People from New Orleans

303 quotes found

"How you feel about Wynton Marsalis may indicate how you feel about jazz. To some fans he’s been a kind of saviour, restoring the music’s essence by reconnecting it to its roots in blues and swing, after its post-1960s fragmentation into fusion, free, world, acid, smooth, etc. But to others, his neo-conservatism is actually anti-jazz, restricting its evolutionary energy and creating ‘mausoleum music’. But no one doubts Marsalis’s authority, sincerity and talent. His virtuosity made him famous when he was barely out of his teens, achieving the unprecedented feat of winning Grammy awards in both classical and jazz categories in the same year. In fact, his passion for the trumpet first led him to jazz. Growing up in New Orleans in the 1970s, Marsalis was a mere dabbler in funk until his classical trumpet teacher introduced him to such jazz masters as Clifford Brown. His imagination was fired by a music that combined individuality and virtuosity, forged in African-American experience. That devotion to the heritage and expressive power of jazz still informs everything Marsalis does. It’s why he has fiercely decried the sort of all-purpose dumbing down which, to him, misrepresents the legacy of such African-American heroes as Armstrong, Ellington and Monk. As the trumpeter berated a critic: ‘We are not some hip sub-culture for your entertainment. Jazz is the most intelligent music of all time.’"

- Wynton Marsalis

0 likesJazz musiciansMusicians from the United StatesComposers from the United StatesPeople from New OrleansJuilliard School alumni
"Mr. Speaker, you have no idea how great this feels to be great back here at work in people's House. As you can imagine, these last 3 1/2 months have been pretty challenging times for me and my family. But, if you look at the outpouring of love — my gosh Jennifer and I have been overwhelmed with the outpouring — It's given us the strength to get through all of this. And get to this point today; it starts with God.W hen I was laying out on that ball field, the first thing I did once I was down and couldn't move anymore, I started to pray. And tell you, it gave me an unbelievable sense of calm knowing at that point it's in God’s hands. I prayed for specific things, and I'll tell you, pretty much every one of those prayers was answered. They were some pretty challenging prayers I was putting in God's hands, but he really did deliver for me and my family. And it just gives you that renewed faith and understanding that the power of prayer is something you cannot under estimate. So I'm a living example that miracles really do happen. ... As we're fighting through the issues of the day, let's just keep in mind that we rise above the challenges of the day and understand that it's not just us and our constituents and the country, the United States, that's counting on us to be successful. People all around the world believe in freedom are counting on us as well, and we will deliver for them. That's why I am so honored to be back here in the House serving with you. God bless each and every one of you, and God bless the United States of America."

- Steve Scalise

0 likesRepublican Party (United States) politiciansMembers of the United States House of RepresentativesPeople from New Orleans
"Over the course of decades, she has made it her mission to see that this day came. It was almost a singular mission. She has walked for miles and miles, literally and figuratively, to bring attention to Juneteenth, to make this day possible...when I think about someone like Miss Opal Lee, part of what I think about is our proximity to this period of history, right? Slavery existed for 250 years in this country, and it’s only not existed for 150. And, you know, the way that I was taught about slavery, growing up, in elementary school, we were made to feel as if it was something that happened in the Jurassic age, that it was the flint stone, the dinosaurs and slavery, almost as if they all happened at the same time. But the woman who opened the National Museum of African American History and Culture alongside the Obama family in 2016 was the daughter of an enslaved person — not the granddaughter or the great-granddaughter or the great-great-granddaughter. The daughter of an enslaved person is who opened this museum of the Smithsonian in 2016. And so, clearly, for so many people, there are people who are alive today who were raised by, who knew, who were in community with, who loved people who were born into intergenerational chattel bondage. And so, this history that we tell ourselves was a long time ago wasn’t, in fact, that long ago at all."

