen. I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it. At that stage I do not yet have clear ideas about what kind of emotions I would like to express. Until I play the completed piece to Roma and Nicky and when I observe their reactions, the music gets its meaning..."

"For me this career and that I am privileged to do a job I love to do, means really, really much. I would never change any moment from my life. When making music I sink myself into the process as deeply as I can and forget all of the success."

"I could have been more famous if I did all the glitzy things, but celebrity always seemed so unnecessary ... Fame and success are very different things, anyway. The music sold itself before anybody knew who I was, so I felt I had a choice. I told the record company I didn't feel the need to be out there at red-carpet events. I wanted a career. But I wanted to keep myself intact as a person."

"I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics .. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice."

"I didn't expect such a huge reaction, but I knew I was doing something different to everything else that was happening at the time ... People feel a very personal connection with the music."

"There might be one little thing that makes all the difference, one note or one word. The fine-tuning is all important, and you've got to stay there until you get it right ... That's why it can take years."

"I am really a very shy person ... If I appear, it is because of the music, not because I want to be seen. I'm not a recluse. I like to go out, but I don't like the glitziness that goes with it."

"I'm very happy as I am. I realise that I made sacrifices early in my career and that it was hard on my relationships because, when I am working, I am very focused and it isn't easy, when you have been in the studio all day, to say to someone, 'I'll meet up with you later on.' I learned that it was necessary to be dedicated and put work first. But, at the same time, it was a wonderful feeling to be successful at doing something I loved."

"When I left school, I had a list of priorities headed by 'marriage' and 'children'. That is how, I suppose, as a woman, you are brought up to think. At the same time, as I grew older, I told myself that if it happens, it happens, and that will be fine, but if it doesn't, that will be fine, too."

"I loved to talk about music to Nicky ... His influence came from people like The Beatles and The Beach Boys, and he had these ideas about layering vocals, painting landscapes with music. Roma knew about Irish mythology, told stories, wrote poetry and had this special feeling for lyrics. My grounding came from the classics."

"Sitting and writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from. It is like having a mirror held up in front of you, looking into yourself and asking these questions."

"What I was looking for was a romantic athmosphere that I could feel at home with. I think I've achieved that. I love my home. I have friends round. I take care to live in it, not to work in it."

"I'm sometimes asked what are the pluses and minuses of celebrity ... and, for me, the biggest plus is being successful at something that I love to do. The minuses, unfortunately, include having to live with security and the knowledge that you may be stalked. ... I do like people ... I have lots of friends, but I can only be who I am."

"I live in Victorian Gothic castle in Killiney that I was so bold as to rename Manderley, because Daphne du Maurier 's Rebecca is one of my favourite books. ... People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms... I don't write my music in my home, only in the studio; I want as normal life as possible at home, with dinner parties and entertaining."

"The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me... The writing of a melody is an emotional moment; success doesn't make it easy."

"I felt as if we were two families: the older ones, who were away touring when I was at school and the younger ones. I was closer to my two younger sisters because of the nearness of our ages, but I feel I would have to have permission to say their names — they're very private that way."

"I joined my family's band, Clannad , as a teenager in 1980 to sing harmonies and play keyboards, but it wasn't musically challenging for me; I felt like an outsider. ... My split from Clannad two years later caused a conflict of loyalty for a time, because I went off with their manager Nicky Ryan, who had asked me to join Clannad in the first place."

"Enya is more than just me. It's also Nicky, who arranges my melodies, and his wife Roma, who writes the lyrics. They believed in my music from day one"

"I have never come close to being married or engaged. I was with someone eight years ago when I questioned whether I wanted the pressure of being married or having children. I always felt that if pregnancy was to happen, it would happen; if it didn't, it didn't. ... I have security, I don't need a man in my life. I don't have pets, I have two guard dogs; and I don't do my own shopping; it's a security thing....The downside of success is stalkers. I have had death threats from people with fixations who need help."

"Saol na saol, tús go deireadh. Tá muid beo go deo."

"My light shall be the moon And my path, the ocean. My guide, the morning star As I sail home to you."

"When the evening falls and the daylight is fading, From within me calls — could it be I am sleeping? For a moment I stray, then it holds me completely. Close to home, I cannot say."

"The bright days of my youth They were full of hope The great journey that was before me then Was what was destined to be, bye bye. Now I'm sorrowful, The day is long past. Alas and woe, oh."

"How far to go I cannot say. How many more Will journey this way?"

"All days come from one day that much you must know, you cannot change what's over but only where you go."

"Each heart is a pilgrim, each one wants to know the reason why the winds die and where the stories go."

"Out of night has come the day Out of night, our small earth. Our words drift away. Our words journey to find those who will listen."

"We call out into the distance... Less than a pearl in a sea of stars, we are a lost island in the shadows."

"You know when you give your love away it opens your heart, everything is new. And you know time will always find a way to let your heart believe it's true."

"You know love is everything you say; a whisper, a word, promises you give. You feel it in the heartbeat of the day. You know this is the way love is."

"Amarantine... Love is."

"You know love may sometimes make you cry, so let the tears go, they will flow away, for you know love will always let you fly — how far a heart can fly away!"

"You know when love's shining in your eyes it may be the stars fallen from above. And you know love is with you when you rise, for night and day belong to love."