122 quotes found
"One does not attend this movie; one enlists in it."
"The faces in New York remind me of people who had played a game and lost."
"Great care has gone into the construction of the shadow which declares itself to be Richard Nixon."
"If you talk to gangsters long enough, you’ll find out they’re just as bad as respectable people."
"In baseball, the true class enemy is not the boss, but the fan."
"Donald Trump dresses his hatred up as though it were a peacock's feathers. In any polity entitled to think itself civilized, persons with regard for their breeding would leave the room politely but definitely whenever Donald Trump entered it."
"For touching a people who want to forget ugly problems, no politician equals the one who has already forgotten them himself."
"I hope my studies may be an encouragement to other women, especially to young women, to devote their lives to the larger interests of the mind. It matters little whether men or women have the more brains; all we women need to do to exert our proper influence is just to use all the brains we have."
"The golden rule of writing is to write what you care about. If you care about your topic, you'll do your best writing, and then you stand the best chance of really touching a reader in some way."
"The night-sea journey may be absurd, but here we swim, will-we nill-we, against the flood, onward and upward, toward a Shore that may not exist and couldn't be reached if it did."
"Marilyn Marsh, who had about had it with Spain, declared to him [the old Spanish man]: … But it redounds to your national credit, the then Missus Turner went on in effect — she'd been reading up on reciprocal atrocities in the Guerra Civil — that the sunny Spanish could never be guilty of an Auschwitz, for example. In the first place, your ovens would have died, like our kitchen stove, instead of your Jews, whom you'd got rid of anyhow in the sunny Fifteenth century, no? And in the second place the whole idea of extermination camps would've been too impersonal for your exquisite Moorish tastes. Much more agradable to push folks off a cliff one at a time into a gorgeous Mediterranean sunset, as you did near Malaga — three hundred, was it, or three thousand? Or to rape and then kill a convent-full of nuns in the manner of the saint of their choice — was that Barcelona or Valencia?"
"One of the things I miss about teaching is that students would tell me what I ought to read. One of my students, back in the 1960s, put me onto Borges, and I remember another mentioning Flann O'Brien's At Swim Two-Birds in the same way."
"Women thought me charmingly shy, and sometimes stopped at nothing to “penetrate the disdainful shell of my fear,” as one of their number put it. Often as not, it was they who got penetrated."
"[N]othing is intrinsically valuable; the value of everything is attributed to it, assigned to it, from outside, by people."
"[T]here is no will-o'-the-wisp so elusive as the cause of any human act."
"[I]t is sometimes pleasant to stone a martyr, no matter how much we may admire him."
"More history's made by secret handshakes than by battles, bills, and proclamations."
"'Tis e'er the wont of simple folk to prize the deed and o'erlook the motive, and of learned folk to discount the deed and lay open the soul of the doer."
"'Tis e'er the lot of the innocent in the world to fly to the wolf for succor from the lion."
"Is a man a salvage at heart, skinned o'er with fragile manners? Or is salvagery but a faint taint in the natural man's gentility, which erupts now and again like pimples on an angel's arse?"
"Consider that if the novelist is like God and a novel like the universe, then the converse ought to have at least some some metaphorical truth: The universe is a novel; God is a novelist! (I have observed elsewhere that the trouble with God is not that He's a bad novelist; only that He's a realistic one, and that dates Him.) [Footnote:] But also keeps bringing Him back into fashion."
"I don't think it's a good idea, as a rule, for artists to explain their art, even if they can. Jorge Luis Borges puts it arrogantly: God shouldn't stoop to theology. A modern painter put it more politely and poetically: Birds have no need of ornithology."
"[T]he vocation of writing seriously involves the continuous and deep examination of one's own experience of life and the world, and of the language and literary conventions we use to register that experience and make it meaningful."
"The simple burden of my essay ["The Literature of Exhaustion"] was that the forms and modes of art live in human history and are therefore subject to used-upness, at least in the minds of significant numbers of artists in particular times and places: in other words, that artistic conventions are likely to be retired, subverted, transcended, transformed, or even deployed against themselves to generate new and lively work. I would have thought that point unexceptionable. But a great many people … mistook me to mean that literature, at least fiction, is kaput …That is not what I meant at all. … [L]et me say at once and plainly that …literature can never be exhausted, if only because no single literary text can ever be exhausted — its "meaning" residing as it does in its transactions with individual readers over time, space, and language. …What my essay "The Literature of Exhaustion" was really about, so it seems to me now, was the effective "exhaustion" not of language or of literature, but of the aesthetic of high modernism: that admirable, not-to-be-repudiated, but essentially completed "program" of what Hugh Kenner has dubbed "the Pound era." In 1966/67 we scarcely had the term postmodernism in its current literary-critical usage — at least I hadn't heard it yet — but a number of us, in quite different ways and with varying combinations of intuitive response and conscious deliberation, were already well into the working out, not of the next-best thing after modernism, but of the best next thing: what is gropingly now called postmodernist fiction; what I hope might also be thought of one day as a literature of replenishment."
