Women born in the 1880s

"Personality is more important than beauty, but imagination is more important than both of them."

"Acting is the physical representation of a mental picture and the projection of an emotional concept."

"Beautiful women seldom want to act. They are afraid of emotion and they do not try to extract anything from a character that they are portraying, because in expressing emotion they may encourage crow's feet and laughing wrinkles. They avoid anything that will disturb their placidity of countenance, for placidity of countenance insures a smooth skin."

"Instinct is the direct connection with truth."

"I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage."

"When a woman behaves like a man, why doesn't she behave like a nice man?"

"If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do."

"Actresses are such very dull people off the stage. We are only delightful and brilliant when we are doing what we are told to do. Off stage we are awful chumps."

"A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier."

"Jane: What do you think of his book Arthur? Gideon: I don't think of it. I've had no reason to, particularly. I've not had to review it. ...I'm afraid I'm hopeless about novels just now, that's the fact. I'm sick of the form—slices of life served up cold in three hundred pages. Oh, it's very nice; it makes nice reading for people. But what's the use? Except, of course, to kill time for those who prefer it dead. But as things in themselves, as art, they've been ruined by excess. My critical sense is blunted just now. I can hardly feel the difference, though I can see it, between a good novel and a bad one. I couldn't write one, good or bad, to save my life, I know that. And I've got to the stage when I wish other people wouldn't. I wish everyone would shut up, so that we could hear ourselves think..."

"To the politician we are something of a dark horse. He does not know what we want; he wishes he did. Do we know ourselves? Vaguely we know that we don't want the politician."

"Once learnt, this business of cooking was to prove an ever growing burden. It scarcely bears thinking about, the time and labour that man and womankind has devoted to the preparation of dishes that are to melt and vanish in a moment like smoke or a dream, like a shadow, and as a post that hastes by, and the air closes behind them, and afterwards no sign of where they went is to be found."

"The trouble about the fashions is, there are too many going on at once, and you can't follow them all. Sometimes, I think I will give them all up, and just be dowdy."

"How fast and how loud foreigners talk ! It is a gift ; the British cannot talk so loud or so fast. They have too many centuries of fog in their throats."

"Words, living and ghostly, the quick and the dead, crowd and jostle the otherwise too empty corridors of my mind. ... To move among this bright, strange, often fabulous herd of beings, to summon them at my will, to fasten them on to paper like flies, that they may decorate it, this is the pleasure of writing."

""Take my camel, dear," said my aunt Dot, as she climbed down from this animal on her return from High Mass."

"Poem me no poems."

"Each wrong act brings with it its own anaesthetic, dulling the conscience and blinding it against further light, and sometimes for years."

"Cranks live by theory, not by pure desire. They want votes, peace, nuts, liberty and spinning-looms not because they love these things, as a child loves jam, but because they think they ought to have them. That is one element which makes the crank. Another is lack of proportion, the obsession with one desire or one principle to the minimising or exclusion of others; exaggeration, in fact."

"The best book she has written, and that is saying a lot."

"Rose Macaulay is a wise guide, tolerant, generous-minded, liberal, courageous, cheerful, and her judgments of society and social values are always sound."

"A Pin To See The Peep-Show"

"The Bases of the New Creation and the Reasons Why It Is Misunderstood."

"Opponents of the New Art fall back on this calculation, rejecting its self-sufficient meaning and, having declared it 'Transitional,' being unable even to understand properly the conception of this Art, lumping together Cubism, Futurism, and other phenomena of artistic life, not ascertaining for themselves either their essential differences or the shared tenets that link them."

"Principles heretofore unknown, signifying the emergence of a new era in creative work - an era of purely artistic achievements. An era of the final emancipation of the Great Art of Painting from Literary, Social, and crudely everyday attributes uncharacteristic of it at its core. The elaboration of this valuable world outlook is the service of our times, irrespective of idle speculation about how quickly the individual trends created by it will flash by."

"Only the absence of honesty and of a true love of art provides some artists with the affrontery to live on stale cans of artistic economics stocked up for years, and, year in year out, until they are fifty, to mutter about what they had first started to talk about when they were twenty."

""Closely examining Rozanova's Suprematist period, we see that Rozanova's Suprematism is contrary to that of Kazimir Malevich, who constructs his works from a composition of quadrate forms, while Rozanova constructs hers from color. For Malevich, color exists solely to distinguish one plane from another; for Rozanova, the composition serves to reveal all the possibilities of color on a plane. In Suprematism, she offered a Suprematism of painting, not of the square [referring to Malevich]."

"Rozanova was well aware of Italian Futurism, although unlike Exter, she did not travel in Italy.. .In her careful application of the Italian Futurist evocation of mechanical speed, explosivity, and mobility, Rozanova followed the same path as Malevich (as in his 'Knife-Grinder', 1912;) and Kliun (as in his 'Ozonator', 1913—14), and her concurrent writings suggest, she regarded Futurism to be a key phase in the artistic evolution toward Suprematism. Rozanova expressed this impulse not only in her vivid, dynamic paintings, but also in what Yurii Annenkov described as the 'black plumes of her drawing'."

"For the whole world I became a heroine, very easy, but not complimentary, since I had done nothing in this case, received the most ridiculous letters from places all over the world; especially a steady flow of praises came from France! I have never seen such a exaggerated reaction"

"I have done more for the Boers than my fellow countrymen will ever know"

"only in the intimacy with mother I could be just a human"

"the government did not fulfil the urge in their hearts and felt that the public wished to see me openly revealing my sympathy for our kinsmen; how could I as the head of state!"

