Charles Lindbergh

Charles Augustus Lindbergh II (4 February 1902 – 26 August 1974) was an American aviator, author, inventor, military officer, explorer, and social activist who piloted the first solo non-stop flight across the Atlantic Ocean in 1927. An isolationist prior to the US entry into World War II, and in later years an environmental activist, he was the husband of Anne Morrow Lindbergh.

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april 10, 2026

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april 10, 2026

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"The intense artillery fire has stripped the trees of leaves and branches so that the outline of the coral ridge itself can be seen silhouetted against the sky. Since I have been on Owi Island, at irregular intervals through the night and day, the sound of our artillery bombarding this Japanese stronghold has floated in across the water. This afternoon, I stood on the cliff outside our quarters (not daring to sit on the ground because of the danger of typhus) and watched the shells bursting on the ridge. For weeks that handful of Japanese soldiers, variously estimated at between 250 and 700 men, has been holding out against overwhelming odds and the heaviest bombardment our well-supplied guns can give them. If positions were reversed and our troops held out so courageously and well, their defense would be recorded as one of the most glorious examples of tenacity, bravery, and sacrifice in the history of our nation. But, sitting in the security and relative luxury of our quarters, I listen to American Army officers refer to these Japanese soldiers as "yellow sons of bitches." Their desire is to exterminate the Jap ruthlessly, even cruelly. I have not heard a word of respect or compassion spoken of our enemy since I came here. It is not the willingness to kill on the part of our soldiers which most concerns me. That is an inherent part of war. It is our lack of respect for even the admirable characteristics of our enemy — for courage, for suffering, for death, for his willingness to die for his beliefs, for his companies and squadrons which go forth, one after another, to annihilation against our superior training and equipment. What is courage for us is fanaticism for him. We hold his examples of atrocity screamingly to the heavens while we cover up our own and condone them as just retribution for his acts."

- Charles Lindbergh

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"Looking at the mirror of life first caused me to question our civilization's trends. During years spent flying civil air routes and on military missions, I watched changes of shade and texture on the great surface below my wings. Stumplands appeared where forests were. Lakes climbed mountainsides. Ditches gridded marshlands: dust hazed prairies, highways, and power lines kept scarring ground from horizons to horizons. I watched crossroads become villages; villages, towns; towns turn into cities; suburbs spill over hills. Wherever I landed I heard similar reports: populations were expanding, farms spreading, timber prices rising with new construction. Speedboats and four-wheel-drive vehicles carried hunters into areas previously difficult to reach, while aircraft brought every latitude and longitude within fortnight-vacation range. As a result, virgin wilderness vanished, and wild animals dwindled in numbers. Now the American eagle is verging on extinction. Even the polar bear on its ice floes has become easy game for flying sportsmen. A peninsula named Udjung Kulon holds the last two or three dozen Javan rhinoceroses. The last herd of Arabian oryx has been machine-gunned by a sheik. Blue whales have nearly been harpooned out of their oceans. Pollution ruins bays and rivers. Refuse litters beaches. Dam projects threaten Colorado canyons, Hudson valleys, every place of natural beauty that can be a reservoir for power. Obviously, the scientific progress so alluring to me is destroying qualities of greater worth. Of course, virgin wilderness had to retreat as civilization advanced. That was inevitable. But I did not consider its possible disappearance. The world seemed so large I had assumed that portions would remain in primitive state, attainable at reasonable cost in time and effort. Days spent in laboratories, factories and offices were lightened by intuitive contact with wilderness outside. Had the choice confronted me, I would not have traded nature's miracles of life for all of science's toys. Was not my earth's surface more important than increasing the speed of transport and visiting the moon and Mars? If I were entering adulthood now instead of in the environment of 50 years ago, I would choose a career that kept me in contact with nature more than science. This is a choice an individual still can make—but no longer mankind in general. Too few natural areas remain. Both by intent and indifference we have insulated ourselves from the wilderness that produced us. Our emphasis of science has resulted in alarming rises in world populations that demand an ever-increasing emphasis of science to improve their standards and maintain their vigor. I have been forced to the conclusion that an overemphasis of science weakens human character and upsets life's essential balance. Science breeds technology. Technology leads to infinite complication. Examples are everywhere: in the intricacy of government and in that of business corporations: in automation and labor relations; in war, diplomacy, taxation, legislation, in almost every field of modern man's routine. From the growth of cities to that of military power, from medical requirements to social-welfare benefits, when progress is plotted against time, exponential curves result with which we cannot long conform. But what action should scientific man prescribe as a result of the curves he plots? How is their direction to be changed without another breakdown and return to wildness? Suppose technologists conclude theoretically that they are destroying their own culture. Are they capable of taking effective action to prevent such destruction? The failures of previous civilizations, and the crises existing for our own, show that man has not evolved the ability to cope with limitless complication. He has not discovered how to control his sciences' parabolas. Here I believe the human intellect can learn from primitive nature, for nature was conceived in cosmic power and thrives on infinite complication. No problem has been too difficult for it to solve. From the dynamics of an atom, nature produces the tranquility of a flower, the joy of a porpoise, the intellect of man–the miracle of life. In wilderness, I sense the miracle of life, and behind it, our scientific accomplishments fade to trivia. The construction of an analogue computer or a supersonic airplane is simple when compared to the mixture of space and evolutionary eons represented by a cell. In primitive rather than in civilized surroundings I grow aware of man's evolving status, as though I were suddenly released from a hypnotic state. Life itself becomes the standard of all judgement. How could I have overlooked, even momentarily, such an obvious fact?"

