Directors

"I don't believe there is any finer mission on earth than just to make people laugh."

"No price is too high to pay for a good laugh."

"Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done him … there was not the slightest proof adduced to connect him in any way with the commission of a crime. He was manly throughout the case and told a straightforward story which we all believe. We wish him success and hope that the American people will take the judgement of fourteen men and women that Roscoe Arbuckle is entirely innocent and free from all blame."

"The (TV) Cultura lost his hand in an area that was the leader, tried to reinvent the wheel three times. The 'Rá-Tim-Bum', a project extremely daring and successful, was abandoned to turn the 'Castelo (Rá-Tim-Bum)', which was also very good. There had to stop. Instead of continuing, preferred to create 'Ilha Rá-Tim-Bum', which failed."

"Luiza (his oldest daughter) expressed this option in college. At the time, talked with her and school counselors. It was important to let the choice be hers and that any pressure was accompanied by homophobic colleagues. Fortunately, there was no question about their most serious option . That, remember, is personal."

"I don’t know what it is, truthfully, I think part of it is being still and all that. I don’t know. I like to kind of come in at the side door. I like to act like a submarine; just don’t do much and just let it evolve. It’s resisting the urge to push the envelope. It’s very difficult for an actor to avoid, you want to show a bit. But I think the less one shows the better"

"Being an atheist must be like living in a closed cell with no windows. I’d hate to live like that, wouldn’t you? We see them, mind you, on television today, many brilliant people who are professional atheists who say they know for a fact that it’s insanity to have a God or to believe in religion. Well, OK, God bless them for feeling that way and I hope they’re happy. But I couldn’t live with that certainty, and I wonder about some of them: why are they protesting so much? How are they so sure of what is out there? And who am I to refute the beliefs of so many great philosophers and martyrs all the way down the years?"

"To act is to decieve, and to decieve, one must forget oneself."

"I will cherish this as a reminder of the extraordinary, incredible outpouring of people who demanded their voice be heard in this last election so we can look forward to amazing change in this country."

"I have never had an experience (like 'Star Wars'), and that includes 'Jurassic Park,' of what it feels like to be a character to young children that feels otherworldly or iconic or whatever that is. So now, I've had this amazing experience of little kids seeing me and instead of wanting to talk about the movie, they kind of back away, a little scared. It's like when you go to Disneyland and see Mickey Mouse and you're little. It's a weird thing that 'Star Wars' holds something a bit untouchable or something like that."

"With the technology, we’ve become more apathetic, because we don’t look in each other’s eyes any more as we attempt communication. But at the same time, with one iPhone, we can start a revolution. If there’s injustice, you just film it and post it. And suddenly people are tapped into a current event they wouldn’t otherwise see, and that’s incredible."

"I could have never done it if David [Lynch] wasn’t a friend. He was very protective of me, like a big brother—he always has been. When it comes to Wild at Heart, if we had a love scene, everyone was very respectful… There’s no getting it wrong. Daring to go too extreme or too subtle or too anything—he requires it all of you and it’s all such fun and there’s no judgment on a set with David—ever. Except when I bring bottles of water on a set; he hates that."

"Many of us were taught not to tattle. It was a culture of silencing and that was normalized. I urge all of us to not only support survivors and bystanders, who are brave enough to tell their truth, but to promote restorative justice. May we also please protect and employ them. May we teach our children that speaking out without the fear of retribution, is our culture’s new North Star."

"I never had a misunderstanding of what [acting] was about. Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you’re doing it. Luckily, I was raised by people who’d already gotten to that point, and seen all the yuck stuff—which is probably why they originally didn’t want me to act. I also understood the difference between getting a part at a Hollywood party and really getting a job. I knew you had to go in and audition and maybe then they’d hire you, and that’s where you start. I also had a good understating about press: that it’s the actor’s responsibility to publicize his or her films, that the press can be fun, that it’s not about hyping yourself into stardom or trying to sell yourself as a hot ticket."

