Gujarat

33 quotes found

"It cannot be said that at the time these inscriptions were set up at Anhilwãd Pãtan, Prabhas Patan, Khambat, Junagadh and other places, the Hindus of Gujarat had had no taste of what Islam had in store for them, their women, their children, their cities, their temples, their idols, their priests, and their properties. The invasion of Ulugh Khan that was to subjugate Gujarat to a long spell of Muslim rule, was the eighth in a series which started within a few years after the Prophet’s death at Medina in AD 632. Five Islamic invasions had been mounted on Gujarat before Siddharãja Jayasimha ascended the throne of that kingdom in AD 1094 - first in AD 636 on Broach by sea; second in AD 732-35 by land; third and fourth in AD 756 and 776 by sea; and fifth by Mahmud of Ghazni in AD 1026. Two others had materialised by the time the Muslim ship-owner set up his inscription in AD 1264 on a mosque at Prabhas Patan. The sixth invasion was by Muhammad Ghuri in AD 1178, and the seventh was by Qutbu’d-Din Aibak in AD 1197. The only conclusion that can be drawn from the evidence is that either the Hindus of Gujarat had a very short memory or that they did not understand at all the inspiration at the back of these invasions. The temple of Somnath which stood, after the invasion of Mahmud of Ghazni in AD 1026, as a grim reminder of the character of Islam, had also failed to teach them any worthwhile lesson. Nor did they visualize that the Muslim settlements in their midst could play a role other than that of carrying on trade and commerce."

- Gujarat

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"It is not just Modi, but the entire Gujarati society has moved on, and is reconstructing a new equation with Muslims. After 2002, we took it upon ourselves to ensure that no Muslim child would be deprived of education simply because his or her family can not afford the fees or buy books. Many Hindus gave us money for it. For example, at the start when we sponsored a Muslim girl’s education in a medical college, one of my Hindu friends said that he will pay for that semester’s fee for the girl. That really boosted my morale and convinced me that humanitarian spirit is alive even in Gujarat. Those who say that there is a lot of Hindu-Muslim hatred in Gujarat are perpetuating a myth. That hostility stayed alive for some time after the riots. Even after 2002, once things settled down and the ice was broken, it is Hindus who extended help to Muslims to rebuild their lives. How much can the Muslims do alone?... Hundreds of Hindu families came for our daughter’s wedding. As the state is experiencing genuine social peace and security, inter-community relations have become far more relaxed. I tell my fellow Muslims, we also must take the initiative to promote social interaction. Muslims cannot continue to live in an alienated, insulated manner. We have not made much effort to familiarise our Hindu brothers about our culture....But today such social interaction has begun to take place all over Gujarat because the ruling party is not acting as a divisive force. It is providing a sense of security by upholding the rule of law. People don’t view each other with as much suspicion as they did when riots were engineered routinely."

- Gujarat

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"It was Gujarat, however, that has always remained the Jain country par excellence. Here kings are reported to have been 'seized by a desire for asceticism' and committed religious suicide in the Jain style by starving themselves. Here, in Valabhi, Saurashtra, the canonical Jain works were put to writing in the fifth century AD.81 Jain temples are found in Gujarat as early as the sixth and seventh centuries AD. The religion was patronized by the Cha vadas, Solankis and Vaghelas of Anahilvada, by the Maitrakas of Valabhi, while the Caulukyas, in particular the Shaivist king Kuma rapala (1144-74), under the guidance of Hemacandra, set out to make Gujarat a Jain state. Edicts were promulgated against the taking of animal life, and Kumarapala is said to have erected another 14,140 Jain temples. Many Jain temples in Gujarat, especially in Anahilvada, in effect, date from the middle of the twelfth century.85 Jain architecture, always chaste and elegant, was basically Hindu, but because of their wealth the Jains were much more given to temple-building, becoming the greatest patrons of architecture in Western India, and patronizing mosques at times. Mter Kumarapala's reign, Jainism went into decline even in Gujarat. His successor Ajayapala (1173-76) began to destroy many of the temples built in the previous reign and in general did not favour Jainism much. Jain temples were beginning to be swept to destruction by the Muslims in Anahilvada as early as 1298 AD.88 From the end of the thirteenth century until Akbar's reign, at the close of the sixteenth century, no Jain or Hindu temple of any pretensions was raised in Gujarat, but destroyed temples, like at Satruiijaya, Palitana, and at other places, were sometimes rebuilt. Early Portuguese writers still testify to the strength of Jainism in Gujarat in the sixteenth century but opine that the Gujaratis were deprived of their kingdom by the Muslims because of their kind- heartedness. Varthema describes the Gujaratis as 'a certain race which eats nothing that has blood, and never kills any living thing ... and these people are neither Moors nor heathens; ... if they were baptized, they would all be saved by virtue of their works, for they never do to others what they would not do unto them."

