Symbolism

"I am an anarchist in politics and an impressionist in art as well as a symbolist in literature. Not that I understand what these terms mean, but I take them to be all merely synonyms of pessimist."

"In literature and in art, alike, this gloomy fashion of regarding Death has been characteristic of Christianity. Death has been painted as a skeleton grasping a scythe, a grinning skull, a threatening figure with terrible face and uplifted dart, a bony scarecrow shaking an hourglass - all that could alarm and repel has been gathered round this rightly-named King of Terrors."

"Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible."

"Il est des parfums frais comme des chairs d'enfants, Doux comme les hautbois, verts comme les prairies, – Et d'autres, corrompus, riches et triomphants, Ayant l'expansion des choses infinies, Comme l'ambre, le musc, le benjoin et l'encens, Qui chantent les transports de l'esprit et des sens."

"Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them."

"If a symbol should be discovered in a painting of mine, it was not my intention. It is a result I did not seek. It is something that may be found afterwards, and which can be interpreted according to taste."

"Human beings communicate through art with symbols that transcend the boundaries of time and culture."

"The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes."

"Superficially insignificant or accidental looking detail [in art] may well carry the most important unconscious symbolism."

"Such compositions, line and color ideas, such wonders come into my mind and have stuck! – They will this time be dismissed only by being painted out."

"When you are going to paint a bamboo, you must first realize the thing completely in your mind. Then grasp the brush, fix your attention so that you see clearly what you wish to paint; start quickly, move the brush, follow straight what you see before you, as the buzzard swoops down when the hare jumps out. If you hesitate one moment, it is gone."

"The artists of Asia have spiritually realized form, rather than aesthetically invented or imitated form, and from them I have learned that art and nature are mind's Environment within which we can detect the essence of man's Being and Purpose, and from which we can draw clues to guide our journey from partial consciousness to full consciousness."

"I paint to evoke a changing language of symbols, a language with which to remark upon the qualities of our mysterious capacities which direct us toward ultimate reality."

"Ainsi, dans cet art, les tableaux de la nature, les actions des humains, tous les phénomènes concrets ne sauraient se manifester eux-mêmes ; ce sont là des apparences sensibles destinées à représenter leurs affinités ésotériques avec des Idées primordiales."

"When seen as a whole, art derives from a person’s desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood."

"The wonders of the Grand Canyon cannot be adequately represented in symbols of speech, nor by speech itself. The resources of the graphic art are taxed beyond their powers in attempting to portray its features. Language and illustration combined must fail."

"A noir, E blanc, I rouge, U vert, O bleu : voyelles. . ."

"Between the image of the Imagist and the 'symbol' of the Symbolists there is a difference only of precision'"

"To be associated with industry no longer carries the stigma of profiteering, exploitation and of being uncaring as it did when I was at school."

"Probably the respect or stigma attaching to particular classes of actions arose from the fact that these classes of actions were—or were thought to be—beneficial or injurious to the society of the time; but it is also clear that this good or bad name once created clings to the action long after the action has ceased in the course of social progress to be beneficial in the one case, or injurious in the other; and indeed long after the thinkers of the race have discovered the discrepancy. And so in a short time arises a great confusion in the popular mind between what is really good or evil for the race and what is reputed to be so—the bolder spirits who try to separate the two having to atone for this confusion by their own martyrdom."

"The notion that "applied" knowledge is somehow less worthy than "pure" knowledge, was natural to a society in which all useful work was performed by slaves and serfs, and in which industry was controlled by the models set by custom rather than by intelligence. Science, or the highest knowing, was then identified with pure theorizing, apart from all application in the uses of life; and knowledge relating to useful arts suffered the stigma attaching to the classes who engaged in them."

"The Greeks, who were apparently strong on visual aids, originated the term stigma to refer to bodily signs designed to expose something unusual and bad about the moral status of the signifier. The signs were cut or burnt into the body and advertised that the bearer was a slave, a criminal, or a traitor — a blemished person, ritually polluted, to be avoided, especially in public places. Later, in Christian times, two layers of metaphor were added to the term : the first referred to bodily signs of holy grace that took the form of eruptive blossoms on the skin; the second, a medical allusion to this religious allusion, referred to bodily signs of physical disorder. Today the term is widely used in something like the original literal sense, but is applied more to the disgrace itself than to the bodily evidence of it. Furthermore, shifts have occurred in the kinds of disgrace that arouse concern. Students, however, have made little effort to describe the structural preconditions of stigma, or even to provide a definition of the concept itself. It seems necessary, therefore, to try at the beginning to sketch in some very general assumptions and definitions."

"Racial discrimination a mark of shame on twentieth-century man, although intolerable to most humans can still be seen in various parts of the world. And the power-seeking policies of the strong are hampering the execution of United Nations' ideals."

"Follow the path of the unsafe, independent thinker. Expose your ideas to the dangers of controversy. Speak your mind and fear less the label of 'crackpot' than the stigma of conformity."