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April 10, 2026
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"In 1980, Chinese-Americans were certainly considered perpetual foreigners to America, even more so than today. In addition, Asians, in general, were regarded as poor, uneducated, and manual laborersâcooks, waiters, laundrymenâan image which has turned 180 degrees in my lifetime."
"It seems to me that the biggest challenge for Chinese theater is to cultivate an audience, which would make possible long-running shows. A show that only runs for a few months, tops, fails to generate enough revenue to pay back the investment required to create it. A Chinese Broadway or West End may help to build an audience, but more theaters alone probably will not achieve this goal."
"In terms of theater, I think the musical is closer to the heart of American popular culture than at any time since the 1950s. Plays, on the other hand, seem less influential than beforeâparticularly with the rise of quality televisionâand only enjoy long runs on Broadway when they behave like musicals such as Harry Potter and Warhorse. I believe the digital age, in general, has enhanced the value of all live events, including sporting events, concertsâand theater."
"I was one of the Asian American theatre people who protested the casting of Jonathan Pryce as the Eurasian pimp in the musical MISS SAIGON when it came to Broadway, as an example of âYellow Faceâ casting.. The intensity, vehemence, and anger I felt, on both sides of that issue, left me shaken for many years afterwards. So I wrote FACE VALUE, a comedy of mistaken racial identity, to explore the question, âWhat does it really mean to âplayâ another race?â As noted above, FACE VALUE became an infamous flop, but the idea of doing a comedy of mistaken racial identity stayed with me for the next fifteen years or so. Eventually, I found another way to realize this notion with YELLOW FACE."
"There is a playwright named David Hwang; he's written a play called FOB which is a wonderful play...Chinese are so interested in food, and he saw it and I saw it, and it means that we both are authentic. Just a little detail like that."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.