"Already then, there was in my subconsciousness as unsatisfactoriness about powerlessness, which was accompanied by being locked in a cage, whereby made taking an initiative, of any kind, impossible"

"to one of which I am attached by bonds of friendship, to other by ties of common origin"

"The Communists are Jews, and Russia is being entirely administered by them. They are in every government office, bureau and newspaper. They are driving out the Russians and are responsible for the anti-Semitic feeling which is increasing."

"It is the woman herself that matters rather than her covering."

"I do not advocate neglecting your parents: honour and succour them, especially in their old age, but don’t stay at home and do housework when you long, body and soul, to fly to the uttermost ends of the earth, there to find your mission in life and your gift to the world."

"I have arranged the poems by women in a separate section, irrespective of whether British or American; not in any sense of sexual rivalry, but merely from a natural desire to give them prominence and to show that despite their lack of opportunity, women feel all the poetry of flight and are fully alive to all that progress in aviation means to the world."

"The Leeds Mercury has always taken a pride in stating fairly all points of view in public life."

"I had just time to put away my coat and go over to the table, when the boss shouted gruffly, "Look here, girl, if you want to work here you better come in early. No office hours in my shop." It seemed very still in the room, even the machines stopped. And his voice sounded dreadfully distinct. I hastened into the bit of space between the two men and sat down. He brought me two coats and snapped, "Hurry with these!" From this hour a hard life began for me. He refused to employ me except by the week. He paid me three dollars and for this he hurried me from early until late. He gave me only two coats at a time to do. When I took them over and as he handed me the new work he would say quickly and sharply, "Hurry!" And when he did not say it in words he looked at me and I seemed to hear even more plainly, "Hurry!" I hurried but he was never satisfied. By looks and manner he made me feel that I was not doing enough. Late at night when the people would stand up and begin to fold their work away and I too would rise feeling stiff in every limb and thinking with dread of our cold empty little room and the uncooked rice, he would come over with still another coat."

"I myself did not want to leave the shop for fear of losing a day or even more perhaps in finding other work. To lose half a dollar meant that it would take so much longer before mother and the children would come. And now I wanted them more than ever before. I longed for my mother and a home where it would be light and warm and she would be waiting when we came from work. Because I longed for them so I lived much in imagination. For so I could have them near me. Often as the hour for going home drew near I would sit stitching and making believe that mother and the children were home waiting."

"It is as stupid to oust ancient history from the schools in favor of American and modern European history as it would be to knock out the first two stories of a skyscraper and expect the structure to stand."

"Because of its very personal influence men of action as far back as Cicero have proclaimed that there can be no more distinguished calling than that of instructing youth."

"I am distressed that there are so few who indulge in the ecstacy of even a humble translation, and still fewer who attain the worthy translation."

"One of the most difficult things the doctor and teacher have to do is to blast the popular and ancient delusion that there is an instinctive preparation for parenthood; that because a husband and wife produce a child they are mysteriously endowed with perfect wisdom concerning the nurture and development of this child."

"Prohibition, whether of the use of alcohol or anything else we may want or wish to do, will never develop in us or any people self control, a sense of social responsibility, or the ability to make wise choices for ourselves."

"“These are law-abiding, upright people of our community. What is it that makes it necessary for them to evacuate? Have they done anything? Is there anything in their history in this area to justify such a fear of them developing overnight?”"

"As a social worker, I am thinking of the aged; I am thinking of the sick in the hospitals today, in the Japanese community; I think of the babies born since Christmas time, and those about to be born; I am thinking of the young people in the schools and colleges of this State. Are they a menace to this community, that they must all be moved now?"

"The militant policy is bringing success. . . . the agitation has brought England out of her lethargy, and women of England are now talking of the time when they will vote, instead of the time when their children would vote, as was the custom a year or two back."

"When the Quakers were founded…one of their principles was and is equality of the sexes. So I never had any other idea…the principle was always there.”"

"if women who are Republicans simply help the Republican Party, and if women who are Democrats help the Democratic Party, women’s votes will not count for much. But if the political Parties see before them a group of independent women voters who are standing together to use their vote to promote Suffrage, it will make Suffrage an issue — the women voters at once become a group which counts; whose votes are wanted."

"(When did you actually become involved in suffrage work?) AP: Well, after I got my master’s in 1907, my doctoral studies took me to the School of Economics in London. The English women were struggling hard to get the vote, and everyone was urged to come in and help. So I did. That’s all there was to it. It was the same with Lucy Burns."

"to me it was shocking that a government of men could look with such extreme contempt on a movement that was asking nothing except such a simple little thing as the right to vote. Seems almost unthinkable now, doesn’t it? With all these millions and millions of women going out happily to work today, and nobody, as far as I can see, thinking there’s anything unusual about it. But, of course, in some countries woman suffrage is still something that has to be won"

"we did hear a lot of shouted insults, which we always expected. You know, the usual things about why aren’t you home in the kitchen where you belong. But it wasn’t anything violent. Later on, when we were actually picketing the White House, the people did become almost violent. They would tear our banners out of our hands and that sort of thing."

"(You were once quoted to the effect that in picking volunteers you preferred enthusiasm to experience.) AP: Yes. Well, wouldn’t you? I think everybody would. I think every reform movement needs people who are full of enthusiasm. It’s the first thing you need. I was full of enthusiasm, and I didn’t want any lukewarm person around. I still am, of course"

"if we had universal suffrage throughout the world, we might not even have wars."

"during that time we opened—and by “we” I mean the whole women’s movement—we opened a great many doors to women with the power of the vote, things like getting women into the diplomatic service. And don’t forget we were successful in getting equality for women written into the charter of the United Nations in 1945."

"I feel very strongly that if you are going to do anything, you have to take one thing and do it."

"(how would you describe your contribution to the struggle for women’s rights?) I always feel ... the movement is a sort of mosaic. Each of us puts in one little stone, and then you get a great mosaic at the end."

