"One of the images I first saw in my head when I read the screenplay was a plain landscape towards dusk," says Fukunaga over the phone from his home in New York. "There was a still, Magritte-like light hanging in the sky and these two cold, hard characters at the front, staring at a burned-out church. I loved the starkness of that, the openness of everything being exposed to the air. There's a lot of two-hander dialogue in True Detective, and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling."