Culture of India

31 quotes found

"The notion of a single Hindu culture, incommensurable with Islamic or western epistemes and forms of organization, is the real fiction at work here, imposed by orientalism and painstakingly promulgated, organized, and reformulated by generation of Hindu nationalists and other for more than a century. [...] In order to understand Hindu nationalism we need to analyze carefully the official secularism it opposed. Textbook versions of secularism as the absence of religion from the public sphere, or a more fashionable understanding of secularism as a metonym of scientific rationalism, will not suffice. We need to take a closer and more informed look at the practices and meanings of secularism in the public culture of independent India. The dominant interpretation of secularism in India did not entail the removal of religion from the political sphere, but rather the belief that religion and culture were elevated to an ostensibly apolitical level, above the profanities of the political. This institutionalized notion of culture and religion as apolitical, and the derived notion of selfless "social work" as ennobling and purifying by virtue of its elevation above politics and money, provided an unassailable moral high ground to a certain genre of "antipolitical activism," conspicuous among social and cultural organization but also often invoked in agitations and in electoral politics in India. I submit that it was from this discursive field of "antipolitics" and "religious activism" that the Hindu nationalist movement, with great ingenuity, built its campaigns and organizational networks for decades. Like other forms of cultural nationalism, the Hindu nationalist movement always entertained a complex ambivalence vis-à-vis democracy and apprehension toward the "political vocation." The evolution of the movement, its organization, and its political strategies must be understood in the context of a constant negotiation and oscillation across the deep bifurcation in modern Indian political culture between a realm of "sublime" culture and realm of "profane" competitive politics."

- Thomas Blom Hansen

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"The sparkling energy of India lies in Hinduism. Without the framework of Hindu belief India would fall apart. Without Hinduism India is not herself... Because Indian society has, like the Chinese, been a unitary one where science and religion have never been in conflict, there has been no basic split as has happened with our own Christian background. Our own antagonism between the two disciplines of theology and science has created chaos in our thinking and a curious dichotomy during the past two centuries. In India I found a thankful release from our restricted vision of the creation of God... Hinduism has remained in constant, replenished usage throughout this tremendous stretch of time, impervious to outside influence, as onward flowing as the imperturbable Ganga itself. Not even Moghul invasion and Muslim supremacy for 700 years, nor the arrival of the British, Dutch, French and Portuguese with their own civilization and standards, penetrated into the imperious core of this steadfast faith. Hindu thought took and absorbed according to its own will, folding itself inwards at the sense of approaching danger like some gigantic sea-anemone drawing up all its tentacles, only to stretch outwards and flourish when the danger was past. One continues to hope that this will remain so, that modern Indians will realize that this is their enviable strength despite all their understandable yearnings for the material advantages of technology which they have seen give power and monopoly of advantage to the Western world. But their quality of synthesis, of intelligent absorption, may still save them from the sterility of urban life and the monotonous obsession with quantity and things, rather than with quality and life-perspective."

- Unknown

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"Capitalism, or the ideology of the unbridled pursuit of wealth, is destroying culture on an unbridled scale... countless cultural activities, seen to be non-lucrative or less lucrative, are being abandoned all over the country. Others are being severely compromised in order to keep or make them lucrative: compromise in materials or techniques used, shoddiness in workmanship or performance, short-cut methods, etc. These are resulting in loss of natural spontaneity, cultural authenticity, technological expertise and performance satisfaction, which, in turn, gradually leads to the degeneration and further abandonment of cultural activities. All this is affecting various fields of culture: musical forms and styles, musical instruments, dance forms, architectural styles, art forms, handicrafts, traditional crops, culinary items, etc... owever, the concept of Money as God has now changed all this. For perhaps the first time in India’s long history, there is now no real official support for Indian culture. In the last decade or so, apparently coinciding with the advocacy and adoption of new policies of economic ‘reforms’, it is now passé for governments to do anything concrete to protect, preserve, record or perpetuate India’s traditional culture, or even to aid and encourage individuals or organizations doing so. Institutions established in the post-Independence era are being literally starved for funds, or funds are being used for any purpose but to achieve the original aims and objectives, or, simply, the very aims and objectives of these institutions are being changed. In any case no new activities, except occasional pedestrian ‘cultural’ projects of a political nature, are being undertaken: the institutions are being slowly transformed from cultural to commercial institutions, in line with the ‘changing times’. “Infinitely worse is what is happening to the detailed records of the research, documentation and collection undertaken by these institutions, in the not so distant past, to preserve, popularize and perpetuate different aspects of Indian culture. These archival records ¾ print, tape, film or actual physical objects ¾ are suddenly becoming an eyesore or an embarrassment, or simply a financial burden, to a cash-conscious leadership with a ‘reformist’ eye on the ‘globe’. A standard sequence now is as follows: state-funded museums, libraries and archives ¾ or at least the records in them ¾ slowly become rare or inaccessible, in different ways, to the (lay or scholarly) public eye. Often ‘constraints of space’ force the authorities to remove these records from their protected environments and dump them in ill-maintained godowns, to rot and decay, unseen and forgotten. And, occasionally, mysterious fires break out in the places which house these archives, destroying invaluable and irreplaceable records (including those pertaining to the golden age of Indian movies), then to be forgotten forever. All these events, coincidentally, make available valuable land and funds for more lucrative commercial purposes. The persons in authority are too busy saving or making money - for themselves, or, if they are to be believed, for the public coffers - to care."

- Unknown

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