"The thing I love about acting is, whatever character you play, it gives you the chance to expose another side of yourself that maybe you’ve never felt comfortable with, or never knew about. Not that every character is you, but there are underlying emotions that everybody has. I feel that movies are gifts that come to you, and there are no accidents in what you end up doing. I study Jung, who talks a lot about the shadow side, the repressed side."

"I like to be a little bit of a rebel as an actor, so I am interested in the unpopular person and the lesser-understood character. It's a bold choice to try to find empathy in an unlikeable place in storytelling."

"I think the film is so interesting because I have never had an outpouring like this in my entire life as an actor. We shift stories in our own lives to be able to survive them, about our own family and whatever traumas we have walked through, to make them somehow palatable. And somehow, in adulthood, it's like we have to relive those stories in order to find healing in them."

"Her ability to create characters who have both humor and deep emotional impact is unparalleled."

"Having a play directed by someone else is like going to a religious school when you’re a child, you listen and obey…"

"My plays are clean. Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it…"

"Art is something you don’t just reproduce—what you see everyday doesn’t seem to be inspiring to them. But you do something with it so that it’s not bound by the law of reality. My work has always had that influence. I’ve never felt that it was necessary at all to write realistic plays…"

"Theater is a service where the god keeps changing…Sometimes it’s the actor. Sometimes it’s the director. Sometimes it’s the stage manager. Sometimes, but almost never, it’s the playwright."

"I did, not only because of that, but also because there was no value placed on education in my family. My mother just assumed I was smart, and I had glasses so I was called “four eyes,” and I was always reading a book, and so the outsider feeling came from the fact that I really loved school…"

"Both of them come from birth. I was born black and gay. I was not socialized to be gay. I always knew I was different; I was always interested in something that a lot of kids were not into…"

"…White people playing people of color is not new; what is new is people of color are now [able to] own their own authenticity. White theater was created to reflect their audiences and white theater must deal with [changing audiences and perceptions]. … I think it’s about what the story requires, and what happens when you cast someone who could not be believable and who could not tell that story…"

"Sometimes you feel where it was trying to go down. There’s a residue feeling and so it lasts a little bit longer. Even after you stop choking, you still feel it inside your throat. There’s something about theatre where I want to not be able to get up, walk out and go: ‘Oh, that was nice,’ but really have to engage with it as I go home and think about it and work over what I felt about it. That’s the type of theatre I like.”"

"Smashing things together. Because, culturally, that’s America at its most interesting. It’s things connected, awkwardly, that produce the brilliance. It’s not absoluteness that produces the brilliance; it’s when things that don’t belong together collide, and in that collision, something springs forth, and that becomes extraordinarily fascinating to me."

"Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…"

"I think it’s that a musical must maintain buoyance. Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it’s a folk-art form, really, at its best…"

"There are fundamentally two schools: You stand where you are and demand that actors come to you, or you go to where they are. It’s not just with actors, it’s designers, too. You go to where they are and you try to cajole, woo, seduce, engage, empower them to go on the journey that you think they should. I generally employ [those methods], because I really believe that if you force an actor to do something, there’s a piece of them you never get back…"

"First there’s often protest by Asian American communities about what they believe are stereotyped depictions; by resetting the opera in Edwardian England, we don’t have to worry about that. Second, because the opera was originally set in Japan, you had all these white actors playing Japanese characters – yellowface actors – and by setting it in Edwardian England we now have white actors playing white characters. To me, that solves the two key concerns that might come up."

"My theater work came out of my community activism, and became an extension of that activism. Being Asian American, there are so many hurdles to get across in terms of creating awareness and recognition of Asian-American theater, wherever you go. Those two are, for me, wedded together completely…"

"I think some of the bigger issues in terms of diversity are specifically about Broadway and Hollywood, where it's more about money. There are major controversies going on at those levels…there is always controversy over how Hollywood is casting white actors in what might have been Asian roles, or Asian roles that have been transferred into white roles. So on that level, there are some real challenges."

