Argonautica

"The Voyage of Argo: The Argonautica, trans. E. V. Rieu (Penguin Books, 1959)"

"Time, combining this with that, brought the animal creation into order."

"Qualem primo qui surgere mense aut videt aut vidisse putat per nubila lunam."

"The Argonautika: The Story of Jason and the Quest for the Golden Fleece, trans. Peter Green (University of California Press, 1997),"

"The hearts of all were chilled, their cheeks grew pale, and they began to stray, dragging their feet along the endless beach. So, in some doomed city, when the gods' statues are sweating blood and bellowing is heard in the temples, or the midday sun has been eclipsed and stars shine out in the darkened sky, men wander ghostlike in the streets, expecting war, or pestilence, or the flooding of their fields by torrential rain."

"Αἶψα δὲ κούρη ἔμπαλιν ὄμματ᾽ ἔνεικε, καλυψαμένη ὀθόνῃσιν, μὴ φόνον ἀθρήσειε κασιγνήτοιο τυπέντος."

"Cymothoe simul et Triton adnixus acuto detrudunt navis scopulo."

"Τὼς ἰδέειν, ὥς τίς τε νέῳ ἐνὶ ἤματι μήνην ἢ ἴδεν, ἢ ἐδόκησεν ἐπαχλύουσαν ἰδέσθαι."

"The connexion between Virgil and Apollonius is closer than could have been presumed from any mere general considerations. After the Iliad and Odyssey, the Argonautics is the only poem which the intelligent criticism of antiquity declares to have furnished an actual model to the author of the Aeneid, and the similarity is one which the reader of the two works does not take long to discover. Not only is the passion of Medea in Apollonius' Third Book confessedly the counterpart of the passion of Dido in Virgil's Fourth, but the instances are far from few where Virgil has conveyed an incident from his Alexandrian predecessor, altering and adapting, but not wholly disguising it. The departure of Jason from his father and mother resembles the departure of Pallas from Evander; the song of Orpheus is contracted into the song of Iopas, as it had already been expanded into the song of Silenus; the reception of the Argonauts by Hypsipyle is like the reception of the Trojans by Dido, and the parting of Jason from the Lemnian princess reappears, though in very different colours, in the parting of Aeneas from the queen of Carthage; the mythical representations in Jason's scarf answer to the historical representations which distinguished the shield of Aeneas from that of Achilles; the combat of Pollux with Amycus is reproduced in the combat of Entellus with Dares; the harpies of Virgil are the harpies of Apollonius, while the deliverance of Phineus by the Argonauts may have furnished a hint for the deliverance of Achemenides by the Trojans, an act of mercy which has another parallel in the deliverance of the sons of Phrixus; Phineus' predictions are like the predictions of Helenus; the cave of Acheron in Asia Minor suggests the cave of Avernus in Italy; Evander and Pallas appear once more in Lycus and Dascylus; Here addresses Thetis as Juno addresses Juturna; Triton gives the same vigorous aid in launching the Argo that he gives to the stranded vessels of Aeneas, or that Portunus gives to the ship of Cloanthus in the Sicilian race."

"Jason and the Argonauts, trans. Aaron Poochigian (Penguin Classics, 2014),"

"Αἵδε δ᾽ ἀοιδαὶ εἰς ἔτος ἐξ ἔτεος γλυκερώτεραι εἶεν ἀείδειν ἀνθρώποις."

"They also took the sheep."

"... Convoca as alvas filhas de Nereu ... Repartem-se e rodeiam nesse instante As naus ligeiras, que iam por diante ... Põem no madeiro duro o brando peito, Para detrás a forte nau forçando ..."

"At last [Absyrtus] breathing out his life caught up in both hands the dark blood as it welled from the wound; and he dyed with red his sister's silvery veil and robe as she shrank away."

"Αὐτίκα δ᾽ ἄφνω ἴαχεν ἀνδρομέῃ ἐνοπῇ μεσσηγὺ θεόντων αὐδῆεν γλαφυρῆς νηὸς δόρυ, τό ῥ᾽ ἀνὰ μέσσην στεῖραν Ἀθηναίη Δωδωνίδος ἥρμοσε φηγοῦ... Ὧς Ἀργὼ ἰάχησεν ὑπὸ κνέφας."

"Ἔνθα σφιν κοῦραι Νηρηίδες ἄλλοθεν ἄλλαι ἤντεον· ἡ δ᾽ ὄπιθεν πτέρυγος θίγε πηδαλίοιο δῖα Θέτις, Πλαγκτῇσιν ἐνὶ σπιλάδεσσιν ἐρύσσαι."

