"…not only the figures looked very beautiful, but the features and workmanship could be very distinctly perceived, so that neither in silver or wax could such figures be engraved with greater nicety, fineness or perfection…The From the pavement of this chapel issued a body from the waist upwards of so enormous size, that it fills the whole vacuum in length and breadth of the chapel: it has three large faces, the middle one looks to the north, the second to the west, and the other to the east. Each of these faces has two hands, and on the neck two large necklaces, wrought with considerable perfection. The figures have on their heads three very beautiful crowns.…[the interior was covered with a fine coat of lime and bitumen which] made the Pagoda so bright, that it looked very beautiful and was worth seeing."
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(c) ‘Remarkable’ and ‘stupendous’ temple, the Mahesa-murti “curious and beautiful crown on the head,” Portuguese historian, Diego do Couto Partha Mitter, Much Maligned Monsters, History of European Reactions to Indian Art, Oxford University Press, 1977, quoted from Jain, M. (editor) (2011). The India they saw: Foreign accounts. New Delhi: Ocean Books. Volume III Chapter 5
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Elephanta Caves
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