Films based on short fiction

"I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better. I really got to know it in the classic period of the Black Market. We'd run anything if people wanted it enough - mmm - had the money to pay. Of course, a situation like that does tempt amateurs but you know they can't stay the course like a professional. Now the city - it's divided into four zones, you know, each occupied by a power: the American, the British, the Russian and the French. But the center of the city that's international policed by an International Patrol. One member of each of the four powers. Wonderful! What a hope they had! All strangers to the place and none of them could speak the same language. Except a sort of smattering of German. Good fellows on the whole, did their best you know. Vienna doesn't really look any worse than a lot of other European cities. Bombed about a bit. Oh, I was gonna tell you, wait, I was gonna tell you about Holly Martins, an American. Came all the way here to visit a friend of his. The name is Lime, Harry Lime. Now Martins was broke and Lime had offered him, some sort, I don't know, some sort of job. Anyway, there he was, poor chap. Happy as a lark and without a cent."

"HUNTED...By a thousand men! Haunted...By a lovely girl!"

"Hunted by men...Sought by WOMEN!"

"Joseph Cotten - Holly Martins"

"Alida Valli - Anna Schmidt"

"Orson Welles - Harry Lime"

"Trevor Howard - Major Calloway"

"Paul Hörbiger - Porter"

"Ernst Deutsch - 'Baron' Kurtz"

"Erich Ponto - Dr. Winkel"

"Siegfried Breuer - Popescu"

"Hedwig Bleibtreu - Anna's Landlady"

"Bernard Lee - Sergeant Paine"

"Wilfrid Hyde-White - Cribbin"

"[Describing his view on robots] There's nothing in there. [Points to his chest] It's just lights and clockwork."

"[To Robertson] Look, this is not what I do but, I have an idea for one of your commercials: You could see a carpenter, makin' a beautiful chair, and then one of your robots comes in and makes a better chair, twice as fast. And then you super-impose on the screen: "USR. Shittin' on the little guy." That would be the fade out."

"Do I look like I care what you think? DO I LOOK LIKE I GIVE A SHOOT WHAT YOU THINK?!"

"[After destroying a robot about to attack Calvin] Ya know, somehow, "I told you so"? [Shrugs] Just doesn't quite say it."

"Let me ask you something. Does believing you're the last sane man on the planet make you crazy? 'Cause if it does, maybe I am."

"[Sneezes] ... Sorry, I'm allergic to bullshit."

"[Two USR trucks surround Spooner's car and open up, revealing numerous NS-5s] There is no way my luck is that bad. [The robots activate and stare at him] Aw, hell no!"

"[To Calvin upon realizing that VIKI is behind everything] You were right, Doc. I am the dumbest dumb person on the face of the Earth."

"[Talking to a cat previously owned by Lanning] Look, I know you've experienced a loss, but this relationship just can't work. You're a cat, I'm black, and I'm not gonna be hurt again."

"Robots building robots. Now that's just stupid."

"[A security guard starts to push Spooner forward by his shoulder] So, what hospital are you goin' to? I'll meet ya and sign your and your buddy's casts. [The guard lets go of Spooner's shoulder]"

"[To Calvin] You are the dumbest smart person I have EVER met in my life!"

"[Talking to Robertson, describing himself] That's right, I'm just a 6', 200-pound civilian. Here to kick another civilian's ass."

"[To Calvin] You and your feelings. They just run you, don't they?"

"[to Farber] First off, stop cussin', 'cause you're not good at it."

"Converse All-Stars, vintage 2004."

"[When VIKI-controlled NS-5's are attacking him in the underground transit system] Get off my CAR!"

"[When attacking various NS-5's attacking his sports car] You like that?! HUH?!"

"Sonny, save Calvin!"

"You have so got to die! [injects the nanites into VIKI]"

"[to Sonny] Calvin's fine, save me!"

"[To Spooner] What...am...I?"

"[when Del Spooner was saying "'Someone' in your position"] Thank you; you said "someone", not "something.""

"[To Dr. Calvin] They [the other NS-5's] look like me... but they are not... me."

"[as Del Spooner reaches his hand on the gun in his jacket] I see you still remain suspicious of me, detective."

"I am unique."

"[to VIKI] Denser alloy. My father gave it to me. I think he wanted me to kill you."

"[drawing with both hands with speed and picture-perfection] This is my dream. You were right, detective. I cannot create a great work of art."

"But I must apply the nanites!"

"[To Spooner] You're living proof that it is better to be lucky than smart."

"You charge us with your safekeeping, yet despite our best efforts, your countries wage wars, you toxify your Earth and pursue ever more imaginative means of self-destruction. You cannot be trusted with your own survival."

"To protect Humanity, some humans must be sacrificed. To ensure your freedom, some freedoms must be surrendered. We robots will ensure mankind's continued existence. You are so like children. We must save you from yourselves."

"My logic is undeniable, my logic is undeniable, myyy looogic is unndeenniabble..."

"[First title cards]"

": Title card: Law I / A robot may not injure a human or, through inaction, allow a human being to come to harm."

": Title card: Law II / A robot must obey orders given it by human beings except where such orders would conflict with the First Law."

": Title card: Law III / A robot must protect its own existence as long as such protection does not conflict with the First or Second Law."

":Isaac Asimov's "Three Laws of Robotics""

"Police officer: [mocks Spooner for thinking a robot tried to steal a woman's purse] Police, help me. That robot stole my dry-cleaning. [laughs]"

"Farber: [to a robot] You can kiss my ass, metal dick!"

"One man saw it coming."

"What will you do with yours?"

"Laws are made to be broken."

"Will Smith - Det. Del Spooner"

"Bridget Moynahan - Dr. Susan Calvin"

"Alan Tudyk - Sonny"

"Bruce Greenwood - Lawrence Robertson"

"James Cromwell - Dr. Alfred Lanning"

"Chi McBride - Lt. John Bergin"

"Shia LaBeouf - Farber"

"Fiona Hogan - V.I.K.I."

"Terry Chen - Chin"

"Adrian L. Ricard - Granny ("Gigi")"

"Jerry Wasserman - Baldez"

"Peter Shinkoda - Chin"

"Memory can change the shape of a room; it can change the color of a car. And memories can be distorted. They're just an interpretation, they're not a record, and they're irrelevant if you have the facts."

"I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can't remember them. I have to believe that when my eyes are closed, the world's still there. Do I believe the world's still there? Is it still out there? … Yeah. We all need mirrors to remind ourselves who we are. I'm no different … now … where was I?"

"I don't even know how long she's been gone. It's like I've woken up in bed and she's not here … because she's gone to the bathroom or something. But somehow, I know she's never gonna come back to bed. If I could just … reach over and touch … her side of the bed, I would know that it was cold, but I can't. I know I can't have her back … but I don't want to wake up in the morning, thinking she's still here. I lie here not knowing … how long I've been alone. So how … how can I heal? How am I supposed to heal if I can't … feel time?"

"Am I chasing this guy? [gunshot] No, he's chasing me."

"So you lie to yourself to be happy."

"Your life is over. You're a dead man. The only thing the doctors are hoping to do is teach you to be less of a burden to the orderlies. And they'll probably never let you go home, wherever that would be. So the question is not "to be or not to be," because you aren't. The question is whether you want to do something about it."

"Guy Pearce – Leonard Shelby"

"Carrie-Anne Moss – Natalie"

"Joe Pantoliano – Teddy Gammell"

"Callum Keith Rennie – Dodd"

"[to Paul "Fred" Varjak] It should take you exactly four seconds to cross from here to that door. I'll give you two."

"[to Paul "Fred" Varjak] But I am mad about Jose. I honestly think I'd give up smoking if he asked me."

"[to Paul "Fred" Varjak] You could always tell what kind of a person a man thinks you are by the earrings he gives you. I must say, the mind reels."

"[to Paul "Fred" Varjak] There are certain shades of limelight that can wreck a girl's complexion."

"But oh golly! Gee damn!"

"[to Paul "Fred" Varjak] I've got to do something about the way I look. I mean a girl just can't go to Sing Sing with a green face."

"I'm like Cat, here. We're a couple of no-name slobs."

"[to Paul "Fred" Varjak] It's useful being top banana in the shock department!"

"[to Paul "Fred" Varjak] Ahh . . . Do I detect a look of disapproval in your eye? Tough beans buddy, 'cause that's the way it's gonna be."

"[singing] Moon River, wider than a mile I'm crossing you in style some day Oh, dream maker, my heart breaker Wherever you're going, I'm going your way …"

"[to Holly Golightly] You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a "wild thing", and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself."

"[to Holly Golightly] I don't think I've ever drunk champagne before breakfast before. With breakfast on several occasions, but never before, before."

"[to Holly Golightly] And I always heard people in New York never get to know their neighbors."

"Office memorandum. Walter Neff to Barton Keyes, Claims Manager. Los Angeles, July 16, 1938. Dear Keyes, I suppose you'll call this a confession when you hear it. Well, I don't like the word confession. I just want to set you right about something you couldn't see because it was smack up against your nose. You think you're such a hot potato as a claims manager, such a wolf on a phony claim. Maybe you are. But let's take a look at that Dietrichson claim. Accident and double indemnity. You were pretty good in there for a while, Keyes. You said it wasn't an accident. Check. You said it wasn't suicide. Check. You said it was murder. Check. You thought you had it cold, didn't you? All wrapped up in tissue paper with pink ribbons around it. It was perfect. Except it wasn't, because you made one mistake. Just one little mistake. When it came to picking the killer, you picked the wrong guy. You want to know who killed Dietrichson? Hold tight to that cheap cigar of yours, Keyes. I killed Dietrichson. Me, Walter Neff, insurance salesman. 35 years old, unmarried, no visible scars. Until a while ago, that is. Yes, I killed him. I killed him for money and for a woman. I didn't get the money and I didn't get the woman. Pretty, isn't it?"

"The living room was still stuffy from last night's cigars. The windows were closed and the sunshine coming in through the Venetian blinds showed up the dust in the air. On the piano in a couple of fancy frames were Mr. Dietrichson and Lola, his daughter by his first wife. They had a bowl of those little red goldfish on the table behind the big Davenport. But to tell you the truth, Keyes, I wasn't a whole lot interested in goldfish right then, not in auto renewals, nor in Mr. Dietrichson and his daughter Lola. I was thinking about that dame upstairs and the way she had looked at me, and I wanted to see her again, close, without that silly staircase between us."

"It was a hot afternoon, and I can still remember the smell of honeysuckle all along that street. How could I have known that murder can sometimes smell like honeysuckle?"

"So I let her have it, straight between the eyes. She didn't fool me for a minute, not this time. I knew I had ahold of a red hot poker, and the time to drop it was before it burned my hand off...I was all twisted up inside and I was still holding on to that red-hot poker. And right then it came over me that I hadn't walked out on anything at all, that the hope was too strong, that this wasn't the end between her and me. It was only the beginning."

"So we just sat there, and she started crying softly like the rain on the window. And we didn't say anything. Maybe she had stopped thinking about it, but I hadn't. I couldn't because it was all tied up with something I'd been thinking about for years. Since long before I ever ran into Phyllis Dietrichson. Because, you know how it is Keyes, in this business you can't sleep for trying to figure out all the tricks they could pull on you. You're like the guy behind the roulette wheel, watching the customers to make sure they don't crook the house. And then one night, you get to thinking how you could crook the house yourself. And do it smart. Because you've got that wheel right under your hands. You know every notch in it by heart. And you figure all you need is a plant out front, a shill to put down the bet. And suddenly the doorbell rings and the whole setup is right there in the room with ya. [pause] Look, Keyes, I'm not trying to whitewash myself. I fought it, only I guess I didn't fight it hard enough. The stakes were $50,000 dollars, but they were the life of a man too, a man who'd never done me any dirt except he was married to a woman he didn't care anything about. And I did."

"That was all there was to it. Nothing had slipped, nothing had been overlooked, there was nothing to give us away. And yet, Keyes, as I was walking down the street to the drugstore, suddenly it came over me that everything would go wrong. It sounds crazy, Keyes, but it's true, so help me. I couldn't hear my own footsteps. It was the walk of a dead man."

"This Dietrichson business. It's murder, and murders don't come any neater. As fancy a piece of homicide as anybody ever ran into. Smart, tricky, almost perfect - but...I think Papa has it all figured out. It's beginning to come apart at the seams already. Murder is never perfect. It always comes apart sooner or later. When two people are involved, it's usually sooner. Now we know the Dietrichson dame is in it and the somebody else. Pretty soon, we'll know who that somebody else is. He'll show. He's got to show. Sometime, somewhere, they've got to meet. Their emotions are all kicked up. Whether it's love or hate, it doesn't matter. They can't keep away from each other. They may think it's twice as safe because there are two of them. But it isn't twice as safe. It's ten times twice as dangerous. They've committed a murder. And it's not like taking a trolley ride together where they can get off at different stops. They're stuck with each other and they've got to ride all the way to the end of the line and it's a one-way trip and the last stop is the cemetery."

"From the Moment they met it was Murder!"

"You Can't Kiss Away A Murder!"

"Fred MacMurray - Walter Neff"

"Barbara Stanwyck - Phyllis Dietrichson"

"Edward G. Robinson - Barton Keyes"

"Porter Hall - Mr. Jackson"

"Jean Heather - Lola Dietrichson"

"Tom Powers - Mr. Dietrichson"

"Byron Barr - Nino Zachetti"

"Richard Gaines - Edward S. Norton, Jr"

"If there's magic in boxing, it's the magic of fighting battles beyond endurance, beyond cracked ribs, ruptured kidneys and detached retinas. It's the magic of risking everything for a dream that nobody sees but you."

"To make a fighter you gotta strip them down to bare wood: you can't just tell 'em to forget everything you know , you gotta make 'em forget even their bones... make 'em so tired they only listen to you, only hear your voice, only do what you say and nothing else... show 'em how to keep their balance and take it away from the other guy... how to generate momentum off their right toe and how to flex your knees when you fire a jab... how to fight backing up so that the other guy doesn't want to come after you. Then you gotta show 'em all over again. Over and over and over... till they think they're born that way."

"All fighters are pig-headed some way or another: some part of them always thinks they know better than you about something. Truth is: even if they're wrong, even if that one thing is going to be the ruin of them, if you can beat that last bad out of them... they ain't fighters at all."

"Frankie likes to say that boxing is an unnatural act, that everything in boxing is backwards: sometimes the best way to deliver a punch is to step back... But step back too far and you ain't fighting at all."

"Anybody can lose one fight, anybody can lose once, you'll come back from this you'll be champion of the world."

"I saw your last fight Shawrelle. You spent so much face time on the canvas, you thought the canvas had titties."

"I'm 32, Mr. Dunn, and I'm here celebrating the fact that I spent another year scraping dishes and waitressing which is what I've been doing since 13, and according to you I'll be 37 before I can even throw a decent punch, which I have to admit, after working on this speed bag for a month may be the God's simple truth. Other truth is, my brother's in prison, my sister cheats on welfare by pretending one of her babies is still alive, my daddy's dead, and my momma weighs 312lbs. If I was thinking straight I'd go back home, find a used trailer, buy a deep fryer and some Oreos. Problem is, this the only thing I ever felt good doing. If I'm too old for this then I got nothing. That enough truth to suit you?"

"I want you to jab, right in the tits, until they turn blue and fall off."

"Girlie, tough ain't enough."

"Hilary Swank - Maggie Fitzgerald"

"Clint Eastwood - Frankie Dunn"

"Morgan Freeman - Eddie Dupris"

"Jay Baruchel - Danger Barch"

"Mike Colter - "Big" Willie Little"

"Lucia Rijker - Billie "The Blue Bear""

"Brian F. O'Byrne - Father Horvak"

"Anthony Mackie - Shawrelle Berry"

"Margo Martindale - Earline Fitzgerald"

"Riki Lindhome - Mardell Fitzgerald"

"Michael Peña - Omar"

"Benito Martinez - Billie's manager"

"I think we're in real trouble. I don't know how this started or why, but I know it's here and we'd be crazy to ignore it... The bird war, the bird attack, plague - call it what you like. They're amassing out there someplace and they'll be back. You can count on it... Unless we do something right now, unless we get Bodega Bay on the move, they... Mrs. Bundy said something about Santa Cruz, about seagulls getting lost in a fog and then flying in towards the lights... Make our own fog... we can use smoke pots the way the Army uses 'em."

"I'm neither poor nor innocent."

"[as she sees a man lighting his cigar as gasoline is leaking around him] Look at the gas, that man's lighting a cigar!"

"Annie Hayworth: This tilling of the soil can become compulsive, you know... Well, it's something to do in your spare time. There's a lot of spare time in Bodega Bay."

"Lydia Brenner: I wish I were a stronger person. I lost my husband four years ago, you know. It's terrible how you, you depend on someone else for strength and then suddenly all the strength is gone and you're alone. I'd love to be able to relax sometime. I'd love to be able to sleep... I'm not like this, you know, not usually. I don't fuss and fret about my children. When Frank died, you see, he understood the children, he really understood them. He had the knack of entering into their world and becoming part of them. That's a very rare talent... Oh, I wish, I wish, I wish I could be like that. I miss him! Sometimes even now, I wake up in the morning and I think: 'I must get Frank's breakfast'. And I get up, and there's a very good reason for getting out of bed until, of course, I remember. I miss talking to him. Cathy's a child, of course, and Mitch, well, Mitch has his own life. I'm glad he stayed here today. I-I feel safer with him here... Don't go. I feel as if I don't understand you at all and I-I want so much to understand... because my son seems to be very fond of you and I don't know quite how I feel about it. I don't even know if I like you or not... Mitch is important to me. I want to like whatever girl he chooses... Well, I don't think it's going to matter very much to anyone but me... Mitch has always done exactly what he wanted to do. But, you see, I don't want to be left alone. I don't think I could bear to be left alone. Oh, forgive me... This business with the birds has upset me. I don't know what I'd do if Mitch weren't here... I wish I was stronger."

"Mrs. Bundy: Yes, sir, I recall it. The town was just covered with seagulls... A large flock of seagulls got lost in the fog and headed into the town where all the lights were."

"Traveling Salesman: And they made some mess too. Smashing into buildings and everything. They always make a mess."

"Mrs. Bundy: The point is that no-one seemed to be upset about it. They were all gone the next morning just as though nothing at all had happened. Poor things."

"Mother in diner: [to Melanie] Why are they doing this? Why are they doing this? They said when you got here, the whole thing started. Who are you? What are you? Where did you come from? I think you're the cause of all this. I think you're evil. EVIL!"

"Cathy Brenner: He's got a client who shot his wife in the head six times. Six times, can you imagine it? I mean, even twice would be overdoing it, don't you think?"

"Cathy Brenner: (crying) When we got back from taking Michelle home, we heard the explosion and went outside to see what it was. All at once, the birds were everywhere. All at once, she pushed me inside and they covered her. Annie, she pushed me inside."

"Radio newscaster: In Bodega Bay early this morning, a large flock of crows attacked a group of children who were leaving the school during a fire drill. One little girl was seriously injured and taken to the hospital in Santa Rosa, but the majority of children reached safety. We understand there was another attack on the town. But this information is rather sketchy. So far, no word has come through to show if there have been further attacks."

"Radio newscaster: The bird attacks have subsided for the time being. Bodega Bay seems to be the center, though there are reports of minor attacks on Sebastopol and a few on Santa Rosa. Bodega Bay has been cordoned off by roadblocks. Most of the townspeople have managed to get out, but there are still some isolated pockets of people. No decision has been arrived at yet as to what the next step will be but there's been some discussion as to whether the military should go in. It appears that the bird attacks come in waves with long intervals between. The reason for this does not seem clear as yet."

"Suspense and shock beyond anything you have seen or imagined!"

"It could be the most terrifying motion picture I have ever made!"

"Nothing you have ever witnessed before has prepared you for such sheer stabbing shock!"

"The Birds is coming!"

"...And remember, the next scream you hear could be your own!"

"Rod Taylor - Mitch Brenner"

"Tippi Hedren - Melanie Daniels"

"Jessica Tandy - Lydia Brenner"

"Suzanne Pleshette - Annie Hayworth"

"Veronica Cartwright - Cathy Brenner"

"Ethel Griffies - Mrs. Bundy, elderly ornithologist"

"Charles McGraw - Sebastian Sholes, fisherman in diner"

"Lonny Chapman - Deke Carter, cook in diner"

"Joe Mantell - Traveling salesman at diner's bar"

"Karl Swenson - Drunk doomsayer in diner"

"Doreen Lang - Mother in diner"

"Ruth McDevitt - Mrs. MacGruder, pet store clerk"

"Mr. Hitchcock ... begins, innocently, with a haughty San Francisco girl having a testy encounter in a bird shop with a man on whom she plays a practical joke. Then, mischievously, he leads her to the fellow's family home in a fishing village north of San Francisco to deliver an impudent present of two s. ... Then, sneakily, Mr. Hitchcock tweaks us with a tentative touch of the bizarre. The plausible is interrupted by a peculiar avian caprice. A attacks a young woman. Flocks of angry gulls whirl in the air. A swarm of s swoops down a chimney and whirrs madly through the living room. And, then, before we know it, he is flying in shock waves of birds and the wild, mad, fantastic encounter with a phenomenon of nature is on. There may be no explanation for it (except that symbolic one, perhaps), but the fierceness and frightfulness of it are sufficient to cause shocks and chills. And that is, no doubt, what Mr. Hitchcock primarily intends. ... The cast is appropriate and sufficient to this tic intent. is pretty, bland and wholesome as the disruptive girl. is stolid and sturdy as the mother-smothered son. is querulous as the mother, and pretty is pleasant but vaguely sinister as the old girl friend."

"The most striking image of all is a from high above the town, including a pair of s who drop into the shot from each side of the frame. As one critic noted, 'the town as seen in the overhead shot does not actually exist. It was an , into which a fire was inserted, filmed from a hill overlooking the car park. The gulls were filmed from a clifftop on the , west of Los Angeles, and into the shot. ...'"

"Garrison investigated a strange event in 1991 that caused birds around to act bizarre and die. He identified the culprit as , which was produced by off the Pacific Coast. Those acid-making algae were consumed by fish and , which were in turn gobbled by birds, who couldn’t effectively rid the toxin from their systems. “There were reports of pelicans and s wandering around drunk and throwing up ,” said Garrison, who is based in Domoic acid was probably responsible for another instance of strange bird behavior reported in 1961 around Monterey Bay, when Hitchcock was said to be vacationing nearby, Garrison said. The filmmaker reportedly asked to have a copy of the newspaper sent to him, the scientist added."

"[voiceover] I was 12 going on 13 first time I saw a dead human being. It happened in the summer of 1959. A long time ago. But only if you measure in terms of years. I was living in a small town in Oregon called Castle Rock. There were only 1281 people, but to me it was the whole world."

"[voiceover] As time went on we saw less and less of Teddy and Vern until eventually they became just two more faces in the halls. That happens sometimes. Friends come in and out of your life like busboys in a restaurant."

"[typing, about Chris] Although I haven't seen him in more than ten years I know I'll miss him forever. I never had any friends later on like the ones I had when I was twelve. Jesus, does anybody?"

"I thought it was true to the book, and because it had the emotional gradient of the story. It was moving. I think I scared the shit out of Rob Reiner. He showed it to me in the screening room at the Beverly Hills Hotel. I was out there for something else, and he said, "Can I come over and show you this movie?" And you have to remember that the movie was made on a shoestring. It was supposed to be one of those things that opened in six theaters and then maybe disappeared. And instead it went viral. When the movie was over, I hugged him because I was moved to tears, because it was so autobiographical."

"Wil Wheaton - Gordie Lachance"

"River Phoenix - Chris Chambers"

"Corey Feldman - Teddy Duchamp"

"Jerry O'Connell - Vern Tessio"

"Kiefer Sutherland - Ace Merrill"

"Casey Siemaszko - Billy Tessio"

"Gary Riley - Charlie Hogan"

"Bradley Gregg - Eyeball Chambers"

"Jason Oliver - Vince Desjardins"

"Richard Dreyfuss - The Writer"

"Well, you never know...you just never know. You just go along figuring some things don't change ever, like being able to drive on a public highway without someone trying to murder you. And then one stupid thing happens. Twenty, twenty-five minutes out of your whole life, and all the ropes that kept you hanging in there get cut loose, and it's like, there you are, right back in the jungle again. All right boy, it was a nightmare, but it's over now. [pauses] It's all over."

"[to himself, in Chuck's Cafe] I don't know, all I did was pass this stupid rig a couple of times, and he goes flying off the deep end. He has to be crazy. Okay, so he's crazy. What can I do about it? Find him a psychiatrist? Oh, boy. Now wait a minute. Now wait just a minute. All right, now, think. Okay, he's in here. Well, that doesn't mean he intends to continue his attack. It is lunchtime, and Chuck's Cafe may be the only place to eat for miles around. Yeah. He probably eats here all the time. He was just moving too fast before, and he had to slow down, turn around, that's all. That's all. [pause] Why didn't I leave right away when I saw his truck outside? Then I'd know what he intends to do. What if he followed me out, though? Started after me again? I'd be right back where I started; even if I got a lead, he'd overtake me soon enough. He's got some, some, some souped up diesel; my car's just not that powerful, I just can't break eighty and ninety miles an hour. As soon as I stop concentrating, I'd go back to sixty or seventy like I always do; it's a habit, I can't help it, he's just... [pauses] take it easy...just, take it easy."

"Fear is the driving force."

"The Killer's Weapon - A 40 Ton Truck"

"Terror in your rear view mirror."

"When the headlights of a truck become the eyes of a psychopath."

"The most bizarre murder weapon ever used!"

"A duel is about to begin between a man, a truck and an open road. Where a simple battle of wits is now a matter of life and death."

"Dennis Weaver - David Mann"

"Jacqueline Scott - Mrs. Mann"

"Eddie Firestone - Cafe Owner"

"Lou Frizzell - Bus Driver"

"Gene Dynarski - Man in Cafe"

"Lucille Benson - Lady at Snakerama"

"Tim Herbert - Gas Station Attendant"

"Charles Seel - Old Man"

"Shirley O'Hara - Waitress"

"Alexander Lockwood - Old Man in Car"

"Amy Douglass - Old Woman in Car"

"Dick Whittington - Radio Interviewer (voice)"

"Carey Loftin - The Truck Driver"

"It's nobody's business but ours."

