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April 10, 2026

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"On February the tenth, as a beginning of the solemnities for the Canonisation, the Jesuits sung Vespers in the Church of the Professed-house of Giesu. The night following they caused a numerous Maskerade of young Students, not Collegians, but Outliers, to pass through the streets on horse-back, clothed in several rich habits and following a Standard whereon were pourtrayed the Effigies of the Saints. The next day there was a solemn Mass in the same Church, and a Sermon made by the Visitor, F. Andren Palmuro, at which the Vice-Roy was present. In the Evening upon a very great Theatre, erected without the Church in the Piazza, for representing many dayes together the Life of San Francesco Sciavier, they caused a Squadron of young men mask’d in the habits of Peasants to dance many gallant Ballets with Musick. On the twelfth of February, in the presence of the Vice-Roy and of all the Nobility and People of the City, (for whose conveniency scaffolds and seats were erected in the Piazza round about the Theatre, both for Men and Women) the first Act of the above-said Comedy, or Tragedy, (as they said) of the Life of Santo Sciavier was represented. Of which Tragedy, which was a composition represented by about thirty persons, all very richly clothed and decked with Jewels, no less extravagant than grand, whereunto they entered to act the rare Musick, gallant dances, and various contrivances of Charriots, Ships, Galleys, Pageants, Heavens, Hells, Mountains and Clouds, I forbear to speak, because I have the printed Relations by me. On the eighteenth of February, the Vice-Roy being indispos’d, the proceedings were suspended and nothing was done. But on the three following dayes, by two Acts a day, the whole Tragedy was rehearsed. It comprehended not only the whole Life, but also the Death of San Francesco Sciavier, the transportation of his Body to Goa, his ascension into Heaven, and, lastly, his Canonisation. On the seventh of the same moneth Mass was sung in the College of San Paolo Nouvo, and a predication made by F. Flaminio Calo, an Italian, upon the Beatification of the Blessed Luigi Gonsaga, who was also a Father of the Society. In the Evening the Portugals of quality passed about the streets in a Maskerade, accompanyed with Chariots and Musick; about twelve of us went out of the House of Sig: Antonio Baraccio, all clothed in the same Livery, which I took care to get made according to my Phansie… On February the eighteenth, in the Morning, solemn Mass was sung and a Sermon made upon the Canonisation of Saints in San Paolo Vecchio…"

- Pietro Della Valle

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"Not resting content with the above orders [prohibiting alcohol, drugs, long beards, etc.], Aurangzeb. . .ordered the same official [the muhtasib14 ] to stop music. If in any house or elsewhere he heard the sound of singing and instruments, he should forthwith hasten there and arrest as many as he could, breaking the instruments. Thus was caused a great destruction of musical instruments. Finding themselves in this difficulty, their large earnings likely to cease, without there being any other mode of seeking a livelihood, the musicians took counsel together and tried to appease the king in the following way: About one thousand of them assembled on a Friday when Aurangzeb was going to the mosque. They came out with over twenty highly-ornamented biers, as is the custom of the country, crying aloud with great grief and many signs of feeling, as if they were escorting to the grave some distinguished defunct. From afar Aurangzeb saw this multitude and heard their great weeping and lamentation, and, wondering, sent to know the cause of so much sorrow. The musicians redoubled their outcry and their tears, fancying the king would take compassion upon them. Lamenting, they replied with sobs that the king’s orders had killed Music, therefore they were bearing her to the grave. Report was made to the king, who quite calmly remarked that they should pray for the soul of Music, and see that she was thoroughly well buried. In spite of this, the nobles did not cease to listen to songs in secret. This strictness was enforced in the principal cities."

- Niccolao Manucci

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