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April 10, 2026
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"I try not to think that I am acting, but that I am the person. And instead of giving the audience your fantasies completely, I think it is more interesting to give them a place where they can imagine things instead of knowing everything; but maybe that is very French."
"There is no such thing as a Hollywood career for a French actress today. You can come here and do films like Juliette Binoche, but you can't come here and have a career. It's because you don’t sign with studios anymore. I remember when I did Umbrellas of Cherbourg, I signed a contract with Fox. At the time, actresses would be proposed different scripts because they had to use you. Sure it had some inconvenience, but actors made films they might not ever make if they weren't under contract. Now, only individual producers choose and actors are left on their own."
"I think that women who have to deal with a big amount of people have to compartmentalize themselves. You have to have an attitude of strength in a way because you are supposed to direct and organize the life of people in that way, aloof. It doesn't mean much, it's just an attitude."
"When you're not working and you're just living, you forget and all of a sudden something happens to remind you that you're an actor. I'm not always the nicest person to meet, because I forget very easily that I'm an actress when I'm not working. I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants. Then if something happens to remind me that I'm an actress then I become a little different and things become a little heavy. I like the advantages; I know it's not right but I like being famous when it's convenient for me and completely anonymous when it's not."
"I can be very critical on myself and on other people; when I work, I can be very demanding. But to direct... I admire directors so much, I find them incredible: they manage such a huge number of people of different characters, think of the money involved. And they have to make decisions all the time, they have to answer all the time. I think it's incredible. No, no, I wouldn't be able to do that. I imagine that you have to forget about what the project represents sometimes because otherwise you become a monster. It's incredible the amount of responsibility and power you have. I wouldn't want that."
"It's the social networks that prevent people from dreaming any more about stars. Their private life is displayed constantly on social networks; and some even post private pictures of themselves. I find it a pity. Being a star entails glamour and secrecy; it's hard to keep any degree of mystery nowadays."
"[On wearing clothes made by the Yves Saint Laurent brand] You are more aware of what you wear. You feel totally different. When you live in public, it gives you an attitude that helps you be confident with people you don’t know."
"There's a very big challenge in the United States when it comes to ageing, especially for actors and actresses. I'm not saying it's easy in Europe, but in Europe we accept more readily to make movies with women in leading roles who are 40, 45, 50 years old. That is still very rarely seen in the US."
"I think it's very tiring to be Catherine Deneuve each day"
"It was a film about character but also about actresses too, and she is the most important French actress for 50 years. When she accepted, it was very easy to build a cast around her."
"She's not an icon in life. She knows things, and she's very clever. I think she's very shy. She tries to protect herself a lot."
"Catherine Deneuve seems to have been made for cinema, and cinema for her. She IS French cinema. She seems to be getting more adventurous every year."
"I'd like to be an American Catherine Deneuve. She plays beautiful, sensitive, deep parts with a little bit of intelligence behind them."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.