92 quotes found
"This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will."
"You are all wrong."
"You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates."
"Well they are very frightening for me because their stupidity is so flat. You look into the eyes of a chicken and you lose yourself in a completely flat, frightening stupidity. They are like a great metaphor for me... I kind of love chicken, but they frighten me more than any other animal."
"I am so used to plunging into the unknown that any other surroundings and form of existence strike me as exotic and unsuitable for human beings."
"I believe the common denominator of the Universe is not harmony, but chaos, hostility and murder."
"James Joyce is a cul-de-sac. [Ulysses is] … an example how literature branched out and went into, lost itself in nowhere, no man's land."
"Together, I said, we shall boil fire and stop fish."
"There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board."
"I'm completely aware and utterly aware that Russia [the Soviet Union] lost 25 million people for winning the war, and I know that Russian troops were the ones who liberated concentration camps, Auschwitz and others, and I'm aware that there's an incredible sacrifice on the side of Russia, and I do believe that it's ignored because of course of political interests. It's very much the question what are the facts, maybe 600 or so thousand American soldiers lost their lives in the Second World War, 25–26 million Russian. Those are facts that cannot be ignored, and today it's not that really important what really happened, it's more the question who owns the narrative, and occupying the narrative has created some sort of lopsided ideologies in lopsided information, that we see every day."
"If you switch on television it's just ridiculous and its destructive. It kills us. And talk shows will kill us. They kill our language. So we have to declare holy war against what we see every single day on television. Commercials and — I think there should be real war against commercials, real war against talk shows, real war against "Bonanza" and "Rawhide", or all these things."
"If you want to do a film, steal a camera, steal raw stock, sneak into a lab and do it!"
"As you see [filmmaking] makes me into a clown. And that happens to everyone — just look at Orson Welles or look at even people like Truffaut. They have become clowns."
"Of course we are challenging nature itself and it hits back. It just hits back. That's all, and that's "grandiose" about it, and we have to accept that it's much stronger than we are."
"Kinski always says [the jungle is] full of erotic elements. I don't see it so much erotic. I see it more full of obscenity. It's just— and nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course there's a lot of misery, but it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing. They just screech in pain."
"It's an unfinished country. It's still prehistorical. The only thing that is lacking is the dinosaurs here. It's like a curse weighing on an entire landscape, and whoever goes too deep into this has his share of that curse, so we are cursed with what we are doing here. It's a land that God, if he exists, has created in anger. It's the only land where creation is unfinished yet."
"Taking a close look at what is around us, there is some sort of a harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle — we in comparison to that enormous articulation — we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban novel, a cheap novel. And we have to become humble in front of this overwhelming misery and overwhelming fornication, overwhelming growth, and overwhelming lack of order. Even the stars up here in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no harmony as we have conceived it. But when I say this all full of admiration for the jungle, it is not that I hate it. I love it. I love it very much, but I love it against my better judgment."
"By dint of declaration the so-called Cinema Verité is devoid of verité. It reaches a merely superficial truth, the truth of accountants."
"Cinema Verité confounds fact and truth, and thus plows only stones. And yet, facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable."
"Fact creates norms, and truth illumination."
"There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization."
"Filmmakers of Cinema Verité resemble tourists who take pictures amid ancient ruins of facts."
"Tourism is sin, and travel on foot virtue."
"Each year at springtime scores of people on snowmobiles crash through the melting ice on the lakes of Minnesota and drown. Pressure is mounting on the new governor to pass a protective law. He, the former wrestler and bodyguard, has the only sage answer to this: "You can´t legislate stupidity.""
"We ought to be grateful that the Universe out there knows no smile."
"Life in the oceans must be sheer hell. A vast, merciless hell of permanent and immediate danger. So much of a hell that during evolution some species—including man—crawled, fled onto some small continents of solid land, where the Lessons of Darkness continue."
"I shouldn't make movies anymore. I should go to a lunatic asylum."
"If I abandon this project I would be a man without dreams and I don't want to live like that: I live my life or I end my life with this project."
"I am fascinated by the idea that our civilization is like a thin layer of ice upon a deep ocean of chaos and darkness."
