Buddhists from the United States

"I can't speak or write German, but I'am overjoyed because I have bought one of your pictures. Now it is in me. I write music. You are my teacher."

"Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide."

"I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored."

"...WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS."

"The composer (organizer of sound) will be faced not only with the entire field of sound but also with the entire field of time. The 'frame' or fraction of a second, following established film technique, will probably be the basic unit in the measurement of time. No rhythm will be beyond the composer's reach."

"I have nothing to say/ and I am saying it/ and that is poetry/ as I need it."

"We need not destroy the past. It is gone."

"I remember loving sound before I ever took a music lesson. And so we make our lives by what we love."

"A finished work is exactly that, requires resurrection."

"I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment."

"A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself."

"Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music."

"Which is more musical, a truck passing by a factory or a truck passing by a music school? Are the people inside the school musical and the ones outside unmusical?"

"David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.'"

"So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.) . One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen."

"At Black Mountain College in 1952, I organized an event that involved the paintings of Bob Rauschenberg, the dancing of Merce Cunningham, films, slides, phonograph records, radios, the poetries of w:Charles Olson and M. C. Richards recited from the tops of ladders, and the pianism of David Tudor, together with my 'Juilliard lecture', which ends: 'A piece of string, a sunset, each acts.' The audience was seated in the center of all this activity. Later that summer, vacationing in New England, I visited America's first synagogue, to discover that the congregation was there seated precisely the way I had arranged the audience at Black Mountain."

"Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen.. .I doubt whether I would have done what I have done. . .I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?"

"I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' I said, 'Well then, I'll beat my head against that wall.' I quite literally began hitting things, and developed a music of percussion that involved noises."

"There is one term of the problem which you are not taking into account: precisely, the world. The real. You say: the real, the world as it is. But it is not, it becomes! It moves, it changes! It doesn’t wait for us to change.. .It is more mobile than you can imagine. You are getting closer to this reality when you say as it 'presents itself'; that means that it is not there, existing as an object. The world, the real is not an object. It is a process."

"Art's purpose is to sober and quiet the mind so that it is in accord with what happens."

"I can't understand why people are frightened of new ideas. I'm frightened of the old ones."

"Value judgments are destructive to our proper business, which is curiosity and awareness."

"As far as consistency of thought goes, I prefer inconsistency."

"When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic — here on Sixth Avenue, for instance — I don't have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound.. .I don't need sound to talk to me."

"They say, 'you mean it's just sounds?' thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don't want them to be psychological. I don't want a sound to pretend that it's a bucket or that it's president or that it's in love with another sound. I just want it to be a sound."

"What I'm proposing, to myself and other people, is what I often call the tourist attitude - that you act as though you've never been there before. So that you're not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before."

"I once asked Aragon, the historian, how history was written. He said, 'You have to invent it.' When I wish as now to tell of critical incidents, persons, and events that have influenced my life and work, the true answer is all of the incidents were critical, all of the people influenced me, everything that happened and that is still happening influences me."

"We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is."

"John Cage ...once told me, ‘When you start working everybody is in your studio – the past, your friends, enemies, the art world, and above all, your own ideas – all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave."

"I'm especially interested in the music of John Cage.. ..I would like to do some experimenting with the relationship between his freeform sound and [my] free-form art."

"The rise of music that is totally without social commitment also increases the separation between composer and public, and represents still another form of departure from tradition. The cynicism with which this particular departure seems to have been made is perfectly symbolized in John Cage's account of a public lecture he had given: "Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen." While Mr. Cage's famous silent piece [i.e. 4′33″], or his Landscapes for a dozen radio receivers may be of little interest as music, they are of enormous importance historically as representing the complete abdication of the artist's power."

"Object in/ and space – the first impulse may be to give the object – a position – to place the object. (The object had a position to begin with.) Next – to change the position of the object. – Rauschenberg's early sculptures – A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden – The rocks can be anywhere [within the garden].."

"Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage. He said: "Don't let it worry you. Just consider it as a pun on your work". (he laughs)."

"I met Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn't just the movement but also the music he worked with, which was unfamiliar to me.. .Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company.. .I can't say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn.. .He could apply his ideas on space and time to painting, or music or architecture.. ..I don't have a clear sense of cause and effect in my painting, but it is probably there."

"Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the 'given' material and, to varying degrees, liberating them from the inherited, functional concepts of control."

"John Cage and I became interested in the use of chance in the 50's. I think one of the very primary things that happened then was the publication of the I Ching, the Chinese book of changes, from which you can cast your fortune: the hexagrams."

"Cage took it to work in his way of making compositions then; and he used the idea of 64 — the number of the hexagrams — to say that you had 64, for example, sounds; then you could cast, by chance, to find which sound first appeared, cast again, to say which sound came second, cast again, so that it's done by, in that sense, chance operations. Instead of finding out what you think should follow — say a particular sound — what did the I Ching suggest? Well, I took this also for dance."

"I'm just back from Halberstadt (a 20+ hour journey), having attended the ceremonious 13th note change in the hyperdurational sounding of John Cage's Organ2/ASLSP. This is the last note change to occur for seven long years, so it was particularly well attended. The image above is my vantage point -- being among the last to enter the church, I was really only able to watch the proceedings via the many cell phones held above the heads of hundreds of compatriots. (The presence of so much technology in so hallowed a space is, well, jarring.)"