"NAWSA opposed Paul's tactics, but many historians concur in the opinion that these militant actions helped to spur the urgency of the moment."

"Woman suffrage is an almost forgotten issue today, and yet the battle is not won. Despite the capitulation of Congress last June, nearly three-fourths of the women of these States will be denied the right to vote in the Presidential Campaign of 1920, unless a miracle is accomplished in the next two months. The miracle will not fall from Heaven. If it occurs, it will be the result of hard work on the part of those same good fighters who picketed the White House and went to jail and finally wrung the Federal Amendment out of a distressed and embarrassed government,-Alice Paul's gallant band of militants."

"Alice Paul is a leader of action, not of thought. She is a general, a supreme tactician, not an abstract thinker. Her joy is in the fight itself, in each specific drawn battle, not in debating with five hundred delegates the fundamental nature of the fight. "The Executive Committee have provided a good enough phrase-To remove all the remaining forms of the subjection of women.' Let the delegates with the least possible debate adopt this phrase to serve for purpose, program and constitution." Of course she said nothing, but that, I believe, was Alice Paul's notion of what the Convention's action should be. "I will let you know what the first step is to be, how to act and when. Go home now and don't worry." These words were not printed in the program, but they seemed to be written between the lines...Is Alice Paul a radical? Is she even a liberal? Is she really a reactionary? These vague reformist terms are inappropriate in describing Alice Paul. Let us use the definite terms of the revolution. She is not a communist, she is not a socialist; if she is class-conscious at all her instincts are probably with the class into which she was born. But I do not think she is class-conscious. I think she is sex-conscious; she has given herself, body and mind and soul, to the women's movement. The world war meant no moment's wavering in her purpose, in fact she used the war with serene audacity to further her purpose. I imagine she could even go through a proletarian revolution without taking sides and be found waiting on the doorstep of the Extraordinary Commission the next morning to see that the revolution's promises to women were not forgotten! Alice Paul does not belong to the revolution, but her leadership has had a quality that only the revolution can understand."

"Alice Paul comes of Quaker stock and there is in her bearing that powerful serenity so characteristic of the successful Quaker. Like many another famous general she is well under five foot six, a slender, dark woman with a pale, often haggard face, and great earnest childlike eyes that seem to seize you to her purpose and hold you despite your own desires and intentions. During that seven year suffrage campaign she worked so continuously, ate so little and slept so little that she always seemed to be wasting away before our eyes... Indifference is harder to fight than hostility, and there is nothing that kills an agitation like having everybody admit that it is fundamentally right. If you can so frame your issue or so choose your method of attack as to precipitate discussion and difference of opinion among honest men, so that all your followers become passionate explainers, you have put life into a movement. Alice Paul knows this and she is a master at framing a meaty issue. As I look back over that seven-year struggle I sometimes suspect that many bold strategies were employed more to revive the followers than to confound the enemy...Alice Paul's active leadership in the American feminist movement was almost an accident. She was a student at an English university intending to pursue the career of a scholar when she was caught up in the English militant movement and served a brief apprenticeship in jail. It was during this experience that she began to plan what she would do for women suffrage in America. American women owe much to the English militants, but this above all."

"I may add that Alice Paul's visit to London has brightened the lives of such Woman's Party exiles as Hazel Hunkins, Betty Gram and myself. To see this wonder-worker-so quiet, so indefatigable, so sure, once more beginning to move mountains, revives one's faith in the future."

"Other evidences of changes in women’s status were more immediately apparent. The legendary ‘‘flapper’’ made her debut in the postwar decade, signaling with studied theatrical flourishes a new ethos of feminine freedom and sexual parity. The Nineteenth Amendment, enacted just in time for the 1920 presidential election, gave women at least formal political equality. The Equal Rights Amendment, first proposed by Alice Paul of the National Women’s Party in 1923, sought to guarantee full social and economic participation to women. An organized movement for the promotion of birth control, founded by Margaret Sanger in 1921 as the American Birth Control League, heralded a growing feminine focus on reproductive control and erotic liberation. Countless women, especially if they were urban, white, and affluent, now used the new technologies of spermicidal jelly and the Mensinga-type diaphragm, both first manufactured in quantity in the United States in the 1920s, to limit the size of their families. This development worried the authors of Recent Social Trends, who feared that the old-stock, white, urban middle class would be demographically swamped by the proliferation of the rural and immigrant poor, as well as blacks."

"Miss Alice Paul, Ph.D., D.C.L., author of the Equal Rights Treaty, and a founder of the National Woman's Party of the United States, is chairman of the committee on nationality of the Inter-American Commission of Women, and to her indefatigable labor in research and the compilation of material is due the commission's monumental report now ready for presentation at the first plenary session. This report covers the nationality of women throughout the world. In every case, it gives actual excerpts from the law in the original language, with translation. This applies even to laws in Japanese, Greek, Siamese, Bulgarian, Russian, etc., with the original text in the original script facing the translation on the opposite page. Synopses of the laws are included also with important original chapters by Miss Paul so that the juridical information is made easily understandable to all readers, whether familiar with legal terms or not. Comprehensive tables on nationality prepared by Miss Stevens and Miss Paul are another novel and important feature of this report which is as plain as daylight, as thrilling as an air race, and as fascinatingly involved as a detective story."

"I have no creative use for guilt, yours or my own. Guilt is only another way of avoiding informed action, of buying time out of the pressing need to make clear choices, out of the approaching storm that can feed the earth as well as bend the trees. If I speak to you in anger, at least I have spoken to you: I have not put a gun to your head and shot you down in the street; I have not looked at your bleeding sister’s body and asked, “What did she do to deserve it?” This was the reaction of two white women to Mary Church Terrell’s telling of the lynching of a pregnant Black woman whose baby was then torn from her body. That was in 1921, and Alice Paul had just refused to publicly endorse the enforcement of the Nineteenth Amendment for all women — by refusing to endorse the inclusion of women of Color, although we had worked to help bring about that amendment."

