Screenwriters From The United Kingdom

"I remember how shocked I was five years ago when Scarlett said to me, "You can never use the word fat again". And, wow, you were right. In my generation, calling someone "chubby" [was funny] ... in Love, Actually, there are endless jokes about that. I think I was behind the curve and those jokes aren't any longer funny. I don’t feel I was malicious at the time but I feel I was unobservant and not as clever as I should have been."

"Because I came from a very undiverse school and bunch of university friends, I think that I’ve hung on, on the diversity issue, to the feeling that I wouldn’t know how to write those parts. I think I was just sort of stupid and wrong about that. [...] I just don't know. I feel as though me, my casting director, my producers, just didn't think about it, just didn't look outwards enough."

"Naipaul is essentially a writer of discovery. He tries on occasion to look into the past through the evidence of the present. That's what he did in writing about the ruins of Vijayanagar in India: A Wounded Civilisation. He is not a professional historian, but his insights and perspectives on Indian history are unique and as startling in their accuracy as the observations of his travel."