Brian Keenan (writer)

"Politics can only be a small part of what we are. It’s a way of seeing, it’s not all-seeing in itself, and people like me, who were fortunate enough to be born and educated before the start of the tragedy that has engulfed the North of Ireland, found the panacea of politics to be a bitter cul-de-sac."

"But wait. My eyes are almost burned by what I see. There’s a bowl in front of me that wasn’t there before. A brown button bowl and in it some apricots, some small oranges, some nuts, cherries, a banana. The fruits, the colours, mesmerize me in a quiet rapture that spins through my head. I am entranced by colour. I lift an orange into the flat filthy palm of my hand and feel and smell and lick it. The colour orange, the colour, the colour, my God the colour orange. Before me is a feast of colour. I feel myself begin to dance, slowly, I am intoxicated by colour. I feel the colour in a quiet somnambulant rage. Such wonder, such absolute wonder in such an insignificant fruit. I cannot, I will not eat this fruit. I sit in quiet joy, so complete, beyond the meaning of joy. My soul finds its own completeness in that bowl of colour. The forms of each fruit. The shape and curl and bend all so rich, so perfect. I want to bow before it. Loving that blazing, roaring, orange colour...Everything meeting in a moment of colour and form, my rapture no longer abstract euphoria. It is there in that tiny bowl, the world recreated in that broken bowl. I feel the smell of each fruit leaping into me and lifting me and carrying me away. I am drunk with something that I understand but cannot explain. I am filled with a sense of love. I am filled and satiated by it. What I have waited and longed for has without my knowing come to me, and taken all of me. For days I sit in a kind of dreamy lethargy, in part contemplation and in part worship. The walls seem to be singing. I focus all of my attention on the bowl of fruit. At times I fondle the fruits, at times I rearrange them, but I cannot eat them. I cannot hold the ecstasy of the moment and its passionate intensity. It seems to drift slowly from me as the place in which I am being held comes back to remind me of where I am and of my condition. But my containment does not oppress me. I sit and look at the walls but now this room seems so expansive, it seems I can push the walls away from me. I can reach out and touch them from where I sit and yet they are so far from me."

"We both instinctively knew never to share weakness until you understood it. ‘Share only strength’ was an unspoken motto between us."

"Consolation is about sharing loneliness and making it bearable."

"This is a city of the muses. For poets, painters and composers. This is the artists' enclave. This is Venice and Florence waiting to be explored, and I dream it still."

"I loved the exuberance of the place. A sense of liberation and love of life penetrated every room. His home was like his poetry, full of hints of fantasy, allegory and hedonism. Neruda's presence was everywhere writ large on the house. He had build it, seemingly haphazardly without any architect's plans or permission from authority. In a sense, the house had the same structure as a poem on first reading — awkward and confused. Yet wandering through it was like wandering through his poems. Suddenly everything fell in to place. A romantic avant-garde poet could not have lived anywhere else."

"Once again Chile reduces us to what R. L. Stevenson called 'the virginity of senses' where words cannot match the impressions received."