"In 1940, at the World's Fair held in New York City, Mrs. Carrie Chapman Catt, addressing a receptive audience, declared that it is woman's main task to stop war...Though more militant than Mrs. Catt as a leader in the suffrage movement, Alice Paul was no less certain that war sprang from men's nature and that women were under obligation to put a stop to wars. When, in April, 1941, she was interviewed on her return from Geneva, where she had spent two years directing the organization of an international movement for equal rights for women, she declared, relative to the war in Europe: "Women's instincts are constructive and tend to build and create, not to tear down." The guilt of war she laid wholly on men, saying: "This war was brought about without the women having anything to say or do about it, and now they are the greatest sufferers.""

""Asta Nielsen" means the power to speak of pathos, to see pain, and to find the middle path between Baudelaire's flower of evil and the sick rose of which Blake sang."

"There is a film in which Asta Nielsen is looking out of the window and sees someone coming. A mortal fear, a petrified horror, appears on her face. But she gradually realizes that she is mistaken and that the man who is approaching, far from spelling disaster, is the answer to her prayers. The expression of horror on her face is gradually modulated through the entire scale of feelings from hesitant doubt, anxious hope and cautious joy, right through to exultant happiness. We watch her face in closeup for some twenty metres of film. We see every hint of expression around her eyes and mouth and watch them relax one by one and slowly change. For minutes on end we witness the organic development of her feelings, and nothing beyond."

""My womanliness and your manliness is going to be tested on the battle field. Do not absent yourself!”""

""I am a woman and I do not love war, but rather than accepting this (colonialism) I prefer war.”""

"I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror— The wide brown land for me!"

"I preferred to live as master of men, not their servant."

"Men claim they have superior intelligence, saying there have been more men of genius than women. They forget that only when people use their gifts do they develop. That is why poor men who have spent their lives as cooks or tailors have not excelled in the arts or sciences. How can we expect, therefore, to find women whose knowledge is confined to this sphere excelling as geniuses?"

"There was no religious prohibition of showing a woman's face, that Egyptian peasants do not cover their faces, and that the white transparent cloth barely covers the face."

"Since you men claim to be wiser and have better minds than women, then how come you are seduced by seeing their faces."

"My analysis is underpinned by relevant life writing and feminist criticism, such as the notion of female."

"It investigates questions of nationalism, gender and sexuality in the autobiographical texts of Petronella van Heerden and Elsa Joubert."

"As political scientist De Klerk (1975:xiv) claims, ‘[t]he key to the Afrikaners is Calvinism’ and the strict doctrines enforced by the state and church can be said to have inhibited Van Heerden’s self-defining quest in her writing since she might have been ostracised (or imprisoned), in my opinion, if she imparted her more radical political opinions or openly discussed her sexuality as ‘mannish [lesbian]'."

"Through focusing on childhood experiences in Kerssnuitsels, marketed as a youth memoir, Van Heerden succeeds to convey her gradual awakening to the discriminating binaries imposed on women of her cultural and historical context in late 19th century and early 20th century South Africa."

"She gave up practicing medicine and came to Harrismith to farm cattle and was legendary among the boere here."

"A woman past forty should make up her mind to be young, not her face."

"I still delight in it when people find pleasure in my work. To paint is to reach out, hoping that one will touch. One wants to be understood."

"Her brushwork and color choice became more expressive and less consistent with her earlier works, using angular features and colored shapes to both her landscape paintings and portraits."

"She singled out Franz Marc of Der Blaue Reiter and Nolde, Schmidt-Rottluff and Pechstein of Die Brücke as significant to her personality, although she would claim not to have been influenced by them."

"Maggie Laubser was often influenced by exotic beauty and her various travels within South Africa. Her portraits of young Indian and African women, in which flower motifs are employed as decorative surrounds, are some of her finest. Comparable works include Young girl with head scarf holding a protea, Pondo woman and Indian girl with poinsettias."

"I am aware that my application is most unusual and no doubt without precedent, but trust that the Masters of the bench will give it their serious consideration and I should, in the event of a favourable reply, be pleased to conform to any special rules they may think fit to impose."

"Cave challenged the male exclusivity of the legal profession."

"She is the model of determination and icon for anyone who is or feels like an ‘outsider’"

"Miss Cave had humble legal aspirations and sought only to provide counsel should she be allowed to pursue a legal career. She did not aspire to the Bench."

"The likes of Hazel Abel are among the rarest resources of the world."

"Nebraskans can be grateful that she was destined to spend her remarkable life in the state."

"Stella Alexander developed a reputation for frugality and toughness in her early years in Issaquah during the 1920s."

"A physically large woman with an equally large amount of inner strength, she was not afraid of confronting Jack's clients when they fell behind on their bills and following up to make sure the bills got paid."

"Evidently the citizens of Issaquah initially appreciated her strength and independent spirit, because her name was bandied about as a candidate for Issaquah mayor in 1930 and in fact, she ran."

"For the rest of her life, she never quit her quest to help others."

"At a time when minorities, including Native Americans, were subjected to considerable economic and social discrimination, Anderson’s determination to attend college and return the benefits of her education to her community was notable. Her role as educator, legislator, and public health reform leader aided the Native American community as well as the whole of society."

"She also championed the fight to recognize Native American fishing rights on Huron Bay."

"It gives you a bit of a heart twist to walk right up to the courthouse and put your name opposite that of a man – not whom you’re going to marry – but opposite the name of a man who's your friend – and who want the same job you could fill."

"It’s education primarily that takes me to Olympia ... I find such a woeful lack of people who can and will speak for the schools. Too many sincere people just don’t know what they're talking about ... just don't understand the problems."

