"The Kailash temple at Ellora, a complete sunken Brahmanical temple carved out in the late seventh and eighth centuries A.D. is over 100 feet high, the largest structure in India to survive from ancient times, larger than the Parthenon. This representation of Shiva's mountain home, Mount Kailash in the Himalaya, took more than a century to carve, and three million cubic feet of stone were removed before it was completed. An inscription records the exclamation of the last architect on looking at his work: “Wonderful! O How could I ever have done it?”"

"The design of the Kailasa remained, for all time, the perfect model of a Shivalinga, - the temple craftsman's vision of Shiva's wondrous palace in his Himalayan glacier, where in his Yogi's cell the Lord of the Universe, the great magician, controls the cosmic forces by the power of thought; the holy rivers, creating the life in the world below, enshrined in His matted locks; Parvati, His other Self, the Universal Mother, watching by His side."

"A hoIlowed-out space in living rock is a totally dIfferent environment from a building constructed of quarried stone. The human organism responds in each case with a different kind of empathy. Buildings are fashioned in sequence by a series of uniformly repeatable elements, segment by segment. from a foundation upwards to the conjuction of walls and roof; the occupant empathizes with a visible tension between gravity and soaring tensile strength. Entering a great building is to experience an almost imperceptible tensing in the skeletal muscles in response to constructional tension. Caves, on the other hand, are scooped out by a downward plunge of the chisel from ceiling to floor in the direction of gravity; the occupant empathizes with an invisible but sensed resistance, an unrelenting presence in the rock enveloping him; sculpted images and glowing pigments on the skin of the rock well forth from the deeps. To enter an Indian cave sanctuary is to experience a relaxation of physical tension in response to the implacable weight and density of solid rock."

"Afghanistan never did have any monuments on the world heritage list. As far as I know, nine different monuments have been nominated over time for inclusion on the world heritage list. The world heritage committee just opened their meeting for this year, and there is one Afghan monument, the minaret at Jam, being considered this time. Because of the sympathy and the general feeling about Afghanistan these days, people seem to think it has a good chance of being put on the list. But the reason the nine others never got on the list was because the government of Afghanistan could not fulfill the requirements for their protection."

"Chiseled out of reddish Nubian sandstone, the physical landscape of Petra evokes Nabataean times. Abandoned tombs and stone rubble covering the flanks of the s that were once residences or public buildings, are hidden in the great rift mountains overlooking the Wādī ‘Arabah — they all speak eloquently of the bustling city of Petra that used to be and is now a spectacular architectural wonder, and recently elected one of the ."

"A statistical analysis of the orientation of Nabatean sacred monuments demonstrates that astronomical orientations were often part of an elaborated plan and possibly a trace of the astral nature of the Nabataean religion. Petra and other monuments in the ancient Nabataean kingdom have proven to be marvellous laboratories for the interaction between landscape features and astronomical events, showing impressive hierophanies on particular monuments related to cultic times and worships. Among other findings, the famous Ad Deir has shown a fascinating ensemble of light and shadow effects, perhaps connected with the bulk of Nabataean mythology, while from the impressive Urn Tomb, a series of suggestive solstitial and equinoctial alignments emanate which might have lately helped its selection as the cathedral of the city."

"... archaeologists are discovering that ancient Petra was a sprawling city of lush gardens and pleasant fountains, enormous temples and luxurious Roman-style villas. An ingenious water supply system allowed Petrans not just to drink and bathe, but to grow wheat, cultivate fruit, make wine and stroll in the shade of tall trees. During the centuries just before and after Christ, Petra was the Middle East's premier emporium, a magnet for caravans traveling the roads from Egypt, Arabia and the Levant. And scholars now know that Petra thrived for nearly 1,000 years, far longer than previously suspected."

"O passing beautiful—in this wild spot Temples, and tombs, and dwellings,—all forgot! One sea of sunlight far around them spread, And skies of sapphire mantling overhead. They seem no work of man’s creative hand, Where Labour wrought as wayward Fancy plann’d; But from the rock as if by magic grown, Eternal—silent—beautiful—alone! Not virgin white—like that old Doric shrine Where once Athena held her rites divine: Not saintly grey—like many a minster fane That crowns the hill, or sanctifies the plain: But rosy-red,—as if the blush of dawn Which first beheld them were not yet withdrawn: The hues of youth upon a brow of woe, Which men call’d old two thousand years ago! Match me such marvel, save in Eastern clime,— A rose-red city—‘half as old as Time!’"