"In most Asian-American families, if a son or daughter says they want to be in theater, nobody's embracing them for that. And that's a problem. Because when you're discouraging those people at that age, it reduces the number of participants in the cultural life of the community."

"As a director, I was able to journey into these plays, find myself, and realise the worlds the playwrights have written…I find my inspiration and my passion in other writers and their versions of this country and this world."

"The dramaturgy of audiences and communities is crucial: how they think, how they hear stories, how they relate to the theatre…That was an interesting curve. Not having lived in the Midwest, I found that it’s segregated, it’s tribal."

"I probably am a playwright first, and a director second. But, since I do a lot of directing sometimes, it's an almost equal thing. Writing is very exciting to me because I'm able to control the world that I want to create. And, as a director, you go into another world, and you kind of help flesh out a world that other people have created..."

"The reasons that I stayed in theater are very personal. I think Asian-American stories can be best served in a place where you can tell them the most, and for me, where I can see that happening is in novels and in plays, because it's more easily done. In plays, anyone can do it, so the opportunities to tell Asian-American stories are infinite…"

"In corporation religions as in others, the heretic must be cast out not because of the probability that he is wrong but because of the possibility that he is right."

"Keep dreaming, the best ideas comes in your dreams and the ability to create a world of fantasy. Stalk your mentors and their works."

"The greatest thing you can do for yourself in every time you have the opportunity to handle someone’s project, knock it out the park, and that is what I live by every day."

"I try not to focus on the negatives and limitation. I just work hard and make sure I deliver with the opportunity given to me."

"Nigerians truly have a gift. We can turn the most dire situation into a hilarious joke."

"Every time you have a chance to showcase your craft, your mission is to knock it out the park."

"Again, be authentic."

"The thing about Lagos is that it has so much flavour.It can be better but there’s nothing like home."

"Nuclear war is everyone’s problem, it’s not just country to country. It’s a worldwide problem, we all share it, and that’s why it’s so frightening now. Since Threads was made I’m sure there have been advances in what nuclear weapons can do."

"Of course, my character goes missing halfway through the film, so half of the filming I wasn’t privy to. [...] You want to know what happens, but you’re not told. I suppose the message is that’s exactly what it’ll be like — nothing will be tied up nicely because people will disappear."

"Who knows? He died, presumably. I have no more idea than anyone else, but that’s the point. That’s why it’s so clever."

"The pandemic has taught me to be more active online. My online presence has to be stronger than before. I need to make use of my social media platforms such as WhatsApp, Twitter, You-tube and Instagram to push my brand and sell my business."

"Somebody once said to me that if you want to be a multi-billionaire, you have to have different sources of income. You cannot rely on one source of income. I like money and obviously, I want to be a multi-millionaire. I know I cannot rely on one source of income. That’s why I try to do something else aside acting."

"It’s heartbreaking to realise that with all the societal advancements, a reasonable segment of our society which constitutes over 8 million disadvantaged widows and 24 million children below age 17 are still subject to maltreatment that includes domestic violence, sexual assault, conversion of properties, forced evictions, neglects, denial of human rights and the list goes on. I stand with widows today, will you join me?"

"Let us protect the rights of widows and women. I believe no woman deserves to be maltreated regardless of the circumstances life throws at her. One million pledges are needed to present the “Abolish widows’ maltreatment in Edo State bill” to the Edo State House of Assembly."

"How on earth would you make a mockery of someone’s agonizing pain! How? Only a wicked soul would do that!! Yomi Fabiyi, just that particular scene I saw of your movie is insensitive, utterly distasteful, and disgusting!"

"One of the strongest women I know!!! She has been through fire! But through it all, she is still standing tall … I know everyone has a story, but one day I will bare it all and share my story, trust me you all don’t have an idea."

"Do not let your situation define you! Do not let your condition limit you! Rise above it just like I rose above every situation that wanted to crush me and I chose to be a victor! An amazon , mercified!"

