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"The materialist outlook is anthropomorphic. It does not lift man metaphysically above and beyond himself, but rationalistically drags him down to what it conceives to be his real self. It was the rationalist age of enlightenment that saw the birth of this philosophy. Up to that time man's thought had always been cosmic; it had found its justification in the divine justice and the divine holiness. It was conscious of a spiritual immanence. The rationalist's pride was to see only the animal in man. The humanist had stressed the mystic tie that binds the creature to the Creator. The rationalist created l'homme machine, a living automaton, a miracle of mud. Creation was explained not through the Creator but through the creature, and the creature was reduced to the sum of the matter of which he was composed and on which he was nourished. Rousseau's vegetative ideal, which aimed at being philanthropic, only added a sentimental touch. The French Revolution put these theories politically to the test and demanded " rights" for the enlightened man, expressly based on his "physical needs."German thought rebelled against this degradation of man. German minds took heed of the spiritual as well as the bodily needs of man and evolved the conception of the "Education of the Human Race," by which all that had been lost might be re-won. Their interpretation of universal history had nothing to do with a mechanical "Progress," but passionately sought to recapture for man the ideals he had abandoned. Our escape from rationalism to idealism was signalized by the attention's being directed not to human rights but to human dignity."

- Arthur Moeller van den Bruck

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"Late in the afternoon of the same day [14th February, 1843] I rode through the city, to the ruins of the palace of the Sultan Feroze, situated a few hundred steps without the south gate. On the plateau of this palace is the celebrated Feroze-Cotelah, or column. It is one of those columns which the pious Fabian speaks of, in his travells 1400 years ago, and of which there is still one in the fort of Allahabad, and three others in North Behar, one in Terai, near to the frontiers of Nepaul, the second not far from Bettiah, and the third on the river Gandaki. They have all the same inscriptions, in the ancient Pali, or Deva Magadhi language, and the Feroze-Cotelah has, also, inscriptions in Persian and Sanscrit. The learned James Princep succeeded in deciphering that in the Pali language. It is an edict of As-o-ko [Ashoka], the Bhoodist king of all India, who lived from 325 to 288 B.C., forbidding the destruction of living animals, and enforcing the observance of Bhoodism [Buddhism]. The Feroze-Cotelah consists of one piece of brown granite; it is ten feet in circumference, and, gradually tapering towards the summit, rises to the height of 42 feet. It is embedded in the platform of the completely ruined palace. The sun was nearly setting when I arrived before these extensive ruins: I tied my horse to a portion of the standing wall, and clambered over ponderous arches and porticoes up to the plateau. On this spot, standing before a monument more than two thousand years old, which reminded me of three great epochs of the history of India, that of the Bhoodists, of the Brahmins, and of the Moguls, surrounded by ruins, extending further than the eye could reach, with a view of Delhi, whose minarets and domes were gilded by the setting sun, – those times and nations could not fail to rise in a magic picture before my mind."

- Leopold von Orlich

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"Very early in the morning of my last day’s sojourn here, I rode with General Simpson to the village of Sarnath. It is six miles north-east of Benares, and three, of the cantonments, and evidently lies on a classic soil, for, that a large and mighty city must have stood here, is amply testified by the numerous ruins, and beautifully-formed bricks, with which all the ground, and especially the banks of a lake, which extends from east to west, are covered. The only fragment which has been preserved, is a vaulted tower about sixty feet high; it is built of granite and blocks of red sandstone, which are let into one another, and fastened without any cement, and in the upper portion some bricks have been introduced. The diameter of its base is about 100 feet, and the whole of the exterior, forms a round domed cone, similar to the Manikeeala in the Punjab. This remarkable tower is a compact mass of stone, without any open space in the interior, and merely covers a deep well, into which the corpse of a king was probably let down. A copper tablet found upon its highest summit bears an inscription, which, as far as I know, has not yet been deciphered: it is now in the museum of the Asiatic Society at Calcutta. At an elevation of about twenty feet from the ground are several niches, surrounded by elegant arabesques, in which statutes of men, women, and children, the size of life, formerly stood: some of these have been removed to Calcutta, to save them from the destructive spirit of the natives; seven statutes of red sandstone, which were sadly mutilated were, however, lying about. They are the figures of a people, with flat noses, thick lips, and unusually large eyes. The hair lies perfectly smooth to the head, and falls in innumerable curls over the neck and shoulders. Some of them were quite naked, others wrapped in light garments, which are very curiously wrought, and fit tight to the body, or fall in picturesque folds. One of these figures wore a cord round the waist, exactly similar to that which distinguishes the Brahmins."

- Leopold von Orlich

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"One of the greatest curiosities of Delhi is the Coottub-Minar, which is fifteen miles from the city, and is a conspicuous object at a great distance. This celebrated pillar was erected in 1193 by Coottubud-Deen, the founder of the Ghoorides, who overthrew the throne of the Brahmins in Delhi, in commemoration of the triumph of Mahometanism over Brahminism… About eight O’clock I stood before the lofty Coottub Minar: it is built of very fine, hard red sandstone, is 62 feet in diameter at the base, and rises to the height of 265 feet; it is divided into three stories, and the upper gallery is elevated 242 feet 6 inches above the ground. This column, which is the highest in the world, was intended by Coottub-ud-Deen to mark the entrance to a mosque which he purposed building. The lower story is about 90 feet high, and is built in alternate angular and concave channelings, on which sentences from the Koran are inscribed in raised Arabic characters; the other two stories consist of concave flutings only, and diminish gradually to the summit. The whole is crowned by a small dome, which is supported by eight square pillars: this dome was shattered by an earthquake in the year 1803, but has been restored by the English in its original form. The column stands in the midst of some very ancient Bhoodist and Hindoo buildings and Mahometan ruins. The colossal gates and columns, and the bold vaults of the former, still indicate an age of great prosperity, which intended to immortalize its faith and its history by the grandest works of art. On the cornices are sculptures, representing the processions of their kings, similar to those of the princes of our times. The pilasters are ornamented with elephants’ heads; and a careful observer might here trace some isolated moments of the history of an age long since past, and of which so little is known. A longer stay than I was enabled to make is however indispensable to an investigation of this kind, and I was forced to content myself with a cursory view. In one of the courts is an ancient iron pillar thirty feet high, with Sanscrit and Arabic inscriptions, on which the tyrant Nadir Shah, in a passion, struck a violent blow with a hatchet, the mark of which still remains."

- Leopold von Orlich

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