Temples

"[B]uilt with gold, and decorated with lapis lazuli. He applied himself to building the temple; king Amar-Suena applied himself to building the temple. The people turned against the king. [...] In the first year the temple remained in ruins, and he did not restore it. [...] In the second year it remained in ruins, and he did not restore it. [...] In the third year it remained in ruins, and he did not restore it. Amar-Suena could not interpret the temple's ominous sign among the birch trees. In the fourth year it remained in ruins, and he did not restore it. Although he had been advised by a sage, he could not realise the plans of the temple. In the fifth year it remained in ruins, and he did not restore it. [...] In the sixth year it remained in ruins, and he did not restore it. He was searching for the divine plan of the temple, but could not find it. In the seventh year it remained in ruins, and he did not restore it. Enki spoke to him about the temple, the temple that did not exist. In the eighth year, he applied himself to building the temple. By the ninth year, king Amar-Suena built the E-uduna of the wise lord. [...] Then the lord, the great lord Enki, destroyed the site of his own temple."

"We thus become temples of God whenever earthly cares cease to interrupt the continuity of our memory of Him."

"In all that architecture has of the great and eternally beautiful, it is completely a production of the religious spirit. From the ruins of Tentyra to St Peter's in Rome, all the monuments speak; the genius of architecture is really only at ease in temples. It is there that above caprice, fashion, pettiness, licence, and finally all the gnawing cares of talent, it works without discomfort for glory and immortality."

"Do you not know that you yourselves are God's temple?"

"Holiness is the architectural plan upon which God buildeth up His living temple."

"Always let you work on your inner temple, therein lies great beauty."

"Egypt has possessed temples far more remarkable than the Parthenon in Athens; but its heavy buildings do not impose themselves except for their size; they are decorated without sobriety and sometimes without good taste. The most significant flaw of the Egyptian temple is that it is too long in proportion to its height, and that it has too many external walls compared to the few openings. From this aspect the Egyptian temple and the Gothic church present the most absolute contrast: here, too many spaces; there, too many voids; Greek and Renaissance art were able to find the right intermediate point. (Salomon Reinach)"

"Egyptian art"

"Luxor Temple"

"מִי שֶׁלֹּא רָאָה בֵּית הַמִּקְדָּשׁ בְּבִנְיָנוֹ — לֹא רָאָה בִּנְיָן מְפוֹאָר מֵעוֹלָם. מַאי הִיא? אָמַר אַבָּיֵי וְאִיתֵּימָא רַב חִסְדָּא: זֶה בִּנְיַן הוֹרְדוֹס.‏"

"Οὐ βλέπετε ταῦτα πάντα; ἀμὴν λέγω ὑμῖν, οὐ μὴ ἀφεθῇ ὧδε λίθος ἐπὶ λίθον ὃς οὐ καταλυθήσεται."

"فَإِذَا جَآءَ وَعْدُ ٱلْـَٔاخِرَةِ لِيَسُـۥٓـُٔوا۟ وُجُوهَكُمْ وَلِيَدْخُلُوا۟ ٱلْمَسْجِدَ كَمَا دَخَلُوهُ أَوَّلَ مَرَّةٍۢ وَلِيُتَبِّرُوا۟ مَا عَلَوْا۟ تَتْبِيرًا"

"The Jews were loth to have their Temple pulled down, fearing lest it might not be rebuilt. To demonstrate his good faith, Herod acccumulated the materials for the new building before the old one was taken down. The new Temple was rebuilt as rapidly as possible, being finished in a year and a half, although work was in progress on the out-buildings and courts for eighty years. As it was unlawful for any but priests to enter the Temple, Herod employed 1,000 of them as masons and carpenters."

"יְהֹוָ֣ה אָמַ֔ר לִשְׁכֹּ֖ן בָּעֲרָפֶֽל׃ בָּנֹ֥ה בָנִ֛יתִי בֵּ֥ית זְבֻ֖ל לָ֑ךְ מָכ֥וֹן לְשִׁבְתְּךָ֖ עוֹלָמִֽים׃"

"When the Temple was constructed it was, together with Solomon's palace, by far the most splendid pile of buildings that the Hebrews had ever seen."

"A hollowed-out space in living rock is a totally different environment from a building constructed of quarried stone. The human organism responds in each case with a different kind of empathy. Buildings are fashioned in sequence by a series of uniformly repeatable elements, segment by segment, from a foundation upwards to the conjunction of walls and roof; the occupant empathizes with a visible tension between gravity and soaring tensile strength. Entering a great building is to experience an almost imperceptible tensing in the skeletal muscles in response to constructional tension. Caves, on the other hand, are scooped out by a downward plunge of the chisel from ceiling to floor in the direction of gravity; the occupant empathizes with an invisible but sensed resistance, an unrelenting pressure in the rock enveloping him; sculpted images and glowing pigments on the skin of the rock well forth from the deeps. To enter an Indian cave sanctuary is to experience a relaxation of physical tension in response to the implacable weight and density of the solid rock."