"I have remarked elsewhere that I regard the Almighty as not a bad novelist, except that He is a realist."
"We tell stories and listen to them because we live stories and live in them."
"The story of our life is not our life. It is our story."
"A book is what gets me off: something with heft to it, that you can take in two hands and spread like a woman. Mnyum!"
"[G]ood readers read the lines and better readers read the spaces."
"A "limited imagination," as I understand it, gets things wrong. From its mere incapacity, like limited intelligence or limited physical strength, it fails to anticipate accurately and to come up with the really new or more effective idea. Never mind that even the most powerful imagination may not be literally unlimited. … In the literary sphere, limited imagination is likely to be limited to the most conventional and obvious: a mere lack of originality in the material, the form, the treatment."
"Our ability to experience life may be more or less limited by inexperience of art as well as vice versa, since each tends to increase the wattage of the great illuminator of both — namely the imagination."
"Life teaches the storyteller his themes and subject matter; literature teaches him how to get a handle on them: what has been done already, what might be done differently, what's a story anyway, and what is to be found in the existing inventory of situations, attitudes, characters, tonalities, forms, and effects accumulated over four thousand years of written literature."
"[While] we have only one life, nevertheless that one life ("that massive datum," John Updike calls it in his memoir Self-Consciousness) lends itself to any number of stories — and I'm speaking here not of fabrications but of sincere, straightforward factual accounts. Another way to put it is that any life's story can be told in any number of ways, depending on the teller's "handle," or angle of view, or lens. In fact, of course, the same applies to fictional characters: people made out of words in a novel or words and images on a screen."
"[A]rtistic Meisterstücken, even less-than-Meisterstücken, have always been points of departure for "solitary meditation and contemplation," to a degree depending, I suppose, on the particular Meisterstück, the particular reader, viewer, or auditor, and the particular circumstances of their encounter."
"There is a popular misconception of the Romantics as rebelling against all formal constraints in favor of untrammeled freedom (as in their fondness for "wild" gardens" around those "broken" columns), and indeed we have heard Schlegel's Julius explicitly rejecting "all that … we call 'order'" in his Lucinde project. But it is clear that in fact he and his creator have a veritable passion for form — in Wallace Stevens's famous phrasing, a "rage for order" — and that what they're rejecting is only certain "conventions" of order and form. I prefer to think of Schlegel as a "romantic formalist" — a term that I apply to myself as well — and I will venture to say that the principal difference between Romantic romantic formalism and Postmodernist romantic formalism is that the latter, more than the former, inclines to the ironic (though impassioned) reorchestration of older conventions — including the classical and the neoclassical — rather than to their rejection in favor of "new" forms."
"[O]ne does not write a truly contemporary novel … merely by writing about contemporary matters. … One writes a contemporary novel by writing it in a contemporary way."
"The Romantics enthusiastically and optimistically rejected neoclassical forms; the Postmodernists are just as likely to embrace such forms, although the embrace is seldom unskeptical or unironic, however impassioned it may be underneath its coolness."
"[T]he essentially human characteristic of general intellectual curiosity interests itself in the demonstration of previously unremarked interconnections between apparently disparate phenomena, as part of our ongoing project of making sense of the world. Somewhat different, and more rigorous, is the novelist's So what? … [T]he best artists have a keenly intelligent feel, however intuitive, for just [such] demonstrable interconnections …, and for the relevance of those interconnections not only to their own artistic practice but to the circumstance of being humanly alive and vigorously sentient in a particular historical time and place."
"The ascendancy of the novel is historically associated with the ascendancy of the middle class and the spread of general literacy, and those in turn, in the West at least, with the development of the institutions of liberal democracy and the civil state. … No doubt I am being both biased and superstitious, but because of that historical connection I think of the novel (and, by extension, of general literacy) as a canary in the coal mines of democratic civil society. … If this particular canary really does go belly-up, I'm old-fashioned enough to fear for the general civic air."
