Women Born In The 19th Century

"Shatter her beauteous breast ye may; The Spirit of England none can slay! Dash the bomb on the dome of Paul's, — Deem ye the fame of the Admiral falls? Pry the stone from the chancel floor, — Dream ye that Shakespeare shall live no more? Where is the giant shot that kills Wordsworth walking the old green hills? Trample the red rose on the ground, — Keats is Beauty while earth spins round! Bind her, grind her, burn her with fire, Cast her ashes into the sea, — She shall escape, she shall aspire, She shall arise to make men free: She shall arise in a sacred scorn, Lighting the lives that are yet unborn; Spirit supernal, splendor eternal, !"

"Charles and Theresa entertained many friends at ‘Woodlands’ including , , , Henry James, Thomas Croft, and members of the Lushington family who also lived locally. Edward Burne-Jones was particularly keen to visit. He had previously stayed with his friend Stanhope at neighbouring ‘Sandroyd House’ which had been built in 1860 for the pre-Raphaelite painter by the architect , and visited the lovely fir woods in the surrounding area. Theresa’s garden was much admired by those in her circle, it comprised a terrace with planters, beds and borders of hardy plants and a in which she also grew culinary herbs."

"... Horticultural Show in the Temple Gardens. I go every year now, and should be sorry to miss it. How odd it seems, that for years and years I never went to a , or knew anything about them, and now they have become one of the interests of my life! The great attraction this year is the revival of what are called old-fashioned late single Tulips—Breeders, Flames, &c. Those who like to buy the bulbs, ordering them carefully by the catalogue, may have their gardens gay with Tulips for over two months, certainly the whole of April and May."

"Many people would say, 'So strict a way of would make life unbearable,' but after a time this strictness so changes the tastes the simpler foods are really enjoyed, and I distinctly think, that when people have dieted for several years, the amount of harm done by an occasional relapse is so small that the social convenience of it makes it worth while, so long as it is acknowledged as a concession to weakness and not a thing to be continued. It is what is done every day that matters."

"Heritage must not be sacrificed for progress. What matters for now is for every Filipino to protect our tradition and let no one distort it under the guise of modernization."

"The story of Margaret Haughery is one of the sweetest ever told. Her life is a lesson of love in charity which this age needs to learn. While philanthropists and social workers vainly talk about problems, she solved them; for she met those problems with the wisdom that came from the love of her big Irish heart. In her simple life we read again the lesson that there is but one way to become great in the Kingdom of God. And because she found that way, Margaret Haughery, the "Mother of the Orphans," is entitled to a high place among the great wives and mothers who have brought glory to the Catholic Church."

"We didn't do anything but just work at the club … day in and day out, I never knew what Sunday was, Christmas was ... anything."

"The New Woman is she who had discovered herself, not relatively as mother, wife, sister, but absolutely...she recognises her restrictions, and she further recognises that these restrictions must be struggled against, not in the direction of denying her nature, but rather of shaking off every artificial restraint and repression which will in any way hinder her own full and free development..."

"We want to grow as flowers of the field are permitted to grow, whether they be of male or female form. We want to develop as do the mothers of the animal world where infanticide or female subjections are alike unheard of and undesired. Let woman but have free course and she will glorify not only herself, but the whole race; and in order to her having free course our request for woman is only this, that she may have a fair field and no favour, freedom to give expression to her own powers. Our New Zealand University has been thrown open to women on the same terms as men, and nothing but good has eventuated. Our professions have been thrown open to women, and neither have the skies fallen nor wedding bells ceased to peal.Our polling booths have been thrown open to women, and drunkenness and rowdyism, bribery and corrupt practices have in great measure given place to decency, good order and kindly camaraderie. Let the Civil Service, and other posts, appointments and positions in the colony-or beyond it for that matter-be thrown open to women. In a word, let disability of sex be withdrawn, as have those other disabilities of colour, race, caste and class, and only good will result..."

"...I would rather have this new woman - even in her occasional perversity, exaggeration, and revolt - than the female oyster who discovers no interest in life outside the limits of her own shell."