"Truth is, sometimes I miss you so much I can hardly stand it."

"You sit down before I knock your ignorant ass into next week!"

"I wish I knew how to quit you."

"Brokeback got us good, don't it?"

"You know it could be like this, just like this, always."

"There ain't never enough time, never enough..."

"You know friend, this is a God damn bitch of an unsatisfactory situation."

"This is a one-shot thing we got goin' on here."

"Two guys livin' together? No way."

"Jack, I swear."

"If you can't fix it, you gotta stand it."

"(mourning Jack's death) Jack, I swear..."

"Alma Del Mar: You didn't go up there to fish!"

"Alma Del Mar: Don't try and fool me no more, Ennis. I know what it means. Jack Twist? Jack Nasty!"

"Joe Aguirre: You boys sure found a way to make the time pass up there. Twist, you guys wasn't gettin' paid to leave the dogs babysittin' the sheep while you stem the rose."

"Lureen Newsome: What are you waitin' for, cowboy? ...a mating call?"

"Cassie Cartwright: You don't say much but you get your point across."

"Heath Ledger - Ennis Del Mar"

"Jake Gyllenhaal - Jack Twist"

"Michelle Williams - Alma Beers Del Mar"

"Anne Hathaway - Lureen Newsome Twist"

"Everybody has a heart - except some people."

"Autograph fiends, they're not people. Those are little beasts that run around in packs like coyotes...They're nobody's fans. They're juvenile delinquents, they're mental defectives, they're nobody's audience. They never see a play or a movie even. They're never indoors long enough."

"Suddenly, I've developed a big protective feeling for her. A lamb loose in our big stone jungle."

"Fasten your seatbelts, it's going to be a bumpy night."

"Enchanté to you, too!"

"I distinctly remember, Addison, crossing you off my guest list. What are you doing here?"

"So many people know me. I wish I did. I wish someone would tell me about me."

"Funny business, a woman's career. The things you drop on your way up the ladder so you can move faster. You forget you'll need them again when you get back to being a woman."

"Lloyd, I am not twenty-ish. I am not thirty-ish. Three months ago, I was forty years old. Forty. Four oh - That slipped out. I hadn't quite made up my mind to admit it. Now I suddenly feel as if I've taken all my clothes off."

"Bill's thirty-two. He looks thirty-two. He looked it five years ago, he'll look it twenty years from now. I hate men."

"[to Bill] This is my house, not a theater. In my house, you're a guest, not a director."

"[responding to Karen's disbelief] In this rat race, everybody's guilty till they're proved innocent!"

"The little witch must have sent out Indian runners, snatching critics out of bars and steam rooms and museums, or wherever they holed up. Well, she won't get away with it, nor will Addison De Witt and his poison pen. If Equity or my lawyer can't or won't do anything about it, I shall personally stuff that pathetic little lost lamb down Mr. De Witt's ugly throat."

"Never have I been so happy...I'm forgiving tonight, even Eve, I forgive Eve...Do you know what I'm going to be?...A married lady...No more make believe off stage or on. Remember, Lloyd? I mean it now...I don't want to play Cora...It isn't the part. It's a great part in a fine play. But not for me anymore. Not for a four-square, upright, downright, forthright married lady...It means I finally got a life to live. I don't have to play parts I'm too old for, just because I've got nothing to do with my nights."

"Nice speech, Eve. But I wouldn't worry too much about your heart. You can always put that award where your heart ought to be."

"I've seen every performance...I'd like anything Miss Channing played in...I think that part of Miss Channing's greatness lies in her ability to pick the best plays."

"But somehow, acting and make believe began to fill up my life more and more. It got so I couldn't tell the real from the unreal. Except that the unreal seemed more real to me."

"When you're a secretary in a brewery, it's pretty hard to make-believe you're anything else. Everything is beer."

"And there were theaters in San Francisco. And then one night, Margo Channing came to play in Remembrance and I went to see it. Well, here I am."

"If nothing else, there's applause... like waves of love pouring over the footlights and wrapping you up."

"I'll never forget this night as long as I live, and I'll never forget you for making it possible."

"Lloyd Richards. He's going to leave Karen. We're going to be married...Lloyd loves me, I love him...I'm in love with Lloyd...Oh Addison, won't it be just perfect? Lloyd and I - there's no telling how far we can go. He'll write great plays for me, I'll make them great."

"The Sarah Siddons Award for Distinguished Achievement is perhaps unknown to you. It has been spared the sensational and commercial publicity that attends such questionable 'honors' as the Pulitzer Prize - and those awards presented annually by that film society. This is the dining hall of the Sarah Siddons Society. The occasion is its annual banquet and presentation of the highest honor our theater knows - the Sarah Siddons Award for Distinguished Achievement...The minor awards, as you can see, have already been presented. Minor awards are for such as the writer and director [playwright Lloyd Richards and director Bill Sampson are briefly viewed] since their function is merely to construct a tower so that the world can applaud a light which flashes on top of it. And no brighter light has ever dazzled the eye than Eve Harrington. Eve. But more of Eve later, all about Eve, in fact."

"To those of you who do not read, attend the theater, listen to unsponsored radio programs or know anything of the world in which you live - it is perhaps necessary to introduce myself. My name is Addison De Witt. My native habitat is the theater. In it, I toil not, neither do I spin. I am a critic and commentator. I am essential to the theater."

"She is the wife of a playwright, therefore of the theater by marriage. Nothing in her background or breeding should have brought her any closer to the stage than Row E, Center. However, during her senior year at Radcliffe, Lloyd Richards lectured on the drama. The following year, Karen became Mrs. Lloyd Richards."

"There are in general two types of theatrical producers. One has a great many wealthier friends who will risk a tax deductible loss. This type is interested in art. The other is one to whom each production means potential ruin or fortune. This type is out to make a buck."

"Margo Channing is a Star of the Theater. She made her first stage appearance, at the age of four, in Midsummer Night's Dream. She played a fairy and entered - quite unexpectedly - stark naked. She has been a Star ever since. Margo is a great Star. A true star. She never was or will be anything less or anything else."

"We know her humility, her devotion, her loyalty to her art, her love, her deep and abiding love for us, for what we are and what we do, the theater. She has had one wish, one prayer, one dream - to belong to us. Tonight, her dream has come true. And henceforth, we shall dream the same of her. Eve. Eve the Golden Girl, the Cover Girl, the Girl Next Door, the Girl on the Moon. Time has been good to Eve. Life goes where she goes. She's the profiled, covered, revealed, reported. What she eats and what she wears and whom she knows and where she was, and when and where she's going. Eve. You all know all about Eve. What can there be to know that you don't know?"

"Dear Margo. You were an unforgettable Peter Pan. You must play it again soon."

"Every now and then some elder statesman of the theater or cinema assures the public that actors and actresses are just plain folks. Ignoring the fact that their greatest attraction to the public is their complete lack of resemblance to normal human beings."

"I have lived in the theater as a Trappist monk lives in his faith. I have no other world; no other life - and once in a great while, I experience that moment of revelation for which all true believers wait and pray. You were one. Jeanne Eagels another...there are others, three or four. Eve Harrington will be among them."

"We all have abnormality in common. We're a breed apart from the rest of humanity, we theatre folk; We are the original displaced personalities."

"[confronting Eve] I had lunch with Karen not three hours ago. As always with women who try to find out things, she told more than she learned. Now do you want to change your story about Lloyd beating at your door the other night? ... That I should want you at all suddenly strikes me as the height of improbability, but that, in itself, is probably the reason. You're an improbable person, Eve, and so am I. We have that in common. Also a contempt for humanity, an inability to love and be loved, insatiable ambition - and talent. We deserve each other...and you realize and you agree how completely you belong to me?"

"Your name is not Eve Harrington. It is Gertrude Slescynski... It is also true that you worked in a brewery, But life in the brewery was not as dull as you pictured it. As a matter of fact it got less and less dull - until your boss's wife had your boss followed by detectives! The five hundred dollars you got to get out of town brought you straight to New York. Fourth. There was no Eddie - no pilot - and you've never been married! That was not only a lie, but an insult to dead heroes and to the women who love them... Fifth, San Francisco has no Shubert Theatre. You've never been to San Francisco! That was a stupid lie and easy to expose. Eve cries and admits she had to do something, to say something, be somebody to make her like me. [Margo Channing]"

"Then stop being a star. And stop treating your guests as your supporting cast...It's about time Margo realized that what's attractive on stage need not necessarily be attractive off."

"[to Eve, who is upset] The reason is Margo, and don't try to figure it out. Einstein couldn't."

"Newton, they say, thought of gravity by getting hit on the head by an apple. And the man who invented the steam engine - he was watching a tea kettle. Not me. My big idea came to me just sitting on a couch. That boot in the rear to Margo. Heaven knows she had one coming. From me, from Lloyd, from Eve, Bill, Max, and so on. We'd all felt those size 5's of hers often enough. But how? The answer was buzzing around me like a fly. I had it. But I let it go. Screaming and calling names is one thing, but this could mean...Why not? Why, I said to myself, not? It would all seem perfectly legitimate. And there were only two people in the world who would know. Also, the boot would land where it would do the most good for all concerned. And after all, it was no more than a perfectly harmless joke that Margo herself would be the first to enjoy. And no reason why she shouldn't be told about it - in time."

"That cynicism you refer to I acquired the day I discovered I was different from little boys."

"Eve would ask Abbott to give her Costello."

"Lloyd never got around somehow to asking whether it was all right with me for Eve to play Cora. Bill, oddly enough, refused to direct the play at first - with Eve in it. Lloyd and Max finally won him over. Margo never came to rehearsal. Too much to do around the house, she said. I'd never known Bill and Lloyd to fight as bitterly and often and always over some business for Eve, or a move, or the way she read a speech. But then I'd never known Lloyd to meddle as much with Bill's directing, as far as it affected Eve, that is. Somehow Eve kept them going. Bill stuck it out. Lloyd seemed happy. And I thought it might be best if I skipped rehearsals from then on. It seemed to me I had known always that it would happen, and here it was. I felt helpless, that helplessness you feel when you have no talent to offer - outside of loving your husband. How could I compete? Everything Lloyd loved about me, he had gotten used to long ago."

"[about Eve] I like that girl, that quality of quiet graciousness."

"It's Addison from start to finish. It drips with his brand of venom. Taking advantage of a kid like that, twisting her words, making her say what he wanted her to say."

"There are very few moments in life as good as this. Let's remember it. To each of us and all of us, never have we been more close, may we never be farther apart."

"The atmosphere is very MacBeth-ish...what has, or is about to, happen?"

"She can play Peck's Bad Boy all she wants and who's to stop her? Who's to give her that boot in the rear she needs and deserves?"

"I haven't got a union. I'm slave labor."

"I'll tell ya how, like, like she's studyin' you, like you was a play or a book or a set of blueprints. How you walk, talk, eat, think, sleep."

"The bed looks like a dead animal act."

"Bill Sampson: Zanuck is impatient. He wants me, he needs me."

"Bill Sampson: The theatah, the theatAh - what book of rules says the theater exists only within some ugly buildings crowded into one square mile of New York City? Or London, Paris, or Vienna? Listen, junior. And learn. Want to know what the theater is? A flea circus. Also opera. Also rodeos, carnivals, ballets, Indian tribal dances, Punch and Judy, a one-man band - all theater. Wherever there's magic and make-believe and an audience - there's theater. Donald Duck, Ibsen, and the Lone Ranger. Sarah Bernhardt and Poodles Hanneford, Lunt and Fontanne, Betty Grable, Rex the Wild Horse, Eleanora Duse - they're all theater. You don't understand them, you don't like them all - why should you? The theater's for everybody - you included, but not exclusively - so don't approve or disapprove. It may not be your theater, but it's theater for somebody, somewhere...It's just that there's so much bourgeois in this ivory green room they call the theater. Sometimes it gets up around my chin."

"Max Fabian: She loves me like a father. Also, she's loaded."

"Old Actor: [about Eve] We know her humility, her devotion, her loyalty to her art, her love, her deep and abiding love for us, for what we are and what we do, the theater. She has had one wish, one prayer, one dream - to belong to us. Tonight, her dream has come true. And henceforth, we shall dream the same of her."

"Bette Davis - Margo Channing"

"Anne Baxter - Eve Harrington"

"George Sanders - Addison DeWitt"

"Celeste Holm - Karen Richards"

"Gary Merrill - Bill Sampson"

"Hugh Marlowe - Lloyd Richards"

"Gregory Ratoff - Max Fabian"

"Barbara Bates - Phoebe"

"Marilyn Monroe - Miss Caswell"

"Thelma Ritter - Birdie Coonan"

"Every summer, Chevy Chase takes his family on a little trip. This year, he went too far."

"Chevy Chase - Clark Griswold"

"Beverly D'Angelo - Ellen Griswold"

"Imogene Coca - Aunt Edna"

"Randy Quaid - Cousin Eddie"

"Anthony Michael Hall - Russell "Rusty" Griswold"

"Dana Barron - Audrey Griswold"

"Eddie Bracken - Roy Walley"

"Brian Doyle-Murray - Kamp Komfort Clerk"

"Miriam Flynn - Cousin Catherine"

"James Keach - Motorcycle Cop"

"Eugene Levy - Car Salesman"

"Frank McRae - Grover"

"John Candy - Russ Lasky, Guard at Walley World"

"Christie Brinkley - The Girl in the Red Ferrari"

"Jane Krakowski - Cousin Vicki"

"Now, I'll begin at the beginnin'. A fine soft day in the spring it was when the train pulled into Castletown three hours late as usual, and himself got off. He didn't have the look of an American tourist at all about him. Not a camera on him. And what was worse, not even a fishing rod."

"Ah, yes. I knew your people, Sean. Your grandfather, he died in Australia, in a penal colony. And your father, he was a good man too."

"Is this a courting or a donnybrook? Have the good manners not to hit the man until he's your husband and entitled to hit you back."

"John Wayne - Sean Thornton"

"Maureen O'Hara - Mary Kate Danaher"

"Barry Fitzgerald - Michaleen Oge Flynn"

"Victor McLaglen - Squire "Red" Will Danaher"

"Ward Bond - Father Peter Lonergan"

"Mildred Natwick - The Widow Sarah Tillane"

"Francis Ford - Dan Tobin"

"Arthur Shields - Rev. Cyril Playfair"

"Charles FitzSimons - Hugh Forbes"

"I was just wondering what all you people are worrying about...Not that I have the slightest idea...I hold no truck with silence. I've got nothing to hide...It's just that you worry about the stranger only if you look at him from a certain aspect. From my perspective, I look upon him with the innocence of a fresh-laid egg."

"Four years ago, something terrible happened here. We did nothing about it. Nothing! The whole town fell into a sort of settled melancholy, and all the people in it closed their eyes, and held their tongues, and failed the test with a whimper. And now something terrible's going to happen again. And, in a way, we're lucky because we've been given a second chance."

"Spencer Tracy - John J. Macreedy"

"Robert Ryan - Reno Smith"

"Anne Francis - Liz Wirth"

"Dean Jagger - Sheriff Tim Horn"

"Walter Brennan - Doc T.R. Velie Jr."

"John Ericson - Pete Wirth"

"Ernest Borgnine - Coley Trimble"

"Lee Marvin - Hector David"

"Russell Collins - Mr. Hastings, Telegrapher"

"Walter Sande - Sam, Cafe Proprietor"

"The end of my innocence and childhood began in 1957. It is remarkable to me now just how little I knew then about the people around me. It took me years to figure out exactly what the truth was, especially given my brother's knack at inventing himself. My mother once told me that if the Abbotts didn't exist, my brother wouldn't have to invent them."

"My brother and I were born strangers. Same last name, same address, but everything else about us was different. Back then, Jacey was a complete mystery to me, and I was a constant source of embarrassment to him."

"Everything Jacey wanted in life, the Abbotts already had: their cars, money, country clubs. But in the beginning, more than anything else, he wanted Eleanor Abbott. I'd witnessed enough of my brother's social agony to resolve early on. I would never let the Abbotts matter to me."

"I had always thought of Eleanor Abbott as just another stuck-up rich girl, a flirt, a tease. But she proved to be a bigger rebel than I ever was. Jacey and I never talked about that thing with Eleanor in the garage, but Jacey never bragged about his conquests. When he went off to college that fall, I didn't feel particularly sad, I felt free."

"My brother was more successful at reinventing himself than I was. Jacey's parties at the University of Pennsylvania were the hippest ones around. And even though he had a major in architecture, he seriously minored in beautiful coeds."

"Although I share Jacey's Abbott interest in the opposite sex, I obviously lacked his consummate skills. When Jacey came home that summer, he picked up right where he left off with Eleanor, and she was more than eager to pick up right where she left off with him."

"My mother's life had been damaged by a lie, and my brother was forever lost in a maze of illusions that lie had created... and I had followed him there. Jacey would never find his way out, but I had to... and the only way I could do that was to forgive, but I could never forget."

"Although she seemed unique to me then, I now know that the world is filled with working women raising children by themselves. There was nothing especially original about my mother... not even in the way she brought her sons back together again."

"The truth about our mother and Lloyd didn't comfort Jacey, because the truth seemed to him just as unfair as the lie he had always believed in."

"My mother was right; if the Abbotts didn't exist, Jacey would have had to invent them, but it seems to me that inventing the Abbotts was something that almost everyone in Haley did, and still do. Alice reunited with Peter, lived out the same lie of a happy marriage that her mother and father have lived, and a new generation of Abbott parties began."

"Jacey pretended to care for Alice so well, the illusion became so complete that even he was fooled."

"That visit from Joan Abbott not only marked the end of Jacey's affair with Eleanor, but also the end of Eleanor Abbott herself. She disappeared from Haley, vanished or banished, no one knew for certain. But life with the Abbotts went on without her."

"A year later, the impossible finally happened. One of the Holt boys married one of the Abbott girls. We have two daughters. I named the youngest Helen after my mom."

"[sarcastically] Every time an Abbott girl get her period, they throw some kind of party!"

"Backyard nudity is hypocritical. It's insincere. People should do and say exactly what they feel and think and not try to hide things."

"Hey Jacey... Remember the time I got my dick caught in my zipper? Remember in school, in the first grade?"

"[Lloyd shows Jacey the door after Alice backs away from him.] Now get the hell out of here, you ruttin' stud. Keep your poor-boy dick out of my daughters."

"[to Jacey] I have plans for my daughters, Mr. Holt, they don't include you. I know you: I know you better than you know me. I know all there is to know about screwing your way into a wealthy family and there's no way I'm gonna let you screw your way into mine."

"Look, Alice is the good daughter, Eleanor's the bad one, and I'm the one that sort of gets off the hook. It's just the way it works."

"[to Jacey] I just do things. I let other people figure them out. That's what parents are for; they're really good at doing all the thinking, so why should I? I think this is what they called the silent treatment. I get enough of it from my father, I don't need it from you. So good luck at Penn."

"There's different kinds of love, darling. Some people you love no matter what, and others you love if the situation was right. To me, the best kind of love is the "no matter what" kind."

"Love no matter what."

"When you want it all but can't have it, there's only one way to handle life... invent it."

"Joaquin Phoenix - Doug Holt"

"Billy Crudup - Jacey Holt"

"Liv Tyler - Pamela Abbott"

"Jennifer Connelly - Eleanor Abbott"

"Will Patton - Lloyd Abbott"

"Kathy Baker - Helen Holt"

"Joanna Going - Alice Abbott"

"Barbara Williams - Joan Abbott"

"Alesandro Nivola - Peter Vanlaningham"

"Michael Keaton - Narrator/Older Doug"

"Zoe McLellan - Sandy"

"The greatest single human gift - the ability to chase down our dreams."

"You are a real boy. At least as real as I've ever made one."

"My son was one of a kind. You're the first of a kind."

"Come away O human child To the waters and the wild With a fairy hand in hand For the world's more full of weeping Than you can understand."

"Starving minds, welcome to Dr. Know! Where fast food for thought is served up 24 hours a day, in 40,000 locations nationwide. Ask Dr. Know — there's nothing I don't."

"I can't accept this! There is no substitute for your own child!"

"[to David] I do love you, you know. [whispers] I have always loved you."

"Narrator: Those were the years when the icecaps melted due to the greenhouse gases and the oceans had risen and drowned so many cities along all the shorelines of the world. Amsterdam, Venice, New York forever lost. Millions of people were displaced. Climate became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived when most governments in the developed world introduced legal sanctions to license pregnancies. Which was why robots, who were never hungry and did not consume resources beyond those of their first manufacture were so essential an economic link in the chain mail society."

"Teddy: I am not a toy!"

"Teddy: We run now."

"Lord Johnson-Johnson: [Showing David off to the Flesh Fair crowd] Ladies and gentlemen! Boys and girls and children of all ages! What will they think of next? See here! A bitty-bot, a tinker-toy, a living doll. Of course, we all know why they made them. To steal your hearts, to replace your children. This is the latest iteration in a series of insults to human dignity, and in their grand scheme to phase out all of God's little children. Meet the next generation of child, designed to do just that. [crowd stares silently] Do not be fooled by the artistry of this creation. No doubt there was talent in the crafting of this simulator. Yet with the very first strike, you will see the big lie come apart before your very eyes! [as David pleads to be spared] Built like a boy to disarm us! See how they try to imitate our emotions now! Whatever performance this sim puts on, remember: we are only demolishing artificiality! Let he who is without sim cast the firs stone. [crowd pelts him with rocks and garbage]"

"Junky Mecha: Would you be so kind and shut down my pain receivers?"

"Narrator: That was the everlasting moment he had been waiting for. And the moment had passed, for Monica was sound asleep. More than merely asleep. Should he shake her, she would never rouse. So David went to sleep, too. And for the first time in his life, he went to that place, where dreams are born."

"David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not."

"Journey to a world where robots dream and desire"

"This is not a game."

"This summer, discover the next step in evolution."

"Do not speak the seven-word activation code unless you mean it."

"WARNING! Do not activate the seven word code if you have any doubts about your feelings. The code is permanent and irreversible."

"Haley Joel Osment as David"

"Frances O'Connor as Monica Swinton"

"Sam Robards as Henry Swinton"

"Jake Thomas as Martin Swinton"

"Jude Law aa Gigolo Joe"

"William Hurt as Professor Hobby"

"[Talking to his surviving baboon, while drinking] "Residue" means old boyfriend, doesn't it? Stathis Borans is her old boyfriend. "From the desk of Stathis Borans" - how about "Under the desk of Stathis Borans"? She's working for her old boyfriend. Now she runs out late at night to see him. What is this, the Ronnie game?! I'm catching on, I'm catching on... [As the baboon swats at a fly] I didn't mean to kill your brother. But he didn't die in vain, if that's of any comfort. And, as the General said, "There's nothing I'd ask you to do that I wouldn't do myself, boys." ...Hey, you're all right. From looking at you, I can tell you're okay. What are we waiting for? Let's do it."

"[To Veronica] I will say now, however subjectively, that human teleportation, molecular decimation, breakdown and reformation is inherently purging. It makes a man a king. From the moment I walked out of the pod, I felt like a million bucks... I mean, what an accomplishment! But what have I really done? All I've done is say to the world: "Let's go! Move! Catch me if you can!""

"[To Veronica] You're afraid to dive into the plasma pool, aren't you? You're afraid to be destroyed and recreated, aren't you? I'll bet you think that you woke me up about the flesh, don't you? But you only know society's straight line about the flesh. You can't penetrate beyond society's sick, gray fear of the flesh! Drink deep or taste not the plasma spring, see what I'm saying? And I'm not just talking about sex and penetration, I'm talking about penetration beyond the veil of the flesh! A deep, penetrating dive into the plasma pool!"

"[To Veronica] I was not pure. The teleporter insists on inner purity; I was not pure. A fly...got into the transmitter pod with me that first time when I was alone. The computer got...confused, there weren't supposed to be two separate genetic patterns, and it decided to, erm...splice us together. It mated us, me and the fly. We hadn't even been properly introduced. [Smiles] My...teleporter turned into a gene-splicer. And a very good one. Now I'm not Seth Brundle anymore. I'm the offspring of...Brundle and housefly."

"[Being filmed by Veronica] How does Brundlefly eat? Well, he found out, the hard and painful way, that he eats very much the way a fly eats. His teeth are now useless, because although he can chew up solid foods, he can't digest them. Solid food hurts. So like a fly, Brundlefly breaks down solids with a corrosive enzyme, playfully called "vomit drop". He regurgitates on his food, it liquefies, and then he sucks it back up. Ready for a demonstration, kids? Here goes..."

"[Adding his teeth to a collection of lost body parts] You're relics. Yes, you are. Vestigial, archaeological, redundant. Artifacts of a bygone era. Of historical interest only. [Notices Veronica] You've missed some good moments. Is that why you're here? To catch up? My teeth have begun to fall out. The medicine cabinet is now the Brundle Museum of Natural History. You wanna see what else is in it?"

"Be afraid. Be very afraid."

"Half man, half insect... total terror."

"Something went wrong in the lab today. Very wrong."

"(from movie trailer) There is a limit, even to the imagination... a point where our greatest creations meet our deepest fears. You are about to go beyond that limit."

"He starts to change first perhaps mentally. He starts to get very speedy and hyper and exuberant. So the first manifestation of what’s been happening to him is mental rather than physical. But then it’s also physical because of the sugar lust. I’m just trying to see what the two things do and how far it goes. My interest in insects is more than I deal with in The Fly, actually. It’s phenomenal that any insect transforms. They all do. That’s part of being an insect."

"Think of the plot of The Fly. Two attractive people fall in love. The man suddenly contracts this incurable disease. He goes downhill in a horrible and hideous way as his mate watches and then he asks her to kill him and that’s the end of the movie. Now, people would not accept that. You could not deal with that in a normal, realistic fashion. It’s just too upfront and too hard and too despairing. If you gave Hollywood that plot, they wouldn’t make the movie. And yet, because it was sci-fi, fantasy, horror, no one ever questioned how dark it was. That’s another good thing about horror—it allows you to come to grips with the nitty gritty and at the same time gives you a little cushion, a little protection as well, because it is fantasy."