"She was a powerful, experienced legislative voice for education."

"In addition to her photographic work, Chinnery kept extensive diaries of her time in New Guinea and Papua. She began to rewrite her diaries as a book in the mid-1930s, but abandoned this work after the 1937 volcanic eruption in Rabaul, after which she returned to Australia."

"Her manuscripts were typed up by her four daughters and donated to the National Library of Australia, which published them in 1998 as Malaguna Road: The Papua and New Guinea Diaries of Sarah Chinnery, edited by Kate Fortune."

"Chinnery did not exhibit her work during her lifetime, but her photographs were published in several of Australia's major newspapers, along with articles and anecdotes written by her. In March 1935, she produced a three-page article and photo spread for the weekend magazine of The New York Times."

"A woman needs to be interested in politics, whatever her party, for the good of the country."

"There is no reason why a woman’s administration shouldn’t be as efficient as a man’s!"

"a very top woman: aggressive, intelligent and honorable."

"She was the anchorwoman of the council and much respected in the city. When she said something, she meant it, and knew what she was talking about."

"In a 1980 interview for “The Political Activities of the First Generation of Fully Enfranchised Connecticut Women, 1920-1945” at the Center for Oral History at UConn, Emily Sophie Brown stated that her priorities included anything concerning humanity, and things to do with children. This emphasis on humanity and care defined her career and many of the organizations she advocated for and represented."

"When people inquire I always just state: "I have four nice children and hope to have eight.""

"St. Brigid, please keep My babies asleep!"

"Deborah danced, when she was two, As buttercups and daffodils do; Spirited, frail, naïvely bold, Her hair a ruffled crest of gold."

"My heart shall keep the child I knew, When you are really gone from me, And spend its life remembering you As shells remember the lost sea."

"I shall not be afraid any more, Either by night or day; What would it profit me to be afraid With you away? * * * For there is only sorrow in my heart; There is no room for fear. But how I wish I were afraid again, My dear, my dear!"

"There is a mirror in my room Less like a mirror than a tomb, There are so many ghosts that pass Across the surface of the glass."

"For life seems only a shuddering breath, A smothered, desperate cry, And things have a terrible permanence When people die."

"Smilingly, out of my pain, I have woven a little song; You may take it away with you. I shall not sing it again."

"I sing of little loves that glow Like tapers shining through the rain. Of little loves that break themselves Like moths against the window-pane."

"If I live till my fighting days are done I must fasten my armour on my eldest son."

"I’m sorry you are wiser, I’m sorry you are taller; I liked you better foolish, And I liked you better smaller."

"Here, Cyprian, is my jeweled looking-glass, My final gift to bind my final vow: I cannot see myself as I once was; I would not see myself as I am now."

"You, Beloved, are the silvery lake shimmering in the desert of my youth."

"She stands, a guardian of the endless sea, Her garb is golden, and her lips are flame, She is the portal of Eternity And Beauty is the realm from whence she came! She is the voice of many bleeding lands— America, she calls! To Arms! Arise! For like a shimmering sabre in the skies In scarlet glow she stands A guardian of the earth and sea— Liberty!"

"Bring me a languid woman, perfumed, young, Her dusky body hung with dazzling gems And strange, exotic iridescent stuffs — Her wanton eyes like thirsty summer moons."

"Bring me a pale flower-boy, White-limbed like a young heifer in a field, His lips a-quiver with unknown desire.... His soft throat virgin beneath my kiss, His bosom like a bower of stars."

"There is a little place in me That cries like any child, To be as forest things are, free, Lonely, and strange and wild!"

"All paths lead to you Where e'er I stray, You are the evening star At the end of day. All paths lead to you Hill-top or low, You are the white birch In the sun's glow. All paths lead to you Where e'er I roam. You are the lark-song Calling me home!"

"I shall go smiling Into the great beyond, Looking upon the silence as release, Looking upon the darkness as a dream, Looking upon the deep unknown as rest."

"Though the whole trend of modern scientific thought is to lay stress on the fact that animals differ from us in degree rather than in kind, yet the moment we go out into the open the widespread fear, the overwhelming horror, that most undomesticated creatures display at the approach of a human being, the panic with which nearly all flee, show what an awful and fearsome thing he is to them. Man is an object of horror, the dealer of death and destruction, with which they have nothing whatsoever in common. The wild animals that one moment were feeding happily in company with horses and cattle, the rabbits nibbling the grass, the starlings perching on the beasts' backs, or hopping in and out between their legs, have fled for their lives at the mere sound of a human footfall."

"It is because they kill the tiresome mice that people should not shoot, or trap, or allow the eggs to be taken, of hawks and owls. Owls, and the in particular, live almost entirely on mice and young rats, and when we kill a (the barn owl is the white owl which files about so silently over the fields) we are allowing hundreds of mice to live and thrive and eat our things."

"The are undoubtedly direct descendants of the " forest bulls " of Norman times, but we have no evidence to prove, and a good deal to disprove, that these were the aboriginal wild cattle. The animals which roamed about the country in the Middle Ages, and which evidently were wild and fierce enough, were not the original indigenous species, the that was common during the , but merely " gone wild " or feral beasts that had escaped from domestication. Far from being of pure primigenius descent, they were certainly related to the tiny Bos longifrons, otherwise the Celtic shorthorn. This was the domestic breed of the Neolithic and early Celtic peoples. The existing , and are its descendants. It was the only domestic ox known in these islands up to the time of the Romans, but afterwards became mixed with larger breeds of the Urus type that were brought over by the Romans, Saxons, Danes, Normans, etc."