- Charles Lindbergh

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"I feel transported from the modern to a Mesozoic era, freed from the blindness caused by our clocked environment of time. Ages turn to seconds as I voyage back and forth. Man becomes a recent advent among Earth's contending forms, and civilization but a flash in evolutionary progress. Surrounded by wildness I become less aware of my individuality than the life stream individuals manifest: that tenuous, immortal quality probing an unknown future and trailing, unbroken, beyond the vaguest past. Thus stripped of my culture's armor, I am an animal among various others, emerged to represent my species' progress, the momentary form and outlook of mankind. Whether in Florida's Everglades, Tanzania's Serengeti, or Java's Udjung Kulon, I see animals about me as earthly experiments with life; and so I feel myself. Each of us represents a life stream attempting to survive, to take advantage of every opportunity arising. The heron lengthens its legs to wade. The lion sharpens its teeth to kill. The rhinoceros thickens its skin for protection. Man develops his intellect to gain domination of the Earth, and by comparison, the speed with which he has gained this domination is astounding–another of those exponential curves that mount like an explosion. In civilization's sky-scraping cities I feel my superiority to lower animals confirmed by man's unchallenged rule. I view other creatures with a god's aloofness; for I have intellect, and they, no more than instinct. But surrounded by wildness, representing the human life stream with diverse competing life streams close at hand, I start doubting my superiority. I am struck by the physical perfection of other species in contrast to my own, amazed at the beauty, health and balance nature has achieved through instinct's influence. I ask myself what the intellect has done to warrant its prestige. As Earth's most messy, destructive and defective animal, man's record gives him little cause for pride. Our present intellectual superiority is no guarantee of great wisdom or survival power in our genes. Anthropologists often warn that Homo sapiens may be only an overspecialized branch on the trunk of evolution."

- Charles Lindbergh

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"I know myself as mortal, but this raises the question: "What is I?" Am I an individual, or am I an evolving life stream composed of countless selves? ... As one identity, I was born in AD 1902. But as AD twentieth-century man, I am billions of years old. The life I consider as myself has existed though past eons with unbroken continuity. Individuals are custodians of the life stream — temporal manifestations of far greater being, forming from and returning to their essence like so many dreams. ... I recall standing on the edge of a deep valley in the Hawaiian island of Maui, thinking that the life stream is like a mountain river — springing from hidden sources, born out of the earth, touched by stars, merging, blending, evolving in the shape momentarily seen. It is molecules probing through time, found smooth-flowing, adjusted to shaped and shaping banks, roiled by rocks and tree trunks — composed again. Now it ends, apparently, at a lava brink, a precipitous fall. Near the fall's brink, I saw death as death cannot be seen. I stared at the very end of life, and at life that forms beyond, at the fact of immortality. Dark water bent, broke, disintegrated, transformed to apparition — a tall, stately ghost soul emerged from body, and the finite individuality of the whole becomes the infinite individuality of particles. Mist drifted, disappeared in air, a vanishing of spirit. Far below in the valley, I saw another river, reincarnated from the first, its particles reorganized to form a second body. It carried the same name. It was similar in appearance. It also ended at a lava brink. Flow followed fall, and fall followed flow as I descended the mountainside. The river was mortal and immortal as life, as becoming."