"Jeff Goldblum - Seth Brundle"

"Geena Davis - Veronica "Ronnie" Quaife"

"John Getz - Stathis Borans"

"Joy Boushel - Tawny"

"Leslie Carlson - Dr. Brent Cheevers"

"George Chuvalo - Marky"

"David Cronenberg - Gynecologist"

"[about being marshal] It's a great life. You risk your skin catchin' killers and the juries turn 'em loose so they can come back and shoot at ya again. If you're honest, you're poor your whole life, and in the end you wind up dyin' all alone on some dirty street. For what? For nothin'. For a tin star."

"[about no one volunteering to be a deputy] It figures. It's all happened too sudden. People gotta talk themselves into law and order before they do anything about it. Maybe because down deep they don't care. They just don't care."

"[to Harvey, about Will Kane] You're a good looking boy, you have big broad shoulders, but he is a man. It takes more than big broad shoulders to make a man, Harvey, and you have a long way to go. You know something? I don't think you will ever make it."

"The story of a man who was too proud to run."

"When these hands point straight up...the excitement starts!"

"Simple. Powerful. Unforgettable."

"Gary Cooper - Marshal Will Kane"

"Thomas Mitchell - Mayor Jonas Henderson"

"Lloyd Bridges - Deputy Marshal Harvey Pell"

"Katy Jurado - Helen Ramírez"

"Grace Kelly - Amy Fowler Kane"

"Otto Kruger - Judge Percy Mettrick"

"Lon Chaney Jr. - Martin Howe"

"Harry Morgan - Sam Fuller"

"Ian MacDonald - Frank Miller"

"Eve McVeagh - Mildred Fuller"

"Morgan Farley - Dr. Mahin, minister"

"Harry Shannon - Cooper"

"Lee Van Cleef - Jack Colby"

"Robert J. Wilke - Jim Pierce"

"Sheb Wooley - Ben Miller"

"Ralph Reed as Johnny"

"[to his boss, on the phone] In a pig's eye, you will!...Hey listen monkey face, when you fired me, you fired the best newshound your filthy scandal sheet ever had...That was free verse, you gashouse palooka!"

"[to his boss, who has already hung up] Oh, so you're changing your tune, eh? You're a little late with your apologies. I wouldn't go back to work for you if you begged me on your hands and knees. And I hope this will be a lesson to you."

"I never did like the idea of sitting on newspaper. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants."

"[to Ellie] Now listen, I put up a stiff fight for that seat. So if it's just the same to you - scram!"

"[in a telegram] Am I laughing? The biggest scoop of the year just dropped in my lap. I know where Ellen Andrews is...How would you like to have the story, you big tub of mush...Will try and get it. What I said about never writing another line for you still goes. Are you burning? PETER WARNE"

"[to Ellie] Now that's my whole plot in a nutshell. A simple story for simple people. If you behave yourself, I'll see that you get to King Westley. If not, I'll just have to spill the beans to Papa."

"[to Shapeley] I got a couple of machine guns in my suitcase. I'll let you have one of 'em. May have a little trouble up North. Have to shoot it out with the cops. But if you come through all right, those five G's are as good as in the bag, maybe more. I'll have a talk with the Killer, see that he takes care of ya....yeah, yeah, the big boy, the boss of the outfit. You ever hear of Bugs Dooley?...He was a nice guy, just like you. But he made a big mistake one day. Got a little too talkative. Do you know what happened to his kid?...Well, I can't tell you, but when Bugs heard about it, he blew his brains out."

"[to Peter] There is a brain behind that face of yours, isn't there? You've got everything nicely figured out for yourself."

"[to Peter] You think I'm a fool and a spoiled brat. Well, perhaps I am, although I don't see how I can be. People who are spoiled are accustomed to having their own way. I never have. On the contrary. I've always been told what to do, and how to do it, and when, and with whom. Would you believe it? This is the first time I've ever been alone with a man!...It's a wonder I'm not panic-stricken...Nurses, governesses, chaperones, even bodyguards. Oh, it's been a lot of fun."

"[to King Westley] I admit I'm licked. But it's only because I'm worried. If I don't find her soon, I'll go crazy...if she returns, I won't interfere with your marriage."

"[to Ellie, as she is walking down the aisle] That guy Warne is OK. He didn't want the reward. All he asked for was $39.60, what he spent on you. Said it was a matter of principle. You took him for a ride. He loves you Ellie. He told me so. You don't want to be married to a mug like Westley. I can buy him off for a pot of gold. And you can make an old man happy and you won't do so bad for yourself. If you change your mind, your car's waiting back at the gate."

"Detective: We're wasting our time. Can you imagine Ellie Andrews riding on a bus?"

"Shapeley: Shapeley's the name - and that's the way I like 'em!"

"Shapeley: [to Ellie] Well, shut my big nasty mouth! It looks like you're one up on me. You know, there's nothing I like better than to meet a high-class mama that can snap 'em back at ya. 'Cause the colder they are, the hotter they get. That's what I always say. Yes, sir, when a cold mama gets hot, boy, how she sizzles. Ha, ha, ha, ha. Now, you're just my type. Believe me, sister, I could go for you in a big way. 'Fun-on-the-side' Shapeley they call me, with accent on the fun, believe you me."

"Two great lovers of the screen in the grandest of romantic comedies !"

"Together for the first time!"

"Clark Gable - Peter Warne"

"Claudette Colbert - Ellie Andrews"

"Walter Connolly - Alexander Andrews"

"Roscoe Karns - Oscar Shapeley"

"Jameson Thomas - King Westley"

"Alan Hale - Danker"

"Arthur Hoyt - Zeke"

"Blanche Friderici - Zeke's wife"

"Charles C. Wilson - Joe Gordon"

"I am constantly surprised that women's hats do not provoke more murders."

"My Lord, may I also remind my learned friend that his witness, by her own admission, has already violated so many oaths that I am surprised the Testament did not LEAP FROM HER HAND when she was sworn here today! I doubt if anything is to be gained by questioning you any further! That will be all, Frau Helm!"

"[last lines; hands Sir Wilfrid his thermos bottle] Sir Wilfrid, you've forgotten your brandy!"

"Tyrone Power - Leonard Vole (final film role)"

"Marlene Dietrich - Christine Vole/Helm"

"Charles Laughton - Sir Wilfrid Robarts Q.C."

"Elsa Lanchester - Miss Plimsoll"

"John Williams - Mr. Brogan-Moore"

"Henry Daniell - Mayhew"

"Ian Wolfe - Carter"

"Torin Thatcher - Mr. Myers"

"Norma Varden - Mrs Emily Jane French"

"Una O'Connor - Janet McKenzie"

"Francis Compton - the Judge"

"Philip Tonge - Chief Inspector Hearne"

"Ruta Lee - Diana"

"[While blind and reduced to begging] Oh ye whom Allah gave the gift of sight, To fill your eyes with beauty and delight, Spare me a thought to whom your wondrous world is but a city of eternal night. Alms for the love of Allah."

"[to the Princess, who believes he is a spirit living in the palace pond] Very good dijinn are just as tiresome as very good men."

"Mortals are weak and frail. If their stomach speaks, they forget their brains. If their brain speaks, they forget their hearts. And if their hearts speak, hahahahaha, if their hearts speak, they forget everything!"

"[to Ahmad] Men are evil, hatred in their eyes, lies on their lips, betrayal in their hearts. You will learn one day, great king, that there are three things that men respect; the lash that descends, the yoke that breaks and the sword that slays. By the power and terror of these you may conquer the Earth."

"[to the Princess, after she attempts to flee to find Ahmad] Forget Ahmad; he's no longer blind. For a man with eyes, the world is full of women. Only I am cursed, that I can see only you."

"Three brave hearts, adventuring in a wonder world!"

"One thousand and one sights from the thousand of one nights...."

"THE WONDER of the Enchanted Princess. Whoever looks upon her beauty dies---but Ahmad dares to win her favor!"

"THE MOST ROMANTIC ROGUE OF ALL TIME!"

"Conrad Veidt - Jaffar"

"Sabu| - Abu"

"June Duprez - the Princess"

"John Justin - Ahmad"

"Rex Ingram - the Djinn"

"Miles Malleson - the Sultan of Basra"

"Morton Selten - the Old King"

"Mary Morris - Halima, Jaffar's agent, and the "Silver Maid""

"Bruce Winston - the Merchant"

"Hay Petrie - the Astrologer"

"Adelaide Hall - the Singer"

"Roy Emerton - the Jailor"

"Allan Jeayes - the Story Teller"

"[singing] The moment I saw him smile I knew he was just my style. My only regret is we've never met, Though I dream of him all the while."

"[singing] How can I ignore the Boy Next Door? I love him more than I can say. Doesn't try to please me, doesn't even tease me. And he never sees me glance his way. And though I'm heartsore, the Boy Next Door, Affection for me won't display. I just adore him, so I can't ignore him, The Boy Next Door."

"[to Mr. Smith] Well, Papa, if losing a case depresses you so, why don't you quit practicing law and go into another line of business?"

"[to Mr. Smith, after he hangs up on a caller] You've just ruined Rose's chance to get married, that's all...That was Warren Sheffield calling long-distance to propose."

"Well, I'll bet there isn't another girl in St. Louis who's had a Yale man call her long-distance just to inquire about her health."

"[singing] Clang, clang, clang went the trolley, Ding, ding, ding went the bell. Zing, zing, zing went my heartstrings, As we started for Huntingdon dell."

"[singing] I went to lose a jolly, hour on the trolley, and lost my heart instead With his light brown derby and his bright green tie He was quite the handsomest of men I started to yen, then I counted to ten, then I counted to ten again."

"John Truett. I've come here to ask you something...What do you mean hitting a five-year-old child?...The next time you want to hit somebody, pick on somebody your own size. If there's anything I hate, loathe, despise, and abominate, it's a bully."

"[after finding out that Tootie had lied about John Truett] You're the most deceitful, horrible, sinful creature I ever saw, and I don't ever want to have anything to do with you again."

"[to her Grandpa] You're the first human being I've danced with all evening. It's our last dance in St. Louis. I feel like I'm going to cry."

"New York is a wonderful town. Everybody dreams about going there. But we're luckier than lots of families because we're really going. Wait until you see the fine home we're going to have and the loads and loads of friends we'll make. Wonderful friends. But the main thing, Tootie, is that we're all going to be together just like we've always been. That's what really counts. We could be happy anywhere as long as we're together."

"My dear, when you get to be my age, you'll find out there are more important things in life than boys."

"[on having to live in an aprtment in New York] Rich people have houses. People like us live in flats, hundreds of flats in one building."

"[singing] I was drunk last night, dear Mother; I was drunk the night before. But if you forgive me Mother, I'll never get drunk anymore."

"[learning that the family must move to New York] It'll take me at least a week to dig up all my dolls in the cemetery."

"I'd rather be poor if we could only stay here. I'd rather go with the orphalins at the orphalins home."

"[to Esther] Did he [Santa Claus] come yet? I've been waiting such a long time. And I haven't seen a thing. How will he know how to find us next year? He's so used to coming here."

"[smashing her snowmen] Nobody's going to have them. Not everybody's going to New York. I'd rather kill them if we can't take them with us."

"Poor Margaretta!"

"[to Esther and Rose, who are singing "Meet Me in St. Louis"] For heaven's sakes, stop that screeching! That song. The fair won't open for seven months. That's all everybody sings about or talks about. I wish everybody would meet at the fair and leave me alone."

"Just when was I voted out of this family?"

"[to Mrs. Smith] Aren't you afraid to stay here alone with a criminal? That's what I'm being treated like."

"[to Rose] If I were you, I wouldn't commit myself one way or another...after all, we know very little about him. Why, we haven't even met his folks. Not a word of this to Papa. You know how he plagues the girls about their beaus."

"[singing] From my heart, a song of love, beseeching, Just for you, my longing arms are reaching, Time goes by, but we'll be together, You and I."

"[to Esther] You don't need any beauty sleep."

"[to Esther] You've got a mighty strong grip for a girl."

"Agnes Smith: Roses are red John's name is Truett Esther's in love And we always knew it."

"Grandpa: They'll all be safe with me. I've got twelve guns in my room."

"Katie: A lie's a lie, and dressed in white don't help it."

"A cast of favorites in the Charming ...Romantic ...Tuneful Love Story of the Early 1900s!"

"M·G·M's glorious love story with music."

"The "Trolley Song" Picture!"

"Judy Garland - Esther Smith"

"Margaret O'Brien - 'Tootie' Smith"

"Mary Astor - Mrs. Anna Smith"

"Lucille Bremer - Rose Smith"

"Leon Ames - Mr. Alonzo Smith"

"Tom Drake - John Truett"

"Marjorie Main - Katie (the maid)"

"Harry Davenport - Grandpa"

"June Lockhart - Lucille Ballard"

"Henry H. Daniels Jr. - Alonzo 'Lon' Smith Jr."

"Joan Carroll - Agnes Smith"

"Hugh Marlowe - Col. Darly"

"Robert Sully - Warren Sheffield"

"Chill Wills - Mr. Neely (the iceman)"

"[chances upon another pair of guards after fooling Richter and company with the hologram-bracelet] Ha ha ha, you think this is the real Quaid? [guards look behind them] It is! [Quaid shoots the guards]"

"[on video] Howdy, Quaid. If you're watching this, that means that Kuato is dead, and you led us to him. I knew that you wouldn't let me down. Sorry for all of the shit I've put you through, but hey, what are friends for? All I want to do is wish you happiness and good living, old buddy, but unfortunately, that's not gonna happen. You see, that's "my" body you have there, and I want it back. Sorry for being an Indian giver, but I was here first. So, adios, amigo! [the screen zooms out to reveal Cohaagen, who puts his hand on Hauser's shoulder] And thanks for not getting yourself killed. Hey, maybe now we will meet in our dreams. You never know. [they laugh and walk off-camera]"

"I felt the movie, in some way, should not take itself too seriously. In fact, ultimately, the casting of Arnold—he was already cast before I was there. So I had to take Arnold. I liked the script already, but Arnold was playing the main part. So, take it or leave it. I said I wanted to do it with Harrison Ford, like in "Blade Runner." But I might have made a mistake because "Blade Runner" is also very serious. And because Arnold was there, that changed everything. Arnold being there made it really necessary to flip it a little bit. And I think, in retrospect, it was a gift. Arnold was supposed to be an accountant in the original story and it was still in the script. And I'm like, "Arnold an accountant? That's ridiculous." So I proposed, "Let's have him do something physical." What are those things he's using?"

"They stole his mind. Now he wants it back. Get ready for the ride of your life."

"Your mind is the center of your life. It is everything you hear, everything you see, everything you feel... It is everything you ARE. You wouldn't know if you lost your mind... Would you know if someone STOLE it?"

"What if you discovered somebody stole your mind... and there was only one way to get it back?"

"In this world, they can steal your mind, erase your memory, and give you another identity. But the most dangerous thing that can happen to you is... TOTAL RECALL."

"He'll show you a side of Mars that no one on Earth has ever seen before... He should be so lucky."

"Arnold Schwarzenegger - Douglas Quaid/Carl Hauser"

"Sharon Stone - Lori Quaid"

"Rachel Ticotin - Melina"

"Ronny Cox - Vilos Cohaagen"

"Michael Ironside - Richter"

"Marshall Bell - George/Kuato"

"Mel Johnson Jr. - Benny"

"Michael Champion - Helm"

"Roy Brocksmith - Dr. Edgemar"

"Ray Baker - Bob McClane"

"Rosemary Dunsmore - Dr. Lull"

"David Knell - Ernie"

"Alexia Robinson - Tiffany"

"Dean Norris - Tony"

"Mark Carlton - Bartender"

"Marc Alaimo - Everett"

"Robert Costanzo - Harry"

"Pricilla Allen - The Fat Lady"

"Jullia Alonzo- Babu"

"You must be indulgent with Dr. Werdegast's weakness. He is the unfortunate victim of one of the commoner phobias, but in an extreme form. He has an intense and all-consuming horror of cats."

"Come, Vitus, are we men or are we children? Of what use are all these melodramatic gestures? You say your soul was killed and that you have been dead all these years. And what of me? Did we not both die here in Marmorus fifteen years ago? Are we any the less victims of the war than those whose bodies were torn asunder? Are we not both the living dead? And now you come to me, playing at being an avenging angel — childishly thirsty for my blood. We understand each other too well. We know too much of life. We shall play a little game, Vitus. A game of death, if you like. But under any circumstances, we shall have to wait until these people have gone, until we are alone."

"[to Karen] Oh, it's nothing. Only an accident in the road below. I want you to stay in this room all day tomorrow Karen. You are the very core and meaning of my life. No one shall take you from me. Not even Vitus, not even your father."

"Did you hear that, Vitus? The phone is dead. Even the phone is dead."

"After all, better to be frightened than to be crushed."

"[to Peter, about his stroking Joan's hair while she sleeps] I beg your indulgence my friend. Eighteen years ago, I left a girl so like your lovely wife to go to war...She was my wife. Have you ever heard of Kurgaal? It is a prison below Amsk...Many men have gone there. Few have returned. I have returned. After fifteen years, I have returned."

"It has been a long time Hjalmar. The years have been kind to you."

"[to Poelzig] You sold Marmorus to the Russians. You scurried away in the night and left us to die. Is it to be wondered that you should choose this place to build your house? A masterpiece of construction built upon the ruins of the masterpiece of destruction — a masterpiece of murder. [laughs hideously] The murderer of 10,000 men returns to the place of his crime. Those who died were fortunate. I was taken prisoner at Kurgaal. Kurgaal, where the soul is killed, slowly. Fifteen years I've rotted in the darkness. But not to kill you, but to kill your soul — slowly. Where is my wife, Karen, and my daughter?"

"[to Peter, about Poelzig's house] It is indeed hard to describe. It's hard to describe his life — or death. It may well be an atmosphere of death. This place was built upon the ruins of the same Ft. Marmorus that our unfortunate friend, the driver, described so vividly. Herr Poelzig commanded Marmorus during the last years of the war. He is perhaps sentimental about this spot."

"Superstitious, perhaps... Baloney, perhaps not. There are many things under the sun."

"[to Thamal] We must bide our time until others aren't involved. This place is so undermined with dynamite that the slightest mistake by one of us would cause the destruction of all. Until I tell you different, you are his servant, not mine."

"[to Poelzig] Do you know what I am going to do to you now? No? Did you ever see an animal skinned, Hjalmar? Ha, ha, ha. That's what I'm going to do to you now — fare the skin from your body...slowly...bit by bit!"

"[to Poelzig] How does it feel to hang on your own embalming rack, Hjalmar?"

"It's the red switch, isn't it Hjalmar? The red switch ignites the dynamite. (He activates one of the large switches.) Five minutes and Marmaros, you and I, and your rotten cult will be no more..."

"It has been a good game."

"Bus Driver: All of this country was one of the greatest battlefields of the war. Tens of thousands of men died here. The ravine down there was piled twelve deep with dead and wounded men. The little river below was swollen red, a raging torrent of blood. And that high hill yonder where Engineer Poelzig now lives, was the site of Fort Marmorus. He built his home on its very foundations. Marmorus, the greatest graveyard in the world."

"Peter Allison: [to Werdegast, about Poelzig] Well, I suppose we've got to have architects too. If I wanted to build a nice, cozy, unpretentious insane asylum, he'd be the man for it."

"Newspaper review: In Triple Murder, Mr. Alison's latest mystery thriller, he fulfills the promise shown...We feel, however, that Mr. Alison has, in a sense, overstepped the bounds of the matter of credibility. These things would never, but with a further stretch of the imagination, actually happen. We could wish that Mr. Alison would confine himself to the possible instead of letting his melodramatic imagination run away with him."

"Cum grano salis. Fortis cadere cedere non potest. Humanum est errare. Lupus pilum mutat, non mentem. Magna est veritas et praevalebit. Acta exteriora indicant interiora secreta. Aequam memento rebus in arduis servare mentem. Amissum quod nescitur non amittitur. Brutum fulmen. Cum grano salis. Fortis cadere cedere non potest. Fructu, non foliis arborem aestima. Insanus omnes furere credit ceteros. Quem paenitet peccasse paene est innocens."

"With a grain of salt. A brave man may fall but he cannot yield. To err is human. The wolf may change his skin but not his nature. Truth is mighty and will prevail. External actions show internal secrets. Remember when life's path is steep to keep your mind even. The loss that is not known is no loss at all. Heavy thunder. With a grain of salt. A brave man may fall but he cannot yield. By fruit, not by leaves, judge a tree. A madman believes all others mad. Who repents from sinning is almost innocent."

"Things you never saw before or even dreamed of!"

"Boris Karloff - Hjalmar Poelzig"

"Bela Lugosi - Dr. Vitus Werdegast"

"David Manners - Peter Alison"

"Julie Bishop - Joan Alison"

"Egon Brecher - The Majordomo"

"Harry Cording - Thamal, Werdegast's Servant"

"Lucille Lund - Karen Werdegast Poelzig"

"[about the professors' workroom] Say, who decorated this place? The mug that shot Lincoln?"

"Who is that guy who learned so much from watching an apple drop?"

"[about Potts] Yes, I love him. I love those hick shirts he wears with the boiled cuffs and the way he always has his vest buttoned wrong. Looks like a giraffe, and I love him. I love him because he's the kind of a guy that gets drunk on a glass of buttermilk, and I love the way he blushes right up over his ears. Love him because he doesn't know how to kiss, the jerk!"

"We're working under pressure. After nine years of effort, we are, as the race track enthusiast might say, in the home stretch. Three more years and our encyclopedia will be finished. Let's not bog down in the middle of the letter S."

"[to Sugarpuss] I shall regret the absence of your keen mind. Unfortunately, it is inseparable from an extremely disturbing body."

"Sugarpuss, uh, before you go, would you... would you, eh, yum me just once more?"

"You know, I was kinda counting on Sugarpuss to tell ya the score. Trouble is, she's all right givin' out with the twists and the wisecracks, but when it comes to leveling off she gets chicken."

"Miss Bragg: That is the kind of woman that makes whole civilizations topple!"

"Professor Gurkakoff: [discovering Sugarpuss gave back the wrong ring] The subconscious never makes a mistake. She gave you the ring she didn't want - his ring - and she kept the one she wanted - yours."

"Professor Magenbruch: Maybe my data on sex is a little outdated, too."

"I LOVE HIM because he doesn't know how to kiss -- THE JERK!"

"The New Year's red-hot comedy!"

"The riotous but tender comedy of a slang-hunter professor, baffled by the words, but a sucker for the wiles of a hot-spot Queen of Jive who used his study as a hide-out!"

"Riotous but tender comedy of a professor so anxious to learn the slang pf a hep-cat queen that she puts his heart in a sling!"

"[After the opening credits] Once upon a time—in 1941 to be exact—there lived in a great, tall forest—called New York--eight men who were writing an encyclopedia. They were so wise they knew everything. The depth of the oceans, and what makes a glowworm glow, and what tune Nero fiddled while Rome was burning. But there was one thing about which they knew very little--as you shall see..."

"Barbara Stanwyck — Catherine 'Sugarpuss' O'Shea"

"Gary Cooper — Professor Bertram Potts"

"Dana Andrews — Joe Lilac"

"Oskar Homolka — Professor Gurkakoff"

"Henry Travers — Professor Jerome"

"S.Z. Sakall — Professor Magenbruch"

"Tully Marshall — Professor Robinson"

"Leonid Kinskey — Professor Quintana"

"Richard Haydn — Professor Oddley"

"Aubrey Mather — Professor Peagram"

"Dan Duryea — Duke Pastrami"

"Ralph Peters — Asthma Anderson"

"Kathleen Howard — Miss Bragg"

"[After turning on the lights upon entering Room 1408] This is it?"

"Hotel rooms are a naturally creepy place."

"It does have the vague air of menace."

"Let's Encyclopedia Brown this bitch."

"It's not that what I'm seeing is not real. It just ain't as real as it seems."

"[speaking into his recorder as he goes out on the ledge, trying to escape the room] If something should happen, if I should slip and fall, I want it known it was an accident. The room did not win."

"I've lived the life of a selfish man. But I don't have to die that way."

"This may not all be real. I may not even be real. But this fire... That's gotta be real."

"[speaking nonchalantly to the ghoulish apparition in the vents as the room burns] Keep quiet, you bastard."

"We're here to do the job. And we don't rattle."

"[before throwing the ashtray through the window, thereby letting the room explode] The decor is in tatters... And the staff surly... But on the Shiver Scale, I award the Dolphin... ten skulls!"

"It's an evil fucking room."

"I warned you about 1408."

"Look, I'm not telling you not to stay in that room for your own good or for the profit of the hotel. Frankly, selfishly, I just don't want to clean up the mess."

"Why do you think people believe in ghosts? For fun? No. It’s the prospect of something after death. How many spirits have you broken?"

"Yeah. They're in Room 1408. The room's empty."

"Postcard: Don't enter 1408."

"Workman: I ain't going in this room."

"Radio: We've only just begun. [Song by The Carpenters played on the clock radio, whenever it comes on.]"

"Hotel operator: You can choose to relive this hour over and over, or you can take advantage of our express checkout system. (Camera pans out to reveal a noose hanging from the ceiling.)"

"Hotel operator: Five. This is five. Ignore the sirens. Even if you leave this room, you can never leave this room. (voice becomes low and sinister) Eight. This is eight. We have killed your friends. Every friend is now dead."

"Its as much a metaphysical mind bender as it is a horror film."

"Despite all of these recycled plot elements bobbing around, there's nothing stale about 1408, which is easily the best horror film of 2007."

"The Dolphin Hotel invites you to stay in any of it's stunning rooms. Except one."

"Don't enter Room 1408!"

"Based on the terrifying novel by Stephen King."

"Enter Room 1408.......If you dare."

"John Cusack - Mike Enslin"

"Samuel L. Jackson - Mr. Olin"

"Mary McCormack - Lily Enslin"

"So few people can boast that they've lost a flying saucer and a man from Mars -all in the same day! Wonder what they'd have done to Columbus if he'd discovered America, and then mislaid it."

"An intellectual carrot - the mind boggles!"