"Briefly, the scientists working the Oregon coast found that sand could be controlled only by the use of one type of grass (European beach grass) and by a system of follow-up plantings with other growth. The grass sets up a beachhead by holding down the sand in an intricate lacing of roots. This permits certain other plants to gain a foothold. The beach grass is extremely difficult to grow in nurseries, and part of the solution to the dune problem involved working out a system for propagating and handling the grass."

"This group is composed of those for whom belief in saucers is tantamount to religion...They believe men from outer space will step in on Earth "before it's too late," put a stop to the atomic bomb threat "by their superior powers," and enforce perpetual peace "for the good of the universe"..."

"It's rooted in the fears to which all men are heir and, thus, deserves sympathy, not censure or laughter. The dream may be out of touch with history, but it's a good dream, and it doesn't appear to have been used to bilk gullible widows out of their savings. Never mind that we have a consistent record of slaughtering our messiahs. Look beyond the wacky arguments to the motivation — that sense of brotherhood which is all that has ever saved mankind from going over the brink."

"The thing we must do intensely is be human together. People are more important than things. We must get together. The best thing humans can have going for them is each other. We have each other. We must reject everything which humiliates us. Humans are not objects of consumption. We must develop an absolute priority of humans ahead of profit — any humans ahead of any profit. Then we will survive. … Together."

"There are no uncharted isles here where we can run away to sunshine and sparkling white beaches. We have just this one world, and on these pages we're beginning to get a feeling for the gigantic physical project confronting us. Our awakening is touched with dismay; we must come to terms with this world or it will terminate us. When we speak of defending the environment, we are speaking of defending our own lives."

"Ecology is a dirty seven-letter word to many people. They are like heavy sleepers refusing to be aroused. "Leave me alone! It's not time to get up yet!""

"[S]omebody said that ecology is the science of understanding consequences."

"There is no real ending. It's just the place where you stop the story."

"When I was quite young... I began to suspect there must be flaws in my sense of reality. It seemed to my dim sense of confusion that things often blended one into another, and the Law of Excluded Middle merely opened up a void wherein anything was possible. But I had been produced to focus on objects (things) and not on systems (processes)."

"If we define Futurism as an exploration beyond accepted limits, then the nature of limiting systems becomes the first object of exploration."

"The current utopian ideal being touted by people as politically diverse (on the surface, but not underneath) as President Richard M. Nixon and Senator Edward M. Kennedy goes as follows — no deeds of passion allowed, no geniuses, no criminals, no imaginative creators of the new. Satisfaction may be gained only in carefully limited social interactions, in living off the great works of the past. There must be limits to any excitement. Drug yourself into a placid "norm." Moderation is the key word…"

"By the time we awaken faintly to the awareness that we have been socially conditioned, we find ourselves so indoctrinated that it's difficult, if not impossible, to break the old patterns … Survival pressures demanding that we evolve, grow, and change, however, continue to proliferate. We don't want to change, but the floodgates open abruptly and we are overwhelmed. Crisis!"

"Science fiction, because it ventures into no man's lands, tends to meet some of the requirements posed by Jung in his explorations of archetypes, myth structures and self-understanding. It may be that the primary attraction of science fiction is that it helps us understand what it means to be human."

"If you ask "Should we be in space?" you ask a nonsense question. We are in space. We will be in space."

"The people I distrust most are those who want to improve our lives but have only one course of action in mind."

"We are questioning more than the philosophy behind our dependence upon limited and limiting systems. We question the power structures that have grown up around such systems."

"All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible. Such people have a tendency to become drunk on violence, a condition to which they are quickly addicted."

"I’ve heard you say, Bell, that logic is good for playing pyramid chess but often too slow for needs of survival."

"Technology is both a tool for helping humans and for destroying them. This is the paradox of our times which we're compelled to face."

"What I'm saying in my books boils down to this: Mine religion for what is good and avoid what is deleterious. Don't condemn people who need it. Be very careful when that need becomes fanatical."

"One of the most important things is corporate politics. Big corporations are bureaucracies that often promote people who are best at covering their asses. Such people run scared, fearful of any suggestion they can make mistakes. And they surround themselves with others who run the same way. Don't take risks. Find out what succeeds and copy it."

"Dune was aimed at this whole idea of the infallible leader because my view of history says mistakes made by a leader (or made in a leader's name) are amplified by the numbers who follow without question. That's how 900 people wound up in Guyana drinking poison Kool-Aid. That's how the U.S. said "Yes, sir, Mister Charismatic John Kennedy!" and found itself embroiled in Vietnam. That's how Germany said "Sieg Heil!" and murdered more than six million of our fellow human beings."

"A man is a fool not to put everything he has, at any given moment, into what he is creating. You're there now doing the thing on paper. You're not killing the goose, you're just producing an egg. So I don't worry about inspiration, or anything like that. It's a matter of just sitting down and working. I have never had the problem of a writing block. I've heard about it. I've felt reluctant to write on some days, for whole weeks, or sometimes even longer. I'd much rather go fishing, for example, or go sharpen pencils, or go swimming, or what not. But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, 'Well, now it's writing time and now I'll write.' There's no difference on paper between the two."

"Religious services, thought Ramsey. Here's one of the binding forces of this crew. Participation Mystique! The consecration of the warriors before the foray."

"Ramsey could contain the question no longer. "What's your definition of sanity, Skipper?" "The ability to swim," said Sparrow...."That means the sane person has to understand currents, has to know what's required in different waters.""

"I must not fear."

"Muad'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It's shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad'Dib knew that every experience carries its lesson."