"It is my duty because this might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field."
"I like to direct landscapes just as I like to direct actors and animals."
"The kinds of landscape I try to find in my films...exist only in our dreams. For me a true landscape is not just a representation of a desert or a forest. It shows an inner state of mind, literally inner landscapes, and it is the human soul that is visible through the landscapes presented in my films."
"Everyone who makes films has to be an athlete to a certain degree because cinema does not come from abstract academic thinking; it comes from your knees and thighs."
"Film is not analysis, it is the agitation of mind; cinema comes from the country fair and the circus, not from art and academicism."
"Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film."
"Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix... If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch."
"Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect."
"We comprehend... that nuclear power is a real danger for mankind, that over-crowding of the planet is the greatest danger of all. We have understood that the destruction of the environment is another enormous danger. But I truly believe that the lack of adequate imagery is a danger of the same magnitude. It is as serious a defect as being without memory. What have we done to our images? What have we done to our embarrassed landscapes? I have said this before and will repeat it again as long as I am able to talk: if we do not develop adequate images we will die out like dinosaurs."
"You can fight a rumour only with an even wilder rumour."
"I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with."
"I have never been one of those who cares about happiness. Happiness is a strange notion. I am just not made for it. It has never been a goal of mine; I do not think in those terms."
"I am someone who takes everything very literally. I simply do not understand irony, a defect I have had ever since I was able to think independently."
"May I propose a Herzog dictum? Those who read own the world, and those who watch television lose it."
"It is my firm belief, and I say this as a dictum, that all these tools now at our disposal, these things part of this explosive evolution of means of communication, mean we are now heading for an era of solitude. Along with this rapid growth of forms of communication at our disposal— be it fax, phone, email, internet or whatever— human solitude will increase in direct proportion."
"To me, adventure is a concept that applies only to those men and women of earlier historical times, like the mediaeval knights who travelled into the unknown. The concept has degenerated constantly since then... I absolutely loathe adventurers, and I particularly hate this old pseudo-adventurism where the mountain climb becomes about confronting the extremes of humanity."
"If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big colour photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe."
"Actually, for some time now I have given some thought to opening a film school. But if I did start one up you would only be allowed to fill out an application form after you have walked alone on foot, let's say from Madrid to Kiev, a distance of about five thousand kilometres. While walking, write. Write about your experiences and give me your notebooks. I would be able to tell who had really walked the distance and who had not. While you are walking you would learn much more about filmmaking and what it truly involves than you ever would sitting in a classroom. During your voyage you will learn more about what your future holds than in five years at film school. Your experiences would be the very opposite of academic knowledge, for academia is the death of cinema. It is the very opposite of passion."
"Film is not the art of scholars, but of illiterates."
"People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other's murder."
"Incredible. I didn't know how to calm him down, and then I had an inspiration. I went to my hut, where, for months I had hidden a piece of chocolate. We would almost have killed one another for something like that. I went back to him, going right into his face and ate the chocolate. All of a sudden he was quiet. This was utterly beyond him."
"Often he was a joy, and you know, he was one of the few people I ever learned anything from."
"Werner, nobody will read this book if I don't write bad stuff about you. If I wrote that we get along well together, nobody would buy it. The scum only wants to hear about the dirt, all the time."
"His speech is clumsy, with a toadlike indolence, long winded, pedantic, choppy. The words tumble from his mouth in sentence fragments, which he holds back as much as possible, as if they were earning interest. It takes forever and a day for him to push out a clump of hardened brain snot. Then he writhes in painful ecstasy, as if he had sugar on his rotten teeth. A very slow blab machine. An obsolete model with a non-working switch — it can't be turned off unless you cut off the electric power altogether. So I'd have to smash him in the kisser. No, I'd have to knock him unconscious. But even if he were unconscious he'd keep talking. Even if his vocal cords were sliced through, he'd keep talking like a ventriloquist. Even if his throat were cut and his head were chopped off, speech balloons would still dangle from his mouth like gases emitted by internal decay."