"What drives me is the urge to succeed. I always want to be successful with whatever I do. I also have passion for acting and fashion, which are the things I do. People who follow me on social media can attest to the fact that I’m a very trendy person. Apart from acting, I have other streams of income. I am not a lazy person and I believe that I have not even achieved half of my dreams."

"I am not saying that old actors should not be used anymore, but more opportunities should be given to up-and-coming talented actor."

"If one is happy, whether one is a creative person or not, it impacts everything that one does."

"If you can persevere day in and day out, the days will be long but the years will be short and you’ll get to somewhere exciting"

"“The goal is to have zero paper and zero trip for citizens. The process of application will require one to apply online for now, but we are also considering inclusive services which will take care of citizens with USSD phones."

"Our story is such a great story not just for us but to the rest of the world to prove that there can be so much light at the end of darkness."

"Rwanda is a country that wants to be exceptional, most of the times our government real tries to be quite ambitious with the target that it sets"

"It's a profound honour to be associated with the Vlisco brand and carry the torch from my predecessor, Eugenia Tachie-Menson, who performed her role so well. I am incredibly honoured to fill the shoes of such great women. I want to thank everyone who voted for me and I'm looking forward to the year ahead (2016)."

"I fully support Ghanaians/Africans living outside helping to develop our countries and continent...we all leave our countries for various reasons, but I believe it is important for us to have tangible connections to ensure our participation in our countries’ development even while we are away."

"I am proud of the entire global team. We have been able to achieve much in the last three years and I am committed to the continued growth and expansion of Signature’s global network. We will continue to invest in our facilities and our people to be the industry-leading FBO chain. Our customers come first and everything that we do is guided by the philosophy of delivering the best possible service experience in a safe and efficient manner."

"From the get-go, we've had incredible interest in the site-development program. It’s incremental business..We’re very excited."

"We are pleased to welcome Maria to the board as we continue to execute our strategic plan and drive significant long-term value for General Mills shareholders"

"Young people, of whatever time and generation, feel invincible. That’s important for necessary change"

"I would hope that at this point in time, our children do not have to die in order to bring about changes."

"This is where you can see that it is really necessary to open up and allow young people to play the role they want to play in providing leadership and solutions in society."

"We don't have a groundswell in a critical mass of countries that have allowed young people to take their rightful place. So something has to change in Africa, so that we do not have so many young people who are so desperate."

"It's important that at a school level, in a comprehensive way, that all young people are prepared for the world of work that they will graduate into. If we do not provide those skills, we risk leaving these young people behind, they will graduate and they will be inadequate for the future that awaits them."

""One of my big takeaways from young people is courage. The courage to sometimes walk where no one has ever walked. And I also think young people are not afraid to do the work — it's not as if young people are waiting to be saved. They want to save and deliver on the number of things that they feel strong about. So it is important that as older people, we don't treat them as people we have to carry, they actually will carry us I think. "thumb|Phumzile Mlambo-Ngcuka 2014"

"It is important that women celebrate themselves but also that they don’t only preach to the converted and go out there and win more allies for our struggle."

"The moral of the story there is that it’s important to be involved and be engaged. Being involved also showed to me the importance of having men as part and parcel of the women’s struggle."

"Well, it was women in the labour movement in the 1900s that gave us this day. They were calling for bread; they were calling for better working conditions and they were calling for peace. Guess what? We are calling for the same things today, in different ways. We are rededicating ourselves to the struggles of today. Today, for instance, we are calling for decent work because women continue to be at the bottom of the pyramid of economic activity and the work and the jobs that they do continue to be informal and to be low paid."

"We are also calling for women to be given equal pay for work of equal value, but also women still do a lot of unpaid work at home: caring for the aged, caring for children and that means that women cannot go out in the labour market and be part of the formal economy. So we are still, in a way, campaigning for the same thing. Women are campaigning for peace in countries where there is conflict. Women are campaigning against violence against women, which also means that where women have experienced domestic violence at home and outside the home they are not at peace with themselves."