"There exists a limit to the force even the most powerful may apply without destroying themselves. Judging this limit is the true artistry of government. Misuse of power is the fatal sin."

"Without coming fully awake, Rhin felt his presence beside her, experienced a primitive demand for his protective masculinity. She nestled against him, murmured, "its so hot. Doesn’t it ever cool off?""

"I only believe in certain kinds of hell," she said, and again she was looking at him, the green eyes steady. "To each his own, eh?" "You said it; I didn’t."

"It wasn’t the kind of answer he'd expected — too subtly penetrating and leaving too much uncommitted. He reminded himself that it was difficult to control uncommitted people. Once a man had invested his energies, he could be twisted and turned at will... but if the man held back, conserved those energies..."

"A person cries out against life because it's lonely, and because life's broken off from whatever created it. But no matter how much you hate life, you love it, too. It's like a caldron boiling with everything you have to have — but very painful to the lips."

"Is it possible this triviality is a code of some sort? the Brain wondered. But how could it be ... unless there's more to these emotional inconsequentials and this talk of a God than appears on the surface? The Brain had begun its career in logics as a pragmatic atheist. Now doubts began to creep into its computations, and it classified doubt as an emotion."

"A slave is one who must produce wealth for another," the Brain said. "There is only one true wealth in all the universe. I have given you some of it. I have given your father and your mate some of it. And your friends. This wealth is living time. Time. Are we slaves because we have given you more time to live?"

"" Life exists immersed in a sea of unconsciousness", he reminded himself. "In the drug, these people gain a view of that sea"."

""We sift reality through screens composed of ideas. These idea systems are limited by language. That is to say: language cuts the grooves in which our thoughts move. If we seek new validity forms,we must step outside the language"."

""It isn't surprising," Piaget said, "to find the 'N-square' law from warfare being applied to advertising and politics — other kinds of warfare, you see — with no real conversion problem from one field to the other. Each has its concepts of concentration and exposure. The mathematics of differentials and predictions apply equally well, no matter the field of battle"."

"When a wise man does not understand, he says: "I do not understand." The fool and the uncultured are ashamed of their ignorance. They remain silent when a question could bring them wisdom."

"Don't give over all of your critical faculties to people in power, no matter how admirable those people may appear to be. Beneath the hero's facade you will find a human being who makes human mistakes. Enormous problems arise when human mistakes are made on the grand scale available to a superhero. And sometimes you run into another problem. It is demonstrable that power structures tend to attract people who want power for the sake of power and that a significant proportion of such people are imbalanced — in a word, insane. … Heroes are painful, superheroes are a catastrophe. The mistakes of superheroes involve too many of us in disaster. It is the systems themselves that I see as dangerous."

"No matter how finely you subdivide time and space, each tiny division contains infinity. But this could imply that you can cut across linear time, open it like a ripe fruit, and see consequential connections. You could be prescient, predict accurately. Predestination and paradox once more. The flaw must lie in our methods of description, in languages, in social networks of meaning, in moral structures, and in philosophies and religions — all of which convey implicit limits where no limits exist. Paul Muad'Dib, after all, says this time after time throughout Dune."

"Do you want an absolute prediction? Then you want only today, and you reject tomorrow. You are the ultimate conservative. You are trying to hold back movement in an infinitely changing universe. The verb to be does make idiots of us all."

"In the beginning I was just as ready as anyone to fall into step, to seek out the guilty and to punish the sinners, even to become a leader. Nothing, I felt, would give me more gratification than riding the steed of yellow journalism into crusade, doing the book that would right the old wrongs. Reevaluation raised haunting questions.I now believe that evolution, or deevolution, never ends short of death, that no society has ever achieved an absolute pinnacle, that all humans are not created equal. In fact, I believe attempts to create some abstract equalization create a morass of injustices that rebound on the equalizers. Equal justice and equal opportunity are ideals we should seek, but we should recognize that humans administer the ideals and that humans do not have equal ability."

"Reevaluation taught me caution. I approached the problem with trepidation. Certainly, by the loosest of our standards there were plenty of visible targets, a plethora of blind fanaticism and guilty opportunism at which to aim painful barbs. But how did we get this way? What makes a Nixon? What part do the meek play in creating the powerful? If a leader cannot admit mistakes, these mistakes will be hidden. Who says our leaders must be perfect? Where do they learn this?"

"The scarce water of Dune is an exact analog of oil scarcity. CHOAM is OPEC."

"Where is the weapon with which I enforce your bondage? You give it to me every time you open your mouth."

"You can say things which cannot be done. This is elementary. The trick is to keep attention focused on what is said and not on what can be done."

"Learning a language represents training in the delusions of that language."

"Providence and Manifest Destiny are synonyms often invoked to support arguments based on wishful thinking."

"That is one of the Law's purposes, of course: to test the qualities of those who choose to employ it."

"Does a populace have informed consent when a ruling minority acts in secret to ignite a war, doing this to justify the existence of the minority's forces? History already has answered that question. Every society in the ConSentiency today reflects the historical judgment that failure to provide full information for informed consent on such an issue represents an ultimate crime."

"Does a population have informed consent when that population is not taught the inner workings of its monetary system, and then is drawn, all unknowing, into economic adventures?"

"Governments always commit their entire populations when the demands grow heavy enough. By their passive acceptance, these populations become accessories to whatever is done in their name."

