People From Topeka

"Impeccable rhythm, effortless touch, timeless melodies - Andy McKee is not a man that has any trouble wrenching a beat from a wooden box while lacing spectacularly complex patterns over the top. Technically flawless and with an ear for soaring melodies, McKee’s playing is not necessarily about speed or flash, but rather intent and feeling. His guitar tapping, harmonic pinging, open-tuned goodness has influenced an entire generation of acoustic-wielding troubadours, and for that we are eternally thankful."

"Sections of the European right voluntarily entered into complicity with fascism when they believed that their social and economic interest were seriously threatened by the left."

"Creativity is really about excess. And when you want to make something there is a kind of obsession that has to come with it in a healthy way, in a way that is intoxicating, you are engulfed by something."

"Sometimes just wanting to do a good role, a great role, isn't a good enough reason to do it."

"It is a strange and dismal thing that in a world of such need, such opportunity and such variety as ours, the search for an illusory peace of mind should go so zealously pursued and defended, while truth goes languishing."

"Unrest of spirit is a mark of life."

"The voice of the intelligence is soft and weak, said Freud. It is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is hissed away by hate, and extinguished by anger. Most of all it is silenced by ignorance."

"When a trout rising to a fly gets hooked on a line and finds himself unable to swim about freely, he begins with a fight which results in struggles and splashes and sometimes an escape. Often, of course, the situation is too tough for him. In the same way the human being struggles with his environment and with the hooks that catch him. Sometimes he masters his difficulties; sometimes they are too much for him. His struggles are all that the world sees and it naturally misunderstands them. It is hard for a free fish to understand what is happening to a hooked one."

"Alan Turing was the first to make a careful analysis of the potential capabilities of machines, inventing his famous "Turing machines" for the purpose. He argued that if any machine could perform a computation, then some Turing machine could perform it. The argument focuses on the assertion that any machine's operations could be simulated, one step at a time, by certain simple operations, and that Turing machines were capable of those simple operations. Turing's first fame resulted from applying this analysis to a problem posed earlier by Hilbert, which concerned the possibility of mechanizing mathematics. Turing showed that in a certain sense, it is impossible to mechanize mathematics: We shall never be able to build an "oracle" machine that can correctly answer all mathematical questions presented to it with a "yes" or "no" answer. In another famous paper Turing went on to consider the somewhat different question, "Can machines think?." It is a different question, because perhaps machines can think, but they might not be any better at mathematics than humans are; or perhaps they might be better at mathematics than humans are, but not by thinking, just by brute-force calculation power. These two papers of Turing lie near the roots of the subjects today known as automated deduction and artificial intelligence."

"Bertrand Russell found Frege's famous error: Frege had overlooked what is now known as the Russell paradox. Namely, Frege's rules allowed one to define the class of x such that P(x) is true for any "concept" P. Frege's idea was that such a class was an object itself, the class of objects "falling under the concept P." Russel used this principle to define the class R of concepts that do not fall under themselves. This concept leads to a contradiction... argument: (1) if R falls under itself then it does not fall under itself; (2) this contradiction shows that it does not fall under itself; (3) therefore by definition it does fall under itself after all."

"Gottfried Leibniz is famous... for his slogan Calculemus, which means "Let us calculate." He envisioned a formal language to reduce reasoning to calculation, and he said that reasonable men, faced with a difficult question of philosophy or policy, would express the question in a precise language and use rules of calculation to carry out precise reasoning. This is the first reduction of reasoning to calculation ever envisioned. ...he actually designed and built a working calculating machine, the Stepped Reckoner ...inspired by the somewhat earlier work of Pascal, who built a machine that could add and subtract. Leibniz's machine could add, subtract, divide, and multiply, and was apparently the first machine with all four arithmetic capabilities."

"George Boole took up Leibniz's idea, and wrote a book he called '. The laws he formulated are now called ... Boole seems to have had a grandiose vision about the applicability of his algebraic methods to practical problems—his book makes it clear that he hoped these laws would be used to settle practical questions. William Stanley Jevons heard of Boole's work, and undertook to build a machine to make calculations in Boolean algebra. He successfully designed and built... the Logical Piano... the first machine to do mechanical inference."

"Gottlob Frege created modern logic including "for all," "there exists," and rules of proof. Leibniz and Boole had dealt only with what we now call "propositional logic" (that is, no "for all" or "there exists"). They also did not concern themselves with rules of proof, since their aim was to reach truth by pure calculation with symbols for the propositions. Frege took the opposite track: instead of trying to reduce logic to calculation, he tried to reduce mathematics to logic, including the concept of number."

