Women academics from Australia

105 quotes found

"By 1627 Judith Leyster was famous enough to be mentioned in Ampzing's description of the city of Haarlem; by 1661 she had been so far forgotten that De Bie does not mention her in his Golden Cabinet. Her eclipse by Frans Hals may have begun in her own lifetime, as a consequence of her marriage to Molenaer perhaps, for Sir Luke Schaub acquired the painting now known as The Jolly Companions as a Hals in Haarlem in the seventeenth century. If Judith Leyster had not been in the habit of signing her work with the monogram JL attached to a star, a pun on the name her father had taken from his brewery, Leyster or Lodestar, her works might never have been reattributed to her: few paintings can boast of a provenance as clear as that of The Jolly Companions. As a result of the discovery that The Jolly Companions bore Leyster's monogram, the English firm which had sold the painting to Baron Schlichting in Paris as a Hals attempted to rescind their own purchase and get their money back from the dealer, Wertheimer, who had sold it to them for £4500 not only as a Hals but "one of the finest he ever painted." Sir John Millars agreed with Wertheimer about the authenticity and value of the painting. The special jury and the Lord Chief Justice never did get to hear the case, which was settled in court on 31st May 1893, with the plaintiffs agreeing to keep the painting for £3500 plus £500 costs. The gentlemen of the press made merry at the experts' expense, for all they had succeeded in doing was in destroying the value of the painting. Better, they opined, to have asked no questions. At no time did anyone throw his cap in the air and rejoice that another painter, capable of equalling Hals at his best, had been discovered."

- Germaine Greer

0 likesPeople from MelbourneWomen academics from AustraliaEssayists from AustraliaNon-fiction authors from AustraliaWomen authors from Australia
"For a start, her assertion that we've forgotten about liberation and settled, instead, for the hope of equality feels like a revelation. "Liberation struggles are not about assimilation, but about asserting difference," she writes. "...What none of us noticed [in the 70s] was that the ideal of liberation was fading out with the word. We were settling for equality." [...] Now, the Women's Liberation spearheaded by the likes of Greer never told anyone that they shouldn't shave their legs. What it did do was say that if you want to shave, you should be aware that political pressures are behind that desire; just as political pressures force women to diet, and have breast implants, and use anti-ageing creams made from placenta, and generally feel hateful towards their physical selves. Greer's new book is an exciting reminder of how discrimination against women stops them, physically, from being 'the whole woman'. 'Your cellulite is you,' she says. It might sound obvious; but what a thrill to talk about owning our bodies, about being who we are. This is where the equality-seekers get it wrong, and liberationists like Greer get it right. Because how we feel about our bodies has an impact on whether we get paid the same. Of course we'll never get equal status if we're spending all our time and energy worrying about our thighs. Of course we'll never get equal pay if we ask for it wearing a baby-doll slip."

- Germaine Greer

0 likesPeople from MelbourneWomen academics from AustraliaEssayists from AustraliaNon-fiction authors from AustraliaWomen authors from Australia