"Αἱ δ᾽, ὥστ᾽ ἠμαθόεντος ἐπισχεδὸν αἰγιαλοῖο παρθενικαί, δίχα κόλπον ἐπ᾽ ἰξύας εἱλίξασαι σφαίρῃ ἀθύρουσιν περιηγέι· αἱ μὲν ἔπειτα ἄλλη ὑπ᾽ ἐξ ἄλλης δέχεται καὶ ἐς ἠέρα πέμπει ὕψι μεταχρονίην· ἡ δ᾽ οὔποτε πίλναται οὔδει· ὧς αἱ νῆα θέουσαν ἀμοιβαδὶς ἄλλοθεν ἄλλη πέμπε διηερίην ἐπὶ κύμασιν, αἰὲν ἄπωθεν πετράων."

"Medea's maids had gathered round their mistress.They laid their golden tresses in the dust and all night long made piteous lament, shrill as the twittering of unfledged birds fallen from a cleft in the rock and crying for their mother, and sad as the music that is echoed by dewy meadows and the river's lovely stream when swans begin to sing on the banks of Pactolus."

"Ter circum accensos cincti fulgentibus armis decurrere rogos, ter maestum funeris ignem lustravere in equis ululatusque ore dedere."

"Non tamen contemnendum edidit opus aequali quadam mediocritate."

"The Argonautica, trans. R. C. Seaton (Harvard University Press, 1912)"

"Jason and the Golden Fleece (The Argonautica), trans. Richard Hunter (Oxford University Press, 2009),"

"The Argonautica is a brilliant and disturbing achievement, a poem shot through with intelligence and deep ironies."

"The Medea and Jason of the Argonautica are at once more interesting and more natural than their copies, the Dido and Aeneas of the Aeneid. The wild love of the witch-maiden sits curiously on the queen and organiser of industrial Carthage; and the two qualities which form an essential part of Jason—the weakness which makes him a traitor, and the deliberate gentleness which contrasts him with Medea—seem incongruous in the father of Rome."

"She flung at him the full force of her malevolence, and in an ecstasy of rage she plied him with images of death."

"They gave him solemn burial, marched in full armour three times round the grave, and raised a mound above it."

"Οἷον ὅτε κλωστῆρα γυνὴ ταλαεργὸς ἑλίσσει ἐννυχίη· τῇ δ᾽ ἀμφὶ κινύρεται ὀρφανὰ τέκνα χηροσύνῃ πόσιος· σταλάει δ᾽ ὑπὸ δάκρυ παρειὰς μνωομένης, οἵη μιν ἐπὶ σμυγερὴ λάβεν αἶσα· ὧς τῆς ἰκμαίνοντο παρηίδες· ἐν δέ οἱ ἦτορ ὀξείῃς εἰλεῖτο πεπαρμένον ἀμφ᾽ ὀδύνῃσιν."

"Ὡς δ᾽ ὁπόταν δελφῖνες ὑπὲξ ἁλὸς εὐδιόωντες σπερχομένην ἀγεληδὸν ἑλίσσωνται περὶ νῆα, ἄλλοτε μἑν προπάροιθεν ὁρώμενοι, ἄλλοτ᾽ ὄπισθεν, ἄλλοτε παρβολάδην, ναύτῃσι δὲ χάρμα τέτυκται· ὧς αἱ ὑπεκπροθέουσαι ἐπήτριμοι εἱλίσσοντο Ἀργῴῃ περὶ νηί, Θέτις δ᾽ ἴθυνε κέλευθον.."

"Ἀλλ᾽ ἄγε καί τινά τοι νημερτέα μῦθον ἐνίψω. εὖτ᾽ ἂν ἐς Ἠλύσιον πεδίον τεὸς υἱὸς ἵκηται, ὃν δὴ νῦν Χείρωνος ἐν ἤθεσι Κενταύροιο νηιάδες κομέουσι τεοῦ λίπτοντα γάλακτος, χρειώ μιν κούρης πόσιν ἔμμεναι Αἰήταο Μηδείης."

