Qutb Minar complex

"In the centre of the mosque is an awe-inspiring column [the Iron Pillar], and nobody knows of what metal it is constructed. One of their learned men told me that it is called Haft Jush, which means ‘seven metals,’ and that it is constructed from these seven. A part of this column, of a finger’s breadth, has been polished, and gives out a brilliant gleam. Iron makes no impression on it. It is thirty cubits high [the figure is exaggerated], and we rolled a turban round it, and the portion which encircled it measured eight cubits. At the eastern gate there are two enormous idols of brass prostrate on the ground and held by stones, and everyone entering or leaving the mosque treads on them. The site was formerly occupied by an idol temple, and was converted into a mosque on the conquest of the city.... In the northern court is the minaret [Qutb Minar], which has no parallel in the lands of Islam. It is built of red stone, unlike the rest of the edifice, ornamented with sculptures, and of great height. The ball on the top is of glistening white marble and its ‘apples’ [small balls surmounting a minaret] are of pure gold. The passage is so wide that elephants could go up by it. A person in whom I have confidence told me that when it was built he saw an elephant climbing with stones to the top. The Sultan Qutb ad-Din [actually Alauddin Khalji], wished to build one in the western court even larger, but was cut off by death when only a third of it had been completed. This minaret is one of the wonders of the world for size, and the width of its passage is such that three elephants could mount it abreast. The third of it built equals in height the whole of the other minaret we have mentioned in the northern court, though to one looking at it from below it does not seem so high because of its bulk."

"The beautiful Kutb-Minar exemplifies the transition. It was part of a mosque begun at Old Delhi by Kutbu-d Din Aibak; it commemorated the victories of that bloody Sultan over the Hindus, and twenty-seven Hindu temples were dismembered to provide material for the mosque and the tower. After withstanding the elements for seven centuries the great minaret—250 feet high, built of fine red sandstone, perfectly proportioned, and crowned on its topmost stages with white marble—is still one of the masterpieces of Indian technology and art"

"In this entire context, it also needs to be added that there exist hundreds of examples, all over the country, of the destruction of temples and incorporation of their material in the mosques during the mediaeval times. ... in Delhi, there is the Quwwatu'l-Islam Mosque (Might of Islam) near the Qutb Minar, which incorporated parts of a large number of temples that had been wantonly destroyed by Qutub-ud-din Aibak. ... a colonnade which was constructed by using sculpted pillars of the demolished 27 Hindu and Jain temples."

"Qutb-ud-Din Aybak also is said to have destroyed nearly a thousand temples, and then raised mosques on their foundations. The same author states that he built the Jami Masjid, Delhi, and adorned it with the stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions (from the Quran) containing the divine commands. We have further evidence of this harrowing process having been systematically employed from the inscription extant over the eastern gateway of this same mosque at Delhi, which relates that the materials of 27 idol temples were used in its construction."

"“Just as later Mughal painting is a harmonious blend of Persian and Indian artistic tradition, so the Indo-Muslim architecture of Delhi and Ajmer is a blend. In the Quwwat al-Islam at Delhi and the Arhai din-ka-Jhopra at Ajmer, existing remains bear unmistakable evidence that they were not merely compilations, but the distinctive, planned works of professional architects…"

"“…Delhi was the source of artistic inspiration for all the later provincial schools of Indo-Muslim architecture. Codrington remarks, ‘At Delhi, the Kutb-ul-Islam marks the beginning of Islamic architecture in India.’ This formative phase of Mosque architecture in India began with the random utilization of temple spoils, Hindu architraves, corbelled ceilings, kumbha pillars with hanging bell-and-chain motifs, which were organised to fulfil the needs of congregational prayer. It is said that the columns of twenty-seven Hindu and Jaina temples were utilized in the great Mosque, at Delhi, rightly called the ‘Might of Islam’. It was built by Qutb-al-Din Aybak in AH 587/AD 1191-92 on an ancient pre-Muslim plinth. …Originally there were five domes in the liwan all compiled of Hindu fragments, as is evident from their corbelled interiors…"

"…Incidentally, it may be recalled that Beglar carried out excavations at the Quwat-al-Islam Mosque at Old Delhi under the supervision of Cunningham and noticed the foundation of pre-Muslim temples there…"

"This Jamii Masjid built in the months of the year 587 (hijri) by the Amir, the great, the glorious commander of the Army, Qutb-ud-daula wad-din, the amir-ul-umara Aibeg, the slave of the Sultan, may God strengthen his helpers! The materials of 27 idol temples, on each of which 2,000,000 Deliwal coins had been spent were used in the (construction of) this mosque."

