"Yes, we [= Marianne von Werefkin and Gabriele Münter shared very much the same tastes and ideas, when we lived together in this house (the 'Russian house' in Murnau]. She was extremely perceptive and intelligent, but Jawlensky (Marianne's husband', but not married] didn't always approve of her work.. .Suddenly Jawlensky would pick on some tiny detail of one of Marianne’s best and most original pictures and exclaim: 'That patch of color, there, is laid on much too flat and smoothly. It's just like old Riepin [Russian painter [[w:Ilya Repin|Ilya Repin], and former art teacher of them both]. Of course it was nonsense and he was only saying it to annoy her. But Jawlensky really was a devotee of the 'touche de peinture' of the French Fauvists, rather than an innovator - a believer in a new kind of art of the future."
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Gabriele Münter in a late interview 1958; as quoted in 'Dialogues – conversations with European Artists at Mid-century' Edouard Roditi, Lund Humphries Publishers Ltd, London, 1990, p. 118-119
https://en.wikiquote.org/wiki/Alexej_von_Jawlensky
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Alexej von Jawlensky
Alexej Georgewitsch von Jawlensky (March 13, 1864 – March 15, 1941) was a Russian Expressionist painter active in Germany, Munich in the 'Blaue Reiter / Blue Rider' and after 1914 in Switzerland, together with Marianne von Werefkin, many years his life-companion, till 1921.
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