"Ἡ δὲ νέον κρήνης ἀνεδύετο καλλινάοιο νύμφη ἐφυδατίη· τὸν δὲ σχεδὸν εἰσενόησεν κάλλεϊ καὶ γλυκερῇσιν ἐρευθόμενον χαρίτεσσιν. πρὸς γάρ οἱ διχόμηνις ἀπ᾽ αἰθέρος αὐγάζουσα βάλλε σεληναίη. τὴν δὲ φρένας ἐπτοίησεν Κύπρις, ἀμηχανίῃ δὲ μόλις συναγείρατο θυμόν. αὐτὰρ ὅγ᾽ ὡς τὰ πρῶτα ῥόῳ ἔνι κάλπιν ἔρεισεν λέχρις ἐπιχριμφθείς, περὶ δ᾽ ἄσπετον ἔβραχεν ὕδωρ χαλκὸν ἐς ἠχήεντα φορεύμενον, αὐτίκα δ᾽ ἥγε λαιὸν μὲν καθύπερθεν ἐπ᾽ αὐχένος ἄνθετο πῆχυν κύσσαι ἐπιθύουσα τέρεν στόμα· δεξιτερῇ δὲ ἀγκῶν᾽ ἔσπασε χειρί, μέσῃ δ᾽ ἐνικάββαλε δίνῃ."

"Οἱ δέ που ἄρτι νυμφάων ἵσταντο χοροί· μέλε γάρ σφισι πάσαις, ὅσσαι κεῖσ᾽ ἐρατὸν νύμφαι ῥίον ἀμφενέμοντο, Ἄρτεμιν ἐννυχίῃσιν ἀεὶ μέλπεσθαι ἀοιδαῖς."

"Μήτηρ δ' ὡς τὰ πρῶτ' ἐπεχεύατο πήχεε παιδί, ὧς ἔχετο κλαίουσ' ἀδινώτερον."

"Ἀλλὰ τὰ μὲν τηλοῦ κεν ἀποπλάγξειεν ἀοιδῆς."

"Δένδρεα μὲν καρπὸν χέον ἄσπετον, ἀμφὶ δὲ ποσσὶν αὐτομάτη φύε γαῖα τερείνης ἄνθεα ποίης."

"Like Maia's son he stood, And shook his plumes, that heavenly fragrance filled The circuit wide."

"Skilled he was to predict a rising storm out on the broad sea, saw hurricanes coming, could steer a ships course by sun or stars!"

"Τῆς μὲν ῥηίτερόν κεν ἐς ἠέλιον ἀνιόντα ὄσσε βάλοις, ἢ κεῖνο μεταβλέψειας ἔρευθος."

"Σὺν καί οἱ παράκοιτις ἐπωλένιον φορέουσα Πηλεΐδην Ἀχιλῆα, φίλῳ δειδίσκετο πατρί."

"Τὼ μὲν ἐπ᾽ ἀστραγάλοισι ποδῶν ἑκάτερθεν ἐρεμνὰς σεῖον ἀειρομένω πτέρυγας, μέγα θάμβος ἰδέσθαι, χρυσείαις φολίδεσσι διαυγέας· ἀμφὶ δὲ νώτοις κράατος ἐξ ὑπάτοιο καὶ αὐχένος ἔνθα καὶ ἔνθα κυάνεαι δονέοντο μετὰ πνοιῇσιν ἔθειραι."

"Πάντες δ᾽ οὐρανόθεν λεῦσσον θεοὶ ἤματι κείνῳ νῆα καὶ ἡμιθέων ἀνδρῶν μένος, οἳ τότ᾽ ἄριστοι πόντον ἐπιπλώεσκον."

"Στράπτε δ᾽ ὑπ᾽ ἠελίῳ φλογὶ εἴκελα νηὸς ἰούσης τεύχεα· μακραὶ δ᾽ αἰὲν ἐλευκαίνοντο κέλευθοι, ἀτραπὸς ὣς χλοεροῖο διειδομένη πεδίοιο."

"Ὅτε δὴ σκιρτῷεν ἐπ' εὐρέα νῶτα θαλάσσης, ἄκρον ἐπὶ ῥηγμῖνος ἁλὸς πολιοῖο θέεσκον."

"Mulcentem tigres, et agentem carmine quercus."

"Αἶψα δὲ τόνγ᾽ ἐσιδὼν ἐφράσσατο, καί οἱ ἄεθλον ἔντυε ναυτιλίης πολυκηδέος, ὄφρ᾽ ἐνὶ πόντῳ ἠὲ καὶ ἀλλοδαποῖσι μετ᾽ ἀνδράσι νόστον ὀλέσσῃ."