"IB: Frank Herbert said there was this conception we held of the future. We refer to it as "the future" as if there was one future. UL: That's sweet. He had a lovely mind, Frank did."

"My all-time favorite writer is Frank Herbert, who wrote Dune. He wrote a lot of other books, too, and then he wrote a mainstream novel that let me know what to expect if I ever tried it. The jacket copy proclaimed, "His first serious novel.""

"There is a tirelessness about the man and his works. Part guru, part Ancient Mariner, Frank Herbert showed us how to make SF think."

"Maybe that's what life is... a wink of the eye and winking stars."

"All of life is a foreign country."

"I want to work in revelations, not just spin silly tales for money. I want to fish as deep down as possible into my own subconscious in the belief that once that far down, everyone will understand because they are the same that far down."

"I hope it is true that a man can die and yet not only live in others but give them life, and not only life but that great consciousness of life."

"Write in recollection and amazement for yourself"

"Accept loss forever"

"Believe in the holy contour of life"

"Be in love with your life every detail of it"

"We should be wondering tonight, "Is there a world?" But I could go and talk on 5, 10, 20 minutes about is there a world, because there is really no world, cause sometimes I'm walkin' on the ground and I see right through the ground. And there is no world. And you'll find out."

"Who knows, my God, but that the universe is not one vast sea of compassion actually, the veritable holy honey, beneath all this show of personality and cruelty?"

"Listen to the silence inside the illusion of the world"

"John Clellon Holmes ... and I were sitting around trying to think up the meaning of the Lost Generation and the subsequent Existentialism and I said, 'You know, this is really a beat generation' and he leapt up and said 'That's it, that's right!'"

"I went one afternoon to the church of my childhood and had a vision of what I must have really meant with "Beat"... the vision of the word Beat as being to mean beatific... People began to call themselves beatniks, beats, jazzniks, bopniks, bugniks and finally I was called the "avatar" of all this."

"Members of the generation that came of age after World War II-Korean War who join in a relaxation of social and sexual tensions, and who espouse anti-regimentation, mystic-disaffiliation, and material-simplicity values, supposedly as a result of cold-war disillusionment. Coined by Jack Kerouac."

"It is not my fault that certain so-called bohemian elements have found in my writings something to hang their peculiar beatnik theories on."

"All is well, practice kindness, heaven is nigh."

"My manners, abominable at times, can be sweet. As I grew older I became a drunk. Why? Because I like ecstasy of the mind. I'm a wretch. But I love, love."

"You can't fight City Hall. It keeps changing its name."

"All our best men are laughed at in this nightmare land."

"As early pioneers in the knowing, that when you lose your reason, you attain highest perfect knowing."

"So long and take it easy, because if you start taking things seriously, it is the end of you."

"The fact that everybody in the world dreams every night ties all mankind together."

"The tree looks like a dog, barking at heaven."

"Everything belongs to me because I am poor."

"All you do is head straight for the grave, a face just covers a skull awhile. Stretch that skull-cover and smile."

""What are you trying to do, Kerouac?" I'd ask myself in my sleepingbag at night, "trying to deny reality with all this Buddha stuff, ya jerk?" ... "Poor detailed immaculate incarnate fool, and you call yourself Self ... Take off your coat and crash wits." And I realized that all this Buddhism was a STRAIN at telling the untellable emptiness yet that nothing was truer, a perfect paradox."

"I am going to marry my novels and have little short stories for children."

"Your art is the Holy Ghost blowing through your soul."

"He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end. This he could sense even from the old house they lived in, with its solidly built walls and floors that held together like rock: some man, possibly an angry pessimistic man, had built the house long ago, but the house stood, and his anger and pessimism and irritable labourious sweats were forgotten; the house stood, and other men lived in it and were sheltered well in it."

"They danced down the streets like dingledodies, and I shambled after as I've been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!""

"So I rushed past the pretty girls, and the prettiest girls in the world live in Des Moines."

"Whither goest thou, America, in thy shiny car in the night?"

"The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death."

"I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion."

"What is that feeling when you're driving away from people and they recede on the plain till you see their specks dispersing? — it's the too-huge world vaulting us, and it's good-bye. But we lean forward to the next crazy venture beneath the skies."

"It was sad to see his tall figure receding in the dark as we drove away, just like the other figures in New York and New Orleans: they stand uncertainly underneth inmense skies, and everything about them is drowned. Where go? what do? what for? — sleep."

"At one point the driver said, "For God's sakes, you're rocking the boat back there." Actually we were; the car was swaying as Dean and I both swayed to the rhythm and the IT of our final excited joy in talking and living to the blank tranced end of all innumerable riotous angelic particulars that had been lurking in our souls all our lives."

"In 1942 I was the star in one of the filthiest dramas of all time. I was a seaman, and went to the Imperial Café on Scollay Square in Boston to drink; I drank sixty glasses of beer and retired to the toilet, where I wrapped myself around the toilet bowl and went to sleep. During the night at least a hundred seamen and assorted civilians came in and cast their sentient debouchements on me till I was unrecognizably caked. What difference does it make after all? — anonymity in the world of men is better than fame in heaven, for what's heaven? what's earth? All in the mind."

"So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty."

"Now you understand the Oriental passion for tea," said Japhy. "Remember that book I told you about; the first sip is joy, the second is gladness, the third is serenity, the fourth is madness, the fifth is ecstasy."

"Pretty girls make graves."

"Colleges being nothing but grooming schools for the middleclass non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness..."