- Clint Smith (writer)

0 likesPoets from the United StatesAcademics from the United StatesAfrican AmericansHarvard University alumniPeople from New Orleans
"What a lot of people don’t know is that New York City, for an extended period of time, was the second-largest slave port in the country, after Charleston, South Carolina; that in 1860, on the brink of the Civil War, when South Carolina was about to secede from the Union after the election of Abraham Lincoln, that New York City’s mayor, Fernando Wood, proposed that New York City should also secede from the Union alongside the Southern states, because New York’s financial and political infrastructure were so deeply entangled and tied to the slavocracy of the South; also that the Statue of Liberty was originally conceived by Édouard de Laboulaye, a French abolitionist, who conceived of the idea of the Statue of Liberty and giving it to the United States as a gift, that it was originally conceived as an idea to celebrate the end of the Civil War and to celebrate abolition. The original conception of the statue actually had Lady Liberty breaking shackles, like a pair of broken shackles on her wrists, to symbolize the end of slavery. And over time, it became very clear that that would not have the sort of wide stream — or, wide mainstream support of people across the country, obviously this having been just not too long after the end of the Civil War, so there were still a lot of fresh wounds. And so they shifted the meaning of the statue to be more about sort of inclusivity, more about the American experience, the American project, the American promise, the promise of democracy, and sort of obfuscated the original meaning, to the point where even the design changed. And so they replaced the shackles with a tablet and the torch, and then put the shackles very subtly sort of underneath her robe. And you can — but the only way you can see them, these broken chains, these broken links, are from a helicopter or from an airplane. And in many ways, I think that that is a microcosm for how we hide the story of slavery across this country, that these chain links are hidden, out of sight, out of view of most people, under the robe of Lady Liberty, and how the story of slavery across this country is very — as we see now, very intentionally trying to be hidden and kept from so many people, so that we have a fundamentally inconsistent understanding of the way that slavery shaped our contemporary society today."

- Clint Smith (writer)

0 likesPoets from the United StatesAcademics from the United StatesAfrican AmericansHarvard University alumniPeople from New Orleans
"When I read Jefferson's disparagement of Wheatley, it felt like he had been disparaging the entire lineage of Black poets who would follow her, myself included, and I saw a man who had not had a clear understanding of what love is. When Robert Hayden gave us the ballads to remember how captured Africans survived the Middle Passage and arrived on these shores, it was an act of love. When Gwendolyn Brooks wrote about the children on the South Side of Chicago playing with one another in neighborhoods left neglected by the city, it was an act of love. When Audre Lorde fractured this language and then built us a new one, giving us a fresh way to make sense of who we are in the world, it was an act of love. When Sonia Sanchez makes lightning of her tongue, moving from Southern colloquialisms to stanzas shaped by Swahili, traversing an ocean in one breath, it is an act of love. Jefferson's conceptions of love seem to have been so distorted by his own prejudices that he was unable to recognize the endless examples of love that pervaded plantations across the country: mothers who huddled over their children and took the lash so their little ones wouldn't have to; surrogate mothers, fathers, and grandparents who took in children and raised them as their own when their biological parents were disappeared in the middle of the night; the people who loved and married and committed to one another despite the omnipresent threat that they might be separated at any moment. What is love if not this?"

- Clint Smith (writer)

0 likesPoets from the United StatesAcademics from the United StatesAfrican AmericansHarvard University alumniPeople from New Orleans
"In the autumn of 1945, the hottest thing in New York was an ancient black trumpet player who, just three years before, had lacked both an instrument and teeth. What Willie ‘Bunk’ Johnson did possess, however, was historic, even mythic charisma. He’d been present in New Orleans at the very dawn of jazz, and played with Buddy Bolden, the fabled cornettist who’d virtually invented the music. And now here he was, freshly equipped with dentures and horn, a living icon pouring out authentic blues and rags with a company of similarly venerable New Orleanians. Audiences weary of the noisy regimentation of swing and the edgy complexity of bop were entranced by the throbbing warmth of ‘real jazz’, as if they’d been transported to the halcyon days of Basin Street. Unfortunately, Bunk’s moment in the sun was short-lived. Though a wily, urbane character, adept at charming his patrons and the media, he was also wilful and fond of a drink. Rather contemptuous of the band that had been assembled for him, he couldn’t be relied on to perform at his best or even turn up. Within a year, critics lamented that ‘the name Bunk Johnson (had) lost its magic and its meaning’, and he returned to Louisiana, where he died in 1949. All the same, his brief acclaim made Johnson the figurehead for a worldwide boom in the popularity of traditional jazz which continued after his death: Johnson sidemen such as clarinettist George Lewis forged international careers, and made New Orleans a tourist mecca. But Johnson remains controversial, revered by many as a unique musician, dismissed by others as a has-been who was second-rate in his prime. And yet the Johnson records still cast their spell – the singular vitality of New Orleans, pulsating and human, with a communal rhythm that’s more important than individual virtuosity."

- Unknown

0 likesMusicians from the United StatesTrumpetersJazz musiciansPeople from New Orleans