Businesswomen from the United States

1348 quotes found

"Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth. . . I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving."

- Gloria Estefan

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"Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist . . . They knew how I felt. [They knew] what my thoughts were . . . So although it was written before my accident, it was thrown back at me so many times . . . But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer . . . That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another . . . And I wanted to thank everyone for being there for me."

- Gloria Estefan

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"My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beatles song, "Till There was You" . . . also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be ready for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba."

- Gloria Estefan

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"My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro.] One night, Dad disappeared. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Initially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretense that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet."

- Gloria Estefan

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"Dad joined the US Army by this point [1964], and initially he was stationed in Texas and then South Carolina. But the Vietnam war brought our normal life to an end. Once again, Dad was gone. Communications were very basic back then: Dad couldn't just pick up a cellphone and let us know he was okay. Months would go by without a letter or anything. Eventually he bought two tape recorders -- one he kept with him and one for our house. Dad used to talk into the recorder and send the tapes home. Then we would gather round our machine and tell Dad stories. And I would sing. I still have all the tapes, but I can't listen to them. It hurts too much. After Dad came back from Nam, he wasn't well. He'd been poisoned by Agent Orange and needed quite a lot of looking after. Mum was busy trying to get her Cuban qualifications revalidated by a US university, so I had to take care of Dad and my little sister [Becky]. It was tough. Toward the end, Dad was too far gone and he didn't really know what was happening around him. I joined Miami Sound Machine in 1975 and we were getting quite successful, but Dad didn't even know who I was. He had to be moved to the hospital. On my wedding day in 1978 [September 2] I went to visit him, still wearing my wedding dress. That was the last time that he said my name. Dad died in 1980, but he touches my life every day. On my last album [Unwrapped] I did a lot of writing while I was looking at a picture of him in his younger days -- so happy and in the prime of his life. I'm not sure if he sees me, but I can feel him all around me. I hope he knows that I am so very proud of him."

- Gloria Estefan

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"The DARPA model has three elements: Ambitious goals. The agency’s projects are designed to harness science and engineering advances to solve real-world problems or create new opportunities. At Defense, GPS was an example of the former and stealth technology of the latter. The problems must be sufficiently challenging that they cannot be solved without pushing or catalyzing the science. The presence of an urgent need for an application creates focus and inspires greater genius. Temporary project teams. DARPA brings together world-class experts from industry and academia to work on projects of relatively short duration. Team members are organized and led by fixed-term technical managers, who themselves are accomplished in their fields and possess exceptional leadership skills. These projects are not open-ended research programs. Their intensity, sharp focus, and finite time frame make them attractive to the highest-caliber talent, and the nature of the challenge inspires unusual levels of collaboration. In other words, the projects get great people to tackle great problems with other great people. Independence. By charter, DARPA has autonomy in selecting and running projects. Such independence allows the organization to move fast and take bold risks and helps it persuade the best and brightest to join."

- Regina E. Dugan

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"By late 2017, Chelsea was back in the pages of Teen Vogue. There she published an open letter to her children, which may or may not have begun as a late-night Facebook screed and in any case didn't sound like the kind of thing you'd write to your kids, or that they'd voluntarily read. Teen Vogue proudly ran it anyway. In her letter, Chelsea complained about Donald Trump, came out against bullying and climate change, and fretted that transgender soldiers are no longer welcome in the military. She ended by noting that "protecting children isn’t someone else's job; it's all our jobs—even if the president doesn't think it's his." It was nothing readers hadn't seen before. What's interesting is what Chelsea didn't say. She didn't challenge the existing order, or even acknowledge its existence. She didn't wonder why an ever-shrinking number of Americans control an ever-expanding share of the country’s wealth. She didn't ask why the middle class is dying, or why our society is fragmenting. She definitely didn't pause to consider how someone so thoroughly ordinary as herself could become rich and famous in a country that claims to promote on the basis of achievement. If the meritocracy is real, why is Teen Vogue pretending a letter so stupefyingly conventional is brilliant? That would have been a good question. Chelsea didn't ask. She's not interested in the answer. She has no idea she should be. In Chelsea Clinton's world, nobody tells her she’s wrong."

- Chelsea Clinton

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"The Clinton campaign just made a serious mistake. They sent Hillary and Bill Clinton’s daughter Chelsea out on behalf of her mother to bash Senator Bernie Sanders on the issue of health care. What’s so wrong with that? Don’t all candidates use family surrogates when and where they can? The Kennedys, for example, deployed a horde of kinfolk for Jack’s campaign for president, then Bobby’s, then Teddy’s. But when it’s the first time (as this was for Clinton the younger), the surrogate should be sure whereof she speaks, and had better stick to talking about her candidate, not the opponent. Unfortunately, Chelsea Clinton misrepresented Senator Sanders’ position, and her premiere performance on the stump backfired, producing a flood of political donations to Sanders. Here’s what she said: “Senator Sanders wants to dismantle Obamacare, dismantle the [Children’s Health Insurance Program], dismantle Medicare, and dismantle private insurance.” Whew! She would have us believe that the Vermont senator is a one-man wrecking crew, an enraged King Kong – or, to be modern about it, a mendacious Darth Vader – proposing “to go back to an era – before we had the Affordable Care Act – that would strip millions and millions and millions of people off their health insurance.”"

- Chelsea Clinton

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"Of the three million job losses in South Africa as a result of Covid-19, two million were held by women. While the deck has always been stacked against women, Covid-19 exposes the staggering inequalities and barriers that women face in finding, and keeping, work. Even before the Covid-19 pandemic, young women shouldered additional burdens from childcare and other household responsibilities. They had less time and money to look for work, and faced a greater threat of harassment even if they could get a job interview. Young women are also less likely to have some of the tangible attributes that significantly boost the chances of finding work, such as a matric or a driver’s licence. The impact of Covid-19 has exacerbated all of these challenges – with increased gender-based violence, missed educational opportunities and a precarious economic environment where women are hardest hit. Never has it felt truer that women need to work twice as hard to get half as far. It’s not just about equity – the evidence is clear about investing in women. Greater gender equality leads to better development outcomes, reducing income inequality and supporting economic resilience. Women’s increased economic participation leads to a higher spend on schooling for children, with important implications for growth in the long run."

- Maryana Iskander

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"Some of the biggest discussions you have when you first get married and throughout your marriage is about money and inevitably somebody is a spender and somebody is a saver. When we first got married Howard was a musician, it was pretty easy for him to go out and buy a clarinet or a saxophone and I would be thinking with the money we were going to do something else with? Or he’d say, “I bought that big screen TV for the house.” We had to have a talk because he was not supposed make decisions like that independent of me. Both of our incomes contributed to the net of our household. So, if one of us wants to buy something that is a significant expenditure that is a discussion point. We also discussed something else. I said I did not want us to be absorbed in each other. We are two individuals, we work well together, but we don’t repeat each other. We both respect what each other is doing. We need time away from each other doing our own things and we need time together. We decided early on to take two trips a year. We took one family trip with the kids and one with just us. So much happens over the course of a year when you have three kids that are very close (in age) together. You spend your life running around getting them involved and engaging them, and it’s easy for you to get lost in them and not have any time for yourself. We made some very good decisions, and we put the issues on the table early so it was no surprise moving forward. It was plain, simple hard work and we did it together."

- Beverly Robertson (businesswoman)

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