F. R. Leavis

"A good deal of Paradise Lost strikes one as being almost as mechanical as bricklaying."

"The only way to escape misrepresentation is never to commit oneself to any critical judgement that makes an impact – that is, never to say anything. I still, however think that the best way to promote profitable discussion is to be as clear as possible with oneself about what one sees and judges, to try and establish the essential discriminations in the given field of interest, and to state them as clearly as one can (for disagreement, if necessary)."

"It is well to start by distinguishing the few really great – the major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life."

"Not only is he not a genius; he is intellectually as undistinguished as it is possible to be."

"He doesn't know what he means, and doesn't know he doesn't know."

"The "great tradition" does not brook even the possibility of libidinal gratification between the pages as an end in itself, and FR Leavis's "eat up your broccoli" approach to fiction emphasises this junkfood/wholefood dichotomy."

"The very prevalence of what one might call the ‘outsider than thou’ attitude among intellectuals indicates that there is a form of competition for a perceived cultural good at work here. Whether it is the Cambridge don and influential critic F R. Leavis describing himself as an ‘outlaw’, or the old Etonian and widely published author and journalist George Orwell casting himself as a ‘literary pariah’, or the well-connected, well-heeled, well-reviewed novelist Virginia Woolf aspiring to found a ‘Society of Outsiders’ (or, more recently, the tenured professors-cum-media stars trying to lay claim to the prestige of the ‘exile’), the very repetitiveness of the claims tells us that what we are dealing with here is a symptom of the logic of being an intellectual, not an objective description of a social or cultural location. As a self-ascribed status, outsiderdom is an empowering identity, an attempt to use the available media to address the relevant publics without, so the claim goes, succumbing to the seductions and self-deceptions of insiderdom."

"A powerful critical talent who destroyed his own sense of proportion, Leavis was our brush with totalitarianism: we caught it as a mild fever instead of the full attack of meningitis. His career was the clearest possible proof that the course the arts take is not under the control of criticism."

"He is a critic of great gifts, insight and integrity; but those who are not entirely for him are wholly against him; he seeks not pupils but "disciples"; those disciples he has attracted who have not broken away have been, like the master, rancid and fanatic in manner."

"If ever a man came out fighting, Leavis did: this, to many of us is one of his major virtues, because of the importance of the things he was fighting for. With others, he was working to make English grow to its place as a central subject in a contemporary humane education, with the emphasis on criticism and on cultural history rather than on academicism and the vagaries of 'taste'. He was as uncompromising as he was urgent and as angry as he was determined."