"It seems no work of Man’s creative hand, By labour wrought as wavering fancy planned; But from the rock as if by magic grown, Eternal, silent, beautiful, alone! Not virgin-white like that old Doric shrine, Where erst Athena held her rites divine; Not saintly-grey, like many a minster fane, That crowns the hill and consecrates the plain; But rose-red as if the blush of dawn, That first beheld them were not yet withdrawn; The hues of youth upon a brow of woe, Which Man deemed old two thousand years ago. Match me such marvel save in Eastern clime, A rose-red city half as old as time."

"…Sooltan Mahmood now attacked one of the forts in the Koombulmere district, defended by Beny Ray, the deputy of Rana Koombho of Chittor. In front of the gateway was a large temple which commanded the lower works. This building was strongly fortified, and employed by the enemy as a magazine. Sooltan Mahmood, aware of its importance, determined to take possession of it at all hazards; and having stormed it in person, carried it, but not without heavy loss; after which, the fort fell into his hands, and many Rajpoots were put to death. The temple was now filled with wood, and being set on fire, cold water was thrown on the, stone images, which causing them to break, the pieces were given to the butchers of the camp, in order to be used as weights in selling meat. One large figure in particular, representing a ram, and formed of solid marble, being consumed, the Rajpoots were compelled to eat the calcined parts with pan, in order that it might be said that they were made to eat their gods…"

"Sultãn Mahmûd started again in AH 863 (AD 1458-59) for punishing the Rajpûts. When he halted at ÃhãD, Prince Ghiyãsu’d-Dîn and Fidan Khãn were sent towards Kîlwãrã and Dîlwãrã in order to lay waste those lands. They destroyed those lands and attacked the environs of Kumbhalmîr....“When they came to the presence of the Sultãn and praised the fort of Kumbhalmîr, the Sultãn started for Kumbhalmîr next day and went ahead destroying temples on the way. When he halted near that fort, he mounted his horse and went up a hill which was to the east of the fort in order to survey the city. He said, ‘It is not possible to capture this fort without a siege lasting for several years’…159"

"Expansive, breathtaking, majestic and spectacular—these are some of the adjectives that come to mind when one tries to capture the vision of the stonewalls of this famed fort that embraces the arid, westerly edges of the Aravalli Hills in Rajasthan."

"…Sultãn Qutbu’d-Dîn felt insulted and he attacked the fort of Kumbhalmîr in AH 860 (AD 1455-56)… When he reached near Sirohî, the Rãjã of that place offered battle but was defeated....“From that place the Sultãn entered the kingdom of RãNã Kumbhã and he sent armies in all directions for invading the country and destroying the temples…166"

"When he halted near Kumbhalmîr which was a very big fort of that province, and well-known for its strength all over Hindustãn, Devã the Vakîl of the Governor of Kumbhã took shelter in the fort and started fighting. It so happened that a magnificent temple had been erected in front of that fort and surrounded by ramparts on all sides. That temple had been filled with weapons of war and other stores. Sultãn Mahmûd planned to storm the ramparts and captured it [the temple] in a week. A large number of Rajpûts were made prisoners and slaughtered. About the edifices of the temple, he ordered that they should be stocked with wood and fired, and water and vinegar was sprinkled on the walls. That magnificent mansion which it had taken many years to raise, was destroyed in a few moments. He got the idols broken and they were handed over to the butchers for being used as weights while selling meat. The biggest idol which had the form of a ram was reduced to powder which was put in betel-leaves to be given to the Rajpûts so that they could eat their god."

"Sooltan Mahmood, in the year AH 863 (AD 1485), again marched against the Rajpoots. On arriving at the town of Dhar, he detached Gheias-ood-Deen to lay waste the country of the Kolies and Bheels. In this excursion the Prince penetrated to the hills of Koombulmere, and on his return, having given the King some description of that fortress, Sooltan Mahmood resolved to march thither. On the next day he moved for that purpose, destroying all the temples on the road…"