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April 10, 2026
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"The Modernist’s command was Pound’s “Make it New.” The postmodern imperative is “Get it Used.” The more used the better."
"Unchecked, the tourist will climb over the fence and come right into your house to take pictures of you in your habitat. Cities mindful of tourists have built elaborate “tourist traps” which, luckily, work. Tourists are kept confined to these, and few escape. There is, of course, the type known as the “intrepid tourist.” This one has to be watched carefully or he can become most annoying. Little wonder these are so often the target of terrorists. If there is an aspect of benign terror about the tourist, there is also a great deal of tourist in the terrorist. Terrorists travel with only one thing in mind, just like the tourist, and the specifics of places escape them both. Terrorists travel for the purpose of shooting unsuspecting foreigners, just as tourists travel for the purpose of shooting them with a camera."
"The language of the game is interesting. You can think of the pauses as caesuras, breaks between the lines. As a poem the game is composed of a number of short lines representing the pitches. The number of lines per batter form a stanza. Then there is a space. Sometimes the stanzas become breathless, rushing full paragraphs that build rapidly on each other until the poem-inning explodes. The poem lives for this sudden blossoming out of prosodic regularity. Should someone make a computer analysis of baseball prosody, I believe that they would come up with something close to the prosody of some great American lyrical epic, Whitman’s Leaves of Grass, let’s say, or Doc Williams’s Patterson.... The game is definitely an epic … formed of many lyrical moments dependent on silences for their effectiveness. An unfolding story punctuated by brief emotional swellings."
"There is undoubtedly something religious about it: everyone believes that they are special, that they are chosen, that they have a special relation with fate. Here is the test: you turn over card after card to see in which way that is true. If you can defy the odds, you may be saved. And when you are cleaned out, the last penny gone, you are enlightened at last, free perhaps, exhilarated like an ascetic by the falling away of the material world."
"Only the poor can create art."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.