"My 'Pomone' live in a bright world, with their sunny disposition, full of humanity, of abundance, and of great sensuality. they represent a happy season that breaks the tragic time of war. in all these images, femininity is enriched with all its past meanings, those most inherent, most mysterious: a sort of unavoidable necessity, of unmovable stillness, of primitive and unconscious fertility. The figure, the statue, instead demands a wider research of shapes, of lines, of bodies. My women, that some find awkward, respond to this preoccupation. In the figure, I propose to myself to deepen the way I play with volume in a togetherness that is always more united, more steady, yet also free and nimble. But this research on volume is not the only premise of the sculptor, who need not ever forget what moves most in a sculpture is always its inspiration."
Quote Details
Added by wikiquote-import-bot
Unverified quote
0 likes
Original Language: English
Available Languages (1)
Sources
Quote of Marini; as cited in 'Sculptures: Horsemen', on the website of the Marini Museum
https://en.wikiquote.org/wiki/Marino_Marini
Revision History
No revisions have been submitted for this quote.
Categories
Marino Marini
Marino Marini (27 February 1901 - 6 August 1980) was an Italian sculptor artist, famous for his many sculptures of 'Horse and Rider'.
14 quotes on TrueQuotesView all quotes by Marino Marini →
Related Quotes
"We must enter into the spirit of the character [for making a portrait]: here the challenge is to place this figure in…"
"There is an intimate relationship between my pictorial [2-dimensional] and my sculptural work. I would never begin on…"
"My equestrian statues express the torment caused by the events of this century. the restlessness of my horse increase…"
"Equestrian statues have always served, through the centuries, a kind of epic purpose. They set out to exalt a triumph…"
"The Romantic painters were already addicted to a cult of the horse as an aristocratic beast.. ..From Géricault and Co…"
"Until the end of the fascist era and of the war [World War 2.], I continued to hark back to the sober realism [in his…"
"I am no longer seeking, in my own equestrian figures, to celebrate the triumph of any victorious hero. On the contrar…"
"My equestrian figures are symbols of the anguish that I feel when I survey contemporary events. Little by little, my …"
"But I am no longer trying to formulate a stylised version of anxiety such as we find in the Laocoon group and in so m…"
"I had been born in an Earthly Paradise [in Tuscany, Italy] from which we all have expelled. Not so long ago a sculpto…"