- Charles Lindbergh

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"Lindbergh's arrival in Paris became the defining moment of his life, that event on which all his future actions hinged — as though they were but a predestined series of equal but opposite reactions, fraught with irony... In the spring of 1927, Lindbergh had been too consumed by what he called "the single objective of landing my plane at Paris" to have considered its aftermath. "To plan beyond that had seemed an act of arrogance I could not afford," he would later write. Even if he had thought farther ahead, however, he could never have predicted the unprecedented global response to his arrival. By that year, radio, telephones, radiographs, and the Bartlane Cable Process could transmit images and voices around the world within seconds. What was more, motion pictures had just mastered the synchronization of sound, allowing dramatic moments to be preserved in all their glory and distributed worldwide. For the first time all of civilization could share as one the sights and sounds of an event — almost instantaneously and simultaneously. And in this unusually good-looking, young aviator — of apparently impeccable character — the new technology found its first superstar. The reception in Paris was only a harbinger of the unprecedented worship people would pay Lindbergh for years. Without either belittling or aggrandizing the importance of his flight, he considered it part of the continuum of human endeavor, and that he was, after all, only a man. The public saw more than that... Universally admired, Charles Lindbergh became the most celebrated living person ever to walk the earth."

- Charles Lindbergh

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"In fact a de facto state of war between Germany and the United States had existed since September 11, 1941, when Roosevelt had authorized American naval commanders who encountered German vessels to fire at them 'on sight'. This was possible because the tide of American public opinion had been running against the Axis powers, despite the best efforts of isolationists like Senator Hiram W. Johnson, neutralists like the lawyer and legal historian Charles Warren and crypto-fascists like the aviator Charles Lindbergh. Ordinary Americans did not want war. Many believed they had been duped into the last war by the machinations of British imperialists and North-Eastern business interests. They were strongly attracted to the neutralists' idea that by prohibiting military supplies or loans to combatant countries Congress could avoid another such entanglement. But they supported American rearmament from as early as 193 6. They clearly favoured Britain over Germany from 1938 onwards. Above all, Americans did not want to see an Axis victory - and by September 1939 a majority of voters saw that this was best insured against by supplying arms and material to Britain. The German victories of 1940 caused that view to spread. There was public support, too, for the sanctions imposed on Japan which set the course for Pearl Harbor."

- Charles Lindbergh

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"No one I know of has foreseen an America like the one we live in today. No one (except perhaps the acidic H. L. Mencken, who famously described American democracy as “the worship of jackals by jackasses”) could have imagined that the 21st-century catastrophe to befall the U.S.A., the most debasing of disasters, would appear not, say, in the terrifying guise of an Orwellian Big Brother but in the ominously ridiculous commedia dell’arte figure of the boastful buffoon. How naïve I was in 1960 to think that I was an American living in preposterous times! How quaint! But then what could I know in 1960 of 1963 or 1968 or 1974 or 2001 or 2016? ... However prescient The Plot Against America might seem to you, there is surely one enormous difference between the political circumstances I invent there for the U.S. in 1940 and the political calamity that dismays us so today. It's the difference in stature between a President Lindbergh and a President Trump. Charles Lindbergh, in life as in my novel, may have been a genuine racist and an anti-Semite and a white supremacist sympathetic to Fascism, but he was also — because of the extraordinary feat of his solo trans-Atlantic flight at the age of 25 — an authentic American hero 13 years before I have him winning the presidency. ... Trump, by comparison, is a massive fraud, the evil sum of his deficiencies, devoid of everything but the hollow ideology of a megalomaniac."

- Charles Lindbergh

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