First Quote Added
April 10, 2026
Latest Quote Added
"ĺ˝ăŻéăŽä¸ăŽăžăăăĺ ă ă"
"We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation."
"Children understand intuitively that the world they have been born into is not a blessed world."
"I believe that children's souls are the inheritors of historical memory from previous generations. It's just that as they grow older and experience the everyday world that memory sinks lower and lower. I feel I need to make a film that reaches down to that level. If I could do that I would die happy."
"It's difficult. [My female protagonists] immediately become the subjects of rorikon gokko (play toy for Lolita Complex males). In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict [such protagonists] as if they just want [such girls] as pets, and things are escalating more and more."
"You see, whether you can draw like this or not, being able to think up this kind of design, it depends on whether or not you can say to yourself, 'Oh, yeah, girls like this exist in real life.' If you donât spend time watching real people, you canât do this, because youâve never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. Itâs produced by humans who canât stand looking at other humans. And thatâs why the industry is full of otaku!"
"Most people depend on the internet and cellphones to survive, but what happens when they stop working? I wanted to create a mother and child who wouldn't be defeated by life without them."
"If it is a dying craft we can't do anything about it. Civilisation moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era."
"Actually I think CGI has the potential to equal or even surpass what the human hand can do."
"Every morning, not in recent days, I see my friend who has a disability. Itâs so hard for him just to do a high five; his arm with stiff muscle canât reach out to my hand. Now, thinking of him, I canât watch this stuff and find it interesting. Whoever creates this stuff has no idea what pain is. I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself. I feel like we are nearing the end of times. We humans are losing faith in ourselves."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwĂźrdig geformten HĂśhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschĂśpft, das Abenteuer an dem groĂen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurĂźck. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der grĂśĂte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei auĂer Rand und Band
Und ich bin sauer!