"He should be thrown alive to the crocodiles! An anaconda should strangle him slowly! A poisonous spider should sting him and paralyze his lungs! The most venomous serpent should bite him and make his brain explode! No — panther claws should rip open his throat — that would be much too good for him! Huge red ants should piss into his lying eyes and gobble up his balls and his guts! He should catch the plague! Syphilis! Yellow fever! Leprosy! It's no use; the more I wish him the most gruesome deaths, the more he haunts me."
"Herzog is a miserable, hateful, malevolent, avaricious, money-hungry, nasty, sadistic, treacherous, cowardly creep. His so-called "talent" consists of nothing but tormenting helpless creatures and, if necessary, torturing them to death or simply murdering them. He doesn't care about anyone or anything except his career as a so-called filmmaker. Driven by a pathological addiction to sensationalism, he creates the most senseless difficulties and dangers, risking other people's safety and even their lives — just so he can eventually say that he, Herzog, has beaten seemingly unbeatable odds. For his movies he hires retards and amateurs whom he can push around (and allegedly hypnotize!), and he pays them starvation wages or zilch. He also uses freaks and cripples of every conceivable size and shape, merely to look interesting. He doesn't have the foggiest inkling of how to make movies. He doesn't even try to direct the actors anymore. Long ago, when I ordered him to keep his trap shut, he gave up asking me whether I'm willing to carry out his stupid and boring ideas."
"[Kinski and Herzog] were both ridiculous, flaming egomaniacs of only slightly different stripes — Kinski’s ugliness was flailing, external; a flash fire that burned itself, and himself, out. Herzog’s rage was of the passive-aggressive, festering sort, and therefore more dangerous... Herzog was an inverted sociopath; Kinski threw loud vocal fits, repressing nothing. Who was more sick? Werner Herzog was the visual version of Kinski’s extremity. Kinski exploited hearts; Herzog exploited landscapes and native peoples."
"Dear America: You are waking up, as Germany once did, to the awareness that 1/3 of your people would kill another 1/3, while 1/3 watches."
"Postal will be so politically incorrect and harsh, it's like a mirror to American society, and I don't think the movie will be well received by anybody. For example, Osama Bin Laden will be one of the lead characters—I think that shows the mood of the movie."
"House of the Dead 2 I gave away. Alone in the Dark 2 I will also not do; even if the DVD movie made money. BloodRayne 2 in the Wild West is what I really want to do."
"This day showed us that we are all completely voyeurs greedy for thrilling entertainment no matter if this is real or not."
"As you see, the reactions were really reserved from the studios..."
"We'll be sending a print to the MPAA, we say nothing about it and hope they sleep through the movie."
"There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing."
"Postal is a politically incorrect movie, and also a politically incorrect game. I think if you have a game where you can use a cat as a silencer, you cannot make this as a serious movie. So it must be a funny movie. It should be an absurd comedy...So you see there is a difference between doing something professional, and only talking about it. And all that people there in the Internet, bashing or whatever, they cannot tell a fucking story for 5 minutes."
"I totally regret as a German what happened at this point of history. But when people ask me are you, as a German, feel responsible for the Holocaust? No, because I'm born 1965 and it would be completely un-logical to say I'm responsible, but as a country we are responsible."
"I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. … That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country."
"In Dante the hero would rather flee and renounce the tempting embrace instead of yielding to his desires and enduring the attendant dangers."
"Only in his poetry did he have the courage to love."
