Yasmin Ahmad

"I can't say for certain if my static camera influence came from the cinema of Japan, Iran, or certain cinematic traditions of Europe. I admire films that uphold real sentiments, and I daresay I don't much care which country they come from, for as long as they engage me on some human level. In fact, if I had to cite my greatest cinematic hero and influence of all, I would have to say it was Charlie Chaplin."

"Chaplin always infuses humor with great drama. I think that what life is. Life is never just humorous, never just tragic."

"I never look for trouble, just making a film."

"For me today, the most important filmmaker alive, for me personally is Pedro Almodóvar. Because he takes people on the fringes of society and they are bizarre. And If you read about them in the newspapers, you would think they were criminals. But in an Almodóvar film, you forgive them and you even learn to love them, which I think is closer to godliness, than making a film about good people running around."

"I don’t make films specifically for Malaysia, but I make films to tell you something about humanity."

"If some people in power here were to think, oh no you’re smaller and you’re weaker, my job is to take care of you, then might not be a bad place. It is simplistic, but I think there is some truth in that. (discussing humility and power dynamics in art, filmmaking, screenwriting, Malaysia and the World)"

"I am optimistic and sentimental to the point of being annoying, especially to people who think that being cynical and cold is cool. Everyday, I thank Allah for everyday things like the ability to breathe, the ability to love, the ability to laugh, and the ability to eat and drink."

"People of-course, only ever people. (How she finds inspiration for her stories and her characters?)"

"It's rare to find a woman filmmaker in Muslim society, and even rarer when she is an outspoken talent unafraid of controversy."

"Ahmad's films are deeply inspired by the Japanese director Yasujiro Ozu and display scenes of everyday life with a depth of emotion. The Yasmin Ahmad retrospective was a unique opportunity for the people of Hawaii to hear stories from a part of the world that often goes underreported here in the west."

"There is something very important we have to realize and understand from Yasmin's commercials; something that reminds us that we're actually made of the same blood. We are all the same: boy or girl, women or men, women's rights or men's rights. There's no difference; ultimately we're all human and we all have rights. Her commercials allow us to reflect on that common ground."

"A filmmaker who could take on serious topics such as racism and intolerance with wit, intelligence and humour, who documented and celebrated Malaysian multiculturalism, exploring its taboos with compassion."