"We also know that companies that involve women at a high level and engage them fully are much more competitive and profitable. As a matter of fact, amongst Fortune 500 companies, it has been argued that such companies are 34 per cent more competitive than their counterparts when it comes to returning profits to shareholders."

"The women’s movement has led the struggle, very bold, very courageous. But the change that is required­– respect for human rights of women– is not just the responsibility of women alone. So we need to mobilize and to involve men."

"I think that it is important that women grab the opportunities that are there. Young women must stay at school much longer. They must delay having children until they can afford to have and look after them. They must be assertive and not be afraid to talk and to engage, because this world belongs to them just as much as it belongs to men."

"“These economies are heavily indebted in terms of the pipelines and refineries that have been developed to exploit those resources.”"

"This infrastructure will now need to be written down in value over a much shorter period or abandoned altogether."

"“The question is how do we work with the private sector to recover the necessary financing and diversify the economy?”"

"“Can we reuse some of the technologies we use for other economic activities to recoup some of the investment already made in economies dependent on fossil fuels?”"

"I believe that if we unlock the leadership potential of African women and girls,we can change them into compassionate change makers who will improve not only their circumstances but the circumstances of others."

"Because of the success of these training programs,I now serve as a leadership consultant to UN women working currently with South Sudan office to design leadership curricula to economically empower women and raise them as leaders in peace Building."

"“First, you must never let laughter stop you… People will always have opinions of what you do and who you are, but you can’t let their opinions and their laughter stop you… Second, don’t let people steal your voice. Your voice is your power.”"

"“You cannot be your best self by yourself. None of us was created to be an island. You need those circles: who’s behind you, who’s with you, who’s ahead of you. You need to seek out mentors, coaches, and counsellors, and don’t be afraid to invest in yourself.”"

"“I saw a platform that I felt I could lead, and I went with everything that I had… I had been on this journey to stop being afraid of the things I was innately attracted to.”"

"“For a lot of women, as we advance in leadership, we become so isolated and there’s no one to bounce anything off… No matter how rough the journey is, if you’re building your relationships with people behind you, with you, and ahead of you, then you’re not isolating yourself and you’ll have enough people around you to give you what you need.”"

"“I’m not sure that any continent feels ready for women that are fearless. I’m not sure that we need people to be ready. I think that you show up. The more fearless women that emerge, the more we normalize ourselves.”"

"Let us speak up and out against our perpetrators. No matter how small that action may seem to others. No matter how long ago it happened. Keeping quiet only protects them and leaves us drowning in pain"

"This is my child’s father. Samphiwa, who has not seen or met her. I got a protection order against him. If anything ever happens to me, never let him take her. He would repeatedly beat me up, starve and lock me up at yide ufe ndizokonwaba [die so that I can be happy]"

"By the time I escaped in January 2022, my cards were no longer mine. Outside, he was a gentleman. Opening doors etc, and back home, he had cleaned out my Nedbank accounts. Leaving me in 200k debt, which I only discovered after leaving him. I left him two properties"

"So desperate to make this work as back home I had another story… he knew. He would park outside work the whole day and wait for me. I made excuses. And I tried to understand and help. I was desperate not to be rough"

"It is so clear that so many people are oblivious to the effects of drugs, black tax, abuse, GBV, sibling rivalry in our communities. Or they choose to behave like that here on the socials"

"We are (particularly on my maternal side) heavily influenced by black history, culture, music, literature and art; these things have always been of value to us so performance came really easily to me"

"I’ve always been (for a lack of a better word) a showman, and my interests in filmmaking peaked past performance because I always wanted to know what everyone else’s role in the ecosystem was; and I’ve always been fascinated by team work making the dream work"

"I enjoy the magical moment that happens when all creative elements come together to make something that moves audiences"

"Filmmaking is about creative entrepreneurship, and the transition I made from one filmic discipline to the next should be normalised, because not all creatives in filmmaking are limited to or only interested in one medium"

"I like to immerse myself in the material over and over again, so it becomes ingrained in me. I live, eat, breathe and feel the story until I can figure out how best I can tell it"

"The future is bright. We just need to be smarter, wiser and more vigorous about how to get there."