"...The political head of this colony says women do not want the removal of their disabilities. I can believe that a few women, through sheer ignorance, say they do not want it. I can believe that some dare not admit they want it. But that the majority do not want it is, I believe, simply untrue. We women of the National Council do not pay annual visits to the towns of the colony for our own amusement. There is no royal road to the capacity for real service, as there is no royal road to any supreme attainment, and we who have taken up the white woman's burden of responsibility in this corner of our great Empire are bound to do what we can to put an end to this hell born conspiracy of silence which is eating into the very vitals of our humanity. We crave for education and free and unhampered life-a life of wholesome economic independence. It is perhaps too much to expect those who have grown up in indifference or ignorance to adjust themselves to the new conditions which a century of scientific discovery has rendered inevitable, but surely our younger brothers who have grown up side by side with our girls in the happy comradeship of mixed schools and colleges will range themselves, as I believe they are already doing, on the side of justice and right."

"The question is often asked, "What do women want?" We want men "to stand out of our sunshine"; that is all."

"In the gloaming, oh, my darling! When the lights are dim and low, And the quiet shadows, falling, Softly come and softly go."

"Upon her reception to the Wellington women's branch of the Labour Party: "The women of New Zealand have at last arrived,""

"I am a very ordinary type of woman, but I can get on with all women, irrespective of their political outlook."

"Regarding her father, Edwin John Howard, a member of the Canterbury General Labourers' Union and Labour MP for Christchurch South:"I am what I am because of the training my father gave me,""

"I am going to work really hard to improve health conditions in New Zealand, because I think it is work which can best be handled by a woman."

"From her 1923 article, "The first girl graduates": 'It is too soon yet...for a complete answer to be given to this question, but thousands of university women are proving by their lives that it has not unfitted them for home-making, the noblest sphere of women's work.'"

"1895: "I am slowly settling down to an oldmaidship, and I have only one prominent idea and that is that nothing will interfere between me and my work.""

"To her brother, August 1940: "My aspect of the family talent, or curse? has taken the form of a deep intellectual experience, a force which has given me no rest or peace but infinite joy and sometimes even rapture.""

"But au fond-deep in my work-I am steadfast and steady as a rock... My present work is consistent-I shall sink or swim by it-I think swim-."

"To her mother, 1921: "Don't let N Zealand wait to put up a memorial tablet to my memory—let her help me now whilst I am working at work that I hope will live after me.""

"In describing a town in Morocco, Tétouan: "The whiteness and pearliness of the town simply defies you-you can't get it pure and brilliant enough and the shadows drive one silly-you race after them , pause one frenzied moment to decide on a blue mauve yellow or green shadow-when up and over the wall and away and the wretched things gone for that day at least and you are gazing at a glaring blank wall and wondering why on earth you ever started to sketch it.""

"Painting reduces me to tears and misery: peaks of ecstasy, depths of disillusion..."

"1912: "I was born in Dunedin; we were an English family in a Scottish settlement.""

"It is one of the tragedies of leaving Home—New Zealand is too far away—it ceases to be real. New Zealanders like myself cannot help becoming de-nationalized—they have no country—it is sad—but true ... Art is like that—it absorbs your whole life and being. Few women can do it successfully. It requires enormous vitality. That is my conception of genius—vitality.""

"To Dorothy Kate Richmond, 1903: "Come to Tetuan. Come—catch the next steamer, cancel all engagements, chuck the studio let everything go to the winds only come without a moment's delay and value for yourself all the dreams of beauty colour and sunshine...""

"Process work doesn’t appeal to me. That’s why I like drypoint and not just an etching. I’ve done only twenty-five bitten etchings in my life because I don’t care for all that business that goes on that gets between you and the work. I love drypoint and I think that actually it gives you the same wonderful satisfaction that carving in stone must give to a person. You’re really making something with great effort. And I think that effort is very important in the production of any work of art. If it’s too easy, if you’re just gliding around on a wax surface and then biting it in acid, it doesn’t give you that sensation of making something … That wonderful feeling that you have for the material and the real strength that you have to employ to get the line the right depth and richness and to do the cross-hatching so that the metal doesn’t break down but still you get a rich black. It gives you, oh, a great sensation"

"Pin-head, parsimoniously covered with thin dark hair, on a short, dumpy body. Small features, prominent nose, chipmunk teeth and no chin, conveying the sharp, weak look of a little rodent. Absent-minded eyes with a half-glimmer of observation. Prim, critical mouth and faint coloring. Personality lifeless, retiring, snippy, quietly egotistical. Lacks vigor and sparkle."