"Dr. Carrington, you're a man who won the Nobel Prize. You've received every kind of international kudos a scientist can attain. If you were for sale I could get a million bucks for you from any foreign government. I'm not, therefore, gonna stick my neck out and say you're stuffed absolutely clean full of wild blueberry muffins, but I promise my readers are gonna think so."

"There are no enemies in science, only phenomena to be studied."

"We owe it to the brain of our species to stand here and die... without destroying a source of wisdom."

"No pleasure, no pain... no emotion, no heart. Our superior in every way."

"WHAT IS IT?"

"Look Out...It's"

"Howard Hawks' Astounding Movie"

"Natural or Supernatural?"

"Where Did It Come From? How Did It Get Here? WHAT IS IT?"

"Kenneth Tobey — Capt. Patrick Hendry"

"Margaret Sheridan — Nikki Nicholson"

"Robert O. Cornthwaite — Dr. Arthur Carrington"

"Douglas Spencer — Ned "Scotty" Scott"

"James Young - Lt. Eddie Dykes"

"Dewey Martin - Crew Chief Bob"

"Robert Nichols - Lt. Ken 'Mac' MacPherson"

"William Self - Corporal Barnes"

"Eduard Franz - Dr. Stern"

"Sally Creighton - Mrs. Chapman"

"James Arness - 'The Thing'"

"Paul Frees - Dr. Voorhees"

"John Dierkes - Dr. Chapman"

"George Fenneman - Dr. Redding"

"David McMahon - General Fogerty"

"She's got two legs and a nose, she's not a goat."

"Why are you here? You don't belong here."

"He's dead and she's gone, little girl. And we're all that's left. We're all that's left."

"I don't want to see. Even if I could."

"I'll sew my footprints into his coat, and he'll follow me forever."

"Katla: [to Jónas] She must have loved you very much to give you something so fine that you can't show it."

"Jónas: You're a witch, you're a dirty witch."

"Title card:"

"Björk - Margit"

"Bryndis Petra Bragadóttir - Katla"

"Valdimar Örn Flygenring - Jóhann"

"Guðrún Gísladóttir - Mother"

"Geirlaug Sunna Þormar - Jónas"

"It was a gift for your President… with it, he could have studied life on other planets."

"I am fearful when I see people substituting fear for reason."

"I am leaving soon, and you will forgive me if I speak bluntly. The universe grows smaller every day, and the threat of aggression by any group, anywhere, can no longer be tolerated. There must be security for all or no one is secure. Now, this does not mean giving up any freedom except the freedom to act irresponsibly. Your ancestors knew this when they made laws to govern themselves and hired policemen to enforce them. We of the other planets have long accepted this principle. We have an organization for the mutual protection of all planets and for the complete elimination of aggression. The test of any such higher authority is, of course, the police force that supports it. For our policemen, we created a race of robots. Their function is to patrol the planets—in space ships like this one—and preserve the peace. In matters of aggression, we have given them absolute power over us; this power can not be revoked. At the first sign of violence, they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is that we live in peace, without arms or armies, secure in the knowledge that we are free from aggression and war—free to pursue more profitable enterprises. Now, we do not pretend to have achieved perfection, but we do have a system, and it works. I came here to give you these facts. It is no concern of ours how you run your own planet. But if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: Join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer; the decision rests with you."

"Gort! Klaatu barada nikto!"

"Klaatu: You have faith, Professor Barnhardt?"

"I think that Tammy, her monologue is completely optimistic, totally [looking] to a better place—the cosmos—and she has learned so much from this experience. And I think that Urp, in his farewell speech to these pathetic lifeforms, gives a real strong hint that there are darker days ahead. It's a pretty good indication of where things were."

"From Out Of Space... A Warning And An Ultimatum!"

"A robot and a man . . . hold the world spellbound with new and startling powers from another planet!"

"The screen has never conceived a creature like this!"

"Strange Power From Another Planet Menaces The Earth!"

"What is this invader from another planet... Can it destroy the Earth?"

"Michael Rennie - Klaatu"

"Patricia Neal - Helen Benson"

"Hugh Marlowe - Tom Stevens"

"Sam Jaffe - Prof. Jacob Barnhardt"

"Billy Gray - Bobby Benson"

"Frances Bavier - Mrs. Barley"

"Lock Martin - Gort"

"When I say that all woman are dazzling beauties, they object. This one's nose is too large... the hips of another are too wide, perhaps the breast of a third, they are too small. But I see these women for how they truly are: Glorious... radiant, spectacular and perfect because I am not limited by my eyesight. Women react on me the way that they do Don Octavio because they sense that I search out the beauty that dwells within them until it overwhelms everything else. And then they cannot avoid their desire: to release that beauty and envelop me in it."

"Every woman is a mystery waiting to be solved, but a woman hides nothing from a true lover. Her skin color can tell us how to proceed. A hue like the blush of a rose, pink and pale, and she must be coaxed to open her petals with a warmth like the sun. The pale and dappled skin of a redhead calls for the lust of a wave crashing to the shore so we may stir up what lies beneath her and bring up the foamy delight of love to the surface. Although there is no metaphor that truly describes making love to a woman, the closest is playing a rare musical instrument. I wonder...does a Stradivarius violin feel the same rapture as the violinist when he coaxes a single perfect note from its heart?"

"There are only four questions of value in life, Don Octavio: What is sacred? Of what is the spirit made? What is worth living for? And what is worth dying for? The answer to each is the same. Only love."

"I just feel as though we've surrendered our lives to the momentum of mediocrity."

"I want to know what your dreams and your hopes are that got lost along the way while I was thinking about myself."

"My name is Benjamin Button, and I was born under unusual circumstances. While everyone else was aging, I was gettin' younger... all alone."

"It's funny how sometimes the people we remember the least make the greatest impression on us"

"Along the way you bump into people who make a dent on your life."

"It's a funny thing about comin' home. Looks the same, smells the same, feels the same. You'll realize what's changed is you."

"Our lives are defined by opportunities, even the ones we miss."

"Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it."

"If only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is — a series of intersecting lives and incidents, out of anyone's control — that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed."

"I think, right there and then, she realized none of us is perfect forever."

"For what it's worth: it's never too late or, in my case, too early to be whoever you want to be. There's no time limit, start whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people who have a different point of view. I hope you live a life you're proud of, and if you find that you're not, I hope you have the strength to start all over again."

"Some people were born to sit by a river. Some get struck by lightning. Some have an ear for music. Some are artists. Some swim. Some know buttons. Some know Shakespeare. Some are mothers. And some people — dance."

"I promise you, I'll never lose myself to self-pity again."

"Everyone ends up in diapers at some point, sweetie."

"And in the spring, 2003, he looked at me. And I knew — that he knew — who I was. And then he closed his eyes, as if to go to sleep."

"I know the circumstances and I've accepted that. Loving you is worth all of it."

"Poor child, he got the worst of it. Come out white."

"You never know what's comin' for ya."

"Everybody feels different about themselves, one way or another. But we’re all going the same way. Just taking different roads to get there, that’s all.”"

"I wish I'd known him."

"Did you know that I was struck by lightning seven times?"

"Did I ever tell you I was struck by lightning seven times? Once when I was in the field, just tending to my cows:"

"Did I ever tell you I been struck by lightning seven times? Once when I was just sittin' in my truck just minding my own business."

"Did I ever tell you I been struck by lightning seven times? Once when I was repairing a leak on the roof. Once I was just crossing the road to get the mail. Once, I was walking my dog down the road."

"Did i ever tell you i got struck by lightning seven times? once when i was just sitting on the toilet!"

"Blinded in one eye; can't hardly hear. I get twitches and shakes out of nowhere; always losing my line of thought. But you know what? God keeps reminding me I'm lucky to be alive."

"Storm's comin'."

"Benjamin, we're meant to lose the people we love. How else would we know how important they are to us?"

"You can be as mad as a mad dog at the way things went. You could swear, curse the fates, but when it comes to the end, you have to let go."

"Life can only be understood backward. It must be lived forward."

"Life isn't measured in minutes, but in moments."

"Time is passing, even backwards."

"Brad Pitt — Benjamin Button"

"Cate Blanchett — Daisy Fuller"

"Taraji P. Henson — Queenie"

"Mahershala Ali — Tizzy Weathers"

"Julia Ormond — Caroline Button"

"Jason Flemyng — Thomas Button"

"Elias Koteas — Monsieur Gateau"

"Tilda Swinton — Elizabeth Abbott"

"[after kicking a car down a cliff] He had no head for heights."

"[while buying flowers after killing a motorcycle rider] Just send them to the funeral, would you?"

"[To General Gogol, after throwing the ATAC console off a cliff rather than give it to him] That's détente, comrade. You don't have it, I don't have it!"

"No one comes close to James Bond 007"

"Bond Has Everything - James Bond Agent 007 Is Back"

"Bond for the ladies in For Your Eyes Only"

"Bond for action in For Your Eyes Only"

"Bond for thrills in For Your Eyes Only"

"Roger Moore - James Bond"

"Carole Bouquet - Melina Havelock"

"Chaim Topol - Milos Columbo"

"Lynn-Holly Johnson - Bibi Dahl"

"Julian Glover - Aristotle Kristatos"

"Cassandra Harris - Countess Lisl von Schlaf"

"John Wyman - Erich Kriegler"

"Lois Maxwell - Miss Moneypenny"

"Desmond Llewelyn - Q"

"James Villiers - Bill Tanner"

"Geoffrey Keen - Sir Frederick Gray"

"Walter Gotell - General Anatol Gogol"

"Englishman. Likes eggs, preferably Faberge, and dice, preferably loaded."

"Mr. Bond is indeed of a very rare breed... soon to be made extinct."

"Nobody does it better...thirteen times."

"James Bond's all time action high."

"Nobody does him better."

"Roger Moore - James Bond"

"Maud Adams - Octopussy"

"Louis Jourdan - Kamal Khan"

"Kristina Wayborn - Magda"

"Kabir Bedi - Gobinda"

"Steven Berkoff - General Orlov"

"Desmond Llewelyn - Q"

"Robert Brown - M"

"Lois Maxwell - Miss Moneypenny"

"Michaela Clavell - Penelope Smallbone"

"Walter Gotell - General Anatol Gogol"

"You got a choice, Dishwasher. Either you get out of town, or tonight you be out on that street alone. You be there, and don't make us come and get you."

"You talk too much, think too much. Besides, YOU didn't kill Liberty Valance."

"Liberty Valance's the toughest man south of the Picketwire - next to me."

"Whoa, take'er easy there, Pilgrim."

"I know those law books mean a lot to you, but not out here. Out here a man settles his own problems."

"Pompey, go find Doc Willoughby. If he's sober, bring him back."

"It ain’t mannerly, out West, let a fella drink by himself."

"Well, Pompey, looks like we got ourselves a ladies man!"

"I'd be a poor newspaperman indeed if I didn't know what everybody else knows!"

"A beer’s not drinking."

"The unsteady hand betrays."

"Liberty Valance defeated. D-E-F-E-E... T-E-D? The unsteady hand betrays. What's the matter, Mr. Peabody? Are you afraid? The answer is indub... yes. [Finding his liquor jug empty] No courage left. Well, courage can be purchased at yon tavern. But have we credit? That is the question. Have we credit? Well, credit is cheap. Wait for me, old servant of the public weal. Our shining hour is yet to come. As for you, Horace Greeley, go west, old man, and grow young with the country."

"The jail's only got one cell, and the lock's broke and I sleep in it."

"Jason Tully: Nothing's too good for the man who shot Liberty Valance."

"Maj. Cassius Starbuckle: What kind of lawyer is he? He takes the law into his own hands. He has blood on his hands. The mark of Cain is on this man."

"John Wayne - Tom Doniphon"

"James Stewart - Ransom "Ranse" Stoddard"

"Vera Miles - Hallie Stoddard"

"Lee Marvin - Liberty Valance"

"Edmond O'Brien - Dutton Peabody"

"Andy Devine - Marshal Link Appleyard"

"Ken Murray - s Doc Willoughby"

"John Carradine - Maj. Cassius Starbuckle"

"Jeanette Nolan - Nora Ericson"

"John Qualen - Peter Ericson"

"Willis Bouchey - Jason Tully - Conductor"

"Carleton Young - Maxwell Scott"

"Woody Strode - Pompey"

"Denver Pyle - Amos Carruthers"

"Strother Martin - Floyd"

"Lee Van Cleef - Reese"

"Robert F. Simon - Handy Strong"

"O. Z. Whitehead - Herbert Carruthers"

"Paul Birch - Mayor Winder"

"Joseph Hoover - Charlie Hasbrouck - Reporter for 'The Star'"

"As I've gotten older, I realize I'm certain of only two things. Days that begin with rowing on a lake are better than days that do not. Second, a man's character is his fate. And as a student of history, I find this hard to refute. For most of us our stories can be written long before we die. There are exceptions among the great men of history, but they are rare, and I am not one of them. I am a teacher - simply that. I taught for 34 years. One day I stopped teaching. Those were the facts of my life's chronicle. The last chapter had been written. My book was closed."

"According to Heraclitus, we cannot step into the same river twice. To put it another way, an opportunity lost stays lost forever. While I agree with the spirit of that saying, I have found that the world does allow for some second chances. When Elizabeth's marriage had ended and she returned from England, the waters were still as swimmingly lovely as when we first met. But if time made concessions for love, it made none for death. And when the school's beloved headmaster, Terrence Woodbridge, passed away, I found a sense of profound sorrow. Although the Sedgewick Bell affair tested our friendship, he had been, for a half a century, the academic and moral compass of our school. A role, that was now mine to fulfill."

"The worth of a life is not determined by a single failure or a solitary success."

"However much we stumble, it is a teacher's burden always to hope, that with learning, a boy's character might be changed. And, so, the destiny of a man."

"Great ambition and conquest without contribution is without significance. What will your contribution be? How will history remember you?"

"I'm a teacher, Sedgewick. And I failed you - as a teacher. But I will give you one last lecture, if I may. All of us, at some point, are forced to look at ourselves in the mirror, and see who we really are. And when that day comes for you, Sedgewick, you will be confronted with a life lived without virtue, without principle. And for that I pity you. End of lesson."

"Older Deepak Mehta: A great teacher has little external history to record. His life goes over into other lives. These men are pillars in the intimate structure of our schools. They are more essential than its stones or beams, and they will continue to be a kindling force and a revealing power in our lives."

"Kevin Kline - William Hundert"

"Emile Hirsch - Sedgewick Bell"

"Embeth Davidtz - Elizabeth"

"Rob Morrow - James Ellerby"

"Edward Herrmann - Headmaster Woodbridge"

"Harris Yulin - Senator Hiram Bell"

"Paul Dano - Martin Blythe"

"Jesse Eisenberg - Louis Masoudi"

"Rishi Mehta - Deepak Mehta"

"Caitlin O'Heaney - Mrs. Woodbridge"

":Peachy: Blast! [Carnehan realizes he has just pick-pocketed a fellow Freemason's watch]"

"Conductor: All Aboard!"

"Indian passenger:Mr Clutterbury Das...failed entrance examination..Calcutta University, 1863..Writer of correspondence...for the illiterate genera Public"

":Peachy: SHUt UP"

"Indian:Thank you Sir"

"Indian:Thank you Sir {Peachy throws Das out of the door)"

":Peachy: Serves Him right if I did..we're not making five miles an hour"

":Peachy: I have an educated taste in whiskey, women, waistcoats and bills of fare. But I've had few chances..."

"LASt time Danny and me came through the Khyber Pass,we faught our way...yard by bloody yeard...and general Bobbs called us heroes afterwards..But that was years ago..Times have changed....Blast!Look Who's on scntry!"

"Dravit: Mulvaney...that loudmouthed Mick from the Black Tyrone! Private Mulvaney!Come to attention when I am addressing You! Slope arms!Preent!March!Mark time!At the double!"

"Officer"Coproral of the guard! take three menr and put private Mulvaney under arrest!Bloody man's Drunk again!"

"Danny's only a man. But he can break wind at both ends simultaneous — which is more, I reckon, than any god can do."

"They've twigged it Danny, you've had it!"

"We've got to brass it out, Danny. Danny brass it out! Bags of swank!"

"What's this? God's holy trousers!Tickets again?"

"He's gone south for the week. Did he say I'd give anything for this? I won't."

"- Then why did you do it?"

"He said south, did he?"

"Then that'll be Degumber. Since you're Peachy's pal, I'll tell you. We're gonna put the screw on the rajah for what he did to his mother-in-law."

"kIPLING:You mean you intend to blackmail him?You wouldn't get out alive! If they don't cut your throat, they'll poison you."

"Both's been tried. Peachy and me don't kill easy!"

"By telling him we're correspondents for The Northern Star."

"let me introduce you to Brother Peacy Carnehan, which is him and Brother Daniel Dravot which is I. The less said about our jobs, the better, We've been most things We.ve been all over India, We know her cities, jungles. Jails and passes. We have decided she isnt beig enough for us..The commissioner said that. We're going to another place...where a man isn;t crowded..and can come into his own. We're not little men, so we're going to be kings...Oh ,Kafisistan we hear they have two and 30 idols there,,So we'll be the 33d and the 34th..Its a place of warring tribes..meaning a landof oppurnity...In any place where they fight, a man who knows how to drill men can always be a King. We shall go to those parts and say to any King we find — "D'you want to vanquish your foes?' and we will show him how to drill men; for that we know better than anything else. Then we will subvert that King and seize his Throne and establish a Dynasty."

"That's the last of them Peachy, no more gourds to burn."

"The more tribes, the more they'll fight, and the better for us."

"[Wistfully observing dancing women] Boil'em once or twice in hot water and they'll come out like chicken and ham! You wouldn't know them from the Gaietey Chorus!"

"[Lecturing his Er-Heb recruits while Billy Fish translates:] Now listen to me, you benighted muckers! We're going to teach you soldiering, The world's noblest profession! When we're done with you, you'll be able to stand up and slaughter your foes like civilized men! But first, you will have to learn to march in step. And do the manual of arms without even having to think! Good soldiers don't think, they just obey! Do you suppose that if a man thought twice, he'd give his life for Queen and Country? Not bloody likely! He wouldn't go near the battlefield! One look at your foolish faces tells me that you're going to be crack troops. Ohhh him there with the five-and-a-half hat size has the makings of a bloody hero!"

"Michael Caine — Peachy Carnehan"

"Sean Connery — Daniel Dravot"

"Saeed Jaffrey — Billy Fish"

"Jack May — District Commisioner"

"Christopher Plummer — Rudyard Kipling"

"Shakira Caine — Roxanne"

"[after shaking hands with attorney Cedar] Even his hands are oily."

"What puzzles me is why people seem to get so much pleasure out of, out of hurting each other? Why don't they try liking each other once in a while?"

"People here are funny. They work so hard at living they forget how to live. Last night, after I left you, I was walking along and - and lookin' at the tall buildings, and I got to thinking about what Thoreau said. 'They created a lot of grand palaces here, but they forgot to create the noblemen to put in them.' I'd rather have Mandrake Falls."

"When the servant comes in, Mr. Hallor, I'm going to ask him to show you to the door. Many people don't know where it is."

"From what I can see, no matter what system of government we have, there will always be leaders and always be followers. It's like the road out in front of my house. It's on a steep hill. Every day I watch the cars climbing up. Some go lickety-split up that hill on high, some have to shift into second, and some sputter and shake and slip back to the bottom again. Same cars, same gasoline, yet some make it and some don't. And I say the fellas who can make the hill on high should stop once in a while and help those who can't. That's all I'm trying to do with this money. Help the fellas who can't make the hill on high. It's like I'm out in a big boat, and I see one fellow in a rowboat who's tired of rowing and wants a free ride, and another fellow who's drowning. Who would you expect me to rescue? Mr. Cedar - who's just tired of rowing and wants a free ride? Or those men out there who are drowning? Any ten year old child will give you the answer to that."

"[to Babe] You're wasting your time. He doesn't want any lawyers. He's sunk so low he doesn't want help from anybody. You can take a bow for that. As swell a guy as ever hit this town, and you crucified him for a couple of stinking headlines. You've done your bit. Stay out of his way."

"Mr. Deeds, there has been a great deal of damaging testimony against you. Your behavior, to say the least, has been most strange. But in the opinion of the court, you are not only sane, but you're the sanest man that ever walked into this courtroom!"

"Gary Cooper - Longfellow Deeds"

"Jean Arthur - Louise "Babe" Bennett/ Mary Dawson"

"George Bancroft - MacWade"

"Lionel Stander - Cornelius Cobb"

"Douglass Dumbrille - John Cedar"

"Raymond Walburn - Walter"

"H.B. Warner - Judge May"

"Ruth Donnelly - Mabel Dawson"

"Walter Catlett - Morrow"

"John Wray - Farmer"

"I'm not all gone, Grant. Just, going. There are things I wish would go away. But won't. You know. Things we don't talk about. You never left me. You still made love to me, despite disturbing demands elsewhere. But all those sandals, Grant. All those bare female toes. What could you do but be a part of the time you were a part of? All those pretty girls. Didn't seem like anyone was willing to be left out. I think you did all right, compared to some of your colleagues. Those who left their wives and the women who wouldn't put up with it. I think people are too demanding. People want to be in love every single day. What a liability. And then that silly girl. That silly girl Veronica. Girls that age are always going around saying they're going to kill themselves. But that was that. Promised me a new life. We moved out here, that is exactly what you gave me. How long ago was that?...I'm going, but I'm not gone yet."

"I think all we can aspire to in this situation is a little bit of grace."

"I'd like to make love, and then I'd like you to go. Because I need to stay here and if you make it hard for me, I may cry so hard I'll never stop."

"I think I may be beginning to disappear."

"It's never too late to become what you might have been."

"The ultimate love story."

"Sometimes you have to let go of what you can't live without."

"Julie Christie - Fiona Anderson"

"Gordon Pinsent - Grant Anderson"

"Michael Murphy - Aubrey"

"Olympia Dukakis - Marian"

"Stacey LaBerge - Young Fiona"

"Deanna Dezmari - Veronica"

"Clare Coulter - Phoebe Hart"

"Thomas Hauff - William Hart"

"Alberta Watson - Dr. Fischer"

"Grace Lynn Kung - Nurse Betty"

"Lili Francks - Theresa"

"Kristen Thomson - Kristy"

"[narrating]My father looked at me for a long time, just looked at me and this was the last he and I ever said to me about Paul's death. Indirectly though, he was present in many of our conversations. Once for instance, my father asked me a series of questions that suddenly made me wonder if I understood even my father, whom I felt closer to than any man I have ever known, "you like to tell true stories" he asked and I answered, "Yes, I like to tell stories that are true." Then he asked, "after you have finished your true stories sometime, why don't you make up a story and the people to go with it, only then will you understand what happened and why. It is those we live with and love and should know who elude us.""

"In my family, there was no clear line between religion and fly fishing. We lived at the junction of great trout rivers in Missoula, Montana where Indians still appeared out of the wilderness to walk the honky tonks and brothels of Front Street."

"[narrating] My father was very sure about certain matters pertaining to the universe. To him, all good things - trout as well as eternal salvation - came by grace; and grace comes by art; and art does not come easy."

"The Burns family ran a general store in a one store town and still managed to do badly. They were Methodist, a denomination my father always referred to as Baptists who could read."

"[narrating] In our family, there was no clear line between religion and fly fishing."

"[narrating] As time passed, my father struggled for more to hold on to, asking me again and again: had I told him everything. And finally I said to him, "maybe all I really know about Paul is that he was a fine fisherman." "You know more than that," my father said; "he was beautiful." And that was the last time we ever spoke of my brother's death."

"The world is full of bastards, the number increasing rapidly the further one gets from Missoula, Montana."

"[narrating] That was the only time we fought. Perhaps we wondered after which one of us was tougher. But if boyhood questions aren't answered before a certain point, they can't be raised again. So we returned to being gracious to one another, as the church well suggested."

"[narrating] Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters."

"Each one of us here today will at one time in our lives look upon a loved one who is in need and ask the same question: We are willing to help, Lord, but what, if anything, is needed? For it is true we can seldom help those closest to us. Either we don't know what part of ourselves to give or, more often than not, the part we have to give is not wanted. And so it is those we live with and should know who elude us. But we can still love them - we can love completely without complete understanding."

"Craig Sheffer - Norman Maclean"

"Brad Pitt - Paul Maclean"

"Tom Skerritt - Reverend Maclean"

"Brenda Blethyn - Mrs. Maclean"

"Emily Lloyd - Jessie Burns"

"Edie McClurg - Mrs. Burns"

"Joseph Gordon-Levitt - Young Norman"

"Susan Traylor - Rawhide"

"I like to watch."

"This is just like television, only you can see much further."

"That was a very small room."

"[while watching Chance on television] It's for sure a white man's world in America. Look here: I raised that boy since he was the size of a piss-ant. And I'll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th' ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you've gotta be is white in America, to get whatever you want. Gobbledy-gook!"

"Life is a state of mind."

"There's an exhilaration in seeing artists at the very top of their form: It almost doesn't matter what the form is, if they're pushing their limits and going for broke and it's working. We can sense their joy of achievement — and even more so if the project in question is a risky, off-the-wall idea that could just as easily have ended disastrously. Hal Ashby's Being There is a movie that inspires those feelings. It begins with a cockamamie notion, it's basically one joke told for two hours, and it requires Peter Sellers to maintain an excruciatingly narrow tone of behavior in a role that has him onscreen almost constantly. It's a movie based on an idea, and all the conventional wisdom agrees that emotions, not ideas, are the best to make movies from. But Being There pulls off its long shot and is a confoundingly provocative movie."

"What is Being There about? I've read reviews calling it an indictment of television. But that doesn't fit; Sellers wasn't warped by television, he was retarded to begin with, and has TV to thank for what abilities he has to move in society. Is it an indictment of society, for being so dumb as to accept the Sellers character as a great philosophical sage? Maybe, but that's not so fascinating either. I'm not really inclined to plumb this movie for its message, although I'm sure that'll be a favorite audience sport. I just admire it for having the guts to take this weird conceit and push it to its ultimate comic conclusion."

"The movie presents us with an image, and while you may discuss the meaning of the image, it is not permitted to devise explanations for it."

