"Why had the merchants, artists, bankers, officials, and lawyers, from the first quarter of the seventeenth century on, begun to call themselves masons and tried to recreate the ritual of the medieval guilds? What was all this strange masquerade about? Gradually the picture grew clearer. The old guild was more than a producing organization; it regulated the ethics and mode of life of its members as well. It completely embraced the life of the urban population, especially the guilds of semi-artisans and semi-artists of the building trades. The break-up of the guild system brought a moral crisis in a society which had barely emerged from medieval. The new morality was taking shape much more slowly than the old was being cut down. Hence, the attempt, so common in history, to preserve a form of moral discipline when its social foundations, which in this instance were those of the industrial guilds, had long since been undermined by the processes of history. Active masonry became theoretical masonry. But the old moral ways of living, which men were trying to keep just for the sake of keeping them, acquired a new meaning. In certain branches of freemasonry, elements of an obvious reactionary feudalism were prominent, as in the Scottish system."