"So much is happening on earth that cannot be fixed or explained, but it can be felt and suffered. I think a Christian is one who, along with Jesus, agrees to feel, to suffer the pain of the world."

"God does not love you because you are good, God loves you because God is good."

"Power should be entrusted only to those who do not seek it."

"The human ego prefers anything, just about anything, to falling, or changing, or dying. The ego is that part of you that loves the status quo—even when it's not working. It attaches to past and present and fears the future."

"We worshiped Jesus instead of following him on his same path. We made Jesus into a mere religion instead of a journey toward union with God and everything else. This shift made us into a religion of 'belonging and believing' instead of a religion of transformation."

"Religion has not tended to create seekers or searchers, has not tended to create honest, humble people who trust that God is always beyond them. We aren’t focused on the great mystery. Religion has, rather, tended to create people who think they have God in their pockets, people with quick, easy, glib answers. That’s why so much of the West is understandably abandoning religion. People know the great mystery cannot be that simple and facile."

"Group-think is a substitute for God-think. The belief is that God is found only by our group. The next step is to establish that identification with our group as the only way to serve God."

"The world, the system, moves forward out of fear. That’s why they have to threaten us to play the game. We’re threatened with loss of job, money, reputation, or prestige. It’s all based on fear."

"We have defined freedom in the West as the freedom to choose between options and preferences. That’s not primal freedom. That’s a secondary or even tertiary freedom. The primal freedom is the freedom to be the self, the freedom to live in the truth despite all circumstances. That’s what great religion offers us. That’s what real prayer offers us. That’s why the saints could be imprisoned and not lose their souls. They could be put down and persecuted like Jesus and still not lose their joy, their heart, or their perspective. Secular freedom is having to do what you want to do. Religious freedom is wanting to do what you have to do."

"What we know about God is important, but what we do with what we know about God is even more important. Too often people think it is necessary that we all see God in the same way (which is impossible anyway), but what is really necessary is that we all follow God according to what God tells us. The fact that God has given us so many different faces and temperaments and emotions and histories shows us how God honors each unique journey and culture. God is not threatened by differences. It’s we who are."

"Prayer must lead us beyond mind, words, and ideas to a more spacious place where God has a chance to get in."

"Much of my criticism of religion comes about when I see it not only affirming the system of normalcy but teaching folks how to live there comfortably. It just increases our “stuckness” in the old world. As does a lot of poor psychotherapy. Cheap religion teaches us how to live successfully in a sick system."

"Love is an obsessive delusion that is cured by marriage."

"When I graduated in 1958, K-State was a good university. By most measures, Kansas State was a good university through the 1960s's, the 1970's, and into the 1980's. Then came Jon Wefald, or, as I have said at numerous K-State pep rallies, "And now, the man who has led us from the valley of despair and defeat to unprecedented pride and victory... Jon 'Moses' Wefald." This book is about the Wefald years at K-State, when a very good university aimed high and became an excellent university. During the Wefald years, Kansans have pointed with pride to the greatest turnaround in the history of Division I football, and K-State becoming a football power among the nation's elite. They know that between 1986 and 2000, student enrollment also reversed a serious decline and increased from 14,000 to 22,000. Alumni and visitors to campus see a new library and a new art museum. And there is much more attributable to Jon Wefald's term as president."

"Certainly nobody under 21 should have an AR-15."

"You don't have any civil liberties if you're dead."

"In assessing the "Wefald Years," one is reluctant to single out accomplishments because in truth, there were many, large and small. (Don't ever tell Jon Wefald something can't be done!) In sum, they illustrate what can be accomplished by creativity, team planning, and- most of all- leadership at the top. K-State has a long and grand history, written by good and respected presidents: Denison, Anderson, Fairchild, Will, Nichols, Waters, Jardine, Eisenhower, McCain, and Acker. Now, we add the Wefald years and the contributions of a man who, during difficult times, literally grabbed a university by the scruff of its academic and athletic neck and gave it a good shake. They are years of progress and striving for excellence in all areas of the university. They are the renaissance years."

"The first night, a rock, big as two fists. The second, a rock big as three. But nary a curse cursed Rudolph Reed. (Though oaken as man could be.) The third night, a silvery ring of glass. Patience arched to endure, But he looked, and lo! small Mabel's blood Was staining her gaze so pure."

"He ran like a mad thing into the night And the words in his mouth were stinking. By the time he had hurt his first white man He was no longer thinking. By the time he had hurt his fourth white man Rudolph Reed was dead. His neighbors gathered and kicked his corpse. "Nigger—" his neighbors said."