"[R]eading a splendid writer, or even just a very entertaining writer, is not a particularly passive business. An accomplished artist is giving us his or her best shots, in what she or he regards as their most effective sequence—of words, of actions, of foreshadowings and plot-twists and insights and carefully prepared dramatic moments. It's up to us to respond to those best shots with our minds and hearts and spirits and our accumulated experience of life and of art."
"[B]y writing an Aenead that combines an Odyssey with an Iliad, Virgil gives the impression of wanting to outdo the Homer of whom he is the self-conscious heir and to whom his Latin epic is also a homage, just as Augustan Rome is at once the cultural heir and political master of classical Greece. You want to be a great epic poet? Here are your models. Virgil follows them—programmatically but not slavishly—and because he happens to be a great epic poet, his Aenead turns out to be not a monumental Case-1 imitation of the great model, but a great epic poem. Thirteen centuries later, Dante compounds the stunt, taking as his literal and figurative guide not "unselfconscious" Homer but self-conscious (and Homer-conscious) Virgil, and not only scripts himself into the wandering hero role but orchestrates his own welcome … into the company of the immortals—in a Limbo, moreover, where they must ineluctably remain, but from which he will proceed through Purgatory to Paradise. Talk about chutzpah! Happening to be a great poet, Dante brings the thing off."
"As instanced by Virgil and Dante, the vocation of artisthood bears some analogy to those of mythic-herohood and messiahship—conspicuously so for the Romantics and the great early Modernists, with their characteristic conception of the artist as hero (one recalls James Joyce's Stephen Dedalus, originally named Stephen Hero, vowing to "forge, in the smithy of my soul, the uncreated conscience of my race"), more modestly so even for Postmoderns. In at least some cases, the present author's included, one's apprentice sense of calling may be far from clear. even to oneself. … One may be uncertain of both one's vocation and one's talent for it, or confident of one of those but not the other, or confident of both but mistaken, or doubtful of both but mistaken, or correct on one or both counts. In the happiest case, one comes to have reasonable faith in both calling and gift and at least some "objective" confirmation that that faith is not altogether misplaced. But "real, non-scripted life" is slippery terrain, in which templates and prophecies are ill-defined, elastic, arguable, and verdicts are forever subject to reversal. One crosses one's fingers, invokes one's muse and does one's best."
"So what's to be said … for a curriculum devoted to a study of a more-or-less-agreed-upon roster of "the best that has been thought and said," in Matthew Arnold's famous formulation — or at least as representatively much of that Best as the ever-evolving consensus of a good college faculty believes can be fruitfully addressed between undergraduate matriculation and the baccalaureate?Well: what's to be said for it, needless to say, is that it not only edifies and instructs — any good old curriculum does that — but permits discourse within a shared frame of reference richer and more stable than this season's pop music, films, and TV shows, which a colleague of mine used to lament were the only points of cultural reference that he could assume to be shared by his undergraduate students."
"The Tragic View of liberal education is that even at its best, … it is so necessarily, unavoidably limited that all it can attempt is to afford us some experience of, for example, informed close reading and critical thinking, and to make us aware that there remain continents of knowledge out there that one lifetime could scarcely scratch the surface of, even were we to devote it all to reading and studying — which we must not, since education comes so much from hands-on doing and experiencing as well as from reading and study."
"[T]o a greater or lesser extent our knowledge even of close kin is often fragmentary, inferred like a fossil skeleton or an ancient vase from whatever always-limited experience and shards of memory we have of them."
"I got a lot of encouragement there from John Barth, a genius, a superb teacher"
"[Johns] Hopkins had this very postmodernist slant. You couldn't help but be really influenced by this emphasis on the text, on experimental texts. People were fascinated with Robert Coover and Thomas Pynchon, and John Barth was there, and the focus was on that, which I found very helpful."
"[F]or me, self-consciousness vitiates creation. A writer like John Barth deliberately plays with self-consciousness; I doubt that Barth thinks much of my writing, and I don't take pleasure in his, but I know he knows what he's doing and I respect him for it."
"This plan will work."
"We have parts of our system which are overwhelmed by regulation. It wasn't the absence of regulation that was the problem. It was despite the presence of regulation you got huge risks built up."