"Art has always been a big part of my life, I can always remember sitting down and painting and drawing with my sisters, and art would always be spoken about. When I was studying the IB I then realised that all I wanted to do was make art and that’s when I decide to take a gap year and then apply for City and Guilds."

"This year I have been looking the play Antigone by Sophocles. At the beginning of my project I tried to find as many classical painting representations of the play and then I work from these paintings to create my own work."

"The Garden of Earthly Delights by Bosch, I am obsessed with it."

"I am really interested in the beauty of these paintings and the dark tales that they often depict, and this battle between aesthetic beauty against the dark truth of human behaviours."

"I am really inspired by Flora Yuknovich’s work, I think as soon as I arrived at City and Guilds and saw her paintings I feel in love with them. I am also really inspired and fascinated with botanical studies and love visiting Kew Gardens. Within my work I try to bring the loose, bold and dynamic style of Flora’s work alongside the minute details found in floral studies, whilst recreate and transcribing classical mythological paintings."

"I have just completed my degree series which I have been working on in lockdown. I have really enjoyed making it, however my dream series at the moment is just being able to make work in a large studio where I can work to any scale and have space to stand back. Lockdown had really shown my the importance of having a studio and the space to look at your work."

"When I paint I listen to the Harry Potter audiobooks on repeat."

"My work is inspired by Renaissance period paintings depicting Greek mythology. I am currently focusing on The Odyssey by Homer. The Renaissance paintings represent the drama within these stories, with dynamic compositions and rich colours. I use a range of different paintings depicting the myth to create a collage on Photoshop, breaking down the classical structure and the figuration; creating contrasts between scale, composition, figuration and abstraction. From them, I create large-scale paintings constructed in layers using a variety of mediums; oil, gouache and acrylic."

"Whaaaaa I’m not sure, on my gap year I worked on a super yacht which was a crazy, exhausting and bind blowing all at the same time."

"The paintings start with a layer of gouache, blocking in colour and mapping out movement. Then acrylic paint is used for the floral patterns to intensify the placement of colours and black/grey structural lines breaking through the work. For some time now, I have been developing the use of organic floral forms to apply a different painting language when recreating these classical paintings. I am interested in breaking down the barriers between the decorative and the fine arts. So, rather than purely decorative, I see the floral and feminine forms as a different language of abstraction. In this layer, the acrylic is built up and overlaps with changes in scale to create depth. In the final layer oil paint is used, which is applied in glazes to push back areas and for the floral patterning. The oils create a unique, opaque effect as they sit on the surface."

"Be companions for your sons and daughters if you would stop the tide of immorality. A young girl has no business out to a party or church or picnic without some older member of her family or woman friend. Teach the boys to come home at night. Teach them the sin of ruining some man’s daughter. These lessons can be taught around the fireside at night, from the pulpit, in the school room, in mothers’ meetings; and there should be a mothers’ meeting in every community. They can be instilled in many ways. Help secure a minister and teacher who will take an interest in the physical and moral improvement of our families, and together with what we women can do and our ministers and teachers, we shall be able to make some progress in the coming ten or fifteen years which will prove to our enemies that our condition physically and morally is nothing inherent or peculiar to race, but rather the outcome of circumstances over which we can and will become masters. In this way and only in this way will [we] satisfy the men and women, both North and South, who still have faith in us. Let us teach our boys and girls some useful occupations, let us insist upon an intelligent and moral ministry, let us employ teachers only who are above reproach, and above all let those of us who have had an opportunity, who have educational advantages, modify our cause lines stoop down now and then and lift up others."

"We eat too little or too poor food. We are ready to buy showy clothing, but we stint our stomachs too often. They call us great eaters. Let us eat more and better food. There is very little vitality in grits and gravy. Get fresh women, but to their offspring. Keep regular hours. Do not stay in church till 12 and 1 o’clock at night. Go to bed at 10, especially if you labor through the day. When you get up in the mornings air the bedding, open up things for a while and let the sunshine in. When the little child comes do not have an ignorant granny, secure a good physician in addition to at least a clean nurse. Apply your lessons of bathing, feeding, sleeping to these little ones, remembering, of course, their age. Teach the boys as well as the girls respect for the marriage tie and home."