"I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling. Ecstacy, even, I felt, with flashes of sudden remembrance, and feeling sweaty and drowsy I felt like sleeping and dreaming in the grass."

"Sociability is just a big smile, and a big smile is nothing but teeth."

"I saw that my life was a vast glowing empty page and I could do anything I wanted."

"Trouble with you is you don't do plenty night zazen especially when it's cold out, that's best, besides you should get married and have halfbreed babies, manuscripts, homespun blankets and mother's milk on your happy ragged mat floor like this one. Get yourself a hut house not too far from town, live cheap, go ball in the bars once in awhile, write and rumble in the hills and learn how to saw boards and talk to grandmas you damn fool, carry loads of wood for them, clap your hands at shrines, get supernatural favors, take flower-arrangement lessons and grow chrysanthemums by the door, and get married for krissakes, get a friendly smart sensitive human-being gal who don't give a shit for martinis every night and all that dumb white shit in the kitchen."

"Then I added "Blah," with a little grin, because I knew that shack and that mountain would understand what that meant, and turned and went on down the trail back to this world."

"Once I was young and had so much more orientation and could talk with nervous intelligence about everything and with clarity and without as much literary preambling at this; in other words this is the story of an unself-confident man, at the same time of an egomaniac, naturally, facetious won't do−just to start at the beginning and let the truth seep out, that's what I'll do-."

"No man should go through life without once experiencing healthy, even bored solitude in the wilderness, finding himself depending solely on himself and thereby learning his true and hidden strength. Learning for instance, to eat when he's hungry and sleep when he's sleepy."

"Thinking of the stars night after night I begin to realize "The stars are words" and all the innumerable worlds in the Milky Way are words, and so is this world too. And I realize that no matter where I am, whether in a little room full of thought, or in this endless universe of stars and mountains, it's all in my mind."

"One night I realized that when you give people understanding and encouragement a funny little meek childish look abashes their eyes, no matter what they've been doing they weren't sure it was right — lambies all over the world."

"The happiness consists in realizing that it is all a great strange dream."

"Ah, life is a gate, a way, a path to Paradise anyway, why not live for fun and joy and love or some sort of girl by a fireside, why not go to your desire and LAUGH..."

"Everything is the same, the fog says 'We are fog and we fly by dissolving like ephemera,' and the leaves say 'We are leaves and we jiggle in the wind, that's all, we come and go, grow and fall' — Even the paper bags in my garbage pit say 'We are mantransformed paper bags made out of wood pulp, we are kinda proud of being paper bags as long as that will be possible, but we'll be mush again with our sisters the leaves come rainy season' — The tree stumps say 'We are tree stumps torn out of the ground by men, sometimes by the wind, we have big tendrils full of earth that drink out of the earth' — Men say 'We are men, we pull out tree stumps, we make paper bags, we think wise thoughts, we make lunch, we look around, we make a great effort to realise everything is the same.'"

"I feel guilty for being a member of the human race."

"And I will die, and you will die, and we all will die, and even the stars will fade out one after another in time."

"But O Sarina come with me to my bed of woes, let me love you gently in the night, long time, we got all night, till dawn, till Juliet's rising sun and Romeo's vial sink, till I have slaked my thirst of Samsara at your portal rosy petal lips and left saviour juice in your rosy flesh garden to melt and dry and ululate another baby for the void, come sweet Sarina in my naughty arms, be dirty in my clean milk, and I'll detest the defecate I leave in your milky empowered cyst-and-vulva chamber, your cloacan clara file-hool through which slowly drool the hall-gyzm, to castles in your hassel flesh and I'll protect you trembling thighs against my heart and kiss your lips and cheeks and Lair and love you everywhere and that'll be that..."

"I could give you a list a mile long of the homosexuals in the arts but there's no point in making a big tzimis about a relatively harmless and cool state of affairs — Each man to his own tastes."

"Everything is going to the beat — It's the beat generation, it be-at, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown and like in ancient civilizations the slave boatmen rowing galleys to a beat and servants spinning pottery to a beat..."

"There's your Karma ripe as peaches."

"A sociable smile is nothing but teeth."

"It no longer makes me cry and die and tear myself to see her go because everything goes away from me like that now — girls, visions, anything, just in the same way and forever and I accept lostness forever."

"I'm writing this book because we're all going to die — In the loneliness of my life, my father dead, my brother dead, my mother far away, my sister and my wife far away, nothing here but my own tragic hands that once were guarded by a world, a sweet attention, that now are left to guide and disappear their own way into the common dark of all our death, sleeping in me raw bed, alone and stupid..."

"The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night — nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. — The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass — orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route."

"If only I had the magic self of babyhood when I remembered what it was like before I was born, I wouldn't worry about death now knowing both to be the same empty dream."

"The reason I'm so bitter and, as I said, in anguish, nowadays, or one of the reasons, is that everybody's begun to lie and because they lie they assume that I lie too: they overlook the fact that I remember very well many things (of course I've forgotten some), but I do believe that lying is a sin, unless it's an innocent lie based on lack of memory, certainly the giving of false evidence and being a false witness is a mortal sin, but what I mean is, insofar as lying has become so prevalent in the world today (thanks to Marxian Dialectal propaganda and Comintern techniques among other causes) that, when a man tells the truth, everybody, looking in the mirror and seeing a liar, assumes that the truth-teller is lying too."

"(...) who is he that is not 'he' because of an idiot's ignorance?"

