Vittorio Messori

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April 10, 2026

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April 10, 2026

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"Why is the Madonna appearing? Why didn't Jesus himself or any canonized saint appear in Lourdes (as in rue du Bac, La Salette, Pontmain, Beauraing, Fatima, to name just the last century and a half and facts approved by the Church)? But it is because – answers the theology, meditated by mystics –, according to the Catholic Creed «the Immaculate Mother of God, always Virgin Mary, having completed the course of her earthly life, was assumed into celestial glory in body and soul» . Thus, the words of the dogma of the Assumption, defined and proclaimed by Pius XII only in C.E.1950 but believed in its object since the times of the Fathers of the Church both in the East and in the West (the feast of the Dormition, which has in nuce the Assumption of the Virgin Mother, it is probably the most ancient of the Marian feasts that unite the universal Church). Mary, in short, having carried in her womb the One who said: «I am the resurrection and life" (Jn 11, 25), followed the Son in his eternal destiny before any other human creature; she is the one who preceded us all, already welcomed into eternity "in body and soul". Therefore, if she appears to mortals, it is also to remember that what she already is, we too will be. Her sign and pledge, in short, in the person of herself, of that salvation we were talking about and that she will give us true health: the vision of Mary's body already "saved" is a guarantee that everyone's will be. (pp. 61-62)"

- Vittorio Messori

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"Status social, culture, wealth, even health: the very opposite of all this in Marie-Bernarde Soubirous, known as Bernadette, fourteen years old (but with the development of a ten year old, according to doctors who visited her, and not yet a woman, due to insufficient nutrition); asthmatic; stomach ache; closed in her silence as a shy and introverted person; illiterate and considered by some of her relatives incapable of learning anything; she is also uneducated in religious matters, so much so that she even ignores the mystery of the Trinity; daughter of the most miserable family in the city; resident in the cell of the municipal prison, cleared by the authorities because she was considered unhealthy for the inmates themselves; with the father not only bankrupt and with the reputation - albeit abusive - of a slacker and a drunkard, but also with a stay in prison behind him on suspicion of theft: released after nine days, he dropped the accusation, it was so inconsistent, but without proceeding to any judgment, so as to leave him with a defamatory suspicion. Let us realize: in all this, only the eyes of faith can see a mysterious conformity to the Gospel and, therefore, the stigmata of truth. Only adhering to an inverted perspective compared to the "eyes of the flesh" can make us hear the echoes of the Magnificat intoned by She of whom Bernadette Soubirous was a witness: «... she looked at the humility of her servant [ ...]; she has scattered the proud in the thoughts of their hearts; she has overthrown the mighty from their thrones, she has exalted the humble; she has filled the hungry with good things; she sent the rich away empty-handed ... »( Luke 1, 48 and 51 ff.) (p. 92)"

- Vittorio Messori

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"In May C.E.1949, the Council of Europe was established in Strasbourg, a body then devoid of effective political powers and charged only with «laying the foundations for the construction of a European federation». Thus in the act of its foundation. The following year - therefore, in C.E.1950 - that Council announced a competition of ideas, open to all artists, for a flag of the future united Europe. A then young Alsatian designer, Arsène Heitz, participated with a sketch, where twelve white stars stood out in a circle on a blue background. As he later revealed, the idea was not accidental: devoted to the Madonna, he recited the rosary every day. Just when he heard about the European competition and decided to participate, he was reading the story of Saint Catherine Labouré and – stimulated by that reading – he had decided to procure, for himself and his wife, a «Miraculous Medal», which he had not known about until then. The stars, therefore, of his plan came from there: and, there, they came directly from the Apocalypse and from the "Woman clothed with the sun" with the crown around her head. As for blue, it was the traditional color of the Virgin. Among the 101 sketches that arrived from all over the world, "inexplicably", as Heitz himself said (who had participated in the competition without too much hope, almost only to respond to an impulse given to him by the discovery of the Medal), the Council of Europe chose his. It should be noted, among other things, that the head of the commission that made the choice was a Jew, Paul M.G.Lévy, director of the Council's Press and Information Service. Therefore, no confessional motivations were at work [...] Furthermore, to confirm the singularity of the choice, Heitz's proposal was opposed by the fact that, if there were 12 stars on the proposed flag, not as many were then the States of the Council. In fact, in the face of criticism, the designer had to reply that the twelve represented a "symbol of fullness" (and this is, in fact, also in the Old Testament: twelve, among other things, the sons of Jacob , like the 12 tribes of Israel; and therefore twelve is the number wanted by Jesus for his apostles, meaning that the Church is the "new chosen people"). Having adopted this symbolic perspective, the community authorities, when Europe's member states ended up exceeding a dozen, officially established that the number of stars on the flag was to be considered immutable. (pp. 107-108)"

- Vittorio Messori

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"Who may you confide in, who may you turn to to alleviate the anguish and loneliness a little? [...] Will you then turn to the politician, the trade unionist, the sociologist? But all these gentlemen have to sell theories and strategies only for the strong, the healthy, the young. The old man and his prospect of death are doubly taboo because they undermine both their power and their depth: what will become of their authority and their words when they themselves are nothing but exes?Think of one of the new, truly powerful people of Western societies: the union boss, at least in certain contemporary Italian versions; not, it’s clear, in the courageous and beneficial ones of past eras, or even today in many countries, perhaps in those where - according to the theories - trade unionists would no longer be necessary because the workers themselves would already have the power... Someone, here, it’ll risk scandal more than ever: unions and trade unionists - a revered dogma dictates - cannot be spoken of except well, or rather very well. Here we should always speak in terms of noble, disinterested champions of the ideal, of knights without blemish and without fear of Humanity. But I laugh at those who break the statuettes of old saints to build new ones. I refuse to consider categories or people not on a case-by-case basis, based on objectivity but on the basis of prejudices, whether favorable or unfavorable. I do not recognize any human institution as sacred: if I want the "Sacred" I know where to look for it; I prefer the original, not the imitations. (Chapter II, Years to life and not life to years)"

- Vittorio Messori

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"Turin wasn’t a small copy of Paris also because, unlike Paris, it was not a city of riots or barricades. It’s a city that produces eccentrics, loners, geniuses and sometimes brilliant types, outsiders, isolated writers and painters, some anarchists but theorists, rarely bombers, causes murders and suicides (for the latter, one of the highest, if not the highest , Italian percentage, in sad competition with Trieste, the city on the opposite border), but the mass is of calm people, of subjects, often grumpy and hypercritical but, in the end, obedient. In its history it never chased away its dukes and then kings, it never plotted against them. Unlike Paris, which was periodically on the barricades, Turin rose up only twice. And both not for vague ideological objectives, but for the concreteness of bread: in C.E.1864 when, treacherously, the transfer of the capital arrived; and in C.E.1917, when the State asked to fast with war rations and at the same time to work at an accelerated pace in the factories producing for the front. There was also movement in the last days of April 1945. But, here too, for a very concrete issue: above all to prevent the destruction of industrial plants, on whose work future life would depend. Once again, the awareness, dictated by common sense, that the interests of entrepreneurs coincided with those of employees prevailed over the myth of the "class struggle". Without factories, no profits for the boss; but not even bread for the workers. (chapter III)"

- Vittorio Messori

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