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April 10, 2026
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"âTimmyâs a ten year old all-American boy who just so happens to wear a pink baseball cap. Heâs the star of our show. The nucleus. The center. Without him, the Godparents wouldnât be here and we wouldnât have any fun now, would we?â"
"âWhen you have a character like Superman -a guy that can do anything- you have to give him some sort of limitation. Thatâs the only way to make the stories interesting. Thatâs where Kryptonite comes in. And Supermanâs been around for sixty years. Cosmo and Wanda have Da Rules. Da Rules is a book of rules that the Godparents have to follow. Itâs their how-to manual and part of the whole Godparent package. Itâs a text that dictates their every move and severely limits them in the way that Kryptonite limits Superman.â"
"âDrawing is telling a story with pictures. Writing is telling a story with words.â"
"âI donât care how talented you are: be nice to the people you work with. The person youâre rude to today could be your boss tomorrowâ."
"âMy real name is Elmer. I looked it up. Itâs a German name. It means âplease make fun of me my entire life.â"
"âMy mother Carol, really nice lady, lived in Las Vegas, my mom worked at a hotel called the Rio. Was a big casino where, it was a big fancy hotel. Really nice. And, after you lost all of your money there, you could just feel nice about being in a nice hotel. But then you would get kicked out of the hotel because you didnât have any money. And she was tired of living in Las Vegas. She wanted to come live with me and I live in California with my wife and two daughters. So, I flew up to Las Vegas, you know with a cape and boots, and I landed next to her house. So we packed up all of her stuff in a moving van and proceeded to drive back from Las Vegas to Los Angeles. Now, the drive is about four hours. If youâre in a moving van, itâs about eight hours. Weâre, you know, talking and stuff. We pass the worldâs biggest thermometer ⌠weâre driving along and I knew that Nickelodeon was looking for a boysâ action show because that was, kind of, the talk around the studio at the time ⌠and I thought âwhat would I do?â What would I call it? And I really realized that if I could call it something cool and have a great title that would be step one. âCause I used to watch a show called Johnny Quest and I thought if I could come up with a show name that was just as cool as Johnny Quest, thatâs half the battle. So Iâm trying to think of really cool words that can be in the name like, you know, power or thunder or lightning or McDonalds⌠I finally settled on the word phantom. And I thought âphantomâ, thatâs a cool name⌠And I needed a first name. I thought, okay, Billy Phantom, Jimmy Phantom, by the time I was driving into Los Angeles, I had come upon the name Danny Phantom. And, then I started thinking âwhat could the show Danny Phantom be about?â. ⌠It could be a show about a kid who does something with ghosts. Maybe, he catches ghosts, right? So I thought, like a Ghostbusters type of show first. I originally thought like a Scooby Doo-ish type of show. Danny Phantom and the Spector Detectors. Him and his friends would go around and look up ghost mysteries and they would catch ghosts and things like that. None of them were superpowered. And I thought no. That has been done, obviously with Scooby Doo. I really wanted to give Danny a white owl named Spooky ⌠and when I was developing the owl, the movie Harry Potter was coming out. And there was an owl in the movie and everyone said no, you canât do the owl because Harry Potter has an owl ⌠I really wanted to make Danny Phantom kind of a comic book character because I love superheroes ⌠and so I decided to give Danny ghost powers⌠he could walk through walls, disappear and fly. He was much more unique than the other guys⌠and one day, I finally drew this drawing. I was gonna colour his hair in last and I coloured his whole outfit black, white boots, white gloves, and I got to the hair and I left the hair white. And I thought, thatâs really cool. His hair can be white when he turns into a ghost. And that was the look for me ⌠and finally when the head of Nickelodeon took me out to dinner, the following year, and was gonna pick up more Fairly OddParents, he said âhey, do you have anything else?â⌠and I said to him âwell, Iâve got this show called Danny Phantom. Itâs about a kid with ghost powers. And the first thing he said to me was,âcan you have it done by March?â And I thought âwow, thatâs exciting. He was ready to give me a brand new show right there and I was ready with a show idea.â"
"âWhenever you put yourself out there to do anything, thereâs always someone whoâs going to, like, try and bring you down âcause theyâve never done anything on their own. And so if someone doesnât do anything and they want to like, you know, criticize, I have no time for them.â"
"If you guys can't do it yourselves, you shouldn't criticise anybody else. You shouldn't do it. Now another cartoonist wants to have a problem with me, that's a different story."
"âPeople say to me, âOh, youâre a cartoonist. I thought computers did all that now. I say âright, like we just press a button and Pinocchio happens.â"
"March 30, 2016 was the 15th birthday of Butch Hartmanâs The Fairly OddParents. Itâs not like I use the term âcartoon superstarâ lightly. Let that sink in for a minute. Friends was 10 seasons, Mad Men was seven, The Sopranos was seven too. FOP is right up there with The Simpsons, Scooby-Doo, Where Are You?, and Spongebob Squarepants. An amazing, uncommon, accomplishment."
"Fred Seibert, May 15th 2016, 7 Questions for Butch Hartman Cartoon Superstar. https://medium.com/@fredseibert/7-questions-for-butch-hartman-cartoon-superstar-9a77815094cc"
"But, not so astonishing if youâve ever met SeĂąor Hartman. A man of deep faith, heâs an artist and writer (and director and producer), talented, confident, funny, motivated, Butch might be one of the hardest working men in show business."
"One of the traits Iâve most admired in Butch is his ability to keep learning, and as he says in the interview, to never give up. Itâs something I stress to many of the young folk who come by, but rarely heeded. Keep learning, never give up. Butch Hartman, in a nutshell."
"TV fans will, more often than not, pay close attention to cancellations and renewals happening with long-lasting broadcast series or hugely popular cable shows, not giving much consideration for how that process works for more niche fare, such as animated programming. I recently spoke with The Fairly OddParents creator Butch Hartman at Comic-Con, and he floored me by saying just how many times the beloved series had been cancelled by Nickelodeon over the years."
"Thankfully, Nickelodeon's sporadic decisions don't seem to have Hartman pessimistic about The Fairly OddParents' future on the network."
""Dear Butch Hartman,"
"Justin Cummings, An Open Thank You to Butch Hartman, February 8th, 2018. https://www.overlyanimated.com/2018/02/08/an-open-thank-you-to-butch-hartman/"
"Hartman's cartoons are instantly recognizable: visually, his character designs tend to be angular and have thick outlines. Most notable is that his are the few characters in TV animation to have colored eyes rather than black circles. Writing wise, expect the characters to be so self-aware that you might be asking them if they are holding up the fourth wall, as well as including a healthy dose of pop culture references, both modern and not so modern."
"Unlike many of his contemporaries, Hartman is admittedly one of the few who isn't at all interested in creating cartoons for adults, and has often expressed his disappointment in other animators for implying that there is anything wrong with cartoons that are exclusively for children. He even has a pet project Noog Network, an app which hosted exclusively "kid safe" shows. Regardless of one's agreement with him, it is clear that the career path he has chosen suits him."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.