"Hyperinflation is not going to happen in this country, will never happen... The Fed putting so much money into the system is not going to create the risk of hyperinflation in the future. We have a strong independent Federal Reserve with a very strong mandate from the Congress, and they will do what's necessary to keep inflation low and stable over time."
"We believe in a strong dollar … Chinese financial assets are very safe."
"I believe deeply that it's very important to the United States, to the economic health of the United States, that we maintain a strong dollar."
"So I think the reason that the newspapers are going quiet on this is the Fed broke the law. And it wants to continue breaking the law. And that's why these Wall Street banks fought so hard to get the current head of the Fed reappointed, [[Jerome Powell|[Jerome] Powell]], because they know that he's going to do what [Timothy] Geithner did under the Obama administration. He's loyal to the New York City banks, and he's willing to sacrifice the economy to help the banks."
"The fire put an end to the typically bustling business activities in downtown Beijing. But its psychological impact was much stronger than the financial losses. It left the Beijing residents in a constant state of terror and fear...Most missionary properties, residences of the foreign teachers at the Imperial University and the Eastern and the Southern Cathedrals were reduced to aches. Many Chinese priests and christian converts perished together in the roaring flames."
"Writing, I crushed an insect with my nail And thought nothing at all. A bit of wing Caught my eye then, a gossamer so frail And exquisite, I saw in it a thing That scorned the grossness of the thing I wrote. It hung upon my finger like a sting."
"A leg I noticed next, fine as a mote, "And on this frail eyelash he walked," I said, "And climbed and walked like any mountain-goat.""
"Then in my heart a fear Cried out, "A life — why, beautiful, why dead!" It was a mite that held itself most dear, So small I could have drowned it with a tear."
"As a third generation American I grew up with the obsessive idea of personal liberty which engrosses all Americans except the oldest and richest families."
"The public has an unusual relationship to the poet: It doesn't even know that he is there."
"Words like “spokesman” and “touchstone” took me completely by surprise. For very real reasons. Not only had I been out of the country when my first two books were published, but I have always been “out of the country” in the sense that I never had what ordinarily is thought of as a literary life, or been part of a literary group. What psychiatrists nowadays call a support system. I never had any of that and still don’t."
"I had never met a poet in my life before winning the Pulitzer in 1945. Well, that’s not strictly true; when I went to Johns Hopkins in 1939, W. H. Auden gave a private reading to a group of special literature students, and I was one. I shook hands with him. As it happened, at that time he was my idol, above all others as a modern poet, and that experience was a very sustaining one. But I could hardly say I “knew” him."
"I always had this feeling — I’ve heard other Jews say — that when you can’t find any other explanation for Jews, you say, “Well, they are poets.” There are a great many similarities. This is a theme running all through my stuff from the very beginning. The poet is in exile whether he is or he is not. Because of what everybody knows about society’s idea of the artist as a peripheral character and a potential bum. Or troublemaker. Well, the Jews began their career of troublemaking by inventing the God whom Wallace Stevens considers the ultimate poetic idea. And so I always thought of myself as being both in and out of society at the same time. Like the way most artists probably feel in order to survive — you have to at least pretend that you are “seriously” in the world. Or actually perform in it while you know that in your own soul you are not in it at all. You are outside observing it."
"Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along."
"Influence is strange. Because one can be influenced powerfully in every way but technique. For instance, I would think Walt Whitman probably had more influence on my whole poetic thinking than anybody, but I never dreamed of trying to write in the Whitman manner."
"I was at Notre Dame just a few years ago, and one of the professors there said to me, “You don’t know what effect In Defense of Ignorance had. It ripped the whole academic community in half!” I’m glad I wrote the book. I like it, and I still stand by my observations, although I wouldn’t write it so violently now. I guess I really am in the Whitman tradition."
"I feel that after working a long time, I’ve really learned how to do what I do. I enjoy it. I don’t think there’s anything more satisfying than turning out a good stanza or a good piece of prose. And when you’re satisfied enough, you want to show it to other people. That’s called publication."
"Shapiro is back where he started half a century ago: on the outside, looking in. If the canon has changed drastically, Shapiro has not. At almost age eighty, he still heroically, if sometimes quixotically, wields his verbal weapons against real and imagined enemies, still using for his motto Thoreau's "If I have anything to regret, it is my good behavior.""