"(...) comes under the influence of old French Fairies who accuse him of constipation of the brain & diarrhea of the mouth"

"A man who allows wild passion to arise within, himself burns his heart, then after burning adds the wind that thereto which ignites the fire again, or not, as the case may be."

"Literature is no longer Necessary Teaching is left."

"Mankind is like dogs, not gods — as long as you don't get mad they'll bite you — but stay mad and you'll never be bitten. Dogs don't respect humility and sorrow."

"My witness is the empty sky."

"Soon I'll find the right words, they'll be very simple."

"Because in the end, you won't remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain."

"Great things are not accomplished by those who yield to trends and fads and popular opinion."

"My fault, my failure, is not in the passions I have, but in my lack of control of them."

"Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules, and they have no respect for the status quo. You can quote them; disagree with them; glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world are the ones who do."

"Put down the pen someone else gave you. No one ever drafted a life worth living on borrowed ink."

"If moderation is a fault, then indifference is a crime."

"I was surprised, as always, by how easy the act of leaving was, and how good it felt. The world was suddenly rich with possibility."

"Judge nothing, you will be happy. Forgive everything, you will be happier. Love everything, you will be happiest."

"If you own a rug you own too much."

"It's not that I can't fall in love. It's really that I can't help falling in love with too many things all at once. So, you must understand why I can't distinguish between what's platonic and what isn't, because it's all too much and not enough at the same time."

"The best teacher is experience and not through someone's distorted point of view."

"A man needs truth like a machine needs oil."

"There are worse things than being mad."

"I have the right ideas, but my words are too ... complicated. I need to simplify them, so that people won't get lost in the dark when they see and hear them. I want them to shine like beacons of light in a world of overly complicated darkness. One day I will find the right words, and they will be simple."

"Defy the law! – Write the heartbroken poetry of the World!"

"I consider On The Road sort of holy because it helped change my life as it did to so many others and as it continues to do so. Jack wanted his papers enshrined in a library but they are now in the hands of highly non-literary people more interested in their monetary value than in their literary or cultural value."

"Caringosity killed the Kerouac cat. Sometimes truth is stranger than fiction."

"Writers are, in a way, very powerful indeed. They write the script for the reality film. Kerouac opened a million coffee bars and sold a million pairs of Levis to both sexes. Woodstock rises from his pages. Now if writers could get together into a real tight union, we'd have the world right by the words. We could write our own universes, and they would be as real as a coffee bar or a pair of Levis or a prom in the Jazz Age. Writers could take over the reality studio. So they must not be allowed to find out that they can make it happen. Kerouac understood long before I did. Life is a dream, he said."

"That's not writing. It's typing."

"I read On the Road in maybe 1959. It changed my life like it changed everyone else's."

"Someone handed me Mexico City Blues in St. Paul [Minnesota] in 1959 and it blew my mind. It was the first poetry that spoke my own language."

"Some times feeling like Holden Caulfield, sometimes Jack Kerouac"

"I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, "That's the way, that's the ideal life, that's great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you're on the road and you're doing it again." The romance of the road, particularly from Kerouac's work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, "Oh yeah, this is how it works." But then in reading Big Sur, it's the end of the road. You end up with a series of failed relationships and you end up being an alcoholic and in your late 30s, and not having any kind of real grip on the lives of the people around you. That's the potential other end of the spectrum when you're never tied to anybody or anything. I run the risk of losing touch with the people in my life that mean the most to me because I have made the decision to live like this."

"If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes — his tone and the sentimentality of it all. But those books were there for me at a very important point in my life."

"Because of my age and what I do for a living and the amount of time that I've spent away from my family and loved ones, I'm starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There's a darkness inside of me that I'm only now starting to come to grips with and accept. And it's starting to scare me."

"Once when Kerouac was high on psychedelics with Timothy Leary, he looked out the window and said, "Walking on water wasn't built in a day." Our goal was to save the planet and alter human consciousness. That will take a long time, if it happens at all."

"Kerouac was a true American original, in the direct line of men like Jack London and Thomas Wolfe and Sinclair Lewis and Theodore Dreiser and Norman Mailer; men not of exquisite European sensibility or tragic Russian depths but of enormous American appetite; men who understood appetite in their brains and in their balls and in their inflamed nerve endings; in their wet dreams and egalitarian surroundings, and in their amazing grasp of the raw sweep of this country; men who not only understood appetite, but also that appetite was what America was all about, and that America, like most of them, would die forever young."

"You're not punk, and I'm telling everyone. Save your breath, I never was one. You don't know what I'm all about Like killing cops and reading Kerouac"

"Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it's poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell's world. Of course it's Norman Rockwell on a lot of dope."

"Of the Beat triumvirate, Kerouac was probably both the most pathetic and least noxious. Psychologically, he was a mess—as indeed were Ginsberg and Burroughs. But, unlike them, Kerouac lacked the knack of sanctifying his pathologies and inducing others to bow down in obeisance."

"Texas in the summer is cool We'll be on the road like Jack Kerouac, lookin' back Sam, you're ready, let's go anywhere Get the car packed and throw me the key Run away with me"

"If you're working with words, it's got to be poetry. I grew up with Kerouac. If he hadn't wrote On The Road, the Doors would have never existed. Morrison read On The Road down in Florida, and I read it in Chicago. That sense of freedom, spirituality, and intellectuality in On The Road — that's what I wanted in my own work."

"The world that [Kerouac] trembling stepped out into in that decade was a bitter, gray one."