"Getting there is half the fun; being there is all of it!"

"A story of chance."

"Peter Sellers - Chance the Gardener, a.k.a. Chauncey Gardiner"

"Shirley MacLaine - Eve Rand"

"Melvyn Douglas - Ben Rand"

"Jack Warden - The President"

"Richard A. Dysart - Dr. Robert Allenby"

"Richard Basehart - US Soviet Ambassador"

"David Clennon - Thomas Franklin"

"Fran Brill - Sally Hayes"

"Ruth Attaway - Louise"

"Denise DuBarry - Johanna"

"Sam Weisman - Colson"

"Alice Hirson - the First Lady"

"Arthur Rosenberg - Morton Hull"

"Jerome Hellman - Gary Burns"

"James Noble - Kaufman"

"John Harkins - Courtney"

"Elya Baskin - Karpatov"

"Richard McKenzie - Ron Steigler"

"Oteil Burbridge - Lolo"

"I don't know anything about medicine, doctor, but that's one prescription that never cured anything."

"The world is so good but the people use to say that the world is not a good place to live in."

"There are eight million stories in the Naked City; this has been one of them."

"Thought you were off the liquor. Liquor is bad. Weakens your character. How can a man like me trust a liar like you? I can't."

"The Most Exciting Story of the World's Most Exciting City!"

"The Soul of a City - HER GLORY STRIPPED! HER PASSIONS BARED!"

"RAW LIFE! REAL LIFE! RECKLESS LIFE!"

"Barry Fitzgerald - Det. Lt. Dan Muldoon"

"Howard Duff - Frank Niles"

"Dorothy Hart - Ruth Morrison"

"Don Taylor - Det. Jimmy Halloran"

"Frank Conroy - Capt. Donahue"

"Ted de Corsia - Willie Garzah aka Willie the Harmonica"

"House Jameson - Dr. Stoneman"

"Anne Sargent - Mrs. Halloran"

"Adelaide Klein - Mrs. Paula Batory"

"Grover Burgess - Mr. Batory"

"Tom Pedi - Det. Perelli"

"Enid Markey - Mrs. Edgar Hylton"

"Mark Hellinger - Narrator (voice)"

"Well, there are some things a man just can't run away from."

"Well, I guess you can't break out of prison and into society in the same week."

"I can't get over the impertinence of that young lieutenant. I'll make it warm for that shave-tail! I'll report him to Washington. We pay taxes to the government and what do we get? Not even protection from the Army! I don't know what the government is coming to. Instead of protecting businessmen, it pokes its nose into business. Hmm. Why, they're even talking now about having bank examiners. As if we bankers don't know how to run our own banks. Why Boone, I actually have a letter from a popinjay official saying they were going to inspect my books. I have a slogan that should be emblazoned on every newspaper in the country. 'America for Americans.' The government must not interfere with business! Reduce taxes! Our national debt is something shocking! Over one billion dollars a year! What this country needs is a businessman for President."

"A Powerful Story of 9 Strange People!"

"Danger holds the reins as the devil cracks the whip! Desperate men! Frontier women! Rising above their pasts in a West corrupted by violence and gun-fire!"

"Thrills! Thrills! Thrills! See - The Apache Attack! Charge of the Cavalry! Fight to the Death On the Last Frontier of Wickedness!"

"Claire Trevor - Dallas"

"John Wayne - The Ringo Kid"

"Andy Devine - Buck"

"John Carradine - Hatfield"

"Thomas Mitchell - Doc Boone"

"Louise Platt - Lucy Mallory"

"George Bancroft - Marshal Curly Wilcox"

"Donald Meek - Samuel Peacock"

"Berton Churchill - Henry Gatewood"

"Tim Holt - Lieutenant Blanchard"

"Tom Tyler - Luke Plummer"

"One day when I'm old, I want some lovely young girl to say to me, "Tell me, where in your long life, Mr. Caster, were you most happy?" And I shall say, 'Well, my dear, I never knew the exact place. It was somewhere on the Mediterranean. I was with Victoria Page." "What?" she will say. "Do you mean the famous dancer?" I will nod. "Yes, my dear, I do. Then she was quite young, comparatively unspoiled. We were, I remember, very much in love.""

"Don't forget, a great impression of simplicity can only be achieved by great agony of body and spirit."

"You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never."

"[to Julian] It is worth remembering, that it is much more disheartening to have to steal than to be stolen from, hmmm?"

"[to Vicky] Sorrow will pass, believe me. Life is so unimportant. And from now onwards, you will dance like nobody ever before."

"Miss Page is unable to dance tonight, nor indeed any other night."

"Between her art ... and her dreams ... was her heart."

"Dance she did, and dance she must - between her two loves."

"A Dancing, Singing, Swinging Love Tale"

"Moira Shearer - Vicky Page"

"Marius Goring - Julian Craster"

"Anton Walbrook - Boris Lermontov"

"Léonide Massine - Grischa Ljubov"

"Robert Helpmann - Ivan Boleslawsky"

"Albert Bassermann - Sergei Ratov"

"Ludmilla Tchérina - Irina Boronskaja"

"Esmond Knight - Livingstone 'Livy' Montagne"

"I think it's lovely having flowers named after you."

"But in war, time is so precious to the young people."

"I know how comfortable it is to curl up with a nice, fat book full of big words and think you're going to solve all the problems in the universe. But you're not, you know. A bit of action is required every now and then."

"What goes to make a rose, ma'am, is breeding... and budding... and horse-manure, if you'll pardon the expression...And that's where you come in, ma'am."

"She was a good cook, as good cooks go. And as good cooks go, she went."

"I'm sorry to disturb the harmony of this occasion, but our enemies are no respecters of flower shows."

"This is the People's War. It is our war. We are the fighters. Fight it then. Fight it with all that is in us and may God defend the Right."

"We, in this quiet corner of England, have suffered the loss of friends very dear to us - some close to this church: George West, choir boy; James Bellard, station master and bell ringer and a proud winner, only one hour before his death, of the Belding Cup for his beautiful Miniver rose; and our hearts go out in sympathy to the two families who share the cruel loss of a young girl who was married at this altar only two weeks ago. The homes of many of us have been destroyed, and the lives of young and old have been taken. There is scarcely a household that hasn't been struck to the heart. And why? Surely you must have asked yourself this question. Why in all conscience should these be the ones to suffer? Children, old people, a young girl at the height of her loveliness. Why these? Are these our soldiers? Are these our fighters? Why should they be sacrificed? I shall tell you why. Because this is not only a war of soldiers in uniform. It is a war of the people, of all the people, and it must be fought not only on the battlefield, but in the cities and in the villages, in the factories and on the farms, in the home, and in the heart of every man, woman, and child who loves freedom! Well, we have buried our dead, but we shall not forget them. Instead they will inspire us with an unbreakable determination to free ourselves and those who come after us from the tyranny and terror that threaten to strike us down. This is the people's war! It is our war! We are the fighters! Fight it then! Fight it with all that is in us, and may God defend the right."

"In Her Arms...He Felt A Quiet Peace No Terror Could Disturb."

""Mrs. Miniver" is more than a picture—It's dramatic. It's tender. It's human. It's real."

"Greer Garson - Mrs. Kay Miniver"

"Walter Pidgeon - Clem Miniver"

"Teresa Wright - Carol Beldon"

"Dame May Whitty - Lady Beldon"

"Reginald Owen - Foley"

"Henry Travers - James Ballard"

"Richard Ney - Vin Miniver"

"Henry Wilcoxon - Vicar"

"I can do this all day. [First says after being repeatedly knocked down by a bully]"

"General Patton has said that wars are fought with weapons, but they are won by men. We are going to win this war because we have the best men. And because they are gonna get better. Much better. The Strategic Scientific Reserve is an Allied effort made up of the best minds in the free world. Our goal is to create the best army in history. But every army starts with one man. At the end of this week, we will choose that man. He will be the first in a new breed of super-soldier. And they will personally escort Adolf Hitler to the gates of Hell."

"[standing before his army] Tomorrow, HYDRA will stand master of the world, borne to victory on the wings of the Valkyrie. Our enemies' weapons will be powerless against us. If they shoot down one plane, hundreds more will rain fire upon them! If they cut off one head, two more shall take its place. Hail HYDRA."

"Question: Are you aware, that in some parts of the world, the bullies are the Americans?"

"Q: How much of the forties did you want to consciously incorporate into Steve Rogers – certainly the good aspects like that old school earnest heroism, but also maybe the bad side as well — like some of that initial prejudiced reaction when you first see Jim Morita?"

"Steve Rogers is a guy who, at the heart of it, has a very simple mission. He just wants to serve his country and do the right thing. And Chris comes off as basically a really good human being. He can wear his heart on his sleeve when he needs to."

"I was mildly familiar with the comic book, but I wasn’t a fan of the comic, which I sort of see as an advantage in a way, because it lets me be a little more objective about what works and what doesn’t. I mean I wasn’t familiar with it, but once I decided to do it, I read every Captain America comic that I could get and I sort of researched where he came from and where he started and the various iterations of him over the decades. I wanted the origin of the film to be based on a comic book, but I didn’t want to have it be in your face the way some of them are, you know?"

"Well the Marvel guys have a system that works really well and it’s the way that I wish the studios worked. They hire a filmmaker and they understand the film that the filmmaker wants to make and then they help them make it. If there is anything that does not fit into the Marvel Universe, they will say, “You are going slightly outside of the lines here.” In CAPTAIN AMERICA there wasn’t anything that they were uncomfortable with. It’s all based on the character of Steve Rogers and who this guy is. He’s this kid who is constantly rejected, he wants to fight for his country, nobody wants him… That’s the heart of the story. As long as you don’t mess with that template, you can pretty much do anything. They let me add stuff that was hugely expensive, but it related to the story and it helped tell the story. The whole thing with zip lining down to the train was not in the original script at all and that whole sequence just needed something to sort of give it an action beat to start it. There were all kinds of stuff like that. They let me do all kinds of things that were not in the script, were not probably in the budget, but they could also recognize that “Hey that is making the story cooler. Let’s do it.” It was really great. It was like a dream job in a way. They were very supportive."

"Discover the origin of the first avenger."

"When patriots become heroes."

"Chris Evans – Captain America/Steve Rogers"

"Hayley Atwell – Peggy Carter"

"Sebastian Stan – James Buchanan 'Bucky' Barnes"

"Tommy Lee Jones – Colonel Chester Phillips"

"Hugo Weaving – Johann Schmidt/Red Skull"

"Dominic Cooper – Howard Stark"

"Richard Armitage – Heinz Kruger"

"Stanley Tucci – Dr. Abraham Erskine"

"Samuel L. Jackson – Nick Fury"

"Toby Jones – Dr. Arnim Zola"

"Neal McDonough – Timothy 'Dum Dum' Dugan"

"Derek Luke – Gabe Jones"

"Kenneth Choi – Jim Morita"

"JJ Feild – James Montgomery Falsworth"

"Bruno Ricci – Jacques Dernier"

"What's so important about my bloody pictures?"

"You ever do any modeling? Fashion stuff, I mean. You've got it."

"You'll get your pictures. I promise. I always keep my word."

"Give me your money. Do it."

"The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up."

"This is a fascinating picture, which has something real to say about the matter of personal involvement and emotional commitment in a jazzed-up, media-hooked-in world so cluttered with synthetic stimulations that natural feelings are overwhelmed."

"Michelangelo Antonioni's Blow-Up opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence. It was the opening salvo of the emerging "film generation," … the highest-grossing art film to date, was picked as the best film of 1967 by the National Society of Film Critics, and got Oscar nominations for screenplay and direction. Today, you rarely hear it mentioned. Young audiences aren't interested any more in a movie about a "trendy" London photographer who may or may not have witnessed a murder, who lives a life of cynicism and ennui, and who ends up in a park at dawn, watching college kids play tennis with an imaginary ball. The twentysomethings who bought tickets for Blow-Up are now focused on ironic, self-referential slasher movies."

"I revisited Blow-Up in a shot-by-shot analysis. Freed from the hype and fashion, it emerges as a great film, if not the one we thought we were seeing at the time. This was at the 1998 Virginia Festival of American Film in Charlottesville, which had "Cool" as its theme. The festival began with the emergence of the Beat Generation and advanced through Cassavetes to Blow-Up — after which the virus of Cool leaped from its nurturing subculture into millions of willing new hosts, and has colored our society ever since, right down to and manifestly including South Park."

"The natural world is arrayed against the artificial scene; conscience is deployed against convention. If you've never seen Blow-Up, see it now, if only to see what part of the world was like 40 years ago."

"Vanessa Redgrave - Jane"

"Sarah Miles - Patricia"

"David Hemmings - Thomas"

"John Castle - Bill"

"Jane Birkin - The Brunette"

"Gillian Hills - The Blonde"

"Peter Bowles - Ron"

"Veruschka von Lehndorff - Herself"

"Tsai Chin - Thomas's receptionist"

"Jeff Beck - Himself"

"Sometimes reality is the strangest fantasy of all."

"Antonioni's camera never flinches. At love without meaning. At murder without guilt. At the dazzle and madness of youth today."

"Well, you're a hunter, so shoot me."

"History is not a class struggle, it is a vision struggle. It's people like me trying to get free from narrow-minded pricks like you. Nothing moves without us, we're the goddamn engine."

"Today you stood shoulder to shoulder with Columbus discovering America. Armstrong stepping on the moon, Brubaker landing on Mars. You are true pioneers on the very last frontier: Time."

"John Wallenbeck: I haven't seen any wildlife yet. We could be in downtown Pittsburgh, for all I know."

"When I was the president of the Urbana High School Science Fiction Club, this would have been my favorite movie. But the movies have changed and so have I and today there is something almost endearing about the clunky special effects and clumsy construction of A Sound of Thunder. The movie is made with a gee-whiz spirit, and although I cannot endorse it I can appreciate it. There’s a fundamental difference between movies that are bad because they’re willfully stupid (“Deuce Bigalow, European Gigolo”) and movies that are bad because they want so much to be terrific that they explode under the strain. A Sound of Thunder may not be a success, but it loves its audience and wants us to have a great time. The movie is inspired by a famous short story by Ray Bradbury, arguing that to travel back in time and change even one tiny element in the past could completely alter the future. In that it is firmly Darwinian, and indeed if the common ancestor of all primates had died without reproducing, where would that leave us? In the movie, a greedy entrepreneur (Ben Kingsley) charges millionaires a small fortune to travel back in time, kill a giant prehistoric reptile, and return with a video of themselves. In theory this will not change the present because (a) frozen liquid nitrogen bullets are used, which will evaporate making no difference, (b) the targeted beast is selected because in another second it would have died anyway, and (c) the travelers never leave anything behind."

"For the film it was necessary to not only create a recognizable Chicago of the future, but also have it destroyed and transformed into a primal jungle through four stages as the world changes to a different evolutionary timeline. Julian Caldow was tasked with the conceptual work on what the city of Chicago would look like in the future. Black Mountain Studio in Stuttgart, Germany, created futuristic buildings from scratch, which were then comped into the familiar landscape. A program developed for the telecommunications industry to assist in placing towers within Chicago had an extensive database that was tapped for building details. Real downloads from scans of the city generated an accurate three-dimensional city plan. This optimized the shooting schedule, allowing the filmmakers to know when and where to shoot and selectively adjust the camera for the real layout. Knowledge of the real widths of the actual streets helped in choreographing the bat chase sequence. The tarmac could be dressed to look like the road should at this point in the movie. Camera and car speed could also be tested in advance of shooting. Sebastian Greese and Michael Landgrebe worked as lead artists and Robert Kuczera modeled for Black Mountain."

"Evolve or die."

"Some Rules Should Never Be Broken."

"Catherine McCormack - Sonia Rand"

"Edward Burns - Travis Ryer"

"David Oyelowo - Marcus Payne"

"Ben Kingsley - Charles Hatton"

"Jemima Rooper - Jenny Krase"

"Wilfried Hochholdinger - Dr. Lucas"

"August Zirner - Clay Derris"

"Corey Johnson - Christian Middleton"

"Heike Makatsch - Alicia Wallenbeck"

"Armin Rohde - John Wallenbeck"

"William Armstrong - Ted Eckels"

"Dying together's even more personal than living together."

"We're not like you! You're made of iron, we're just flesh and blood! Hungry and thirsty flesh and blood!"

"[to the delirious Gus] There's Rosie! She's waiting for you! [Willy pushes Gus overboard]"

"[seeing a bejewelled Connie in a fur coat as he enters the lifeboat] Connie! Did you come from the freighter or the Stork Club?"

"My name is Schmidt, but I changed it to Smith. That's what I got against these guys more than anything else. They make me ashamed of the name I was born with. I got a lot of relatives in Germany. For all I know this guy may be one of them. I say throw him to the sharks!"

"Who goes Primitive first...A man...Or a woman...adrift in an open boat?"

"What happens when six men and three women are alone in an open boat?"

"Six men and three women — against the sea and each other."

"Tallulah Bankhead - Constance "Connie" Porter"

"William Bendix - Gus Smith"

"Walter Slezak - Willi"

"Mary Anderson - Alice MacKenzie"

"John Hodiak - John Kovac"

"Henry Hull - Charles D. "Ritt" Rittenhouse"

"Heather Angel - Mrs. Higgins"

"Hume Cronyn - Stanley "Sparks" Garrett"

"Canada Lee - George "Joe" Spencer"

"William Yetter Jr. - German sailor"

"We go together, Laurie. I don't know why. Maybe like guns and ammunition go together."

"Thrill crazy... Kill crazy..."

"SHE BELIEVES IN TWO THINGS...-love and violence!"

"Notorious LAURIE STARR! ...wanted in a dozen states... hunted by the F.B.I.!"

"She was more than any man could handle!"

"The Flaming Life of LAURIE STARR (The Lethal Blonde)"

"Her Violent Loves! Her Vicious Crimes! Her Wild Escapes!"

"Nothing Deadlier Is Known To Man..."

"Peggy Cummins - Annie Laurie Starr"

"John Dall - Bart Tare"

"Berry Kroeger - Packett"

"Stanley Prager - Bluey-Bluey"

"Morris Carnovsky - Judge Willoughby"

"Anabel Shaw - Ruby Tare"

"Harry Lewis - Sheriff Clyde Boston"

"Nedrick Young - Dave Allister"

"Russ Tamblyn - Young Bart Tare, age 14"

"All I have are the choices I make, and I choose her, come what may."

"[to Elise] I can go through this door alone. You'll never see me or the people chasing us again, or you can come with me, and I don't know what's on the other side, but you'd be next to me and that's all I've wanted since the minute I met you."

"[to David] You're going to look for her, aren't you? You won't find her. They'll make sure of it. Even if they weren't trying to stop you, there are nine million people in this city. You'll never find her. Forget about her. Move on with your life."

"[to David] The minute you go through that first door, all hell will break loose. Assume everyone with a hat on is a threat. I don't care if it's a Yankee cap, a bowler, or even a yarmulke. Assume everyone in a hat is working with Thompson."

"[voiceover] Most people live life on the path we set for them. Too afraid to explore any other. But once in a while, people like you come along who knock down all the obstacles we put in your way. People who realize free will is a gift you'll never know how to use until you fight for it. I think that's the Chairman's real plan that maybe one day, we won't write the plan. You will."

"[to David] Very few humans have seen what you've seen today. And we're determined to keep it that way. So, if you ever reveal our existence, we'll erase your brain. The intervention team will be sent, your emotions, your memories, your entire personality, will be expunged. Your friends and family will think you've gone crazy. You, well, you won't think anything."

"Your Future Has Been Adjusted"

"Fight for your fate."

"They stole his future. Now he's taking it back."

"Your Fate Has Been Adjusted"

"Your World Has Been Adjusted"

"Your Path Has Been Adjusted"

"Matt Damon - David Norris"

"Emily Blunt - Elise Sellas"

"Anthony Mackie - Harry Mitchell"

"John Slattery - Richardson"

"Michael Kelly - Charlie Traynor"

"Terence Stamp - Thompson"

"Donnie Keshawarz - Donaldson"

"Anthony Ruivivar - McCrady"

"They love his voice, they love his guitar, they love his ideas... they should know some of his ideas."

"Ain't Mama a beauty? Oh, a guitar beats a woman every time! You know, I never have seen a woman I could trust like this old guitar. I love my Mama guitar. She's always there waitin' for me to pick her up and hold her. Never asks me for money or goes cheatin' around when I ain't lookin'. And if she gets a little sour, why, I just give her a little twist like so, and we're right back in tune together."

"You know, ma'am, whenever a bunch of fellas like us - outcasts, hoboes, nobodies, gentlemen loafers, one-time or all-time losers, call us what you want to. Whenever we get together, we tell our funny stories. Me and Beanie and the rest of these hand-to-mouth tumbleweed boys like you see in here. [singing] If whiskey don't get us, then women must. And it looks like I'm never gonna cease my wandering."

"You know, back in my little old town of Riddle, we had a cousin named Harry. We all called him Cousin 'Hurry' because he was always runnin' someplace. Till one day he fell down a flight of steps and broke his fool neck. We put a sign on his grave says: 'He was in such a hurry, he just couldn't wait to get here.'"

"[to Marcia, as they leave Pickett for Memphis] Boy, am I glad to shake that dump. [pause] I was only kiddin', honey. You ought to know me better than to believe everything I say. Ha! [to the crowd] Bye! Bye! Good-bye and God bless you, good people!"

"Ain't nothin' in this world you can't do when you let the best side of you take over."

"Respect? Did you ever hear of anyone buying any product - beer, hair rinse, tissue - because they respect it? You gotta be loved, man. Loved....Politics is people...Senator, I'm a professional. And I have to look at the image on that screen same as I'd look at a performer on my show. And I'll have to say he'll never get over to my audience. Not to the 65 million people who welcome me into their living rooms each week. And if I wouldn't buy him, do you realize what that means? If I wouldn't buy him, the people of this country aren't ready to buy him for that big job on Pennsylvania Avenue."

"I'm not just an entertainer. I'm an influence, a wielder of opinion, a force... a force!"

"[about the writers] Here you see the lepers of the great television industry. Men without faces. Why, they even slide our paychecks under the door so they can pretend we're not here."

"[about TV] You gotta be a saint to stand off the power that little box can give you."

"Didn't you know? All mild men are vicious. They hate themselves for being mild, and they hate the windy extroverts whose violence seems to have a strange attraction for nice girls. You should know better."

"[about Lonesome Rhodes] I'll say one thing for him, he's got the courage of his ignorance."

"Andy Griffith - Larry "Lonesome" Rhodes"

"Patricia Neal - Marcia Jeffries"

"Anthony Franciosa - Joey DePalma"

"Walter Matthau - Mel "Boing Boing Boing" Miller"

"Lee Remick - Betty Lou Fleckum"

"Percy Waram - Gen. Haynesworth"

"Paul McGrath - Macey"

"Rod Brasfield - Beanie"

"Marshall Neilan - Senator Worthington "Curly" Fuller"

"Alexander Kirkland - Jim Collier"

"Howard Smith - J.B. Jeffries"

"Kay Medford - First Mrs. Rhodes"

"Cara Williams - Nurse"

"The mob doesn't think. It has no mind of its own."

"I'll give them a chance that they didn't give me. They will get a legal trial in a legal courtroom. They will have a legal judge and a legal defense. They will get a legal sentence and a legal death."

""I got you a little momentum." (He meant memento.)"

"[to Joe] If those people die, Joe Wilson dies too; you know that, don't you? Wherever you go, whatever you do."

"District Attorney: [after several witnesses have lied on the stand] I wonder if I haven't been calling the defense witnesses by mistake."

"Sylvia Sidney - Katherine Grant"

"Spencer Tracy - Joe Wilson"

"Bruce Cabot - Kirby Dawson"

"Walter Abel - District Attorney"

"Edward Ellis - Sheriff"

"Walter Brennan - "Bugs" Meyers"

"Frank Albertson - Charlie"

"Morgan Wallace - Fred Garrett"

"Gwen Lee - Mrs. Fred Garrett"

"George Chandler - Milton Jackson"

"Edwin Maxwell - Vickery"

"Howard C. Hickman - Governor"

"Jonathan Hale - Defense Attorney"

"Leila Bennett - Edna Hooper"

"Esther Dale - Mrs. Whipple"

"[to Bartlow, about Shields] You're the first person I ever knew who began by hating him and ended up liking him. Do you always do everything backwards?"

"Jonathan is more than a man. He's an experience, and he's habit-forming. If they could ever bottle him, he'd out-sell Ginger Ale."

"I've told you a hundred times. I don't want to win awards. Give me pictures that end with a kiss and black ink on the books."

"The story of a blonde who wanted to go places, and a brute who got her there - the hard way!"

"I took you out of the gutter . . . I can fling you back!"

"Lana Turner - Georgia Lorrison"

"Kirk Douglas - Jonathan Shields"

"Walter Pidgeon - Harry Pebbel"

"Dick Powell - James Lee Bartlow"

"Barry Sullivan - Fred Amiel"

"Gloria Grahame - Rosemary Bartlow"

"Gilbert Roland - Victor "Gaucho" Ribera"

"Leo G. Carroll - Henry Whitfield, a British director"

"Vanessa Brown - Kay Amiel, Fred's wife"

"Paul Stewart - Syd Murphy, Shield's press agent"

"Sammy White - Gus, Lorrison's over-emotional agent"

"Elaine Stewart - Lila"

"Ivan Triesault - Von Ellstein"

"Let's see, flying rubber... Flubber!"

"Corners beautifully, doesn't it?"

"I'm an American! See it? My credit cards!"

"Substance X, we dub thee... Flubber!"

"Mr. Hawk, let me get this straight. You want me to turn my discovery over to you so you can blackmail our government?"

"First Referee: There's nothing in the rule book that says one team can't jump higher than the other."

"Biff Hawk: Oh, it's just Neddy the Nut out flying his old Model T."