"Karl Shapiro's poems are fresh and young and rash and live; their hard clear outlines, their flat bold colors create a world like that of a knowing and skillful neoprimitive painting, without any of the confusion or profundity of atmosphere, of aerial perspective, but with notable visual and satiric force. The poet early perfected a style, derived from Auden but decidedly individual, which he has not developed in later life but has temporarily replaced with the clear Rilke-like rhetoric of his Adam and Eve poems, the frankly Whitmanesque convolutions of his latest work. His best poem — poems like "The Leg," "Waitress," "Scyros," "Going to School," "Cadillac" — have a real precision, a memorable exactness of realization, yet they plainly come out of life's raw hubbub, out of the disgraceful foundations, the exciting and disgraceful surfaces of existence."
"You've always been my favorite editor because you're not like an editor at all."
"I picked up one day a book by Karl Shapiro-a little thin white book. I opened it and something he said made sense. It was, "Poetry doesn't make Cadillacs.""
"Like Jarell, Shapiro was a poet who felt like "stating his opinion or expressing his pleasure or disdain for something that had occurred [or] which should not have occurred" … As editor of Poetry Shapiro was faithful to this approach. Instead of asking professional critics to review or write articles for Poetry, he mainly evaluate their peers. … On several occasions Shapiro had made it seem as if these literary rows just befell him, as if he were accidentally stuck in the middle of two opposing camps that each had an ax to grind. However, he was not quite that innocent."
"It was only in college, when I read a poem by Karl Shapiro beginning "To hate the Negro and avoid the Jew/ is the curriculum," that it flashed on me that there was an untold side to my father's story of his student years."
"Mr. President, if you're attacking the FBI, you're losing"
"In these days, when the number of papers in mathematics published each year is almost without limit and the ramifications are no less perplexing in their variety, one is delighted to find here and there a digest of the work in a particular field."
"In 1869 Dini solved the problem of geodesic representation of two surfaces upon one another. In 1896 Levi-Civita extended the problem to spaces of any order."
"The layman thinks that mathematics deals with facts and that thus there can possibly be no differences of opinion among mathematicians. We know that this is not the case."
"Today, I endorsed ACIP’s vote to expand eligibility for COVID-19 vaccine booster doses. Children 5 through 11 should receive a booster dose at least 5 months after their primary series. Vaccination with a primary series among this age group has lagged behind other age groups leaving them vulnerable to serious illness. With over 18 million doses administered in this age group, we know that these vaccines are safe, and we must continue to increase the number of children who are protected. I encourage parents to keep their children up to date with CDC’s COVID-19 vaccine recommendations."
"The people themselves were responsible or whether many of the things in the structure around them didn’t allow them to operate as swiftly as possible and didn’t allow them to prioritize. I think it’s a little bit of both"
"The latest guidance is based on science and outreach with teachers, parents and the Department of Education. CDC officials conducted comprehensive reviews of literature and extensively studied what happened during school openings in the fall and in Europe"
""We are committed to dismantling the barriers faced by our community based on racism, sexism, queer-antagonism, and other discriminatory factors. These barriers include recent legislation like denying trans people from using the bathroom of their gender, barring trans people from participating in sports of their gender, and banning schools from teaching about LGBTQ acceptance"
"You know, here is what I can tell you. We are in a different place. Schools are open. Businesses are open. We have a lot of population immunity out there right now. We have a lot of protection from vaccination already. Deaths are still at 350 a day, but they are way lower than they were a year ago, two years ago at this time"
"In a pandemic, you don’t have time to wait. You have to take action to help people. We haven’t been able to be as nimble as we’ve needed to be"
"The agency needs it to modernize the nation’s public health data infrastructure, for the workforce, and quite honestly, we need it for the intersection of the two. We need data analysts working in public health"
"We wanted to acknowledge the limitations of the methods that we had and give out the data that we had so that people could see how the vaccines were performing"
"We will put the pedal to the metal for as long as we can under my leadership. My hope is I will leave them in a place where everyone recognizes that this needs to move"
"We want to make sure we get the answer right, but when we know the answer, we shouldn’t wait to convey it to others, I think people within the agency recognize the need for change""
"I want to be remembered for serving my community, whether it is through providing quality surgical care or helping mentor the next generation of surgeons. Everything about the match is special. It will be a dream come true."