"Small Mabel whimpered all night long, For calling herself the cause. Her oak-eyed mother did no thing But change the bloody gauze."

"The good man. He is still enhancer, renouncer. In the time of detachment, in the time of the vivid heather and affectionate evil, in the time of oral grave grave legalities of hate - all real walks our prime registered reproach and seal. Our successful moral. The good man."

"Coherent Counsel! Good man. Require of us our terribly excluded blue. Constrain, repair a ripped, revolted land. Put hand in hand land over. Reprove the abler droughts and manias of the day and a felicity entreat. Love. Complete your pledges, reinforce your aides, renew stance, testament."

"Already I am no longer looked at with lechery or love. My daughters and sons have put me away with marbles and dolls, Are gone from the house. My husband and lovers are pleasant or somewhat polite And night is night."

"It is a real chill out, The genuine thing. I am not deceived, I do not think it is still summer Because sun stays and birds continue to sing."

"It is a real chill out. The fall crisp comes I am aware there is winter to heed. There is no warm house That is fitted with my need."

"It is brave to be involved To be not fearful to be unresolved."

"Somebody muffed it?? Somebody wanted to joke."

"That time we all heard it, cool and clear, cutting across the hot grit of the day. The major Voice. The adult Voice forgoing Rolling River, forgoing tearful tale of bale and barge and other symptoms of an old despond. Warning, in music-words devout and large, that we are each other's harvest: we are each other's business: we are each other's magnitude and bond."

"Our earth is round, and, among other things That means that you and I can hold completely different Points of view and both be right. The difference of our positions will show Stars in your window I cannot even imagine. Your sky may burn with light, While mine, at the same moment, Spreads beautiful to darkness."

"Until the publication of Brooks's Maud Martha, only Zora Neale Hurston had populated her fiction and folklore with ordinary people. Hurston's works, however, were southern and rural, and although they have been vastly important in the development of a literary self-portraiture of Afro-American women, it was Brooks's novel (and poetry) that launched a genre embedded in northern, urban, ghetto experience which encouraged the subsequent works of Paule Marshall, Ann Petry, and Alice Childress, among many others...For many Brooks's works in general, and Maud Martha in particular, were a touchstone, inscribing Black womanhood, as Paule Marshall once observed, "in all the wonder of her complexity." Maud Martha, published in 1953, presaged the literary outpouring by Black women since the early 1960s...The pioneering achievement of Gwendolyn Brooks's Maud Martha was that it offered a mirror, inviting Black women to look at themselves and their urban, working-class community through the eyes of one of their own. In its emphasis on relationship, in its attention to community, in its relentless probing of the consequences of racism, in its conjuring of the intimate through interior dialogue and the interior space of Maud Martha's home, Brooks's novel expressed precisely both a female sensibility and the wisdom and insight drawn from everyday life."

"A black woman would have tremendous difficulties, like a black man, to go to the nitty gritty, to express what is really going on inside. Because what happens is that you are being treacherous. By telling the truth about myself I am telling the truth about my father, my mother and a whole lot of other people, too. You can get crucified for that…it's one of the things that happen when you live in a sick society. And some black women like Gwendolyn Brooks, Toni Morrison and Paule Marshall have gotten beyond that at whatever price, but they got beyond it."

"I did not read any Langston Hughes until I was an adult, but I remember being carried away by him and Gwendolyn Brooks."

"(At National Black Theater performance) I was in awe of the words I witnessed that day. It was the first time that I heard the works of writers like Gwendolyn Brooks, Nikki Giovanni, Langston Hughes, Amiri Baraka. I heard poetry that was about me, that was very immediate. I connected to it in a visceral way. That experience moved me so profoundly that I went home and that night I wrote my first batch of poems. It was like the floodgates opened. That reading empowered me with a voice and gave me permission to express everything that had been festering in me for years. So I just started experimenting with language and writing all kinds of things."

"When I read Jefferson's disparagement of Wheatley, it felt like he had been disparaging the entire lineage of Black poets who would follow her, myself included, and I saw a man who had not had a clear understanding of what love is...When Gwendolyn Brooks wrote about the children on the South Side of Chicago playing with one another in neighborhoods left neglected by the city, it was an act of love..."

"Come: there shall be such islanding from grief, And small communion with the master shore. Twang they. And I incline this ear to tin, Consult a dual dilemma. Whether to dry In humming pallor or to leap and die."

"Exhaust the little moment. Soon it dies. And be it gash or gold it will not come Again in this identical guise."

"We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon."