"Considering how readily musicologists criticize one another — witness the merciless footnotes (and reviews) of so many books and articles — the innocent bystander must find it strange that they remain unwilling to venture judgments about the quality of the music around which they work... But it is hard to see what can be the purpose of musicology if not to advise people on what to hear and how to hear it. Separating out the good, the bad and the indifferent, and helping listeners enjoy the best, is surely the least we can offer society in return for our keep."
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Sources
Daniel Leech-Wilkinson, in "The good, the bad and the boring" in Companion to Medieval & Renaissance Music (1997)
https://en.wikiquote.org/wiki/New_musicology
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New musicology
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research—of the early 20th century and postwar era. Many of the procedures of new musicology are considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was nota
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