"I shall adopt the convention by which particular propositions are taken as implying the existence of their subjects, and universal propositions as not implying the existence of their subjects. would infer that the two propositions The sea-serpent is not found in the water, The sea-serpent is not found out of the water, are contradictory; bur , , and would infer that the sea-serpent does not exist. With this convention, contradiction can never exist between universal propositions nor between particular propositions taken by themselves. A universal proportion can be contradicted only by a particular proposition, and a particular only by a universal. The above premises are inconsistent with The sea-serpent has (at least once) has been found. With this convention, hypothetical and categorical propositions receive the same formal treatment. If a, then b = all a is b = a implies b. (Peirce.)"
"The whole field of Deductive Logic, even when thought of merely in the terms of common language, has acquired, for the student of , a symmetry and a completeness and a simplicity which it is, apparently, far from possessing in the minds of its usual exponents. The natural repugnance which the ordinary logician felt, at first, to seeing processes of deductive reasoning made the subject of a great development by a purely mechanical process, has in great part passed away; it would have been hard for it to survive the eloquent persuasiveness of 's Symbolic Logic. It seems, therefore, to be time for the simplified ways of looking at things which prevail in Symbolic Logic to begin to sink into the elementary expositions of the subject."
"What gives significance and value to truths is that they permit of interesting predictions."
"… was of the brooding type. He sat when he addressed his handful of students (who turned out afterwards, however, to be a not unimportant handful) and he had all the air, as has been noted by , of the typical philosopher who is engaged, at the moment, in bringing fresh truth by divination out of some inexhaustible well. He got his effect not by anything that could be called an inspiring personality, in the usual sense of the term, but rather by creating the impression that we had before us a profound, original, dispassionate and impassioned seeker of truth. No effort was made to create a connected and not inconsistent whole out of the matter of each lecture. In fact, so devious and unpredictable was his course that he once, to the delight of his students, proposed at the end of his lecture, that we should form (for greater freedom of discussion) a Metaphysical Club, though he had begun the lecture by defining metaphysics to be the “science of unclear thinking.”"
"In their attempts to get around these artificial barriers and inconsistencies, early women scientists developed a great many strategies. These tended to be of two sorts. One was the idealistic, liberal-to-radical, and often confrontational strategy of demanding that society reject all stereotypes and work for the feminist goal of full equality. This involved writing angry letters and otherwise documenting the "unfairness" of the unequal opportunities open to men and women. The most prominent and successful strategist of this school was Christine Ladd-Franklin, a graduate of the 1860s, would-be physicist turned mathematician, psychologist, and logician, who for fifty years, worked shrewdly and tirelessly for educated women. Her greatest triumph was in opening graduate schools to women in the 1890s, and thus allowing women to earn the same doctorates as men."
"While leafing through a pile of the press clippings that regularly cross my desk at the National Institutes of Health (NIH), I was struck particularly by two headlines in the ' (May 31, 1991;sect A:1) that said, "Menopause Becoming 'Au Courant' as It Hits Women of Baby Boom" and, as the article continued on another page, "Menopause Comes of Age as Medical and Social Issue." Indeed, , in general—in terms of research, services, and access to care—has come of age and become a priority medically, socially, and politically."
"Yentl, the 19th-century heroine of Isaac Bashevis Singer's short story, ... had to disguise herself as a man to attend school and study the . Being "just like a man" has historically been a price women have had to pay for equality. Being different from men has meant being second-class and less than equal for most of recorded time and throughout most of the world. It may therefore be sad, but not surprising, that women have all too often been treated less than equally in social relations, political endeavors, business, education, research, and health care."
"... You can easily find charts of ideal weight ranges: the tables of and the are the most reliable. But those charts can be confusing by giving wide ranges and often lumping men and women together. So I suggest that if you've picked up more than fifteen extra pounds or weigh more than 15% of your ideal body weight according to those charts, talk to your doctor. Is the weight a new gain, or have you maintained it for years? Are you currently ?"
"is good for a woman's heart. While generally accepted when the estrogen is produced naturally, this theory has been a matter of great controversy when the estrogen is administered "artificially" in (HRT) for women during and after . After a half century of conflicting data, we can affirm with growing confidence that, at the very least, estrogen reduces key cardiovascular risk factors in women at a time when they become especially vulnerable to heart disease, namely, after 50 years of age."
"Any kind of can be a very scary and daunting experience. But knowing how to navigate the and what to expect, at each step, may be the best antidote."