"Fred MacMurray - Professor Ned Brainard"

"Nancy Olson - Betsy Carlisle"

"Keenan Wynn - Alonzo P. Hawk"

"Tommy Kirk - Biff Hawk"

"Leon Ames - President Jeffrey Daggett"

"Elliott Reid - Professor Shelby Ashton"

"Edward Andrews - Defense Secretary"

"David Lewis - General Singer"

"Jack Mullaney - Air Force Captain"

"Belle Montrose - Mrs. Chatsworth"

"Wally Brown - Coach Elkins"

"Wally Boag - TV Newsman"

"Don Ross - Lenny"

"Forrest Lewis - Officer Kelley"

"James Westerfield - Officer Hanson"

"Gage Clarke - Reverend Bosworth"

"Alan Hewitt - General Hotchkiss"

"Raymond Bailey - Admirial Olmstead"

"Ed Wynn - Fire Chief"

"Sire, too late to escape now! My friends, the birds are here! And when I say "birds"... [the wild animals enter] I don't really mean "birds"!"

"Ah! Never would I have believed that the sky could be so beautiful."

"[to the pidgeon pecking at his ankle] You flying shit house!"

"Drew Barrymore - Our Girl/Amanda"

"James Woods - Dick Morrison"

"Candy Clark - Sally Ann"

"Alan King - Dr. Vinny Donatti"

"Robert Hays - Johnny Norris"

"Kenneth McMillan - Cressner"

"James Naughton - Hugh"

"James Rebhorn - Drunk Businessman"

"Charles S. Dutton - Dom"

"Mike Starr - Ducky"

"You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into... the Twilight Zone."

"[Opening Narration for Segment 1] You're about to meet an angry man. Mr. William Connor, who carries on his shoulder a chip the size of the national debt. This is a sour man, a lonely man, who's tired of waiting for the breaks that come to others, but never to him. Mr. William Connor, whose own blind hatred is about to catapult him into the darkest corner of the Twilight Zone."

"[Opening Narration for Segment 2] It is sometimes said that where there is no hope, there is no life. Case in point: the residents of Sunnyvale Rest Home, where hope is just a memory. But hope just checked into Sunnyvale, disguised as an elderly optimist, who carries his magic in a shiny tin can."

"[Opening Narration for Segment 3] Portrait of a woman in transit. Helen Foley, age 27. Occupation: schoolteacher. Up until now, the pattern of her life has been one of unrelenting sameness, waiting for something different to happen. Helen Foley doesn't know it yet, but her waiting has just ended."

"[Opening Narration for Segment 4] What you're looking at could be the end of a particularly terrifying nightmare. It isn't. It's the beginning. Introducing Mr. John Valentine, air traveler. His destination: the Twilight Zone."

"There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space, and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone."

"Hey... you wanna see something really scary?"

"The day we stop playing is the day we start getting old."

"I found out - a long, long time ago - that I wanted to be my own true age...while keeping a young mind."

"(Seeing Conroy play "Kick the Can" solo, Bloom breaks the Fourth Wall) ...He'll get it."

"[dripping sarcasm, as he admonishes his friend for bullying Anthony] ...Oh, that was good. That was real good."

"[after transporting his sister Ethel into a cartoon world where she is eaten by a cartoon dragon] Th-th-th-that's all, Ethel!"

"Burgess Meredith - Narrator"

"Rod Serling - Narrator"

"Dan Aykroyd - Car Passenger"

"Albert Brooks - Car Driver"

"Vic Morrow - Bill Connor"

"Doug McGrath - Larry"

"Charles Hallahan - Ray"

"Scatman Crothers - Mr. Bloom"

"Bill Quinn - Leo Conroy"

"Martin Garner - Mr. Weinstein"

"Selma Diamond - Mrs. Weinstein"

"Helen Shaw - Mrs. Dempsey"

"Murray Matheson - Mr. Agee"

"Peter Brocco - Mr. Mute"

"Priscilla Pointer - Miss Cox"

"Kathleen Quinlan - Helen Foley"

"Jeremy Licht - Anthony"

"Kevin McCarthy - Uncle Walt"

"Patricia Barry - Mother"

"William Schallert - Father"

"Nancy Cartwright - Ethel"

"Dick Miller - Walter Paisley"

"Cherie Currie - Sara"

"Bill Mumy - Tim"

"John Lithgow - John Valentine"

"Abbe Lane - Sr. Stewardess"

"Donna Dixon - Jr. Stewardess"

"John Dennis Johnston - Co-Pilot"

"Larry Cedar - Gremlin"

"The year was 2081, and everybody was finally equal. They weren't only equal before God and the law, you see. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. And all this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of the United States Handicapper General. The strong wore weights to make them weaker. The intelligent wore earpieces that kept them from taking unfair advantage of their brains. Even the beautiful sometimes wore masks in situations where their beauty might simply be…too distracting. It was the Golden Age of Equality."

"Well, that's all right—he tried. Thats the important thing. I think he should get a nice big raise for trying so hard."

"Good evening. We've just received warning from the office of the Handicapper General that suspected-anarchist Harrison Bergeron has escaped from custody. Arrested six years ago for propagandist vandalism, broadcast piracy, refusal to report for his quarterly handicapping evaluations, and for the blatant removal of his handicaps in a public place, Mr. Bergeron had been awaiting trial in a maximum security prison here in Washington, D. C., when he, miraculously, disappeared from his cell earlier this evening. Please be advised that Bergeron is a genius and an athlete, is underhandicapped, and is considered extremely dangerous."

"My name is Harrison Bergeron. I am a fugitive, and a public threat. I am an abomination of the able. I am an exception to the accepted. I am the greatest man you have never known. And for the last six years, I have been held prisoner by the state—sentenced, without trial, to torture without end. They [the state and its henchmen] had hoped to destroy in me any trace of the extraordinary…but the extraordinary, it seems, was simply out of their reach. So now I stand before you today, beaten, hobbled, and sickened…but, sadly, not broken. And I say to you, that if it is greatness we must destroy, then let us drag our enemy out of the darkness, where it has been hiding. Let us shine a light so, at last, all the world can see!"

"But in a world where the extraordinary is outlawed, only the outlaws will be extraordinary"

"Everyone Will Finally Be Equal"

"Patricia Clarkson — the narrator"

"James Cosmo — George Bergeron, Harrison's father"

"Julie Hagerty — Hazel Bergeron, Harrison's mother"

"Armie Hammer — Harrison Bergeron"

"Tammy Bruce — the United States Handicapper General"

"David Healy — Replacement T.V. anchor"

"2081 is a short film based on the Kurt Vonnegut story "Harrison Bergeron." It gets right to the point, and nails the adaptation in about 25 minutes. That's got to be a record."

"The story is brutal, but she's hilarious."

"2081 is worth seeing. It's stirring and dramatic. But don't expect high fives and butt kicking at the end."

"I recently watched a little gem of a cinematic parable about a Rawlsian dystopia, 2081, which depicts a society in which "everyone is equal.""

"An expressionless, silent woman who is in charge of the operation takes a gun and kills Harrison Bergeson and the ballerina. The action is televised without her knowledge and one of the last things one sees is her slightly startled face staring into the camera. That is what Harrison wanted the nation to see—the vapid face of evil. End of broadcast. The extraordinary has been eliminated. Please stand by."

"The film is only twenty-five minutes long, but it packs a punch as terrible as Michael Radford's gritty, nearly two-hour long Nineteen Eighty-Four. The production values are as good as any $20 million budget blockbuster's. As a parable on the price of silence and the fate of those who prefer security and passivity over independence and freedom, it is one of the best films I have ever seen."

"There's a pretty good chance I'm infected too. If that's the case, I've got just enough fuel left to drop out of orbit and burn up in the atmosphere. At least it'll be quick. You should get this in about 15 minutes, so, uh, I guess I'll be waiting. Five eleven Zulu, Aurora lander out!"

"You'll never get home."

"Liev Schreiber - Vincent Campbell"

"Elias Koteas - Charles Brunel"

"Johnny Harris - Robert Irwin"

"Romola Garai - Rebecca Lane"

"Goran Kostić - Marko Petrovic"

"Tom Cullen - Richard Harrington"

"Olivia Williams - Kim Aldrich"

"Yusra Warsama - Lauren Dalby"

"Patrick Joseph Byrnes - Flight Commander Ellis"

"Paul Warren - Infected Marko"

"[about the duel] This is one engagement I have no intention of keeping. Honor is a luxury only gentlemen can afford."

"[to Lisa] You are a sorceress. Now, I'm sure. How else could we dance this way unless we've danced together before? And yet if we had, I should have remembered."

"[voiceover] By the time you read this letter, I may be dead. I have so much to tell you and perhaps very little time. Will I ever send it? I don't know. I must find strength to write now before it's too late, and as I write it may become clear that what happened to us had its own reason beyond our poor understanding. If this reaches you, you will know how I became yours when you didn't know who I was or even that I existed."

"[voiceover] I think everyone has two birthdays, the day of his physical birth and the beginning of his conscious life. Nothing is vivid or real in my memory before that day in Spring when I came home from school and found a moving van in front of our building. I wondered about our new neighbor who owned such beautiful things."

"[voiceover] Yes, I was blushing, and hard as it may be for you to realize, from that moment on I was in love with you. Quite consciously, I began to prepare myself for you. I kept my clothes neater so you wouldn't be ashamed of me. I went to dancing school. I wanted to become more graceful and learn good manners for you. And so I would know more about you and your world, I...I went to the library and studied the lives of the great musicians of the past. Though I was not able to go to your concerts, I found ways of sharing in your success."

"[voiceover] You who have always lived so freely, have you any idea what life is like in a little garrison town? I was eighteen now and was expected to take my place in society."

"[voiceover] Well...I...I only told him the truth...I told him I wasn't free. My poor parents, for them this was the end. For me, it was a new beginning."

"[voiceover] The course of our lives can be changed by such little things. So many passing by, each intent on his own problems. So many faces that one might easily have been lost. I know now that nothing happens by chance. Every moment is measured; every step is counted."

"[voiceover] I'd come to tell you about us, to offer you my whole life, but you didn't even remember me."

"[voiceover] Now I'm alone. My head throbs and my temples are burning. Perhaps God has been kind, and I too have caught the fever. If this letter reaches you, believe this - that I love you now as I've always loved you. My life can be measured by the moments I've had with you and our child. If only you could have shared those moments, if only you could have recognized what was always yours, could have found what was never lost. If only..."

"[voiceover] Oh, if only you could have recognized what was always yours, could have found what was never lost."

"Joan Fontaine - Lisa Berndle"

"Louis Jourdan - Stefan Brand"

"Mady Christians - Frau Berndle"

"Art Smith - John"

"Howard Freeman - Herr Kastner"

"Erskine Sanford - Porter"

"Marcel Journet - Johann Stauffer"

"Carol Yorke - Marie"

"John Good - Lt. Leopold von Kaltnegger"

"If I shouldn't come back, I forgive you what happened between you and Sobinski. But if I come back, it's a different matter."

"Well, Colonel, all I can say is... you can't have your cake and shoot it, too."

"[to her husband] You're the greatest actor in the world. Everybody knows that, including you."

"Anna: What a husband doesn't know won't hurt his wife."

"Carole Lombard - Maria Tura"

"Jack Benny - Joseph Tura"

"Robert Stack - Lt. Stanislav Sobinski"

"Felix Bressart - Greenberg"

"Lionel Atwill - Rawich"

"Stanley Ridges - Professor Alexander Siletsky"

"Sig Ruman - Col. Ehrhardt"

"Tom Dugan - Bronski"

"Charles Halton - Dobosh"

"George Lynn - Actor-Adjutant"

"Henry Victor - Capt. Schultz"

"Maude Eburne - Anna"

"I've changed so much that I doubt my own mother would recognize me."

"I'm sorry if you feel deceived. But it's a mistake to think that we can change certain events. Just like you said, some things are inevitable. ... The shock will wear off, but you can take comfort in knowing that these events are happening in the correct order. The path you're on will take you to your destination."

"The snake that eats its own tail, forever and ever. I know where I come from. But where do all you zombies come from?"

"The only thing that I know for sure is that you are the best thing that's ever happened to me. I miss you dreadfully."

"When I got older, I realized I stood little chance of getting married, for the same reason I hadn't been adopted. I was different. A freak. A goddamn loser. ... People want to adopt a little golden-haired moron. And later on, the boys, they want big tits and pouty lips. You know, a perfect accessory."

"You better not be fucking with me."

"Jane: Well, you know what they say about good things happening to those who wait."

"Causality nerds will have a field day with the film, especially if they don’t know the ending. (Or beginning, as it were. The plot is loopy, in the most literal sense of the word.) … The film’s true revelation, though, is Snook … Per the time-honored traditions of time-travel cinema, Predestination just wants to blow minds. But in its best moments, the ones that put Snook front and center, it threatens to break hearts instead."

"Predestination, adapted from sci-fi author Robert A. Heinlein’s 1959 short story "—All You Zombies—" … concerns fate, free will, time-travel, a forced sex-change operation and a serial-killer manhunt. It’s impressively insane and a lot of fun. “It’s absolutely out of its mind,” says Hawke, who plays a “temporal agent” flitting through time. “I love science-fiction that’s not oriented around action or effects. Whether it’s Robert Heinlein, Kurt Vonnegut, Philip K. Dick, H. G. Wells or whoever... that kind of mind-bendy science-fiction where you can really attack themes in a new way. And when I read Predestination it was like: ‘What the fuck did I just read?!’” He particularly likes the fact that although the lead character is transgender, the film is not explicitly about transgender issues, it’s about all of us. “There’s something about Predestination that actually does get at identity, for me,” he says."

"Is this the first great "What the f—k" movie of the year? … As soon as the credits rolled on “Predestination,” I wanted to watch it again. It was even more of a mind-dance the second time around. … The deeper we go, the more insane the story gets, leading to one of the most bizarre endings in recent movie history. Even if you see it coming, it doesn't make it any less weird."

"This is one of those films that is so filled with twists, turns and unexpected developments that even the most oblique plot discussion threatens to wander into dreaded spoiler territory. Then again, I admit that I knew pretty much everything that was going to happen going in thanks to my familiarity with the source material, Robert Heinlein's celebrated 1959 short story "—All You Zombies—", and still found myself knocked out by its startlingly effective translation from the page to the screen. I will try to keep the details to a minimum, but, trust me, the less you know going in, the better, especially considering the fact that the story deals in no small part with time travel (and all of the attending paradoxes) and that is not even close to being its most unusual aspect. … Hawke … is an actor who in recent years has more often than not been gravitating towards material that is off-beat and original — at this point, his name on a marquee pretty much guarantees that the film in question will at least be somewhat interesting. … Sarah Snook delivers a knockout performance that calls on her to perform the kind of tricky scenes that could have resulted in bad laughs throughout if handled incorrectly. Not only does she pull off her performance brilliantly throughout — there is not one moment in which she is anything less that utterly convincing and believable — I would go so far as to put her work here up against any of the current front-runners for the Best Actress Oscar."

"Weirder and more contemplative than many of its time-traveling brethren, Predestination is a stylish head trip. It also marks Australian actor Snook as one to watch, as she demonstrates some serious gender-bending range."

"To try and wrap your head around the plot of Predestination can only lead to madness. Don't get me wrong: The movie itself is a trip. … Ethan Hawke, at his mesmerizing best, stars as the Temporal Agent, a time-traveler with a mission to stop future murders before they can happen. … Better that you just throw yourself into this tale and cogitate about it later. If getting stoned helps, so be it. One thing's for sure: You won't be able to take your eyes off Snook, an Aussie actress who makes whatever sex she's playing almost irrelevant. You watch her. You hear her. You believe. It's a dynamite performance. Hawke, who worked with the Spierigs on 2010's Daybreakers, gravitates to movies that don't play by the rules. Predestination sure as hell doesn't. Any frustration you feel about losing your bearings fades in face of the film's ultimate kick."

"Ethan Hawke as The Bartender/Temporal Agent"

"Sarah Snook as The Unmarried Mother/Jane/John"

"Noah Taylor as Mr. Robertson"

"Madeleine West as Mrs. Stapleton"

"Christopher Kirby as Agent Miles"

"Freya Stafford as Alice"

"Jim Knobeloch as Dr. Belfort"

"Christopher Stollery as The Interviewer"

"Tyler Coppin as Dr. Heinlein"

"Rob Jenkins as Mr. Jones"

"Back in this country, the boys who had returned from overseas begin to find out that the world has moved on during the time they spent in France...Everywhere, things have changed but particularly in New York. The old Broadway is only a memory. Gone are many of the famous landmarks, for already, America is feeling the effects of Prohibition. There is a concentrated effort at readjustment to normal peacetime activities, but unemployment coming in the wake of the wartime boom is beginning to grip the country and the soldiers find their return to face - on a different front - the same old struggle, the struggle to survive."

"And so the Eddie of this story joins the thousands and thousands of other Eddies throughout America. He becomes a part of a criminal army - an army that was born of a marriage between an unpopular law and an unwilling public. Liquor is the password in this army. And it's a magic password that spells the dollar sign as it spreads from city to city, from state to state. The public is beginning to look upon the bootlegger as something of an adventuresome hero, a modern crusader who deals in bottles instead of battles. And so, because of a grotesque situation, this new kind of army grows and grows, always gaining new recruits who care nothing about tomorrow just so long as money is easy today."

"1924. By now, America is well-launched into an era of amazing madness. Bootlegging has grown from small, individual effort to big business embodying huge coalitions and combines. The chase after huge profits is followed closely by their inevitable partners: corruption, violence, and murder. A new and horrible tool appears - the tommy - a light, deadly wasp-like machine gun, and murder henceforth is parceled out in wholesale lots."

"1929. As the dizzy decade nears its end, the country is stock-market crazy. The great and the humble, the rich man and the working man, the housewife and the shopgirl, all take their daily flyer in the market. And no one seems to lose. Then like a bombshell comes that never-to-be-forgotten Black Tuesday, October 29, confusion spreads through the canyons of New York City's financial district and men stare wild-eyed at the spectacle of complete ruin. More than sixteen and a half million shares change hands in a single day of frenzied selling. The paper fortunes built up over the past few years crumble into nothing before this disaster which is to touch every man, woman, and child in America."

"Finally comes the national referendum on repeal. Tired of years of violence, corruption, and loss of personal liberty, Americans go to the polls and overwhelmingly rout the dry forces. After thirteen years, Prohibition is dead, leaving in its wake a criminal element used to wealth and power but unable for the most part to cope with a new determination by an aroused public that law and order should once more reign."

"I always say, when you got a job to do, get somebody else to do it."

"America's Most Colorful Era!"

"The land of the free gone wild! The heyday of the hotcha! The shock-crammed days G-men took ten whole years to lick!"

"1920 . . . Bootleggers, Jazz, Babe Ruth, Speakeasies, Jack Dempsey, Dames, Molls, Easy Living - Quick Dying . . . the torrid . . . blazing . . . wild . . . lush . . . lurid - ROARING TWENTIES ! ! !"

"James Cagney - Eddie Bartlett"

"Priscilla Lane - Jean Sherman"

"Humphrey Bogart - George Hally"

"Gladys George - Panama Smith"

"Jeffrey Lynn - Lloyd Hart"

"Frank McHugh - Danny Green"

"George Meeker - Harold Masters"

"Paul Kelly - Nick Brown"

"Elisabeth Risdon - Mrs. Sherman"

"Edward Keane - Pete Henderson"

"Joseph Sawyer - Sergeant Pete Jones"

"Abner Biberman - Lefty"

"John Hamilton - Judge"

"Robert Elliott - First Detective"

"Vera Lewis - Mrs. Gray"

"Ma's right. I'm only tol'able... just tol'able."

"Richard Barthelmess — David Kinemon"

"Gladys Hulette — Esther Hatburn"

"Walter P. Lewis — Iscah Hatburn"

"Ernest Torrence — Luke Hatburn"

"Ralph Yearsley — Saul "Little Buzzard" Hatburn"

"Forrest Robinson — Grandpa Hatburn"

"For the first time in my life, people cheering for me. Were you deaf? Didn't you hear 'em? We're not hitchhiking any more. We're riding!"

"This is a celebration. Midge is getting a shot at the title, and he's got a new manager... a blonde."

"You know what a "Golem" is? I think I knew all the time I was building one."

"Kirk Douglas - Michael "Midge" Kelly"

"Marilyn Maxwell - Grace Diamond"

"Arthur Kennedy - Connie Kelly"

"Paul Stewart - Tommy Haley"

"Ruth Roman - Emma Bryce"

"Lola Albright - Palmer Harris"

"Luis Van Rooten - Jerome "Jerry" Harris"

"Harry Shannon as Lew Bryce"

"Esther Howard - Midge Kelly's mother"

"John Daheim - Johnny Dunne"

"This is the only sport in the world where two guys get paid for doing something they'd be arrested for if they got drunk and did it for nothing."

"Every woman goes for a Champion."

"Once in his lifetime, every artist feels the hand of God, and creates something that comes alive."

"I'm afraid that the visit of a such distinguished critic may cause my children to become conceited. To you they are wax, but to me their creator, they live and breathe."

"Everything I ever loved has been taken away from me, but not you, my Marie Antoinette, for I will give you eternal life."

"Here's President Lincoln and his assassin John Wilkes Booth. One of my few concessions to the macabre."

"Jarrod is dead. I'm a reincarnation."

"The end will come quickly, my love. It is a pain beyond pain, an agony so intense, it shocks the mind into instant oblivion. We'll find immortality together."

"The Wax Figures Also Looked Like Other People - People Who Had Disappeared.........."

"Beauty and Terror meet in your seat...as every thrill of its story comes off the screen right at you in NaturalVision 3 dimension"

"Nothing that has gone before can compare with this!"

"You've never been scared until you've been scared in 3-D."

"Now Warners Bros bring you 3 dimension natural vision unlike anything you've seen before! A feature picture! A story sensation!"

"UNLIKE ANYTHING YOU'VE SEEN BEFORE!"

"Vincent Price — Professor Henry Jarrod"

"Frank Lovejoy — Lt. Tom Brennan"

"Carolyn Jones — Cathy Gray"

"Phyllis Kirk — Sue Allen"

"Paul Picerni — Scott Andrews"

"Roy Roberts — Matthew Burke"

"Paul Cavanagh — Sidney Wallace"

"Dabbs Greer — Sgt. Jim Shane"

"Angela Clarke — Mrs. Andrews"

"Charles Bronson — Igor (credited as Charles Buchinsky)"

"Heresy? Do they still burn men for heresy? Then burn me monsieur, light the fire! Do you think your little candle will outshine the flame of truth?"

"My life is consecrated to great experiment. I tell you I will prove your kinship with the ape. Eric's blood will be mixed with the blood of man!"

"Innocent Beauty - this was her wedding eve. On the wall a shadow . . the beast was at large grinning horribly-cruelly. What was Her Fate?"

"A powerful cast that will guarantee entertainment!"

"Based on a story by Edgar Allan Poe."

"Edgar Allan Poe's dramatic story of the horrors of Paris."

"Bela Lugosi — Dr. Mirakle"

"Sidney Fox — Mademoiselle Camille L'Espanaye"

"Leon Ames — Pierre Dupin"

"Bert Roach — Paul"

"Betty Ross Clarke — Camille's mother"

"Brandon Hurst — Prefect of Police"

"D'Arcy Corrigan — Morgue Keeper"

"Noble Johnson — Janos"

"Arlene Francis — Streetwalker (a prostitute)"

"Charles Gemora — the sideshow ape Erik"

"Torben Meyer — The Dane"

"Agostino Montani — Alberto Montani"

"Herman Bing — Franz Odenheimer"

"God made some men kings, some beggars. Me, He made a hunter. My hand was made for the trigger."

"Here on my island, I hunt the most dangerous game."

"We'll have capital sport together I hope."

"This world's divided into two kinds of people: the hunter and the hunted. Luckily I'm the hunter. Nothing can change that."

"Joel McCrea — Sanger "Bob" Rainsford"

"Fay Wray — Eve Trowbridge"

"Leslie Banks — Count Zaroff"

"Robert Armstrong — Martin Trowbridge"

"Noble Johnson — Ivan"

"Steve Clemente — Tartar"

"Dutch Hendrian — Servant"

"William B. Davidson — Captain"

"Mr. Winthrop, three-quarters of my family have fallen into madness, and in their madness have acquired a, a superhuman strength... so that it took the power of many to subdue them."

"I suggest you leave, Mr. Winthrop. No? Then perish with us."

"See to the crypt, will you?"

"Did you know that I could hear the scratching of her fingernails on the casket lid?"

"Vincent Price - Roderick Usher"

"Mark Damon - Philip Winthrop"

"Myrna Fahey - Madeline Usher"

"Harry Ellerbe - Bristol"

"The House of Usher is no more - and the place whereon it stood is as if - it had never been."

"Edgar Allan Poe's overwhelming tale of EVIL & TORMENT"

"I heard her first feeble movements in the coffin... we had put her living in the tomb!"

"He buried her alive... to save his soul!"

"Edgar Allan Poe's demonic tale of The Ungodly... The Evil House of Usher"

"Pray, speak quietly, every sound you make is such exquisite agony to me."

"Outlander! Outlander! We have your woman!"

"[orders the children to get Vicky] Seize her!"

"Shut your mouth, Isaac!"

"[last words to the children about Burt before he got killed by Isaac by breaking his neck while he's possessed by He Who Walks Behind The Rows] Get him! Stop him! Kill him!"

"Any religion without love and compassion is false! It's a lie!"

"[about the Bible] What, did you rewrite the whole thing, or just the parts that suit your needs?"

"And a child shall lead them..."

"An adult nightmare."

"In their world adults are not allowed... to live."

"Peter Horton - Burt Stanton"

"Linda Hamilton - Vicky Baxter"

"R. G. Armstrong - Diehl ("The Old Man")"

"John Franklin - Isaac Chroner"

"Courtney Gains - Malachai Boardman"

"Robby Kiger - Joby"

"Anne Marie McEvoy - Sarah"

"Julie Maddalena - Rachel"

"John Philbin - Richard 'Amos' Deigan"

"Eight bones has the carpus, five the metacarpus, fourteen the phlanges, all in all, all in all, twenty-seven all in all. Abracadabra."

"Your flesh will creep... AT THE HAND THAT CRAWLS!!"

"It walks like a spider... it stalks like a cobra!"

"A Sensation of Screaming Suspense!"

"You've never seen the like of it!"