"The Greater Spotted, like all the woodpeckers, lays pure white eggs, with the faintest flush of pink from the yolk showing through the thin shell. The colourlessness of tis eggs is a characteristic that the woodpecker shares in common with most other birds that nest in holes and dark places. Colour in eggs is usually associated with exposed nesting sites, and apparently serves to camouflage the dainty morsels from the hungry gaze of the many creatures that are always ready to raid a nest. In a dark hole colour is useless, and it is a significant fact that the eggs of the majority of birds that nest in holes are white."

"Glorious with the hues of the , a living gem of colour that seems strangely out of place beside our quiet English rivers and babbling streams, the kingfisher is well and aptly names, for it is indeed clad in royal robes, a very king of birds and a prince of fishers. There is no bird on the to compare with it for brilliance of colouring, but of its hues bird-books give us little idea."

"... has no place beneath the trees nor where the fresh winds blow. Hunt and be hunted is the rule of wild life."

", to say a person "carries the horn" signifies that he hunts the pack. It is often said of a that he "carries the horn," meaning that he acts as , or contrawise that he "does not carry the horn" which means he employs a huntsman to hunt hounds for him."

"There are many ferocious predators in the , such as that carnivorous monster the and the bloodthirsty , with its equally predatory grub."

"Another small bird that has to find shelter these winter nights is the , or 'Jenny Wren' as we call it in the countryside, and it likes snug quarters, a really good place being often patronised by several birds. A hayrick is a popular dormitory."

"The , that common small hawk, may also be known and instantly distinguished from the — which is more of a woodland bird — by it manner of hovering in the air. The sparrow-hawk glides along, dashes round bushes, sweeps over a hedge and disappears; but the kestrel mounts to a fair height, quivers its wings, spreads its tail like a fan and hangs poised in mid-arie for what seems to the watcher a considerable time. It is watching for s in the herbage below."

"On the one hand, then, in the reproductive functions proper—menstruation, defloration, pregnancy, and parturition—woman is biologically doomed to suffer. Nature seems to have no hesitation in administering to her strong doses of pain, and she can do nothing but submit passively to the regimen prescribed. On the other hand, as regards sexual attraction, which is necessary for the act of impregnation, and as regards the erotic pleasure experienced during the act itself, the woman may be on equal footing with the man."

"Women are door-mats and have been,— The years those mats applaud,— They keep their men from going in With muddy feet to God."

"The most famous of Elizabethan gardening authorities was , who came of a well-known family. When he left , Hugh Platt became a member of , and being given a generous allowance by his father he was able to devote many years to literary work. He became keenly interested in and agriculture and was in communication with all the authorities in this country. His own gardens at , , and were famous, and his (reprinted later under the title of The Garden of Eden) is full of information gleaned in all parts of England ..."

"For the gardens of the few who can give them warm walls in the most sheltered parts of Great Britain, two scented January-flowering treasures are ' and Freylinia cestroides. With its globe-shaped head of flowers, ranging from deep butter to cream-colour on the same head (the flowers turn cream-colour as they fade), its sweet scent and the length of time it remains in bloom, E. chrysantha is a most attractive plant, and the buff-coloured flowers of fill the air with fragrance in mid-winter."

"In midwinter, when few fresh herbs except , , , , and are available, dried herbs can be used, also or ..."

"The most attractive time in is in spring when the bank sloping from the terrace is thick with s and ."

"Queen Elizabeth came twice to Oxford: once in 1566 and again in 1592."

"The oldest book dealing with the virtue of herbs is the , circa 900–950. This Leech Book was evidently the manual of a Saxon doctor and it is the oldest existing Leech Book written in the ."

", of the most noted of the day, entered the service of the as an assistant gardener. In 1826 he was made head-gardener. His name at is chiefly associated with the remarkable he designed, which was begun in 1836 and finished in 1840."

"Even in only very wealthy men had separate gardens merely for pleasure, whilst all the small s and s throughout the country still retained the old . For over seven centuries before that time, all the gardens in England were herb gardens, and very beautiful they must have been, for s, , s, , , , , s, , s, and s were all used as herbs."

"Of s we knew nothing till we learnt about them from the s; and they were only introduced into England in . It was about the same time that s were first cultivated in this country, but s were unknown till . The is an indigenous plant in the , but of the we were ignorant till the Flemish immigrants in the early seventeenth century introduced them. To them also we owe our present garden , which has had a long journey to reach us, for it is said to have come from Asia through Spain. The was used by our ancestors from , and one of the Saxon names for March was "sprout-kale month"; but otherwise the whole ' tribe were unknown to us till the late sixteenth and seventeenth centuries."

"In teaching our child the English language, we talked to her as an adult except that our words were simple and concrete. In general our practice has been not to correct her mistakes, trusting to the force of good example. As much as possible we have tried to have her words stand for real things; for instance, we took her to see pigs and bears and skunks, so that she would not get her conceptions merely from stories, pictures and s. Finally we make an effort to avoid the dead level of too simple language by at times dealing with familiar situations in new words."

"The concept of territory proves to be as old as the science of ornithology, since Aristotle was the first writer to mention it. This was pointed out by Lack (Condor, 46, 1944:108) who, however, did not follow the subsequent history of these observations. ... It was Aristotle, then, who declared that eagles partition out the land according to their needs for food, and this statement was incorporated into the books of Pliny, (in regard to ), Albertus Magnus (transferred to vultures), , , and Buffon."

"Each spring the drowsy trill of the called us and armed with pails and strainers and home-made nets, off we started to the nearby railroad . Here we found treasures: strings of toad eggs, s big and little, sedate s (which we believed were lizards), and alluring s, drab , and most tempting of all, . Caddis flies had fascinated me ever since I had read about them Charles Kingsley's (1863), and it was wonderful to find that these almost mythical creatures of English brooks were our neighbors here in our own waters."

