Works by Letitia Elizabeth Landon

1354 quotes found

"Nothing is so soon lost in a crowd as affection ; we are in too great a hurry to attach ourselves to anything or anybody. What bitter knowledge is brought us by experience ! How do we grow cold, indifferent, and unbelieving — we, who were so affectionate, so eager, so confiding ! Perhaps we expect too much from others. Because an individual likes you, from some sudden impulse, from the effect of circumstances which drew both out agreeably, you have no right to rely on the continuance of that feeling ; a fresher impulse may counteract it — a newer situation lead it to some one else ; and you ought rather to be thankful for even the temporary warmth, than feel disappointed at its cessation. But though this is what it would be wise to do, it is not what we can do. Mutable as is our nature, it delights in the immutable: and we expect as much constancy as if all time had not shown that ever "the fashion of this world passeth away." And this alone would be to me the convincing proof of the immortality of the soul, or mind, or whatever is the animating principle of life. Whether it be the shadow cast from a previous existence, or an intuition of one to come, the love of that which lasts is an inherent impulse in our nature. Hence that constancy which is the ideal of love and friendship. Hence, too, that readiness of belief in the rewards and punishments of a future state held out by religion. From the commonest flower treasured, because its perfume out lives its beauty, to our noblest achievements where the mind puts forth all its power, we are prompted by that future which absorbs the present. The more we feel that we are finite, the more do we cling to the infinite."

- Francesca Carrara

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"I know nothing more pleasant than the half kitchen, half flower-garden ; — the few trees that extend a light shade — either the apple, with its spring shower of fair blossoms, and its summer show of fruit, reddening every day ; or the cherry, with its scarlet multitude — berries more numerous than leaves. Below, long rows of peas put forth their white-winged flowers, tempting the small butterflies to flutter round their inanimate likenesses ; or else of beans, whose fresh, sweet odour, when in bloom, might challenge competition with the sea gales of the spice islands. Then the deep glossy green of the gooseberry is so well relieved by the paler shade of the currant-bush ; and alongside, spreading the verdant length of the strawberry-bed, so beautiful in its first wealth of white blossoms — pale omens of the blushing fruit, which so soon hides beneath its large and graceful leaves. The strawberry is among fruits what the violet is among flowers. Then, I do so like the one or two principal walks, neatly edged with box, cut with most precise regularity, keeping guard over favourite plants : — columbines, bending on their slender stems ; rose-bushes, covered with buds enough to furnish roses for months ; pinks, with their dark eyes ; and the orient glow of the marigold. And there are the neat plots planted with thyme, so sweet in its crushed fragrance ; the sage, with that touch of hoar-frost on its leaves, which, perhaps, has gained for it its popular name of wisdom ; the sprig of lavender, so lastingly sweet ; and the emerald patches of the rapidly springing mustard and cress. I would not give a common garden like this, with the free air tossing its boughs, and the sun laughing upon its flowers, for all that glass and gardener ever brought from a hot-house."

- Francesca Carrara

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"There is a grief which may darken a whole life, shut up the heart from every influence but its own, remain unchanged through every change of various fortune, flinging its own shadow over all that is fair, its own bitterness into all that is sweet; but that grief is the silent and the secret — it goes abroad with a smooth brow and a smiling lip — it knows not the relief of tears, and words it disdains. None have fathomed its depths, for its existence is denied; pride is mingled with its strength, for the hidden soul knows there is that within which parts it from its kind, and perhaps triumphs even in such agonising consciousness. With such the spirits often seem buoyant without a cause — often too guy for the occasion. The truth is, that society is to them as a theatre; and what actor is there who does not occasionally over act his part ? Few ever penetrate their dark and weary seclusion, for few ever look beyond the surface, unless actuated by some hope, fear, or love of their own, and then their feelings blind their judgment. Such motives turn all objects into mirrors, which reflect some likeness, even if distorted, of themselves. We conjecture, question, desire, anticipate — do everything but observe. And slight, indeed, are the tokens by which the seared heart betrays itself. But it has its signs ; there is that real disregard of the pleasures in which it shares, half as a disguise, half to avoid the trouble of importunity. But the eye, however trained to attention, will wander; the set smile becomes absent — weariness is pleaded as an excuse — and lassitude serves as the cloak to indifference. Moreover, though almost unconsciously, the words have a biting and shrewd turn — the opinions are either harsh or given with undue levity — contradiction is almost habitual — and the feelings, denied the resource of sympathy, take refuge in sarcasm."

- Francesca Carrara

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"What an extraordinary mental delusion jesting is ; that sort of laboured vivacity which fancies it is pointed when it is only personal; and more extraordinary still, it is always the resource of stupid people. "Take any shape but that !" is what I always feel tempted to exclaim when dulness attempts a joke; striving to pervert some poor innocent and ill-used word from its lawful meaning till it ceases to have any at all — worrying some unfortunate idea till, like the hunted hare, it is worried to death — dealing in witticisms whose edge has long since been worn off by constant use ; and truly to the many, witticisms not only require to be explained, like riddles, but are also like new shoes, which people require to wear many times before they get accustomed to them. … … It is said that the name of Love is often taken in vain, compelled to stand godfather to feelings with which he has nothing to do, and made answerable for all the faults and follies which interest, vanity, and idleness commit while masquerading under such semblance. Wit is just as much put upon — blamed for a thousand impertinences over which it would not have held for a moment its glittering shield ; it is like the radiant fairy doomed to wander over earth, concealed and transformed, and only allowed on rare occasions to shine forth in its true and sparkling form. It is well that wit is an impalpable and ethereal substance, or it must long since have evaporated in indignation at that peculiarly wretched and mistaken race, its imitators."

- Francesca Carrara

0 likesHistorical novelsEnglish novelsWorks by Letitia Elizabeth Landon