- Jainism in Gujarat

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"The temple of Dwarica, the most celebrated of all the shrines raised to Crishna [Krishna], is built upon an eminence rising from the sea-shore, and surrounded by a fortified wall, which likewise encircles the town, from which it is, however, separated by a lofty partition-wall, through which it is necessary to pass to see it to advantage. The architectural character of this temple is that to which we are accustomed to give the name of pagoda. It may be said to consist of three parts: the munduff, or hall of congregation; the devachna, or penetralia (also termed gabarra); and the sikra, or spire…the chisel of Islam had been also at work, and defaced every graven image, nor is there enough remaining to disclose the original design: nevertheless, this obliteration has been done with care, so as not to injure the edifice. The basement, or square portion of the temple, from which springs the sikra, was the sanctum in former ages, when Budha-trivicrama was the object of adoration, anterior to the heresy of Crishna, who was himself a worshipper of Budha, whose miniature shrine is still the sanctum-sanctorum of Dwarica, while Crishna is installed in a cella beyond. The sikra, or spire, constructed in the most ancient style, consists of a series of pyramids, each representing a miniature temple, and each diminishing with the contracting spire, which terminates at one hundred and forty feet from the ground. There are seven distinct stories before this pyramidal spire greatly diminishes in diameter; each face of each story is ornamented with open porches, surmounted by a pediment supported by small columns. Each of these stories internally consists of column placed on column, whose enormous architraves increase in bulk in the decreasing ratio of the superimposed mass, and although the majority at the summit are actually broken by their own weight, yet they are retained in their position by the aggregate unity. The capitals of these columns are quite plain, having four cross projections for the architraves to rest on; and by an obtuseness in the Silpi not to be accounted for, several of these architraves do not rest on the columns, but on the projections; and, strange to say, the lapse of centuries has proved their efficiency, though Vitruvius might have regarded the innovation with astonishment. The entire fabric, whose internal dimensions are seventy-eight feet by sixty-six, is built from the rock, which is a sand-stone of various degrees of texture, forming the substratum of the island; – it has a greenish hue, either from its native bed, or from imbibing the saline atmosphere, which, when a strong light strikes upon it, gives the mass a vitreous transparent lustre. Internally it has a curious conker-like appearance. The architraves are, however, an exception, being of the same calcareous marine conglomerate, not unlike travertine, as already described in the temple of Somnat’h."

- Architecture of Gujarat

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"The foundation of this shrine must have been laid in the solstice, as its front varies ten points from the meridian line; and as the Silpi, or architect, in these matters, acts under the priest, we may infer that the Surya Siddhanta was little known to the Goorgoocha Brahmins, the ministrants of their times, who took the heliacal rising of those days as the true east point; its breadth is, therefore, from N.N.W. to S.S.E. Contrary to custom, it has its back to the rising sun, and faces the west. Crishna is here adored under his form of Rinchor, when he was driven from his patrimony, Surasena, by the Budhist king of Magadha. A covered colonnaded piazza connects the cella of Crishna with a miniature temple dedicated to Deoki, his mother; and within the ample court are various other shrines, one of which, in the S.E. angle, contains the statue of Budha Tri-vicrama, or, as he is familiarly called, Tricam-Rae and Trimnat’h, which is always crowded with votaries. Opposite to this, or at the S.W. angle of the main temple, is a smaller one, dedicated to another form of Crishna, Madhu Rae, and between these is a passage leading by a flight of steps to the Goomtee, a small rivulet, whose embouchure with the ocean is especially sacred, though is would not wet the instep to cross it. From the grand temple to the sungum, or point of confluence, where there is a small temple to Sungum-Narayn, the course of the Goomtee is studded with the cenotaphs of those pilgrims who were fortunate enough to surrender life at this “dwara of the deity.” Amongst them are four of the five Pandu brothers, countenancing the tradition that the fifth proceeded across the Hemachil, where, being lost sight of, he is said to have perished in its snows, and whither he was accompanied by Baldeo, the Indian Hercules, whose statue is enshrined in the south-west corner of the great munduff, several step under ground. Baldeo is represented on his ascent from patal, or the infernal regions, after some monstrous combat."

- Architecture of Gujarat

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