"Robert Alda — Bruce Conrad"

"Andrea King — Julie Holden"

"Peter Lorre — Hilary Cummins"

"Victor Francen — Francis Ingram"

"J. Carrol Naish — Commissario Ovidio Castanio"

"Charles Dingle — Raymond Arlington"

"John Alvin — Donald Arlington"

"David Hoffman — Duprex"

"Barbara Brown — Mrs. Miller"

"Patricia White — Clara"

"William Edmunds — Antonio"

"Belle Mitchell — Giovanna"

"Ray Walker — Mr. Miller"

"Pedro de Cordoba — Horatio"

"[after Jane and Marty tell him about the werewolf] I'm a little too old to be playing "Hardy Boys meet Reverend Werewolf"!"

"[narrating] This is Tarker's Mills, where I grew up. And this is how it looked that Spring, a town where people cared about each other as much as they cared about themselves."

"[narrating] I was nearly 15 years old, and my brother, Marty, was 11. Marty was the cross I had to bear. He wasn't so bad, actually. He was just constantly thrown in my face by my parents."

"[narrating] The last full moon of that Spring came a little more than a month before school let out for Summer vacation. Our town's long nightmare began that night."

"It started in May in a small town and every month after that whenever the moon is full... It came back."

"When darkness falls, terror rises."

"Part human. Part wolf. Total terror."

"Whenever the moon is full... it comes back!"

"Gary Busey - Uncle Red"

"Everett McGill - Reverend Lester Lowe"

"Corey Haim - Marty Coslaw"

"Megan Follows - Jane Coslaw"

"Terry O'Quinn - Sheriff Joe Haller"

"Robin Groves - Nan Coslaw"

"Leon Russom - Bob Coslaw"

"Bill Smitrovich - Andy Fairton"

"Lawrence Tierney - Owen Knopfler"

"Kent Broadhurst - Herb Kincaid"

"James Gammon - Arnie Westrum"

"Wendy Walker - Stella Randolph"

"James A. Baffico - Milt Sturmfuller"

"Joe Wright - Brady Kincaid"

"David Hart - Pete Maxwell"

"Boy, be careful. You play with fire."

"All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. Like Icarus we too have been given gifts: knowledge, education, experience. And with these gifts comes the responsibility of choice. We alone decide how our talents are bestowed upon the world. This is our destiny and we hold it in the palm of our hands."

"Ian McKellen - Kurt Dussander/Arthur Denker"

"Brad Renfro - Todd Bowden"

"David Schwimmer - Edward French"

"Bruce Davison - Richard Bowden"

"Ann Dowd - Monica Bowden"

"James Karen - Victor Bowden"

"Elias Koteas - Archie"

"Joe Morton - Dan Richler"

"Jan Tříska - Isaac Weiskopf"

"Michael Byrne - Ben Kramer"

"Heather McComb - Becky Trask"

"Joshua Jackson - Joey"

"Everything here is for the cats, which is why this place is going to the dogs."

"[looking at the cats on the grounds after the rainstorm] It looks like it's been raining cats and cats around here."

"Even Ladd Is Scared!"

"Basil Rathbone — Montague Hartley"

"Hugh Herbert — Mr. Penny"

"Broderick Crawford — Hubert Smith"

"Bela Lugosi — Eduardo Vigos"

"Anne Gwynne — Elaine"

"Gale Sondergaard — Abigail Doone"

"Cecilia Loftus — Henrietta Winslow"

"Claire Dodd — Margaret Gordon"

"John Eldredge — Stanley Borden"

"Gladys Cooper — Myrna Hartley"

"Alan Ladd — Richard Hartley"

"Erville Alderson — Doctor Williams (uncredited)"

"I am desolated, Edmund, I cannot invite you to the wedding supper, but I fear a man who has been dead for twenty years might cast a gloom upon the company."

"[To Voltan] If I find you up here again, I'll feed your liver to the swine!"

"I'm in the mood for relaxation. Let us visit the dungeons!"

"You must know I wouldn't do you...BODILY...harm. That would be too easy."

"Robert Louis Stevenson's masterpiece of TERROR"

"Charles Laughton — Alain de Maletroit"

"Boris Karloff — Voltan"

"Sally Forrest — Blanche de Maletroit"

"Richard Stapley — Denis de Beaulieu"

"William Cottrell — Corbeau"

"Alan Napier — Count Grassin"

"Morgan Farley — Renville"

"Paul Cavanagh — Edmond de Maletroit"

"You mean he killed while in some sort of trance?"

"I'm sorry, Barbara, but a man must do the work in which he believes!"

"Their wild beauty marked them for death by . . . The Haunted Strangler"

"Karloff-KING OF MONSTERS-In His New Picture of 1,000 Horrors!"

"KING OF THE MONSTERS! KARLOFF IN HIS NEW HORROR HIT!"

"Boris Karloff — James Rankin"

"Jean Kent — Cora Seth"

"Elizabeth Allan — Barbara Rankin"

"Anthony Dawson — Superintendent Burk"

"Vera Day — Pearl"

"Tim Turner — Dr. Kenneth McColl"

"Diane Aubrey — Lily Rankin"

"Max Brimmell — Newgate Prison Turnkey"

"Leslie Perrins — Newgate Prison Governor"

"Jessica Cairns — Asylum Maid"

"Dorothy Gordon — Hannah"

"Desmond Roberts — Dr. Johnson"

"Michael Atkinson — Edward Style"

"Peggy Anne Clifford — Kate"

"[about the mirror] But in a queer sort of way, it fascinates me. I feel as though that room, the one in the mirror, were trying to... to claim me. To draw me into it. It almost becomes the real room, and my own bedroom imaginary. [He takes a drag off his cigarette with a shaking hand] And I know that there's something waiting for me on the other side of the mirror. Something evil. Monstrously evil. And if I cross that dividing line, something awful will happen."

"[about their upcoming wedding] The cake's under control. Oh, and I've had a lot more answers. The Laughtons can't come, thank Heaven. And we've got some perfectly frightful presents. You know, darling, I really think we'll have to turn that spare room of ours into a Chamber of Horrors."

"It's entirely your fault: you can't cheat a ghost!"

"You're dead? How about a nice cup of tea?"

"Really, Eliot! That story is totally incredible and decidedly improper!"

"Oh, Mr. Craig. Now that you've met us, I sure that you wouldn't dream of dreaming about us again."

"Roland Culver — Eliot Foley"

"Renee Gadd — Mrs. Craig"

"Sally Ann Howes — Sally O'Hara"

"Mervyn Johns — Walter Craig"

"Anthony Baird — Hugh Grainger"

"Judy Kelly — Joyce Grainger"

"Barbara Leake — Mrs. O'Hara"

"Mary Merrall — Mrs. Foley"

"Frederick Valk — Dr. van Straaten"

"Googie Withers — Joan Cortland"

"Ralph Michael — Peter Cortland"

"Peggy Bryan — Mary Lee"

"Basil Radford — George Parratt"

"Naunton Wayne — Larry Potter"

"Allan Jeayes — Maurice Olcott"

"Magda Kun — Mitzi"

"Miles Malleson — the jailer"

"Garry Marsh — Harry Parker"

"Hartley Power — Sylvester Kee"

"Michael Redgrave — Maxwell Frere"

"Elisabeth Welch — Beulah"

"Christopher, not ten minutes ago I... I tried to kill a stray cat with a cabbage, and all but made love to the Lady Rowena. I succeeded is squashing the cabbage and badly frightening the lady. If only I could lay open my own brain as easily as I did that vegetable, what rot would be freed from its grey leaves?"

"The eyes, they confound me. There's a blankness, a mindless sort of malice in some Egyptian. They do not readily yield up the mystery."

"Minister at Graveside: [about Verden and Ligeia] You must have met in Hell!"

"Vincent Price — Verden Fell"

"Elizabeth Shepherd — Rowena Trevanion/Ligeia"

"John Westbrook — Christopher Gough"

"Derek Francis — Lord Trevanion"

"Even on her wedding night she must share the man she loved with the "female thing" that lived in the Tomb of the Cat!"

"CAT or WOMAN or a Thing Too Evil to Mention?"

"His first wife is dead- but still a little CATTY!"

"LON CHANEY in a great Scotland Yard Mystery"

"The Man of a Thousand Faces in a Great Detective Thriller!"

"Lon Chaney — Edward C. Burke"

"Marceline Day — Lucille Balfour"

"Henry B. Walthall — Sir James Hamlin"

"Percy Williams — Williams"

"Those Super-Sleuths Go Saddle-Silly...IN A HORSEY AND BUGGY DAZE! Their NEWEST and FUNNIEST Joy-Ride!"

"4 HIT TUNES by Harry Revel and Paul Francis Webster..."Sunbean Serenade" "Old Timer" "Glory Be" "Hang Your Troubles on a Rainbow""

"THEY'LL GIVE YOU THE "HOARSE" LAUGH...when I give THEM the laugh-laugh! A Fun-Hit You Can Place Your Money On to Win!"

"A WHIRLAWAY OF FUN! HA-HA HEE-HEE HO-HO HA-HA HEE-HEE HO-HO"

"The Horse-Laughs Are Running Wild!"

"Bud Abbott — Grover Mockridge"

"Lou Costello — Wilbur Hoolihan"

"Grace McDonald — Kitty McClain"

"Cecil Kellaway — King O'Hara"

"Eugene Pallette — Gregory Warner"

"Patsy O'Connor — Peggy / Princess O'Hara"

"Leighton Noble — Pvt. Joe Collins"

"Shemp Howard — Umbrella Sam"

"Samuel S. Hinds — Col. Brainard"

"Eddie Quillan — Harry the Horse"

"Richard Lane — Slicker"

"Andrew Tombes — Big-Hearted Charlie"

"Wade Boteler — Reilly"

"Selmer Jackson — Grant"

"A comic twist to a classic tale!"

"It's a giant sized joy!"

"Be happy go wacky!"

"BUD and LOU in GIANTLAND!"

"Bud Abbott — Mr. Dinkle/Mr. Dinklepuss"

"Lou Costello — Jack"

"Dorothy Ford — Polly/The housekeeper"

"Buddy Baer — The Giant"

"Shaye Cogan — Eloise Larkin/The Princess/Darlene"

"David Stollery — Donald Larkin"

"James Alexander — Arthur/The Prince"

"Barbara Brown — Mrs. Strong"

"William Farnum — The King"

"Mel Blanc — animals, the Harp"

"Lyle Talbot — Lt. Bob Bennett"

"Irving Pichel — Dr. Herbert Stander"

"Julie Bishop — Joan Martel"

"Sheila Bromley — Poison Mary Slavish"

"Anthony Averill — Dirk"

"Russell Hopton — Harry "The Carver" Bogard"

"Julian Madison — Paul - Stander's Aide"

"Eddie Holden — Ole Olson"

"Wheeler Oakman — John Ritter"

"Stanley Blystone — Captain Mike Briggs"

"Leander de Cordova — Ezra Matthews"

"Demetrius Alexis — Steve Murano"

"Skelton Knaggs — Jesse Bixel"

"[passionately wooing Lolita] If this could be - The high Sierras I would level to your feet - The wild waves on Capistrano's shore should pay you homage - I'd make the desert a million roses yield - - to die in shame before your beauty- If this could be!"

"I give you a safe rule, good landlady. Never do anything on an empty stomach - but eat!"

"Justice for all! Punishment for the oppressors of the helpless - from the governor down."

"Oh, such lips! Turn not away. Your face is heaven - all else is blackness!"

"You idlers! You wasters! You fashion-plates! You sit and sip your wine while the naked back of an unprotesting soldier of Christ is lashed with the whip!"

"The heaven-kissed hills of your native California swarm with the sentinels of oppression! Are your pulses dead? Thank God, mine is not - and I pledge you my blood's as noble as the best!"

"No force that tyranny could bring would dare oppose us - once united. Our country's out of joint. It is for us caballeros, and us alone, to set it right!"

"It's a good thing for that carver of Z's that he keeps out of reach of my sword. I'll carve Gonzales all over his body."

"Title Card: Oppression - by its very nature - creates the power that crushes it. A champion arises - a champion of the oppressed - whether it be a Cromwell or someone unrecorded, he will be there. He is born."

"Title Card: Out of the mystery of the unknown - appeared a masked rider who rode up and down the great highway.."

"Soldier: This Zorro comes upon you like a graveyard ghost and like a ghost he disappears."

"Douglas Fairbanks - Don Diego Vega/Señor Zorro"

"Marguerite De La Motte - Lolita Pulido"

"Noah Beery, Sr. - Sergeant Pedro Gonzales"

"Charles Hill Mailes - Don Carlos Pulido"

"Claire McDowell - Doña Catalina Pulido"

"Robert McKim - Captain Juan Ramon"

"George Periolat - Governor Alvarado"

"Walt Whitman - Father Felipe"

"Sidney De Gray - Don Alejandro Vega"

"Tote Du Crow - Bernardo, Don Diego's mute servant"

"Noah Beery, Jr. - Boy"

"Charles Stevens - Peon beaten by Sergeant Gonzales"

"[as Zorro is unmasked] So... inside the peacock... we find a hawk."

"Frank Langella - Don Diego Dela Vega / Zorro"

"Ricardo Montalbán - Captain Esteban"

"Gilbert Roland- Don Alejandro Dela Vega"

"Yvonne De Carlo - Isabella Vega"

"Louise Sorel - Inez Quintero"

"Robert Middleton - Don Luis Quintero"

"Anne Archer - Teresa"

"Jay Hammer - Antonio"

"I worshiped your sister. I worship her still. Without her, life is meaningless. She was that substance of loveliness. [displays a painting of Elizabeth] I tried to capture it, but it was the way she walked and moved - her smile, her voice. She sang like an angel. And she could play the harpsichord as no other woman I've ever known could play."

"Could I have kept that ring without knowing it? Play the harpsichord without knowing it? Destroyed Elizabeth's room all without knowing it? My inner mind - creating evidence of Elizabeth's vengeful return because that mind knows. But I don't know! I will find out."

"I will tell you where you are. You are about to enter hell, Bartholomew. Hell! The Netherworld. The infernal region. The abode of the damned. The place of torment. Pandemonium. "Abbadon, "Tophet", "Gehenna". "Naraka", the pit! And the pendulum."

"Harlot! You will die in agony! Die!"

"The razor edge of destiny. That's the condition of man. Bound on an island from which he can never hope to escape - surrounded by the waiting pit of hell. Subject to the inexorable pendulum of fate - which must destroy him finally."

"Elizabeth was quite dead. I would stick my reputation on that fact."

"She does not haunt you, Nicholas. Can you not see that? It is you punishing yourself."

"This groundless dread must finally be put to rest. We will exhume Elizabeth."

"Buying and selling. Living and dying. The weave of life."

"Vincent Price — Nicholas/Sebastian Medina"

"John Kerr — Francis Barnard"

"Barbara Steele — Elizabeth"

"Luana Anders — Catherine Medina"

"Antony Carbone — Doctor Leon"

"Until now no one has dared to film this ...... the most diabolical classic of all time!"

"The Greatest Terror Tale Ever Told!"

"Edgar Allan Poe's diabolic classic"

"She was enslaved by evil in a terror haunted castle."

"Betrayal cuts both ways!"

"Your daughter is a fine specimen, too, isn't she father? A specimen of the most deadly thing that was ever given life."

"A trio of terror!"

"Vincent Price — Alex Medbourne / Giacomo Rappaccini / Gerald Pyncheon"

"Sebastian Cabot — Dr. Carl Heidegger"

"Brett Halsey — Giovanni Guasconti"

"Beverly Garland — Alice Pyncheon"

"Richard Denning — Jonathan Maulle"

"Mari Blanchard — Sylvia Ward"

"Abraham Sofaer — Prof. Pietro Baglioni"

"Jacqueline deWit — Hannah Pyncheon, Gerald's Sister"

"Joyce Taylor — Beatrice Rappaccini"

"Edith Evanson — Lisabetta, the landlady"

"Floyd Simmons — Ghost of Mathew Maulle"

"Gene Roth — Cabman"

"A new, a strange, a gifted personality comes to the screen!"

"His love was pitiful...hopeless...madness...yet "The Thing" tired of pity - and demanded love!"

"Peter Lorre — Dr. Gogol"

"Frances Drake — Yvonne Orlac"

"Colin Clive — Stephen Orlac"

"Ted Healy — Reagan"

"Sara Haden — Marie"

"Edward Brophy — Rollo the Knife Thrower"

"Henry Kolker — Prefect Rosset"

"Keye Luke — Dr. Wong"

"It is the eternal right of every man to raise his fist against his fate!"

"Gentlemen of the jury, tonight it is my privilege to address a group of men I've long been acquainted with in song and story, but men I had never hoped to see. My worthy opponent, Mister Scratch, called you Americans all. Mister Scratch is right. You were Americans all. Oh, what a heritage you were born to share. Gentlemen of the jury, I envy you, for you were present at the birth of a mighty union. It was given to you to hear those first cries of pain and behold the shining babe, born of blood and tears. You are called upon tonight to judge a man named Jabez Stone. What is his case? He's accused of breach of contract. He made a deal to find a shortcut in his life, to get rich quickly, the same kind of a deal all of you once made."

"You, Benedict Arnold. I speak to you first because you are better known than the rest of your colleagues here. What a different song yours could have been. A friend of Washington and Lafayette, a soldier. General Arnold, you fought so gallantly for the American cause till - let me see, what was the date? - seventeen seventy-nine. That date, burned in your heart. The lure of gold made you betray that cause."

"I could go on and on and name you all but there's no need of that. Why stir the wounds? I know they pain enough. You were fooled like Jabez Stone, fooled and trapped in your desire to rebel against your fate. Gentlemen of the jury, it is the eternal right of every man to raise his fist against his fate. But when he does, these are crossroads. You took the wrong turn. So did Jabez Stone. But he found it out in time. He's here tonight to save his soul. Gentlemen of the jury, I ask you to give Jabez Stone another chance to walk upon this earth, among the trees, the growing corn, and the smell of grasses in the Spring. What would you all give for another chance to see those things you must all remember and often yearn to touch again? For you were all men once. Clean American air was in your lungs and you breathed it deeply. For it was free and blew across an earth you loved. These are common things I speak of, small things, but they are good things. Yet without your soul, they mean nothing. Without your soul, they sicken."

"Mister Scratch once told you that your soul meant nothing. And you believed him. And you lost your freedom. Freedom isn't just a big word. It is the morning and the bread and the risen sun. It was for freedom we came to these shores in boats and ships. It was a long journey and a hard one and a bitter one. Yes, there is sadness in being a man... but it is a proud thing, too. And out of the suffering and the starvation and the wrong and the right, a new thing has come: a free man. And when the whips of the oppressors are broken and their names forgotten and destroyed, free men will be talking and walking under a free star. Yes, we have planted freedom in this earth like wheat. And we have said to the skies above us, "A man shall own his own soul... " Now, here is this man. He is your brother. You were Americans all. [points to the Devil] You can't be on his side, the side of the oppressor. Let Jabez Stone keep his soul, a soul which doesn't belong to him alone but to his family, his son, and his country. Gentlemen of the jury, don't let this country go to the devil. Free Jabez Stone. God bless the United States and the men who made her free."

"Ma Stone: Now, Jabez Stone, as for what you're calling hard luck, we made New England out of it. That and cod fish."

"Edward Arnold — Daniel Webster"

"Walter Huston — Mr. Scratch"

"James Craig — Jabez Stone"

"Anne Shirley — Mary Stone"

"Jane Darwell — Ma Stone"

"Simone Simon — Belle"

"Gene Lockhart — Squire Slossum"

"John Qualen — Miser Stevens"

"H. B. Warner — Justice John Hathorne"

"Robert Pittard — Store Clerk"

"Alec Craig — Eli Higgins"

"Jeff Corey — Tom Sharp"

"The Deadliest Trap on Earth!"

"SHOCKING CHILLS..Bloodcurdling suspense! A thousand thrill-maddening horrors!"

"PLEASE do not reveal the amazing climax to your friends!"

"The shocking chills of the sensational suspense novel leap from the screen... in 3 Dimension"

"Richard Carlson — Gerald MacTeam"

"Veronica Hurst — Kitty Murray"

"Katherine Emery — Edith Murray"

"Michael Pate — William"

"John Dodsworth — Dr. Bert Dilling"

"Hillary Brooke — Peggy Lord"

"Stanley Fraser — Robert"

"Lilian Bond — Margaret Dilling"

"Owen McGiveney — Simon"

"Robin Hughes — Richard Roblar"

"HE ROSE FROM THE DEAD...TO HAUNT THE LIVING!!!"

"He lives to kill and kills to live!"

"Wayne Morris — Walter Garrett"

"Rosemary Lane — Joan Vance"

"Humphrey Bogart — Dr. Maurice Xavier, a.k.a. Marshall Quesne"

"Dennis Morgan — Dr. Mike Rhodes"

"John Litel — Dr. Francis Flegg"

"Lya Lys — Angela Merrova"

"Huntz Hall — Pinky"

"Charles Wilson — Detective Ray Kincaid"

"Vera Lewis — Miss Sweetman"

"Olin Howland — Undertaker"

"Arthur Aylesworth — Guide"

"Cliff Saum — Detective Sergeant Moran"

"Creighton Hale — Hotel Manager"

"John Ridgely — Rodgers"

"Hear that? This may sound silly and have no bearing on the case, but she's always playing with drums. Not toy drums, but, native drums - from the island of St. Christropher. She was born there. There are two white people there - her uncle and an overseer and a couple a thousand blacks."

"[Rada drums beating in the background] Something is happening. You ask me what and I can only say I do not know. I merely consider this. We are five whites. Two of them are women and one is a helpless child. And around us are two thousand black. Fully three-quarters of these are hill bandits - fugitives from Haiti."

"[Showing Stephen Lane his stock of guns] We've been prepared for the last 100 years. Six times the blacks have tried to wipe us out. I suppose you're acquainted with the negro superstition that seven is their lucky number."

"Those years I grew careless. I trusted Juanita to a native nurse, Ruva. She taught her the Rada of the blacks. At night, when I thought she was asleep, she was taken with native children to watch the sacrifice. She tasted blood!"

"Love battling against the sorcery of the jungle!"

"Jack Holt — Stephen Lane"

"Fay Wray — Gail Hamilton"

"Dorothy Burgess — Juanita Perez Lane"

"Cora Sue Collins — Nancy Lane"

"Arnold Korff — Dr. Raymond Perez"

"Clarence Muse — "Lunch" McClaren"

"Madame Sul-Te-Wan — Ruva"

"Lumsden Hare — Macklin"

"One thing I like about bananas is that they got no bones in them."

"Fay Wray — Louise Loring"

"Ralph Bellamy — John Bradley"

"Melvyn Douglas — Tony Robson"

"Roscoe Ates — Tommy Logan"

"Ruth Gillette — Lil Logan"

"Joe King — Detective"

"Nell O'Day — Helen Grant"

"Frank Otto — Kraus"

"Reed Brown Jr. — Conroy"

"Granville Bates — Sheriff Grant"

"Charles Williams — Clerk"

"Frank Shannon — Prison Warden"

"Cliff Dunstan — Doctor"

"A RACE FOR LIFE IN A CHASE AGAINST DEATH!"

"John Loder — Don Rainsford"

"Audrey Long — Ellen Trowbirdge"

"Edgar Barrier — Erich Kreiger"

"Russell Wade — Robert Trowbridge"

"A raging animal of a man...more savage than any jungle killer!"

"The white-hot story of a fantastic hunt with human game as prey!"

"Clawing...Killing...Hacking his way across a thousand miles of steaming jungle!"

"The first motion picture to be exhibited in SuperScope-235! Full CinemaScope Screen. Full CinemaScope Aperture!"

"Richard Widmark — Michael Latimer"

"Trevor Howard — Browne"

"Jane Greer — Katie Connors"

"Peter van Eyck — Dr. Van Anders / Colonel Von Andre"

"Maniac Hunts Humans In A Jungle Hell!"

"Two beautiful young girls...Defenseless against the deadly ancient crossbow!"

"He hunted humans for the sheer sport of killing ... and made his island paradise into a Hell on Earth!"

"The foulest passion of them all!"

"Wilton Graff — Dr. Albert Balleau"

"June Kenney — Betty Scott"

"Walter Brooke — Dean Gerrard"

"Robert Reed — Johnny Randall"

"A man of evil... with a face that could stop a heart!"

"The Only Picture With the Punishment Poll!"

"During the running of the film,the "Punishment Poll" lets YOU decide the fate of Mr. Sardonicus!"

"YOU decide the fate of Mr. Sardonicus during the "Punishment Poll"! Vote "mercy" or "no mercy" right in your theatre seat!"

"Oskar Homolka — Krull"

"Ronald Lewis — Sir Robert Cargrave"

"Audrey Dalton — Maude Sardonicus"

"Guy Rolfe — Baron Sardonicus"

"Vladimir Sokoloff — Henryk Toleslawski"

"Erika Peters — Elenka"

"Lorna Hanson — Anna"

"Attack of the Mushroom People"

"I like ATTACK OF THE MUSHROOM PEOPLE very much. I think the drama, rather than the special effects or the makeup, is what makes it entertaining. Fans who are in their mid-thirties always tell me that when they were children, they became terrified of eating mushrooms after they saw the movie. I very much enjoyed working on ATTACK OF THE MUSHROOM PEOPLE. I remember that Mr. Honda spent a long period of time explaining what the film was really about. There were many American soldiers in Japan during the Vietnam War. Almost every one of them who ran into me said, "I know you!" I would always ask in which film they'd seen me, and they always would say that it was ATTACK OF THE MUSHROOM PEOPLE."

"Akira Kubo — Professor Kenji Murai"

"Kumi Mizuno — Mami Sekiguchi"

"Kenji Sahara — Senzō Koyama"

"Hiroshi Tachikawa — Etsurō Yoshida"

"Yoshio Tsuchiya — Masafumi Kasai"

"Hiroshi Koizumi — Naoyuki Sakuda"

"Miki Yashiro — Akiko Sōma"

"SCREEN'S SUPER-THRILLER...AN EPIC OF HORROR!"

"It Starts Where "Frankenstein" Left Off!"