"The most cherished of my life came in 1895 — 's Bird-Craft (1895). For the first time, I had coloured bird pictures. Many of these were adapted from Audubon's (1827); single birds, or occasionally a pair, sometimes in surprising attitudes, were depicted. In later years, when looking at the reproductions of Audubon's original plates, every now and then a picture has given me a little tug at the heart, recalling my childhood years of eager search. The simple descriptions, the charming discussions, the enthusiastic introductory chapters of Bird-Craft — all these I pored over and all but learned by heart."

"Ornithological Margaret Morse Nice (1883–1974) changed the course of American through her two pioneering field studies in 1937 and 1943 on the . Although students of understand her importance, few general readers recognize her name, much less significance. There are many reasons this omission should be remedied: her outstanding professional accomplishments, her ability to balance family and career, her management of gender issues, and her work in conservation, preservation, and the ."

"Why, I've been lucky all my life. I was even lucky in having typhoid fever. I thought It was most dreadful that I should fall ill and have to give up a leading part... but when a week or two after its New York premiere the piece was sent to the storehouse, I just turned over and thanked my lucky stars that I was saved from all the disappointments that go with such an experience."

"When my aunt informed me that we lived in the famous Latin Quarter, I experienced a little shock of surprise. When I discovered the size of the Latin Quarter, there was another surprise, and an even greater one when I realized that in this awful Quartier Latin were the great universities and Art Schools of France; the lovely old Luxembourg garden with the Medici Palace now used as the Senate Chamber; the Pantheon, the Westminster Abbey of France; the old Cluny Palace with its hoary relics and ruined walls; and on through a long list of less celebrated but equally interesting places. It is the Student Quarter of Paris, more foreign than French, alive with Russians, Poles, English and Americans. [...] Here you will find living side by side, the girl whose father has made a fortune in oil and has sent his daughter abroad to finish her education and the little girl from Australia who has saved up her pennies for years that she might come and study painting in Paris and who lives in a bare little room, hardly knowing where her next meal will come from, but trusting the God of the Quarter, "Luck." There is a more democratic spirit here in the midst of this undemocratic people than we find in America itself. E veryone meets on the common ground for work, the only aristocracy is that of ability and success. Each one is here for a purpose; the air throbs with industry, enthusiasm and genius. Iris most inspiring; you meet so many who are so much more advanced than you that their attainments are something to look forward to, so many whose work is so far below your standard that you feel you have something to start with and are not discouraged (Burk, 90-91)."

"I cannot say that I was very enthusiastic upon my first visit to the market. As an insight into a certain phase of French life it was most interesting, but I did not relish the idea of buying there, even if the vegetables were much fresher and more reasonable than in the stores. The European custom of displaying all manner of eatables on the street, unprotected from the dirt and dust, and even handling by the passers-by, was new and not at all pleasing to me. I had a feeling that everything was dirty, especially the people. Since then I have become acclimated and resigned to the fact that France and dirt are inseparable (April 18, 1909, 17)."

"I remember reading not long ago in a San Francisco paper how the girls of this [...] American Girls' Art Club had astonished all Paris by taking long tramps and sketching expeditions into the woods of France unchaperoned. Astonished all Paris! Why Paris never even raises an eyebrow when we bold artists brave the dangers of her forests and suburbs all alone. As is a favorite custom of girls here, I have even sketched down along the Seine among the roughest class of workmen and tramps and was never more courteously treated anywhere (Burk 2008, 89-90)."

"The Salon of French Artists is recognized as the most difficult in which to gain entrance of any of the several held there each year. That two Fresno girls and no less than eleven native Californians have presented specimens which the discriminating French critics considered worthy of acceptance, is a recognition of the highest standard of art in California never before accorded in Paris (3)."

"Since pictures such as mine are so different from the pictures people are used to framing, it isn’t really strange that they should require different treatment. White not being a color (as is gold) forms the best frames for pictures high in key and in pure color, as it does not destroy the balance of color in the picture and brings out each color in its fuller intensity. Black is next best, I think."

"Although some members of the public misunderstood and even ridiculed her work, Marguerite seemed unaffected. She was brave and clear about who she was and what she believed. She also had William's full support, and they continued to paint in the same studio, helping each other with canvases, with ideas, with promoting their paintings. Although they struggled financially, these were rich, exciting years, and their collaboration nurtured them both. They exhibited paintings in their studio as well as at galleries, and they were at the center of the avant-garde community of American artists in New York (Kennedy 97)."

"I have no artistic creed or formula. I have no fixed aim to which I am bending every energy. I have made no wonderful or new artistic discovery. Perhaps I have not even a new vision…In so far as my life is rich in emotional and intellectual experiences, actual or in imagination, in so far as I seek for a deeper and more comprehensive grasp of things, in so far I shall have material from which to create."

"We survived these years by never spending a cent on anything that was not essential...we saw that there was always money for materials...we made our own canvases...used the stretchers over and over, rolling up the finished pictures. When desperate we painted on both sides of the canvas (cited in Colleary 24)."

"There are two ways of meeting difficulties: you alter the difficulties, or you alter yourself to meet them."

"In my early life, and probably even today, it is not sufficiently understood that a child's education should include at least a rudimentary grasp of religion, sex, and money. Without a basic knowledge of these three primary facts in a normal human being’s life — subjects which stir the emotions, create events and opportunities, and if they do not wholly decide must greatly influence an individual’s personality — no human being’s education can have a safe foundation."

"There is no thermometer for wants!"

"Knowledge cannot be changed, but the use to which it may be put can very easily be changed."

"Even not being liked has a certain virtue about it, if the reason for the dislike does not lie in yourself!"

"Physical inferiority is always stressed rather than relieved by a militaristic rule; so that it would not surprise me to find that the half of the human race that produces and trains the other half, will be once more degraded! One must not forget that many women will like it better. For one pets what one degrades; and one has to support what one has enfeebled."