"Dr. Bernadine Healy is perhaps best known for leading some of the largest, most respected medical institutions in the country. But on Valentine's Day 1999, she was dealt a blow that shattered her world. That was the night when Healy found out that she had brain cancer. Doctors gave her three months live without treatment. With , her chances increased to 18 months to two years. But eight years later, Healy is still thriving. Her book, "Living Time," is written from two perspectives — that of the physician and that of the patient -- about her fight against brain cancer. She hopes it will help people diagnosed with the disease to realize that cancer isn't "dying time" — it's "living time.""
"A front-row seat to history!! Thank you to the DNC for inviting me to be a part of this historic moment."
"And if she would have owned up to it, it would have been like, ‘OK.’ But let’s not cower under the guise and say, ‘Oh, I’m concerned.’ It wasn’t rooted in concern."
"When your friendship unit is really strong and you genuinely care for someone, everything else, you do it as a team."
"We always talk about everything. When I told him what was said, he was like, ‘I’m sorry that someone who you thought was a friend did this to you."
"The importance of this theory of avatars to Hinduism is the way in which it has contributed to the wonderful adaptability of that religion. In the Buddha avatar the fact is particularly patent, but, in the Rama and Krsna avatars also, we clearly have the adoption into Hinduism of the cults of these heroes."
"Through the 1980s and early 1990s, the course of American health research was increasingly shaped by for two particular diseases, and . Even as national stakes rose, both in dollars spent and growing demands on the medical system, breast cancer and AIDS advocates made government policy-making for research ever more public and controversial. Through skillful cultivation of political strength, interest groups transformed individual health problems into collective demands, winning notable policy influence in federal agencies such as the (NIH) and (FDA). Activists directly challenged fundamental principles of both government and medical systems, fighting to affect distribution of research funds and questioning well-established scientific methods and professional values. In the contest for decision-making power, those players achieved remarkable success in influencing and infiltrating (some critics said, undermining) both the politics and science of medical research. Between 1990 and 1995, federal appropriations for breast cancer study rose from $90 million to $465 million, while in that same period, NIH AIDS research rose from $743.53 million to $1,338 billion."
"Engineering education in the United States has had a gendered history, one that until relatively recently prevented women from finding a place in the predominantly male technical world. For decades, Americans treated the professional study of technology as men's territory (Bix 2000b; Ogilvie 1986l Rossiter 1982, 1995). Until World War II and beyond, many leading engineering schools, including Rensselaer Polytechnic Institute, Georgia Institute of Technology, and California Institute of Technology, remained closed to women. The few women admitted to Massachusetts Institute of Technology (MIT) struggled against a hostile intellectual and social environment. Women studying or working in engineering were popularly perceived as oddities at best, outcasts at worst, defying traditional gender norms. As late as the 1960s, women still made up less than 1 percent of students studying engineering in the United States, and critics either dismissed or ridiculed interest in the profession. Throughout the last half of the 20th century, activists fought to change that situation, to win acknowledgment of women's ability to become engineers."
"During the colonial era of American life, "" offered young girls elementary literacy, while s taught wealthier girls to raise their matrimonial prospects by becoming proficient in attractive arts, including , and , music, dancing, and . But by the Revolutionary and early national periods, influential figures such as , Abigail Adams, and Benjamin Rush argued for extending young women's education beyond such "ornamental" skills as a political and social asset to the country."
"Amy Bix's fine book, carefully researched and gracefully written, surveys the extent of everyday hardship during the . She concentrates on the debates over in the United States, debates that were "entwined with particular musings about the meaning of American history, the western frontier, and a sense of national destiny" (p. 8). She convincingly describes the lives and emotions of employed and unemployed Americans. She also summarizes some of the social research conducted during the depression years."
"All the best moments in life are simple. Sitting in the grass on a sunny day. A dinner with old friends. Listening to a cassette tape. Recently, a friend I hadn't seen in many years stopped by for dinner. He lamented where we were as a country, and said he wasn't sure that he would bring kids into this modern world. I told him what I tell everyone: that those thoughts are a mental illness, and should be purged. He was brainwashed by the brainwashed people who write for the news. He cared too much about politics that was more ambiguous than he would like to admit. I gave him some advice. I told him he already didn't use social media, all that was left was for him to stop reading the news. He was so close to having perfect days. He just couldn't see it. But neither can so many of us. It's right there."