"We've got rights the right to starve We've got jobs waiting for work We're all brothers lousy and dirty We're all free and equal to die like dogs"
"Charlotte Corday walked alone Paris birds sang sugar calls Charlotte walked down lanes of stone through the haze of perfume stalls Charlotte smelt the dead's gangrene Heard the singing guillotine"
"Don't soil your pretty little shoes The gutter's deep and red Climb up climb up and ride along with me the tumbrel driver saidBut she never said a word never turned her headDon't soil your pretty little pants I only go one way Climb up climb up and ride along with me There's no gold coach todayBut she never said a word never turned her head"
"Every death even the cruellest death drowns in the total indifference of Nature Nature herself would watch unmoved if we destroyed the entire human race I hate Nature this passionless spectator this unbreakable iceberg-face that can bear everything this goads us to greater and greater acts"
"Against Nature's silence I use action In the vast indifference I invent a meaning I don't watch unmoved I intervene and say that this and this are wrong and I work to alter them and improve them The important thing is to pull yourself up by your own hair to turn yourself inside out and see the whole world with fresh eyes"
"And the priests looked down into the pit of injustice and they turned away their faces and said Our kingdom is not as the kingdom of this world Our life on earth is but a pilgrimage The soul lives on humility and patience at the same time screwing from the poor their last centime They settled down among their treasures and ate and drank with princes and to the starving they said Suffer Suffer as he suffered on the cross for it is the will of God"
"So the poor instead of bread made do with a picture of the bleeding scourged and nailed-up Christ and prayed to that image of their helplessness"
"We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [pointing] keeps his garden He [pointing] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king"
"Singers: We've got nothing always had nothing nothing but holes and millions of them Kokol: Living in holes Polpoch: Dying in holes Cucurucu: Holes in our bellies Rossignol: and holes in our clothes"
"Once and for all the idea of glorious victories won by the glorious army must be wiped out Neither side is glorious On either side they're just frightened men messing their pants and they all want the same thing Not to lie under the earth but to walk upon it without crutches"
"Marat Today they need you because you are going to suffer for them They need you and they honour the urn which holds your ashes Tomorrow they will come back and smash that urn and they will ask Marat who was Marat"
"And now Marat now I see where this revolution is heading To the withering of the individual man and a slow merging into uniformity to the death of choice to self denial to deadly weakness in a state which has no contract with individuals but which is impregnable"
"Don't be deceived when our Revolution has been finally stamped out and they tell you things are better now Even if there's no poverty to be seen because the poverty's been hidden even if you ever got more wages and could afford to buy more of these new and useless goods which these new industries foist on you and even if it seems to you that you never had so much that is only the slogan of those who still have much more than you"
"What has gone wrong with the men who are ruling I'd like to know who they think they are fooling They told us that torture was over and gone but everyone knows the same torture goes on"
"Long ago I abandoned my masterpiece a roll of paper thirty yards long which I filled completely with minute handwriting in my dungeon years ago It vanished when the Bastille fell it vanished as everything written everything thought and planned will disappear"
"What's the point of a revolution without general copulation copulation copulation"
"Fight on land and sea All men want to be free If they don't never mind we'll abolish all mankind"
"We can say what we like without favour or fear and what we can't say we can breathe in your ear"
"Our play's chief aim has been to take to bits Great propositions and their opposites, See how they work, and let them fight it out, To point some light on our eternal doubt. Marat and I both advocated force But in debate each took a different course. Both wanted changes, but his views and mine On using power never could combine. On the one side, he who thinks our lives Can be improved by axes and knives, Or he who, submerged in the imagination, Seeking a personal annihilation."
"I've twisted and turned them every way, And can see no ending to our play."
"Despite the 43 years I've devoted to cinematography, I must admit that I was scarcely prepared for the many problems which were to confront me upon my initial excursion into the realm of television with the I Love Lucy show. Fortunately, this motion picture experience helped to cushion many of the serious problems and aided me in adapting myself to this new medium."
"Retakes, a standard procedure on the Hollywood scene, are not desirable in making TV films with audience participation. Dubbed-in laughs are artificial and, consequently, used only in emergencies. Close-ups, another routine step in standard film-making, were discarded since such glamour treatment stood out like a sore thumb."
"The public acceptance of I Love Lucy and Our Miss Brooks has been a source of great inspiration for me. The challenge has been a real one — one I have found both stimulating and exciting."
"As I watch television films on my own set I am continually aware that I do not have a complete control of the end results. For there is an engineer in every television station control booth who can change the screen image according to his instructions and depending upon the condition of his equipment. And there are the TV viewers who are their own "engineers." I believe that the time is not too distant when the only engineers will be the technicians who actually create the film that is transmitted. Only when that day arrives will we really have film quality comparable to motion picture standards as we know them today."