"Kerouac was "locked in the Cold War and the first Asian debacle" in "the gray, chill, militaristic silence, ... the intellective void ... the spiritual drabness."

"Ken Kesey wore a Mexican serape and said Jack/Kerouac got trapped in his "own little/box"-that was his downfall. Can we really say/anyone who changed so many lives/had a downfall?/He just drank too much alcohol and had a shorter life/than he might have had./Jack's box was pretty vast."

"The fifties were supposed to be a golden age when the pig had everything his way. That's what TV and the government wants us to believe: there was a time when no one made trouble. What about Kerouac, you assholes? What about Neal?"

"Images of cars and highways fill our literature, songs, movies and art, not just in America but worldwide. Books like "On the Road" by Jack Kerouac or "The Electric Kool-Aid Acid Test" by Tom Wolfe were among the first to romanticize driving and road trips. Old blues and early rock songs like "Route 66," "Brand New Cadillac," and "Goin' Mobile" further romanticized cars and highways for the postwar "Baby Boom" generation. Thousands of films and T.V. shows have focused on or predominantly featured cars and car chases: "Rebel Without a Cause," "American Graffiti," "Easy Rider," "Bullet," "The Dukes of Hazzard," the "James Bond" films, and at least half a dozen Burt Reynolds movies. The list goes on... All this pop culture, combined with relentless commercial advertising, has made cars an integral part of our personal identity. We have been taught to equate motor vehicles with wealth, power, romance, rebellion and freedom. Now, everywhere I go in the world, I see cars-millions and millions of cars-in Rome, Guatemala City, Kuala Lumpur, Bombay and Beijing. Everywhere there are huge traffic jams and poor air quality. The number of motor vehicles in the world is growing three times faster than the population."

"I notice that there's a long gap in your job history and it said for 22 years you went Kerouac on everyone's ass?"

"Certainly I've read The Subterranean: all his crap for that matter. The man is an ass, a mystic boob with intellectual myopia."

"Did the tea-time of your soul Make you long for wilder days Did you never let Jack Kerouac Wash over you in waves?"

"We will write a postcard To our friends and family In free verse On the road with Kerouac Sheltered in his Bivouac On this road we'll never die..."

"He did more in one lifetime than most people do in ten."

"And we know that everything is going to be okay. All we need is Kerouac and a glass of sweet tea."

"Was George Orwell right about 1984?"

"We're gambling on our vision, and we would rather do that than make "me too" products. Let some other companies do that. For us, it's always the next dream."

"It is hard to think that a $2 billion company with 4,300-plus people couldn't compete with six people in blue jeans."

"Real artists ship."

"They're babes in the woods. I think I can help turn Alvy and Ed into businessmen."

"If, for some reason, we make some big mistake and IBM wins, my personal feeling is that we are going to enter a computer Dark Ages for about twenty years."

"I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that."

"Do you want to spend the rest of your life selling sugared water or do you want a chance to change the world?"

"It's more fun to be a pirate than to join the Navy."

"Woz and I very much liked Bob Dylan's poetry, and we spent a lot of time thinking about a lot of that stuff. This was California. You could get LSD fresh made from Stanford. You could sleep on the beach at night with your girlfriend. California has a sense of experimentation and a sense of openness—openness to new possibilities."

"Sometimes when you innovate, you make mistakes. It is best to admit them quickly, and get on with improving your other innovations."

"You can't just ask customers what they want and then try to give that to them. By the time you get it built, they'll want something new."

"It'll make your jaw drop."

"It's rare that you see an artist in his 30s or 40s able to really contribute something amazing."

"Computers are actually pretty simple. We’re sitting here on a bench in this cafe. Let’s assume that you understood only the most rudimentary of directions and you asked how to find the rest room. I would have to describe it to you in very specific and precise instructions. I might say, "Scoot sideways two meters off the bench. Stand erect. Lift left foot. Bend left knee until it is horizontal. Extend left foot and shift weight 300 centimeters forward …" and on and on. If you could interpret all those instructions 100 times faster than any other person in this cafe, you would appear to be a magician: You could run over and grab a milk shake and bring it back and set it on the table and snap your fingers, and I’d think you made the milk shake appear, because it was so fast relative to my perception. That’s exactly what a computer does. It takes these very, very simple-minded instructions — "Go fetch a number, add it to this number, put the result there, perceive if it’s greater than this other number"—but executes them at a rate of, let’s say, 1,000,000 per second. At 1,000,000 per second, the results appear to be magic. … Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh."

"<!-- Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?"

"How come the Mac group produced Mac and the people at IBM produced the PCjr? We think the Mac will sell zillions, but we didn’t build Mac for anybody else. We built it for ourselves. We were the group of people who were going to judge whether it was great or not. We weren’t going to go out and do market research. We just wanted to build the best thing we could build. When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.<!--"

"What a computer is to me is it's the most remarkable tool that we have ever come up with. It's the equivalent of a bicycle for our minds."

"My opinion is that the only two computer companies that are software-driven are Apple and NeXT, and I wonder about Apple."

"Being the richest man in the cemetery doesn't matter to me … Going to bed at night saying we've done something wonderful... that's what matters to me."

"When you grow up you tend to get told that the world is the way it is and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice family, have fun, save a little money. That's a very limited life. Life can be much broader once you discover one simple fact: Everything around you that you call life was made up by people that were no smarter than you and you can change it, you can influence it, you can build your own things that other people can use."