"Qawwat al-Islam Mosque. According to my findings the first mosque of Delhi is Qubbat all-Islam or Quwwat al-Islam which, it is said, Qutbud-Din Aibak constructed in H. 587 after demolishing the temple built by Prithvi Raj and leaving certain parts of the temple (outside the mosque proper); and when he returned from Ghazni in H. 592, he started building, under orders from Shihabud-Din Ghori, a huge mosque of inimitable red stones, and certain parts of the temple were included in the mosque. After that, when Shamsud-Din Altamish became the king, he built, on both sides of it, edifices of white stones, and on one side of it he started constructing that loftiest of all towers which has no equal in the world for its beauty and strength…"

"Delhi: “He (Alaud-Din) ordered the circumference of the new minar to be made double of the old one (Qutb Minar)… The stones were dug out from the hills and the temples of the infidels were demolished to furnish a supply” (Ibid.)."

"Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why.... the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed...Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks! In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’."

"The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque.""

"The congregational mosque at Delhi named, purposefully, as the Masjid Quwwatul Islam (Might of Islam), was commenced by Aibak in 592/1195 within two years of its conquest. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighbourhood. A Persian inscription in the mosque testifies to this. The mosque at Ajmer erected by Qutbuddin Aibak soon after its occupation and known as the Arhai din ka Jhonpra, was also built from materials obtained from demolished temples. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, “the sculptured figures on the stones being either defaced or concealed by turning them upside down.” “In this improvisation,” rightly observes Habibullah, “was symbolised the whole Mamluk history”."

"'The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands."

"Barring the pre-Sultanate monuments of Kutch District, this is the earliest extant mosque in India and consists of a rectangular court, enclosed by cloisters, erected with the carved columns and other architectural members of twenty-seven Hindu and Jain temples demolished by Qutbu'd Din Aibak, as recorded by him in his own inscription on the main eastern entrance. Qutbu'd-Din calls the mosque as Jami'-Masjid and states that on the original erection of each of the demolished temples a sum of twenty lacs of coins had been spent. Later it came to be called the Quwwatu'l Islam ('might of Islam') mosque. The western portion of its courtyard occupies the original site of one of the demolished temples."

"The mosque bore the telling name Quwwat-ul-Islam, ‘Might of Islam.’ Qutab Minar was labelled ‘a pillar of victory’ not in its Arabic, but in the Nagari inscriptions inscribed on its lowest storey — and therefore more visible than the other inscriptions. The message to non-Muslims “could scarcely be more explicit”"

"Certain academic circles no longer mention the demolition of twenty-seven Jain and Hindu temples to make the Quwwat- ul-Islam mosque. Rather, they describe the mosque as constructed of “recycled architectural components — notably carved stone columns from Hindu and Jain temples — from earlier Indic buildings”. But recycle would normally mean salvaging from something that had been discarded. The Jain and Hindu temples were centres of worship. They had not been abandoned."

"Reporting on the monuments of Delhi in 1871 AD, J.D. Beglar19 of the Archeological Survey of India, had an interesting theory after he explored the Quwwatul Islam mosque which is situated next to the Qutb Minar, ASI Report 1871 /72. In his own words: it remains only to add a suggestion that the unsightly layer of irregular stones that cover up the courtyard be removed; it will then be possible to state definitely whether or not a centr.al grand temple existed. From examples elsewhere, I am sanguine that traces of a central shrine will be found on careful examination."

