First Quote Added
April 10, 2026
Latest Quote Added
"For as long as I can remember, the guitar and music itself is the thing that has gotten me through everything. Whatever it is I'm thinking about, or worrying about, or feeling good about -- anything -- the music has just been there. It's sort of like a model for the way things could actually work somehow. The music itself, just being immersed in the melody and the harmony and the rhythm of it, is so extraordinary, but then I think also all the people I've known... As soon as I started to play, it caused this circle of people to be there where everything was cool somehow."
"Drifting in and out, you see the road youâre on It came rolling down the cheek Say just what you need in between, itâs never as it seems"
"If you built yourself a myth You'd know just what to give What comes after this Momentary bliss Consequence of what you do to me"
"Canât keep hanging on To all thatâs dead and gone If you built yourself a myth You'd know just what to give Materialize Or let the ashes fly."
"Tender is the night For a broken heart Who will dry your eyes When it falls apart"
"Risks can be really small moments. You know, it's like a small little pivot and there you went. You know, and you just let go. You did the past, you did the things, but you let them go. And putting out a record is that."
"I saw [the album cover for '] and was like, 'oh my -- damn. That has got to piss some people off.' [...] It's one to have people dying in your [albums], well you start messing with children, and people start getting pissed off."
"Iâve never voted in my life. Iâve never registered to vote, and Iâm not going to. You know what, I pay my taxes. I work my ass off and I give my money to things that I donât agree with. [...] OK, then they would say, âYou can change that by voting.â No, because Iâm just one vote. What if I donât agree with all they do? Iâm legally bound to pay taxes, I have to do that, so I do. Thereâs my contribution to politics. Other than that, leave me and my family alone, weâre not hurting anybody. Just that simple. I donât need to be in it. I have my views on things Iâve seen, and if ever I was that compelled by any candidate, maybe I would register to vote and vote. [...] I just want to go and play music and come home to my kids and my wife. I donât want to sit here and be in the picket line because theyâre being untreated fairly, then you got the other guys on the other side saying, âNo theyâre not.â Youâve always got the conservative people there, you always have the left-wing people there, and people in the middle, just trying to walk down the street and they canât, because thereâs people blocking the way."
"I guess a [crucial] part of our popularity is that you donât go in there worrying about listening to me preach that Hillaryâs right and Trumpâs wrong, or Trumpâs right and sheâs wrong, because we donât care about that. As far as our music goes, on stage, weâre just singing about what we sing about. Hopefully everybodyâs having a good time, hopefully everybody gets to the show safe, leaves the show safe, and comes back for more. [...] If people can escape with us, then, yeah, you know? And I wouldnât say donât listen to bands who are political, like Napalm Death is; thereâs definitely those bands, and thatâs good. Thatâs whatâs in his heart, and he should do that. If I would make a band thatâs talking about politics, I would do a side band. Thatâs not going to be in Cannibal. This whole world should just start thinking, âJust because you stand a little this way, or stand a little that way, that doesnât mean we canât all come together and try to compromise.â Donât let politics and religion divide you. I donât want to be conspiracy-esque, but Iâm going to say this and itâs going to be conspiracy-esque, but [division is] what I think some people want."
"It's art, just look at it as art. Yeah, it's disgusting, but that's never gonna happen. Go to the Vatican and look at some of the artwork there. Woah! That's real, representing something that could happen. Monsters are never gonna come ripping out of your body."
"The musicâs brutal and some of the lyrics reflect that, but weâre not trying to make people aware of anything. All you have to do is watch the news if you want to be aware of all the violence in the world."
"Itâs a pain in the ass [...] A woman saw someone wearing one of our shirts, I think she is a schoolteacher, and she just caused this big stink about it. So [now] we can't play anything from the first three records. And it really sucks because kids come up and they want us to play all the old songs â and we would â but they know the deal. We can't play 'Born in a Casket' but can play 'Dismembered and Molested.' Talk about getting lucky, because I canât see why they wouldnât want to ban that."
"I thought Barnes was irreplaceable. I had no idea who could take his place, but occasionally, amid the drama and confusion, Rob Barrett would speak up and say, "Let's bring in George." Rob was the easiest to get on board with the decision. I'll stress this: The decision to remove Barnes was ultimately the band's. Alex and the guys knew I didn't think Barnes's performance was up to par, but kicking out a band member was not my territory. I wasn't thinking about George at the time. I worried about getting the album done and didn't see how we would do it without Barnes. I remember the Cannibal guys saying they didn't care if Metal Blade dropped them. They wanted to make one record where they were as happy with the vocals as the music. It took a lot of courage to make that call."
"Kiss the ass of metal, you fucking jerk-offs!"
"I donât want people to think Iâm the maniac that people think I am, think all of us are. Weâre five guys in a band, touring, living our dreams, playing metal. We could sing about politics, but weâd get into way more fights and arguments way more than we do now. We could be a Satanic evil band, you know, or a super religious band, you know, really getting both sides of the coin there. Metalheads donât give a fuck, we accept everybody."
"I donât have a problem singing our lyrics with two daughters at home. [...] If one of my daughters went to college and was raped or something, first off, rape songs wouldnât even be what I was thinking of. Iâd be thinking of our other songs. Because Iâd be going there to find who did it, and make them pay. But would I then want to play those songs on stage? I donât know. Iâd have to cross that bridge. I can understand how some people would be like, âIf itâs happening with you and your daughters, you should feel that uncomfortable with everybody,â and I donât have a problem with at least listening to peopleâs opinions about it."
"Weâre a death metal band. I got two daughters now, and weâve got songs like âFucked with a Knifeâ and âStripped, Raped and Strangled.â Itâs pretty heavy stuff, and I think a lot of people think weâre insensitive to stuff like that, especially in this day and age when youâre supposed to apologize for everything you do because of someoneâs feelings. Look, weâre a death metal band; itâs horror-movie-type stuff. Itâs fiction. Itâs not real. Weâre like Stephen King with music. Sometimes people point to some of the things I say, and sometimes Iâm a little harsh with the things I say on stage, but I just hope they put it together that I would never condone anything like that. I have two daughters and I would protect them with my life."
"Iâm not going to get on Instagram to bitch about politics. In this day and age youâre either with Trump or against Trump, youâre either with Hillary or against her, you canât be in the middle, itâs ridiculous to me. I might like tacos but I donât like pizza,; maybe I like pizza only with pepperoni but no other kind of pizza, but no, thatâs not allowed. In politics it seems like itâs like that, and theyâre all so negative anyway. In Cannibal Corpse, most people want to paint us as being negative anyway, and weâre notâweâre just five guys in a band whoâre into horror movie stuff. We donât sing about politics; we might all have our own views, we probably all have our own religious views as well, but we just donât let that creep into this band. Itâs not about that. itâs about horror movie stuff. You wanna talk about it on an individual basis, Iâm not that well informed. I donât think that far into that kind of stuff."
"Iâm the Corpsegrinder, bro! I ainât scared of shit. What scares me is old age, âcause there ainât no escapinâ that. And you know what scares me? An empty bottle of beer and an empty bottle of whiskey. Thatâs scary. Itâs the only thing I can say and still be tough."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwĂźrdig geformten HĂśhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschĂśpft, das Abenteuer an dem groĂen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurĂźck. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der grĂśĂte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei auĂer Rand und Band
Und ich bin sauer!