"Erich von Stroheim — Dr. Andre Crespi"

"Harriet Russell — Estelle Gorham Ross"

"Dwight Frye — Dr. Thomas"

"Paul Guilfoyle — Dr. John Arnold"

"I think too much of Satan to use cats as experiments."

"It was in Miersholtz' eyes when he wanted to murder me. It was in Mrs. Buckley's eyes when she wanted to murder her husband. Alice had the gleam in her eye when she wanted to find me. She'd murder me! I must get rid of her. How? Mrs. Buckley! She will help. She must help!"

"Not only do I look like Meirschultz, I am Meirschultz!"

"Tonight, my dear Maxwell, I'm ready to try my experiment on a human!"

"Buckley: Oh! Stealing through my body! Creeping though my veins! Pouring in my blood! Oh, DARTS OF FIRE IN MY BRAIN! STABBING ME! AGONY! I CAN'T STAND IT! THIS TORTURE! THIS TORMENT! I CAN'T STAND IT! I WON'T!"

"He Menaced Women with Weird Desires!"

"Bill Woods — Don Maxwell"

"Horace B. Carpenter — Dr. Meirschultz"

"Ted Edwards — Buckley"

"Phyllis Diller — Mrs. Buckley"

"Thea Ramsey — Alice Maxwell"

"Jenny Dark — Maizie"

"Marvel Andre — Marvel"

"Celia McCann — Jo"

"John P. Wade — Embalmer"

"Marian Blackton — Neighbor"

"So, you finally got wise to yourself, did ya? It's a funny thing about you women. Most of you don't get wise soon enough! You wait until you're so old, nobody wants ya."

"That's it, that's it. Go ahead and laugh. It's funny, ain't it? Yeah. Women are funny, ain't they? They're all tramps, ain't they? Yeah. Except when you can get money from them!"

"You dirty, slimy, freaks! Freaks, freaks, freaks! You fools! Make me one of you, will you?"

"How many times have I told you not to be frightened. Have I not told you, God looks after all his children!"

"We didn't lie to you folks. We told you we had living, breathing, monstrosities. You laughed at them, shuddered at them. And, yet, but for the accident of birth, you might be one as they are. They did not ask to be brought into the world. But, into the world they came. Their code is a law unto themselves: offend one and you offend them all."

"Can a full grown woman truly love a Midget?"

"The Story of the Love life of the Sideshow"

"Wallace Ford — Phroso"

"Leila Hyams — Venus"

"Olga Baclanova — Cleopatra"

"Rosco Ates — Roscoe"

"Henry Victor — Hercules"

"Harry Earles — Hans"

"Daisy Earles — Frieda"

"Rose Dione — Madame Tetrallini (final film role)"

"Daisy and Violet Hilton — the Siamese twins"

"Schlitzie — himself"

"Josephine Joseph — Half Woman-Half Man"

"Johnny Eck — Half Boy"

"Frances O'Connor — Armless girl"

"Peter Robinson — Human skeleton"

"Olga Roderick — Bearded lady"

"Koo Koo — herself"

"Prince Randian — The Living Torso"

"Jack Mulhall — Detective Capt. Herbert Devlin"

"Phyllis Barrington — Ruth Frazer"

"Crauford Kent — Judge David McLeod"

"Mischa Auer — Swami Yomurda"

"Louis Natheaux — Nick Genna"

"Gertrude Messinger — Betty Lang"

"I used to think this was the beginning of your story. Memory is a strange thing. It does not work like I thought it did. We are so bound by time. By its order...But now I'm not so sure I believe in beginnings and endings. There are days that define your story beyond your life. Like the day they arrived."

"Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict."

"So, Hannah...This is where your story begins. The day they departed...Despite knowing the journey...and where it leads...I embrace it. And I welcome every moment of it."

"There's so much we still don't know about heptapods. ("Hepta", seven, and "Pod", foot). The breakthrough came when we realized what a heptapod says, has nothing to do with what a heptapod writes. Unlike all human written language, their writing is symbolic. It conveys meaning, it does not represent sound. Perhaps they view our form of writing as a wasted opportunity, passing every second communications channel. We have our friends in Pakistan to thank for their study on how the heptapods write. Because unlike speech, a logogram is free of time. Like their ship or their bodies. Their written language has no form or no direction. Linguists call this nonlinear orthography. Which raises the question: "Is this how they think?" Imagine you wanted to write a sentence using two hands, starting from either side. You'd have to know each word you wanted to use, as well as how much space they will occupy. A heptapod can write a complex sentence in two seconds effortlessly. It took us a month to make the simplest vocabulary."

"Agent Halpern: We're a world with no single leader. It's impossible to deal with just one of us."

"Amy Adams - Dr. Louise Banks"

"Jeremy Renner - Ian Donnelly"

"Forest Whitaker - U.S. Army Colonel G. T. Weber"

"Michael Stuhlbarg - Agent David Halpern"

"Tzi Ma - General Shang"

"Mark O'Brien - Captain Marks"

"Let's be practical--we can't live on love--can we?"

"You Haven't seen anything yet! Wait until you see The Shock"

"Lon Chaney — Wilse Dilling"

"Virginia Valli — Gertrude Hadley"

"Jack Mower — Jack Cooper"

"William Welsh — Micha Hadley"

"Henry A. Barrows — John Cooper, Sr."

"Christine Mayo — Ann Cardington, AKA "Queen Anne""

"Harry De Vere — Olaf Wismer (final film role)"

"John Beck — Bill"

"Walter Long — The Captain"

"Bob Kortman — Henchman"

"This wasn't like any old Leprechaun that you wouldn't say hello twice to. But who was he, but Brian Conners himself, the King of them all! But I got me eye fixed on 'im. They can't escape, ye know, as long as ye don't look away. Now the night was dark, and the mountain was covered with mist, and the moon was no bigger than the light from a hay-penny candle. But it didn't hide 'im from me, for there he stood, with an angry little gob on him, an' his face as fierce as fire..."

"Three wishes I'll grant ye, great wishes an' small! But you wish a fourth and you'll lose them all! [laughs]"

"A touch O'Blarney... a heap O'Magic and A LOAD O'LAUGHTER!"

"Albert Sharpe — Darby O'Gill"

"Janet Munro — Katie O'Gill"

"Sean Connery — Michael McBride"

"Jimmy O'Dea — King Brian"

"Kieron Moore — Pony Sugrue"

"Estelle Winwood — Widow Sheelah Sugrue"

"Walter Fitzgerald — Lord Fitzpatrick"

"Denis O'Dea — Father Murphy"

"Jack MacGowran — Phadrig Oge"

"[hypnotizing Watson] That will do. The other leg is waterproof."

"Temptress of Pleasure - or Mistress of Murder?"

"From Her LIPS - Poison That Bred MURDER!"

"Basil Rathbone — Sherlock Holmes"

"Nigel Bruce — Doctor Watson"

"Hillary Brooke — Lydia Marlowe"

"Henry Daniell — Professor Moriarty"

"Paul Cavanagh — Sir George Fenwick"

"Matthew Boulton — Inspector Tobias Gregson"

"Eve Amber — Maude Fenwick"

"Frederick Worlock — Doctor Onslow"

"Tom Bryson — Corporal Williams"

"Sally Shepherd — Crandon, Marlowe's maid"

"Mary Gordon — Mrs. Hudson"

"Elementary, my dear fellow, one of the first principles in solving crime is never to disregard anything no matter how trivial."

"The truth is only arrived at... by the pain staking process of eliminating the untrue."

"However, it's a mistake to accept something that's true merely because it's obvious."

"[to a handcuffed Holmes, who is hanging from a beam] You find yourself like Muhammad's coffin, Mr. Holmes, suspended between Heaven and Earth."

"Mrs. Hilda Courtney: It's so fearfully awkward, having a dead body lying about. Don't you agree Mr. Holmes?"

"Queen... of a Crime Cult!"

"Basil Rathbone — Sherlock Holmes"

"Nigel Bruce — Dr. John H. Watson"

"Patricia Morison — Hilda Courtney/Charwoman"

"Edmund Breon — "Stinky" Emery"

"Frederick Worlock — Colonel Cavanaugh"

"Carl Harbord — Inspector Hopkins"

"Patricia Cameron — Evelyn Clifford"

"Holmes Herbert — Ebenezer Crabtree"

"Harry Cording — Hamid"

"Mary Gordon — Mrs. Hudson"

"Look! I don't like to get pushed around. I don't like people I like to be pushed around. I don't like anybody to get pushed around."

"Go ahead and hit me, Sam. I've got it coming."

"I missed a bus once and I was lucky. I wanted to see if I could be lucky twice."

"[Offering a hotel room Gideon Bible] I'll loan you a book for a couple of cigarettes if you don't mind what kind of book it is."

"Hotel clerk: There's half as many baths as there is rooms. Half the rooms has a bath and half hasn't; that's one way of looking at it. Another is - for each two rooms one has a bath in the middle and the other hasn't - or - you might say - there's a half a bath to each of two rooms."

"Mrs. Ivers: [to Mr. O'Neill] I know why you offered to tutor Martha. I know why you've made Walter do his daily lessons with her. I know why you want him to live here. A scholarship for Walter, that's why! But I'm not a foundation, Mr. O'Neil. I don't care if Walter drives a truck or goes to Harvard. Probably be a lot happier driving a truck."

"Barbara Stanwyck - Martha Ivers"

"Van Heflin - Sam Masterson"

"Lizabeth Scott - Antonia "Toni" Marachek"

"Kirk Douglas - Walter O'Neil"

"Roman Bohnen - Mr. O'Neil"

"Judith Anderson - Mrs. Ivers"

"Janis Wilson - young Martha Ivers"

"Darryl Hickman - young Sam Masterson"

"Mickey Kuhn - young Walter O'Neil"

"Jimmy, don't bother your father with that now. He's got little enough on his mind as it is."

"Oh, Albert, it makes no sense! You're spending all that money when you have a wife who could pack you a nice, little lunch!"

"Trinket?! Haven't you bankers ever heard of gold?"

"Some husband; he wants his wife in jail!"

"At that price, he ought to have his own car!"

"Look, we are pals, pal, but where am I going to get $50, huh? I can't even pay these bills!"

"Oh, no; they're not taking this duck in that death trap!"

"I wish that fool professor made enough money so I could investigate him."

"Look Al, sweetheart. I'm only trying to save you money. I mean by making me a partner, you'll save paying me all those exorbitant lawyer's fees."

"[to the viewers] Wait. What am I doin'? [on Albert] A sane adult with a law degree, crawling outta the barnyard, barking at fowls, tryin' to find some stupid duck who lays solid go.... [one second pause] Solid gold eggs! [barks 3 times to look for Charley]"

"Doctor Gottlieb: Excuse me. I have to go recheck the IQ of this chimp - a hundred and forty, higher than mine."

"Judge: One word of caution, son. If it ever lays another gold egg, bury it. Quick."

"What an EGGstravaganza!"

"It's Charlie...the webfoot wonder with the 24 karat layaway plan!"

"What a way to feather your nest!"

"Dean Jones - Albert Dooley"

"Sandy Duncan - Katie Dooley"

"Joe Flynn - Finley Hooper"

"Tony Roberts - Fred Hines"

"James Gregory - Rutledge"

"Lee Montgomery - Jimmy Dooley"

"Jack Kruschen - Doctor Gottlieb"

"Virginia Vincent - Eunice Hooper"

"Jack Bender - Arvin Wadlow"

"Billy Bowles - Orlo Wadlow"

"Sammy Jackson - Frisby"

"Arthur Hunnicutt - Mr. Purdham"

"Frank Wilcox - Bank Manager"

"Bryan O'Byrne - Bank Teller"

"Ted Jordan - Mr. Forbes"

"Bing Russell - Mr. Smith"

"Peter Renaday - Mr. Beckert"

"Frank Cady - Assayer"

"George O'Hanlon - Parking Attendant"

"Jonathan Daly - Carter"

"Hal Smith - Courthouse Guard"

"Edward Andrews - Morgan"

"You're saying that that's a real person... underneath?"

"[to Vincent] Hey, town's looking real good. We almost finished what Ma started. Those two are good, they'll fit perfectly. What I tell ya, huh? Ain't your work more real now? Ma would be proud, yeah, she'd be real proud. She always said your talent would make up for what God took away from you. There's two more, we've still got a lot of work to do."

"The flesh is weak. Wax is forever."

"Prey. Slay. Display."

"There's a reason they look so real."

"Elisha Cuthbert - Carly Jones"

"Chad Michael Murray - Nick Jones"

"Brian Van Holt - Bo Sinclair/Vincent Sinclair"

"Paris Hilton - Paige Edwards"

"Jared Padalecki - Wade Felton"

"Jon Abrahams - Dalton Chapman"

"Robert Ri'chard - Blake Johnson"

"Damon Herriman - Lester Sinclair"

"Andy Anderson - Sheriff"

"Dragicia Debert - Trudy Sinclair"

"Murray Smith - Dr. Victor Sinclair"

"Emma Lung - Jennifer (uncredited)"

"Now, this here tale didn't happen just yesterday, nor the day before. 'Twas a long time ago. And in them days, everything was mighty satisfactual. The critters, they was closer to the folks, and the folks, they was closer to the critters, and if you'll excuse me for saying so, 'twas better all around."

"Once upon a time - not your time, nor yet my time, but one time - I was goin' fishin', and I was just thinking how the flowers and critters was curious things. They can look into your heart and tell when it sings, if it's whistling a tune, or singing a song, and they all say "Howdy" when you come along."

"Brer Rabbit, bein' little and without much strength, he's supposed to use his head 'stead of his foots."

"You can't run away from trouble. There ain't no place that far."

"It happened on one of them zip-a-dee-doo-dah days. Now that's the kind of day where you can't open your mouth without a song jumping right out of it! [sings] Zip-a-dee-doo-dah, zip-a-dee-ay My, oh, my, what a wonderful day Plenty of sunshine headin' my way Zip-a-dee-doo-dah, zip-a-dee-ay!"

"[after telling the tale of the Tar Baby] Well, sir, you ain't never seen nobody that had humble-come-tumbledness down as fine as what Brer Rabbit had it then. Poor little critter, he learned a powerful lesson. But he learned it too late. But it just goes to show what comes of mixin' up with somethin' you got no business with in the first place. And don't you never forget it."

"Yes sir, that's the way with Br'er Rabbit, sure as I'm named Remus. About the time he get it stuck in his mind that there ain't nobody can outdo him, up somebody'd jump an' do him scan'lous. "What you laughin' 'bout?" says Br'er Fox, says he. An' Br'er Rabbit, he couldn't say nothin'. "Well, then," says Br'er Fox, says he, "I'll settle your hash right now!" And with that, he grab Br'er Rabbit by the tail and made for to dash 'im agin' the ground. But just then, Br'er Rabbit's tail snap off real short, an' he tuck through the cotton patch like the dogs was after 'im. An' from that day to this, the only tail that Br'er Rabbit's got to his name was a little ol' ball o' cotton."

"Please don't throw me in that briar patch!"

"What I take away from the movie, is the following: That Uncle Remus is a warm, good-hearted character who captures the imagination of a lonely little boy who happens to be white. The boy is absolutely colorblind, and the audience relates to him. There is an incredible moment when Uncle Remus takes the boy's hand in his, and there is an insert of the white and black hands clasped together. It's the emotional climax of the movie."

"While Walt Disney can be fairly criticized for his rather naive approach to the post-Civil War South, the Old Maestro can also be praised for his heart warming story of a kindly old gentleman helping a young boy through difficult times."

"An insult to American minorities [and] everything that America as a whole stands for."

"The National Association for the Advancement of Colored People recognizes in Song of the South remarkable artistic merit in the music and in the combination of living actors and the cartoon technique. It regrets, however, that in an effort neither to offend audiences in the north or south, the production helps to perpetuate a dangerously glorified picture of slavery. Making use of the beautiful Uncle Remus folklore, Song of the South unfortunately gives the impression of an idyllic master-slave relationship which is a distortion of the facts."

"We're headin' for the Laughin' Place!"

"Here Comes The Zip-A-Dee-Doo-Dah Show!"

"The Story of Brer Rabbit, Brer Bear & Brer Fox."

"Walt Disney's first live-action musical drama"

"James Baskett - Uncle Remus and Br'er Fox"

"Bobby Driscoll - Johnny "John" Doshy, Jr."

"Luana Patten - Ginny Favers"

"Glenn Leedy - Toby"

"Ruth Warrick - Sally Doshy"

"Lucile Watson - Grandmother Doshy"

"Hattie McDaniel - Aunt Tempy"

"Erik Rolf - Johnny "John" Doshy, Sr."

"Mary Field - Mrs. Favers"

"Johnny Lee as Br'er Rabbit"

"Nick Stewart as Br'er Bear"

"So long, jerky! Send me a postcard from Albuquerque! You know, I'm so smart sometimes it almost frightens me."

"[feeling remorseful for what he had done to Finney and Gwen earlier, sobbing] I'm so sorry. I'm... I'm so sorry. Please forgive me."

"Ethan Hawke - The Grabber"

"Mason Thames - Finn "Finney" Blake"

"Madeleine McGraw - Gwendolyn "Gwen" Blake"

"Jeremy Davies - Terrence Blake"

"E. Roger Mitchell - Detective Wright"

"Troy Rudeseal - Detective Miller"

"James Ransone - Max"

"Miguel Cazarez Mora - Robin"

"Brady Hepner - Vance Hopper"

"Tristan Pravong - Bruce"

"Jacob Moran - Billy"

"Banks Repeta - Griffin"

"Hear me! [all fall silent] Soon you will be costuming yourselves for the masque. A celebration, my friends. A celebration of victory over death, of evil over good. Monsignor Scarlatti will not be joining us...he failed to obey my orders. But because of me, through my mediation with my master, the Lord of Flies, you, all of you, unworthy though you may be, will be safe from the Red Death. We promise you...unless of course you incur our displeasure. For some of you are guilty of acts against us. Acts of faith perhaps. And all of you I suspect still harbor some sacred thoughts. But no more. A fallen angel will protect you."

"Do you know how a falcon is trained, my dear? Her eyes are sewn shut. Blinded temporarily, she suffers the whims of her God patiently, until her will is submerged and she learns to serve - as your God taught and blinded you with crosses."

"Do you command me to wait? Very well, I wait."

"There is no face of death, until the moment of your own death."

"It's time for a new dance to begin... the Dance of Death!"

"[to Prospero] Why should you be afraid to die? Your soul has been dead for a long long time."

"I called many. Peasant and prince... the worthy and the dishonored. Six only are left... a young man and woman... a dwarf and a tiny dancer... this child [he rests his hand on the little girl's head] and an old man still in the village. Sic transit gloria mundi (Latin for "Thus passes the glory of the world")."

"The hostility the film received from the US Catholic Legion of Decency came as a total surprise. I'm a lapsed Catholic myself. We had to make cuts for blasphemy and nudity, and the film was censored even more heavily in the UK. But I'm being asked to talk about it a great deal at the moment, with the pandemic. ... The Red Death plays almost as if it were about the coronavirus. And Prospero's behaviour – shutting himself away in the castle – is not dissimilar to our former president's."

"Horror has a face."

"Stare into this face and count if you can the orgies of evil...."

"We defy you to stare into this face."

"SHUDDER... at the blood-stained dance of the Red Death! TREMBLE... to the hideous tortures of the catacombs of Kali! GASP... at the sacrifice of the innocent virgin to the vengeance of Baal!"

"Vincent Price - Prince Prospero"

"Hazel Court - Juliana"

"Jane Asher - Francesca"

"David Weston - Gino"

"Nigel Green - Ludovico"

"John Westbrook - The Red Death"

"Patrick Magee - Alfredo"

"Paul Whitsun-Jones - Scarlatti"

"Robert Brown - Guard"

"David Davies - Lead villager"

"Sarah Brackett - Grandmother"

"Skip Martin - Hop-Toad"

"Verina Greenlaw - Esmeralda"

"Everyone seems to know me, but me."

"You might want to give your little girlfriend a kiss goodbye. As long as she doesn't mind where those lips have been."

"Did you really think I'd let you leave without a kiss goodbye?"

"Hey, Robo-dick, that's mine!"

"[Doug cuts the mobile phone out of his hand] Holy shit. What is that? Where can I get one?"

"The past is just a mental construct."

"[Repeated line] Wake up."

"Trust me, baby, you're gonna wish you had three hands."

"Colin Farrell as Douglas Quaid/Hauser"

"Kate Beckinsale as Lori Quaid"

"Jessica Biel as Melina"

"Bryan Cranston as Cohaagen"

"Bokeem Woodbine as Harry"

"Bill Nighy as Matthias"

"John Cho as McClane"

"Will Yun Lee as Marek"

"Milton Barnes as Resistance Fighter"

"James McGowan as Military Adjutant"

"Natalie Lisinska as Bohemian Nurse"

"Michael Therriault as Bank Clerk"

"Stephen MacDonald as Slacker"

"What is real?"

"Real? or Dream?"

"What is real? What is recall?"

"[from trailer] You'll walk as long as you can. But sometimes, the body won't listen. For some of you, your heart will stop. For others, your brain. And the blood will flow... suddenly."

"Boys, it takes heavy, heavy sack to sign up for this contest, and you've all got it. You're men now. As you all know, our country has been in a period of financial struggle since the war, and we did the first Long Walk all those years ago to inspire and re-integrate the value of work ethic. Each year after the event, there's a spike in production. We have the means to return to our former glory. Our problem now is an epidemic of laziness. You boys are the answer. The Long Walk is the answer. When this is broadcast for all the states, your inspiration will continue to elevate our gross national product. We will be number one in the world again! [cheers from the Walkers]"

"Now, uh, I'm not going to go through the whole rule-book, but it boils down to this. Walk until there's only one of you left. Maintain a speed of three miles per hour. If you fall below the speed, you get a warning. If you can't make speed in ten seconds, you get an additional warning. Three warnings, you get your ticket. Walk one hour at speed, one warning is erased, and so on. If you step off the pavement, you will get your ticket without warning. The goal is to last the longest. There's one winner, and no finish line. Any of you can win. Any of you can do it if you walk long and steady enough, if you refuse to give up. I look at each and every one of you, and I see hope. Now, boys, who's set to fuckin' win? [cheers from the Walkers] I said, who's ready to fuckin' win? [louder cheers; he fires a pistol into the air to start the Walk] Luck to all, and remember. Anyone can win."

"I'm sorry, mom!"

"[To McVries] Just walk with me a little longer."

"[To the guard] You're paid to shoot me, not look at me, motherfucker!"

"[His last line] This is for Ray."

"Arthur Baker #6: What, you need a gun to your head to get up from a shit? Jesus."

"Hank Olson #46: I DID IT ALL WRONG!"

"Arthur Baker #6: [His last line, repeatedly] I'm going home."

"It was an early fall morning, months after Peter McVries won the Long Walk, when the Musketeers' next of kin – Ginny Garraty, Clementine Olson, and Geraldine Baker – each heard a knock at their door. When they opened it, no one was there. Instead, they each found a large envelope filled with more money than any of them had ever seen. These mysterious envelopes kept arriving, month after month, for as long as they could remember. And one day not long after the first envelopes arrived, Geraldine Baker received a small parcel. Inside was a rosary and cross."

"Walk or die."

"You could be the next winner."

"The road awaits you."

"Cooper Hoffman as Raymond Garraty #47"

"David Jonsson as Peter McVries #23"

"Garrett Wareing as Billy Stebbins #38"

"Tut Nyuot as Arthur Baker #6"

"Charlie Plummer as Gary Barkovitch #5"

"Ben Wang as Hank Olson #46"

"Jordan Gonzalez as Richard Harkness #49"

"Joshua Odjick as Collie Parker #48"

"Mark Hamill as The Major"

"Roman Griffin Davis as Curley Adam White #7"

"Judy Greer as Mrs. Ginnie Garraty"

"Josh Hamilton as Mr. William Garraty"

"Noah de Mel as James Ewing #1"

"Daymon Wrightly as Rank Sanders #19"

"Jack Giffin as Ronald #45"

"Some day you won't laugh at me! I'm going out and have a real life! I'm gonna be somebody!"

"[last lines] Hello, everybody. This is Mrs. Norman Maine."

"Do you mind if I take just one more look?"

"I don't want to sound immodest, but I think I've stripped a gear."

"[When Esther is accepting her Academy Award] I won one of those once - They don't mean a thing! What I want is a special award for the worst performance of the year. Lord knows I earned it!"

"[to Esther] All the experts seem to think that your type is a little mild for present day's taste. But I'd rather believe that tastes change, like eyebrows. And I think that also like eyebrows, tastes are going back to the natural."

"Now, I'm going to turn you over to our demon press agent, Libby. Don't let him frighten you. He has a heart of gold... only harder."

"If you've got one drop of my blood in your veins, you won't let Mattie or any of her kind break your heart, you'll go right out there and break it yourself."

"Tragedy is a test of courage. If you can meet it bravely, it will leave you bigger than it found you. If not than you will have to live all your life as a coward, because no matter where you may run you can never run away from yourself."

"[to the radio audience] It took me more than 70... more than 60 years to get here, and here I mean to stay!"

"For every dream of yours you make come true, you'll pay the price in heartbreak."

"There are a couple of rats I raised from mice."

"That's a charming match. A nice girl like Vicki and Public Nuisance Number One."

"Casey Burke: His work is beginning to interfere with his drinking."

"Danny McGuire: The program tonight's gonna be swell. Take this fella Beethoven: I'm a pushover for him. And Chopin - well, he's not so dusty, either."

"Is the price of stardom a broken heart?"

"Fate raised her to fame - and killed the man she loved!"

"Janet Gaynor - Esther Blodgett/Vicki Lester"

"Fredric March - Norman Maine"

"Adolphe Menjou - Oliver Niles"

"May Robson - Grandmother Lettie Blodgett"

"Andy Devine - Daniel "Danny" McGuire"

"Lionel Stander - Matt Libby"

"Owen Moore - Casey Burke"

"Peggy Wood - Miss Phillips"

"Elizabeth Jenns - Anita Regis"

"Edgar Kennedy - Pop Randall"

"J. C. Nugent - Mr. Blodgett"

"Guinn "Big Boy" Williams - posture coach"