Reboot films

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"(narrating) Thebes, City of the Living. Crown jewel of Pharaoh Seti I. Home of Imhotep, Pharaoh's high priest, keeper of the dead; birthplace of Anck-Su-Namun, Pharaoh's mistress. No other man was allowed to touch her. But for their love, they were willing to risk life itself. To resurrect Anck-Su-Namun, Imhotep and his priests broke into her crypt and stole her body. They raced deep into the desert, taking Anck-Su-Namun's corpse to Hammunaptra, City of the Dead, ancient burial site for the sons of pharaohs, and resting place for the wealth of Egypt. For his love, Imhotep dared the gods' anger by going deep into the city, where he took the black Book of the Dead from its holy resting place. Anck-Su-Namun's soul had been sent to the dark Underworld, her vital organs removed and placed in five sacred canopic jars. Anck-Su-Namun's soul had come back from the dead. But Pharaoh's bodyguards had followed Imhotep, and stopped him before the ritual could be completed. Imhotep's priests were condemned to be mummified alive. As for Imhotep, he was condemned to endure the Hom-Dai, the worst of all ancient curses. One so horrible, it had never before been bestowed. He was to remain sealed inside his sarcophagus, the undead for all eternity. The Medjai would never allow him to be released. For he would arise a walking disease, a plague upon mankind, an unholy flesh-eater with the strength of the ages, power over the sands, and the glory of invincibility. For 3,000 years men and armies fought over this land, never knowing what evil lay beneath it; and for 3,000 years we, the Medjai, the descendants of Pharaoh's sacred bodyguards, kept watch."

- The Mummy (1999 film)

0 likesFilms about mummiesRemake filmsReboot filmsFilms directed by Stephen SommersFilms set in deserts
"Throughout Godzilla, it feels as though Emmerich is embarrassed of his subject matter; the dumb jokes and one-liners ("We need bigger guns," "That's a lot of fish," and so on) are like cynical, condescending winks to the audience. It's also obvious he wants to avoid reminders of the old Japanese films - not only is the creature itself almost totally different, but scenes that the audience expects to see in a picture called Godzilla are missing. Where is Godzilla smashing buildings and incinerating entire city blocks? The fierce battles between Godzilla and the army? The monster rearing back and bellowing his high-pitched roar? The are a few Godzilla-like moments in the affair - for instance, when Godzilla hugs a skyscraper and wails into the night; why doesn't he push the edifice to the ground? Wasn't the point of making a mega-budget Godzilla the chance to relive these classical thrills with super-enhanced visual effects? Sure, a gigantic reptile jogging down Fifth Avenue is impressive, but the new Godzilla was just a way for Sony to make its own upsized, dumbed-down Jurassic Park without getting sued by Steven Spielberg. The experience leaves one wondering why they bothered, for the awe of seeing CGI dinosaurs for the first time is gone, and there's little else that's new. Emmerich tries vainly to create an atmosphere of dread by dowsing the movie with rain, but gloomy skies alone do not equal subtext. The original Godzilla was a harbinger of doom, but this one is a gutless wonder whose only desire is to eat fish and give New York the ultimate pest problem: a clutch of Baby Godzilla eggs."

- Godzilla (1998 film)

0 likesFilms about GodzillaRemake filmsThriller filmsScience fiction horror filmsReboot films