"“my words can’t express gratitude but the smile of a child is the greatest motivation and is enormously rewarding”"

"Being great is being passionate about what you do and seeing the benefit of that through the eyes of other people."

"Your success is not your own, it is determined by many other influences"

"You need to step back, don’t judge and take a breath"

"You have to reflect very closely on decisions you make as they affect not only you but also others around you."

""Honesty and integrity are critical to human behaviour"."

"You need to believe in yourself and others around you that are able and willing to assist you."

""Giving is very important: giving of yourself and giving of your time"."

"No matter how big or small, all contributions are meaningful"

"In Artificial Intelligence, it is often said that the representation of knowledge is the key to the design of robust intelligent systems. In one form or another the principles of Knowledge Representation are fundamental to work in natural language processing, computer vision, knowledge-based expert systems, and other areas. The papers reprinted in this volume have been collected to allow the reader with a general technical background in AI to explore the subtleties of this key subarea. These seminal articles, spanning a quarter-century of research, cover the most important ideas and developments in the representation field. The editors introduce each paper, discuss its relevance and context, and provide an extensive bibliography of other work. "Readings in Knowledge Representation" is intended to serve as a complete sourcebook for the study of this crucial subject."

"Knowledge representation is at the very core of a radical idea for understanding intelligence. Instead of trying to understand or build brains from the bottom up, its goal is to understand and build intelligent behavior from the top down, putting the focus on what an agent needs to know in order to behave intelligently, how this knowledge can be represented symbolically, and how automated reasoning procedures can make this knowledge available as needed. This landmark text takes the central concepts of knowledge representation developed over the last 50 years and illustrates them in a lucid and compelling way. Each of the various styles of representation is presented in a simple and intuitive form, and the basics of reasoning with that representation are explained in detail. This approach gives readers a solid foundation for understanding the more advanced work found in the research literature. The presentation is clear enough to be accessible to a broad audience, including researchers and practitioners in database management, information retrieval, and object-oriented systems as well as artificial intelligence. This book provides the foundation in knowledge representation and reasoning that every AI practitioner needs."

"That is exactly what power means to me - getting things done"

"When I get whatever I've set my heart on - whether it is a mandate we must win or a person I wish to hire"

"Win. Win. Win. I have a huge passion to win. I feel we tend to make excuses because we haven’t set our mind to win. Whatever it is that you do in life, you need to be in the top three"

"I am a people person. So whenever I engage, whether it’s a client or my own team, for me it’s not just about the work or task at hand. It is about knowing the person and what drives him"

"The disinvestment boom is not on her front burner. I have a clear focus on the bottom line"

"As artificial intelligence (AI) continues to reshape international security narratives and paradigms, I am pleased to welcome Dr. Paul Scharre. Paul Scharre is the vice president and director of studies at Center for a New American Security. He is the award-winning author of the book Four Battlegrounds: Power in the Age of Artificial Intelligence. His first book Army of None: Autonomous Weapons and the Future of War has won several awards and is seen as instrumental in understanding modern warfare."

"There is growing recognition and action to promote the balanced and meaningful participation of women and men in global security and disarmament processes. Through my position, I will actively support efforts to promote greater diversity of perspectives, equal participation of women and men and give room to innovate. I will also endeavor to bridge the gaps between disarmament policy and emerging fields such as in science and technology"

"There were very few radio stations that played [Squallor's songs], yet they were a resounding success."

"[On the television program Non è la Rai, created with Irene Ghergo and of which he was also the director] My program isn't stupid; it's television, which, apart from a few very rare well-made programs, is completely idiotic. Except that others don't say so, and I shout it out loud."