"Πέτρας μὲν πάμπρωτον, ἀφορμηθέντες ἐμεῖο, Κυανέας ὄψεσθε δύω ἁλὸς ἐν ξυνοχῇσιν, τάων οὔτινά φημι διαμπερὲς ἐξαλέασθαι. οὐ γάρ τε ῥίζῃσιν ἐρήρεινται νεάτῃσιν, ἀλλὰ θαμὰ ξυνίασιν ἐναντίαι ἀλλήλῃσιν εἰς ἕν, ὕπερθε δὲ πολλὸν ἁλὸς κορθύεται ὕδωρ βρασσόμενον· στρηνὲς δὲ περὶ στυφελῇ βρέμει ἀκτῇ. τῶ νῦν ἡμετέρῃσι παραιφασίῃσι πίθεσθε, εἰ ἐτεὸν πυκινῷ τε νόῳ μακάρων τ᾽ ἀλέγοντες πείρετε· μηδ᾽ αὔτως αὐτάγρετον οἶτον ὄλησθε ἀφραδέως, ἢ θύνετ᾽ ἐπισπόμενοι νεότητι. οἰωνῷ δὴ πρόσθε πελειάδι πειρήσασθαι νηὸς ἄπο προμεθέντες ἐφιέμεν. ἢν δὲ δι᾽ αὐτῶν πετράων πόντονδε σόη πτερύγεσσι δίηται, μηκέτι δὴν μηδ᾽ αὐτοὶ ἐρητύεσθε κελεύθου, ἀλλ᾽ εὖ καρτύναντες ἑαῖς ἐνὶ χερσὶν ἐρετμὰ τέμνεθ᾽ ἁλὸς στεινωπόν· ἐπεὶ φάος οὔ νύ τι τόσσον ἔσσετ᾽ ἐν εὐχωλῇσιν, ὅσον τ᾽ ἐνὶ κάρτεϊ χειρῶν. τῶ καὶ τἆλλα μεθέντες ὀνήιστον πονέεσθαι θαρσαλέως· πρὶν δ᾽ οὔτι θεοὺς λίσσεσθαι ἐρύκω. εἰ δέ κεν ἀντικρὺ πταμένη μεσσηγὺς ὄληται, ἄψορροι στέλλεσθαι· ἐπεὶ πολὺ βέλτερον εἶξαι ἀθανάτοις. οὐ γάρ κε κακὸν μόρον ἐξαλέαισθε πετράων, οὐδ᾽ εἴ κε σιδηρείη πέλοι Ἀργώ."

"Inclusum veluti si quando flumine nactus cervum aut puniceae saeptum formidine pennae venator cursu canis et latratibus instat; ille autem insidiis et ripa territus alta mille fugit refugitque vias, at vividus Umber haeret hians, iam iamque tenet similisque tenenti increpuit malis morsuque elusus inani est."

"Ἔνθεν μὲν γὰρ πέτραι ἐπηρεφέες, προτὶ δ' αὐτὰς κῦμα μέγα ῥοχθεῖ κυανώπιδος Ἀμφιτρίτης· Πλαγκτὰς δή τοι τάς γε θεοὶ μάκαρες καλέουσι. τῇ μέν τ' οὐδὲ ποτητὰ παρέρχεται οὐδὲ πέλειαι τρήρωνες, ταί τ' ἀμβροσίην Διὶ πατρὶ φέρουσιν, ἀλλά τε καὶ τῶν αἰὲν ἀφαιρεῖται λὶς πέτρη· ἀλλ' ἄλλην ἐνίησι πατὴρ ἐναρίθμιον εἶναι. τῇ δ' οὔ πώ τις νηῦς φύγεν ἀνδρῶν, ἥ τις ἵκηται, ἀλλά θ' ὁμοῦ πίνακάς τε νεῶν καὶ σώματα φωτῶν κύμαθ' ἁλὸς φορέουσι πυρός τ' ὀλοοῖο θύελλαι. οἴη δὴ κείνῃ γε παρέπλω ποντοπόρος νηῦς Ἀργὼ πᾶσι μέλουσα, παρ' Αἰήταο πλέουσα· καί νύ κε τὴν ἔνθ' ὦκα βάλεν μεγάλας ποτὶ πέτρας, ἀλλ' Ἥρη παρέπεμψεν, ἐπεὶ φίλος ἦεν Ἰήσων."

"The Fleece is spread out on the top of an oak tree, watched by a serpent, a fearful creature to look at, ever gazing round, on guard, nor by day or night does sweet sleep close his fierce eyes."

"Αἶα δὲ Κολχὶς Πόντου καὶ γαίης ἐπικέκλιται ἐσχατιῇσιν."

"The angel ended, and in Adam's ear So charming left his voice, that he awhile Thought him still speaking, still stood fixed to hear."