13 quotes found
"If you listen to a song on the radio you can definitely tell whose music it is. When you listen to my music you can tell it is Basshunter."
"I'm very proud of this whole thing - the new single and album. I was given more time to work on it, so I've been able to add little touches. There's been more time to think and listen. All the songs are very special and I'm very, very satisfied with it."
"I don't want to change my music, but I like to play around with my style of music. I've always been a big fan of guitars. The beats are still quite hard and the riffs are still Basshunter, but I wanted to do something special. The lyrics are from a true story as well. It's based on me dating a girl who I thought was the one, but it didn't work out. I woke up one morning and she was doing something in the kitchen and then came through with a cup of coffee for me. I just went, 'Wow! I have to write a song now!'"
"There's a track called 'Why' that I really like. It's in the rock style again and I'm very satisfied with the lyrics. I wrote it after looking at a painting which had lots of things going on at the same time. Another song I really like is called 'I Still Love', because it's a little bit harder than the other ones."
"I'm here touring with my latest record, Bass Generation. I produced and wrote all the songs, and I was really focused and wrote all the lyrics from the bottom of my heart. Each song is different, but if people listen they'll know it's a Basshunter song."
"This new album, it’s basically, I’m trying to satisfy everyone with this new album. Because when you release a new album you can choose either to be mainstream or go old school, but for this album I’m pretty much both of it."
"We are putting in a lot of extra work into the tracks, and we are looking at least 16-17 tracks in the album. So instead of having these 12 track albums with two remixes it’s going to be like a total of maybe 19-20, so it’s going to be interesting to listen to."
"The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found... so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears."
"[On what she thinks is most special and unique about Eurovision]: Well, it's because we don't have that many communities where everybody is accepted, regardless of your sexuality, religious background, or color. As long as you come in with love and respect for one another, you're welcome."
"I was very influenced by mid-‘70s music. I loved Uriah Heap and Status Quo. Those were the reasons that I picked up the guitar. I was very inspired by the guitar playing within glam rock like Sweet, Slade, and T. Rex, Later there was Michael Schenker, who has such amazing melodic sense, along with Randy Rhoads and Steve Vai."
"When I first heard the music, I thought it was great because I had always been interested in darker, dramatic music with horror elements. I liked and was inspired by that neoclassical style, so I thought, ‘Oh, wow, this seems like a perfect combination of all those things."
"I’ve always been a Marshall guy. Back then, I needed a bit of a boost, and I generally leaned on my Ibanez Tube Screamer [TS808], which I still think is one of the best pedals ever made. So, the Tube Screamer and the Marshall amps were just a great combination. And then, of course, you had to have good-sounding speakers, which I used a bunch of. I was always looking for a good lead tone; I wanted that warm feeling that could still cut through but had a lot of sustain, which is important when you play a lot of melodies."
"Given his ability to kick your teeth in and leave you smiling, it’s easy to lump LaRocque in with other ‘80s shredders. But his drenched-in-melodicism licks were outliers, and hinged on tone above all else. LaRocque could shred with the best, but he came from a different place, eschewing theory and relying purely on instinct."