"Nothing has ever opened my eyes like transcendental meditation has. It makes me calm and happy, and, well, it gives me some peace and quiet in what’s a pretty chaotic life!"

"This is pretty much one of those roles that had me pinching myself all the way through the shoot. I got to shoot a big-budget, shamelessly old-fashioned romantic epic set against one of the most turbulent times in my native country's history, while, at the same time, celebrating that country's natural beauty, its people, its cultures... I'll die a happy man knowing I've got this film on my CV."

"I was there for three weeks before I shot a single thing. And that first day of shooting... I was so nervous, man. Everyone was sort of going "Who's this guy?" You know, there was a lot of that, and... You know, "Is he gonna deliver?", and that-- You can feel all that kinda pressure."

"It's always the suit's fault. Never the actor."

"I think every male at some point thinks about playing James Bond so it was not right then, but it may be right if it comes back. I think you've got to be scared as an actor and keep taking risks. It doesn't always work out but it's a healthy place to be."

"The Broadway thing is full-on—we were nine months in, six days a week. When you get a week off, there’s something so miraculous about it and freeing. I was sitting on a beach, not a care in the world, and for some reason, the thought came into my head: What do you want to do? And the first two things had nothing to do with work—then literally, I thought: Deadpool-Wolverine. I want to do that movie. That’s what I want."

"You can’t tuck your hair back the way you would, you can’t wipe away tears the way you would, because you’ve got nails that are an inch long. All your mannerisms change easily, when you have inch-long acrylic nails."

"I say this about everything: when I was on Neighbours I said, 'These are the best years of my life!' When I was filming 'The Wolf of Wall Street,' I said, 'These are the best months of my life!' I always think I'm having the best time ever, and that I'll never have so much fun again."

"I made a conscious decision not to date actors, but not because I hate actors. That’s a nasty generalization to make, and that’s not the case… People take such an interest in your love life when you have a profile, it puts a lot of stress on a relationship. So two people with profiles, I figure it’s just double the amount of scrutiny, and I’d like to avoid that at all costs."

"I will never sell my soul for a paycheck. I don’t need the money because I’m not extravagant. I share my house in London with five roommates. I take the Tube—it’s free entertainment! I intend to stay the exact same person I always was; my family and friends keep me grounded."

"Everyone's like, 'overnight sensation.' It's not overnight. It's years of hard work."

"I think for me anyway, the most successful horror movies that work are the ones that can create characters who you care about and that have characteristics that resonate with you and I think that is highly important, because if you can create characters that are likeable and people you can relate to, to me it makes the scares that much more scarier."

"I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors."

"I only work every couple of years. I go into retirement between films."