"Man is a product of the earth’s surface. This means not merely that he is a child of the earth, dust of her dust; but that the earth has mothered him, fed him, set him tasks, directed his thoughts, confronted him with difficulties that have strengthened his body and sharpened his wits, given him his problems of navigation or irrigation, and at the same time whispered hints for their solution"

"The majority of cases of consumption are not inherent, but are contracted through lack of thought and interest in one’s own self. How many of our women during their pregnancy make nothing of lifting from one bench to another heavy tubs of clothes, drawing buckets of water, lift great sticks of wood, run up and down stairs, and a dozen other similar things entirely against them. They do not know the laws of health, and they will not learn them. No, I do not say do not work during the months of unborn motherhood; work, even hard work, is good for one, but the manner in which labor is performed is what I criticize. As women can we not do something to correct our condition physically and morally? I think we can"

"Go North or South, East or West, and the numbers of the dens of abandoned women, of profligate men is too large. These are the breeders of disease and the millstone of the race. You say there are causes for all these, causes for which we are not responsible. I admit this much, but there are also causes for which we are responsible. And the fact that there are causes ought to make us hopeful, because we have it in our power to remove these causes. It will take time, however, and it will take wise and consecrated women to effect a change along these lines. Not only are poverty, ignorance and intemperance the cause of all this misery, but downright negligence, too, plays a large part in these matters. Colored men drive, cut wood, unload ships, etc., all day in the pouring rain, at night they throw themselves onto a bed and sleep without removing their wet clothes. Our women are little or no better. What is a better feeder for pneumonia and all forms of tuberculosis? The men clean streets, sweep and dust great buildings, with no effort to keep the throat clear of dust and dirt."

"The average colored person dislikes water, and he won’t keep himself clean. He bathes, if at all, once a week Saturday night and changes his clothes in the same indifferent way. He seldom uses a tooth brush. He often even neglects to comb his hair, except on Sunday. There is no excuse for this. Bathe at least twice a week, and change the clothes as often, and be sure to clean the teeth at least once a day, and do not forget to comb the hair each day."

"An important characteristic of plains is their power to facilitate every phase of historical movement; that of mountains is their power to retard, arrest, or deflect it. Man, as part of the mobile envelope of the earth, like air and water feels always the pull of gravity."

"I do not mean to tell you, or leave the impression, that all of the disease and immorality in the race are confined to what we are pleased to call our poorer classes or second class folks. There is too much in our higher classes, especially in the case of too many men who as fathers of the girls and boys who, in their turn, will be fathers and mothers of other girls and boys. And does hereditary influence count for nothing? Study your own family as far back as your great grandparents and you will agree with me when I say hereditary influence is a mighty power in the formation of character, physical, as well as moral."

"I give you now these facts for five of our large Southern cities: these relate especially to the death rate of colored people in excess of white people: Rate per thousand in city No. 1, colored 36, white 19; city No. 2, colored 36, white 22; city No. 3, colored 37, white 22; city No. 4, colored 32, white 18; city No. 5, colored 35, white 17. This gives us a decrease in race by death rate in these five cities, in excess of the white people, who already so far outnumber us, respectively 100, of a fraction, 68 and over, 77 and over, and 106 per cent. In one of the large Western cities, and this is not Chicago, either, the death rate of colored people is more than twice that of the white people. Pneumonia and consumption are our most deadly foes. They are not standing still, but are on the increase in every city I have mentioned. In one Northern city alone, in one year, out of ten thousand, there was an excess of deaths, caused by pneumonia and consumption, of 135 percent of colored people over whites; colored dying, 225, and whites, 126."

"We are very often inclined to treat this subject lightly by saying that we are a great reducing race, but I have no patience with this indifference, for it is simply impossible for any race to balance any such loss at this. And now, more than this, women, wee are not so productive as we used to be. I do not know why, I wish I did. I would count no sacrifice too great to bring about a change in this respect. My grandmother had thirteen sons and daughters, every one of whom lived to rear large families. My mother had ten, most of whom have lived long enough, but they have no children. In the whole ten of us, all grown, there are only two children, and they are the children of the youngest girl, who is now 27 years of age, and there has never been more than these, and what is worse, there never will be. Study this race question, this phase of it, and you will find what I say to be true."

"The Indian may now become a free man; free from the thralldom of the tribe; free from the domination of the reservation system; free to enter into the body of our citizens. This bill may therefore be considered as the Magna Carta of the Indians of our country."