"Take from the air every aëroplane; from the roads every automobile; from the country every train; from the cities every electric light; from ships even wireless apparatus; from oceans all cables; from the land all wires; from shops all motors; from office buildings every elevator, telephone, and typewriter; let epidemics spread at will; let major surgery be impossible—all this and vastly more, the bondage of ignorance, where knowledge now makes us free, would be the terrible catastrophe if the tide of time should but ebb to the childhood days of men still living! ... Therefore, whoever desires progress and prosperity, whoever would advance humanity to a higher plane of civilization, must further the work of the scientist in every way he possibly can."
"It is true that some physicians are vain, self-seeking, of the prima donna type, and there be others of the medieval category of die Heilärzte welche heilen nicht, Heilärtze welche krank Machen."
"Historical actors on all sides were engaging in what I call “legal politics”—that is, they were using and citing law strategically while enmeshed in multi-sided conflicts and relationships. In the process, they were creating and reinforcing regimes of limited violence with very specific openings to extreme violence."
"We should heap skepticism on any group launching a small war or brief attack claiming that they possess workable mechanisms for keeping small wars small."
"She has made a uniquely powerful case that the history of international law must take into account not simply the arguments of prominent legal theorists but also the actions and arguments of a host of actors from all over the world, what she has called "vernacular forms of political theory.""
"Lauren Benton has done more than any other scholar in recent generations to reintegrate global history with legal history. With archival tenacity and broad conceptual sweep, she has used fine-grained microhistory in the service of world-spanning arguments about the tentative distribution of imperial power, the informal elaboration of international law, and the paradoxes of sovereignty in a world unevenly colonized and incompletely decolonized."
"The impact of , , and, to a lesser extent , on the structure of the of large is explored in one fossil and four Recent communities. Two aspects are emphasized: (1) the number of species within each guild and (2) the extent of locomotor convergence as inferred from morphology among the constituent species. Locomotor behavior reflects habitat choice, hunting mode, and escape strategy, all of which appear to be important avenues of adaptive divergence among coexisting predators."
"Despite the repeated tendency of s to evolve s for hypercarnivory, a canid has yet to appear that is completely catlike, that is, without any post- s. This possible constraint on morphological evolution in canids is argued to have resulted, paradoxically, in increased flexibility over evolutionary time and a great potential for rapid diversification and clade survivorship. Finally, it is suggested that the iterative pattern of specialization of the lower molars for meat-slicing that is seen in all families of carnivores, past and present, is probably a result of intraspecific competition for food, perhaps among s. This intraspecific selective force is countered by competition among species, since there are limits on the number of hypercarnivorous species within a single community."
"Eaton (1979) was one of the first biologists to promote the importance of among coexisting large s. In his review, he focused on interspecific interactions over carcasses and noted that larger carnivores tended to displace smaller ones from carcasses and that grouping behavior could reverse this relationship. He noted as well that interspecific battles over kills occurred and often resulted in injury or death to one of the participants. In a study of adaptations to coexistence among carnivores, Van Valkenburg (1985) pointed out the additional pressure of interspecific predation among carnivores, noting that both juveniles and adults are killed but not always eaten."
"The word "civilization" apparently first appeared in a French book in the mid-eighteenth century (L'Ami des hommes (1756) by Victor de Riqueti, marquis de Mirabeau, the father of the French revolutionary politician). Since then, it has had close associations with the West's sense of its own superiority. In order to see the past clearly, we must try to avoid this assumption built into the word."
"The importance of the creation of the zero mark can never be exaggerated. This giving to airy nothing, not merely a local habitation and a name, a picture, a symbol but helpful power, is the characteristic of the Hindu race from whence it sprang. It is like coining the Nirvana into dynamos. No single mathematical creation has been more potent for the general on-go of intelligence and power.’"
"The West, at bottom, is a form of society, rather than an area. It is the term applied to the region whose social conditions result from the application of older institutions and ideas to the transforming influences of free land. By this application, a new environment is suddenly entered, freedom of opportunity is opened, the cake of custom is broken, and new activities, new lines of growth, new institutions and new ideals, are brought into existence. The wilderness disappears, the "West" proper passes on to a new frontier, and in the former area, a new society has emerged from its contact with the backwoods. [...] Decade after decade, West after West, this rebirth of American society has gone on, has left its traces behind it, and has reacted on the East."
"American democracy was born of no theorist's dream; it was not carried in the Sarah Constant to Virginia, nor in the Mayflower to Plymouth. It came out of the American forest, and it gained new strength each time it touched a new frontier. Not the constitution, but free land and an abundance of natural resources open to a fit people, made the democratic type of society in America for three centuries while it occupied its empire."