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April 10, 2026
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"That day I learnt that in the big fat world of Bollywood, the problem isnât whether the pyramid should be inverted or not. The problem is there isnât any pyramid. ... In Bollywood, stars don't support small, meaningful cinema. They are more inclined to support a leave-your-brains-at-home kind of cinema, if only it can be called cinema. ... There is a mindset in Bollywood that doesn't let Indic ideas flourish."
"Sadly, Bollywood doesnât invest in R&D. Thatâs why most of our films have no insights to offer. As a result, small, independent films have become the R&D lab for the Indian film industry. These films have to do an extraordinary research, for their only strength is transporting the audience to another universe, where they can feel and relate with the characters, their concerns, and their behaviour. In the mainstream films, the world is unreal, devoid of any real human concern, and the characters are like caricatures. Hence, this kind of cinema ends up becoming âEscapist Cinemaâ. Like a circus."
"The Sadhu lynching happened a couple of weeks ago; still no one said a word. It happened in Maharashtra where most of these celebrities resideâŚBollywood anyway is a derived name from Hollywood. It is a shame they [Bollywood celebrities] continue to live in a bubble and never fail to jump on the bandwagon, which can give them two minutes of fame, but âwhite peopleâ must drive the bandwagon. Perhaps, it is because of their pre-independence colonial slavery genes. ... Even for environmental issues, you see them fight for a white teenage kid but so many incredible elderly women and even children. They are doing exceptionally well in India on environmental matters without any help or support. Some of them were honoured with the Padma Shri award. I was amazed to see their stories, but they never get the same acknowledgement from the industry. Perhaps, sadhus or tribal people arenât fancy enough for the Bollywood crowd or their followers."
"[Marathi film actress Asha Kale] was popular in Marathi films and known for her extremely "sojwal" (i.e. saintly, goody-goody, suffering doormat, weepy) roles. In this rally, Asha Kale addressed the crowd and revealed her extreme repugnance to injustice and to the very saintliness she was compelled to play in films. She pointed out that often when she played these extremely "sojwal" roles, she actually felt very humiliated and depressed at having to depict "saintly" women who encouraged abuse and injustice by tolerating it in a doormat manner, and (or so she claimed) actually shed tears over this after returning home from the day's shoot."
"The "Amar-Akbar-Anthony" brand of film propaganda has always been an indispensable feature of our Film industry. It has served to highlight this "composite" culture, by presenting stereotypes of blatantly West-Asianized Muslims and blatantly Europeanized Christians, insisting all the time on the "Indianness" of these stereotypesâŚ. The entertainment media have played no mean role in carrying on this brand of propaganda. The calculated glorification of Urdu, of Lucknow tehzib, of the Mughals, of gazals and qawwalis, etc., and the subtle ridicule of Sanskritized Hindi, has been a basic feature of the Hindi film industryâŚ"
"So many independent-film-crusaders have turned mainstream-bollywood-flunkies now. These are the same people who used to rant 24/7 about the âsystemâ for attention before they were given entry into the pearly gates of mainstream Bollywood. #Hypocrisy much?"
"Kashmiri Files KILLED BOLLYWOOD. The MONSTROUS SUCCESS of KF (Kashmir Files) will permanently change BOLLYWOOD in the following ways: 1. It will start making a lot of serious films on serious issues. 2. It will start focusing on content and not on stars, budgets and extravaganza. 3. It will start making films with actors rather than stars. 4. It will henceforth not depend on songs to make a hit film. 5. It will finally show its face with pride to world cinema instead of being apologetic about the Indian audience. 6. Its top 6 or 7 production houses and makers will cease to be at the top and will lose their control because Kashmir Files has proved that anyone can come out of anywhere to sit at the top which is the ultimate democratisation of cinema. 7. More than anything else it will start taking the audience seriously and not anymore presume them to be mindless dumbos who will only see masala films .â âI want to sum up by saying that Bollywood will be permanently divided into 2 eras as pre #KashmiriFiles Bollywood and post #KashmiriFiles Bollywood. I want to touch the feet of @Vivekagnihotri and the entire team of #KashmiriFiles for BREAKING the foundations of BOLLYWOOD so as to BUILD A BRAND NEW BOLLYWOOD.â"
"âFor the first time in my entire career, I am reviewing a filmâ. Ram also said, "Kashmir Files released and broke every rule in the book. It doesn't have stars. There is no intention in the director to impress the audience which is what every filmmaker will be trying to do. He wants to impress." He added that from now onwards when any director or filmmaker plans any new film 'they can't help but study and refer back to Kashmir Files'. At the end of the video, he concluded, "I hate Kashmir Files because it destroyed whatever I learned, whatever I thought was right and whatever I thought was in at multiple times. I can't go back and I can't reinvent myself and can't rethink now, 'Oh, this is how it should be made'. No, can't. So I hate Kashmir Files whether it is the director or acting style or it is the way the screenplay was made...I hate all of them because you guys made me and all of the filmmakers I would say lose our identity...I hate all the people associated with Kasmir files but I love Vivek Agnihotri for making this happen." Sharing his review on Twitter, he wrote, âDonât take at face value that mainstream Bollywood, Tollywood, etc are ignoring the mega success of #kashmirifiles. The reality is they are taking it more seriously than the audiences, but their silence is because they are s*** scared. Watch my review.â He also added, ".@vivekagnihotri single-handedly (footedly) kicked on the following myths a**** 1. Only big stars can get people into theatres, 2. Only mega budgets can get people into theatres, 3. Only #KapilSharmaShow can get people into theatres, 4. Only super hit songs can get people into theatres.""
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.