""Ought"! What an ugly word that is!"

"Even the slightest failure was an indignity to Olaf; but to Hans failure had no more moral significance than success."

"When you know a person particularly well, you cannot escape their ruffled feelings."

"Darkness began to drink up the last cold light upon the mountainside."

"Every hen thinks she has laid the best egg! Can we not all believe as we choose? But the choice of others — what is that to us? Let them alone — Nazis and Communists. How do we know that they are not two ways of avoiding the same thing?"

"No emergency excuses you from exercising tolerance."

"[T]o be a Jew is to belong to an old harmless race that has lived in every country in the world; and that has enriched every country it has lived in.It is to be strong with a strength that has outlived persecutions. It is to be wise against ignorance, honest against piracy, harmless against evil, industrious against idleness, kind against cruelty! It is to belong to a race that has given Europe its religion; its moral law; and much of its science — perhaps even more of its genius — in art, literature and music.This is to be a Jew; and you know now what is required of you! You have no country but the world; and you inherit nothing but wisdom and brotherhood. I do not say that there are no bad Jews — userers; cowards; corrupt and unjust persons — but such people are also to be found among Christians. I only say to you this is to be a good Jew. Every Jew has this aim brought before him in his youth. He refuses it at his peril; and at his peril he accepts it."

"[H]urt vanity is one of the cruellest of mortal wounds."

"I am never at picnics. The ground was not meant to be sat upon in its raw state, I feel sure, and I prefer my food without either caterpillars or drafts!"

"A blossom must break the sheath it has been sheltered by."

"I have prized courage. For with courage a human being is safe enough. And without it — he is never for one instant safe!"

"The words her father had said to her, echoed over and over in her memory — "Love generously, wisely, and without haste!" She thought that wisdom was in the simple joy of her lover’s eyes; about generosity Freya did not think at all — for those who practise it never weigh it — but the word "haste" she blotted out of her mind."

"When lightning strikes, the mouse is sometimes burned with the farm."

"It is you men who make war! ... We, who have children, would never make it! Why should a woman be broken up in pain, to give her child life, only to see him carried away from her, to make food for guns?"

"Curses are children of hate; they belong to the wrong family! Prayers are better than curses!"

"Time stood as still as an enemy in ambush."

"It is a very dangerous thing to have an idea that you will not practise."

"Truth is its own defence."

"This death...is not a great affair! Think — it happens once only — to each of us—as birth does. What do you know about being born? That — and no more — will you know about the act of death."

"All persecution is a sign of fear; for if we did not fear the power of an opinion different from our own, we should not mind others holding it."

"It is a good thing to learn early that other people's opinions do not matter, unless they happen to be true."

"That a Jew is despised or persecuted is bad for him, of course — but far worse for the Christian who does it — for although persecuted he can remain a good Jew — whereas no Christian who persecutes can possibly remain — if he ever was one — a good Christian!"

"Our responsibility to ourselves comes first — because in a sense what one is oneself is the responsibility that one has for others!"

"He was so nearly honest a man, that his undigested lie, mortally disagreed with him."

"Her religion was that of all artists — obedience to the laws of her creative art."

"The boy still has that uneasy half-deluded love a man never wholly loses for his mother; but I should suppose that the girl Gillian has emptied from her hard little heart the last traces of her childhood's affection for her mother. Both children were no doubt used as active recipients for their parents' conflict. They were filled, poor little empty cups, by their parents, with the poison of their differences; and then passed from one to the other."

"Psychology...is a science, not a sort of Savonarola. It cannot reform people against their wills. It can only provide a better method of mixing the human ingredients presented to it. As it is a social science it must depend as much upon the patient's willingness to be cured, as upon the physician's skill in curing. There is neither force nor magic in psychiatry."

"When a reserved person once begins to talk, nothing can stop him, and he does not want to have to listen, until he has quite finished his unfamiliar exertion."

"A man whose every exertion is bent upon showing up the flaws in his wife’s character must be at least partially responsible for some of them."

"Neither situations nor people can be altered by the interference of an outsider. If they are to be altered, that alteration must come from within."

"It is true that her heart is sick, but where there is laughter there is always more health than sickness."

"The only creative power I know is that of what might roughly be called "love"; not of course a sentimental love: a far more impersonal and less individual emotion. I sometimes think that migratory birds may have it for each other. They fly in the same direction, and have never been seen to interfere with each other's flights."

"A red-hot belief in eternal glory is probably the best antidote to human panic that there is."

"Neither saints nor angels have ever increased my faith in this enigma Life; but what are called "common men and women" have increased it."

"I wonder how often not the intention but the desire springs up in a doctor's mind: "Can I let this human being out of the trap of Life?""

"A doctor is a man who, if his career is well-chosen, looks upon himself as a guardian of life; he cannot take lightly what infringes the rights of his great charge.And yet can life be made undignified by any act of man? Life is being interrupted on these nights by man's obscenity, as nature is interrupted by storms, or by the explosions of pent-up gases; but such catastrophes are not permanent, as are the laws of nature. Nor are these cruel obscenities from the innocent skies, made by man against his brother, capable of inflicting any real indignity upon life. They will cease, and life itself will be unchanged by them."

"Morale is not a single instinct. It has many ingredients. A sense of personal responsibility, the natural courage of an individual, the amount of his acquired self-discipline — and above all his interest in others — these together make up the spirit of morale."

"I believe that all daughters, even when most aggravated by their mothers, have a secret respect for them. They believe perhaps that they can do everything better than their mothers can, and many things they can do better, but they have not yet lived long enough to be sure how successfully they will meet the major emergencies of life, which lie, sometimes quite creditably, behind their mothers."