"Let us quote the version given in the Oxford History of Islam: The immense congregational mosque in Delhi known as Quwwat al-Islam (Might of Islam) was one of the first built in India. Begun in 1191, the mosque stands on the site of a pre-Islamic temple whose ruins were incorporated in the structure. The tall iron pillar in the courtyard, originally dedicated to the Indian god Vishnu around 400, was re-erected as a trophy to symbolize Islam's triumph over Hinduism."

"However, when one reads what Sir Syed Ahmed Khan22 of Aligarh fame proudly wrote about the destruction of 2 7 temples, one's impression of Islam gets shaken. What he wrote is best read in his original words, (from his Urdu book, Asar-us-Sanadid, translated by Prof. Khaleeq Anjum, Delhi in 1990, Volume I): Quwwatal-Islam Masjid 'd Din Sam alias Shihabu 'd-Din Ghauri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Material from twenty-seven temples, which were worth five crore and forty lakh of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate. When Malwah and Ujjain were conquered by Sultan Shamsu 'd-Din in AH 631 corresponding to AD 1233, then the idol-house ofMahakal was demolished and its idols as well as the statues of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque."

"One of the greatest curiosities of Delhi is the Coottub-Minar, which is fifteen miles from the city, and is a conspicuous object at a great distance. This celebrated pillar was erected in 1193 by Coottubud-Deen, the founder of the Ghoorides, who overthrew the throne of the Brahmins in Delhi, in commemoration of the triumph of Mahometanism over Brahminism… About eight O’clock I stood before the lofty Coottub Minar: it is built of very fine, hard red sandstone, is 62 feet in diameter at the base, and rises to the height of 265 feet; it is divided into three stories, and the upper gallery is elevated 242 feet 6 inches above the ground. This column, which is the highest in the world, was intended by Coottub-ud-Deen to mark the entrance to a mosque which he purposed building. The lower story is about 90 feet high, and is built in alternate angular and concave channelings, on which sentences from the Koran are inscribed in raised Arabic characters; the other two stories consist of concave flutings only, and diminish gradually to the summit. The whole is crowned by a small dome, which is supported by eight square pillars: this dome was shattered by an earthquake in the year 1803, but has been restored by the English in its original form. The column stands in the midst of some very ancient Bhoodist and Hindoo buildings and Mahometan ruins. The colossal gates and columns, and the bold vaults of the former, still indicate an age of great prosperity, which intended to immortalize its faith and its history by the grandest works of art. On the cornices are sculptures, representing the processions of their kings, similar to those of the princes of our times. The pilasters are ornamented with elephants’ heads; and a careful observer might here trace some isolated moments of the history of an age long since past, and of which so little is known. A longer stay than I was enabled to make is however indispensable to an investigation of this kind, and I was forced to content myself with a cursory view. In one of the courts is an ancient iron pillar thirty feet high, with Sanscrit and Arabic inscriptions, on which the tyrant Nadir Shah, in a passion, struck a violent blow with a hatchet, the mark of which still remains."

"'He then marched and encamped under the fort of Delhi... The city and its vicinity were freed from idols and idols-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one God.'... 'Kutbu-d din built the Jami' Masjid at Delhi, and adorned it with stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions in Toghra, containing the divine commands.'"

"“He started his building programme with the Jami‘ Hazrat mosque… Thereafter he decided to build a second minar opposite to the lofty minar of the Jami‘ Masjid, which minar is unparalleled in the world…68 He ordered the circumference of the new minar to be double that of the old one. People were sent out in all directions in search of stones. Some of them broke the hills into pieces. Some others proved sharper than steel in breaking the temples of the infidels. Wherever these temples were bent in prayers, they were made to do prostration.”"

"“When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…”"

"This fort was conquered and this Jamii-Masjid was built in the months of the year 587 by the Amir, the great and glorious commander of the Army, Qutb-ud-daula wad-din, the Amirul-umara Aibeg, the slave of the Sultan, may God strengthen his helpers. The materials of 27 temples, on each of which 2,000,000 Deliwals had been spent, were used in (construction of) this mosque. God the Great and Glorious may have mercy on that slave, everyone who is in favour of the good builder prays for his health."