"I'm convinced that about half of what separates the successful entrepreneurs from the non-successful ones is pure perseverance. It is so hard. You put so much of your life into this thing. There are such rough moments in time that I think most people give up. I don't blame them. Its really tough and it consumes your life. If you've got a family and you're in the early days of a company, I can't imagine how one could do it. I'm sure its been done but its rough. Its pretty much an eighteen hour day job, seven days a week for awhile. Unless you have a lot of passion about this, you're not going to survive. You're going to give it up. So you've got to have an idea, or a problem or a wrong that you want to right that you're passionate about otherwise you're not going to have the perseverance to stick it through. I think that's half the battle right there."

"John Sculley ruined Apple and he ruined it by bringing a set of values to the top of Apple which were corrupt and corrupted some of the top people who were there, drove out some of the ones who were not corruptible, and brought in more corrupt ones and paid themselves collectively tens of millions of dollars and cared more about their own glory and wealth than they did about what built Apple in the first place — which was making great computers for people to use."

"We believe it's the biggest advance in animation since Walt Disney started it all with the release of Snow White 50 years ago."

"If I knew in 1986 how much it was going to cost to keep Pixar going, I doubt if I would have bought the company."

"You know, I've got a plan that could rescue Apple. I can't say any more than that it's the perfect product and the perfect strategy for Apple. But nobody there will listen to me."

"Jobs: As a kid, I read an article in the Scientific American. It measured the efficiency of locomotion of various species on the planet. Bears. Chimpanzees. Raccoons. Birds. Fish. How many kilo-calories per kilometer did they spend to move? Humans were measured too. And the condor won. It was the most efficient. Humankind came in with an unimpressive showing about a third of the way down the list. But somebody there had the brilliance to test a human riding a bicycle. We blew away the condor. Off the charts. This really had an impact on me. Humans are tool builders. We build tools that can dramatically amplify our innate human abilities. We ran an ad for this once that the personal computer is the bicycle of the mind. I believe that with every bone in my body."

"Jobs: Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields. We all brought to this a sort of "liberal arts" air, an attitude that we wanted to pull the best that we saw into this field. You don’t get that if you are very narrow."

"The desktop computer industry is dead. Innovation has virtually ceased. Microsoft dominates with very little innovation. That's over. Apple lost. The desktop market has entered the dark ages, and it's going to be in the dark ages for the next 10 years, or certainly for the rest of this decade."

"When you're young, you look at television and think, There's a conspiracy. The networks have conspired to dumb us down. But when you get a little older, you realize that's not true. The networks are in business to give people exactly what they want. That's a far more depressing thought. Conspiracy is optimistic! You can shoot the bastards! We can have a revolution! But the networks are really in business to give people what they want. It's the truth."

"Miele] really thought the process through. They did such a great job designing these washers and dryers. I got more thrill out of them than I have out of any piece of high tech in years."

"To design something really well you have to get it. You have to really grok what it’s all about. It takes a passionate commitment to thoroughly understand something — chew it up, not just quickly swallow it. Most people don’t take the time to do that."

"Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people... Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one's understanding of the human experience, the better design we will have."

"If I were running Apple, I would milk the Macintosh for all it's worth — and get busy on the next great thing. The PC wars are over. Done. Microsoft won a long time ago."

"Human minds settle into fixed ways of looking at the world. That’s always been true and it’s probably always going to be true and I think... I’ve always felt that death is the greatest invention of life. I’m sure that life evolved without death at first, and found that without death life didn’t work very well. Because it didn’t make room for the young, who didn’t know how the world was fifty years ago, who didn’t know how the world was twenty years ago. Who saw it as it is today without any preconceptions, and saw and dreamed how it could be based on that. Who were not satisfied based on the accomplishments of the last thirty years, but who were dissatisfied because the current state didn’t live up to their ideals. Without death there would be very little progress."

"I was worth about over a million dollars when I was twenty-three and over ten million dollars when I was twenty-four, and over a hundred million dollars when I was twenty-five and it wasn't that important because I never did it for the money."

"The only problem with Microsoft is they just have no taste. They have absolutely no taste. And I don't mean that in a small way, I mean that in a big way, in the sense that they don't think of original ideas, and they don't bring much culture into their products."

"I am saddened, not by Microsoft's success — I have no problem with their success. They've earned their success, for the most part. I have a problem with the fact that they just make really third-rate products."

"We have always been shameless about stealing great ideas."

"We hired truly great people and gave them the room to do great work. A lot of companies [...] hire people to tell them what to do. We hire people to tell us what to do. We figure we're paying them all this money; their job is to figure out what to do and tell us."

"I wish him the best, I really do. I just think he and Microsoft are a bit narrow. He'd be a broader guy if he had dropped acid once or gone off to an ashram when he was younger."

"You‘ve got to start with the customer experience and work backwards to the technology."

"The products suck! There's no sex in them anymore!"

"Apple has some tremendous assets, but I believe without some attention, the company could, could, could — I'm searching for the right word — could, could die."

"Nobody has tried to swallow us since I've been here. I think they are afraid how we would taste."

"It looks like it's from another planet. A good planet. A planet with better designers"

"iMac is next year's computer for $1,299, not last year's computer for $999."

"But in the end, for something this complicated, it's really hard to design products by focus groups. A lot of times, people don't know what they want until you show it to them."

"Innovation has nothing to do with how many R&D dollars you have. When Apple came up with the Mac, IBM was spending at least 100 times more on R&D. It's not about money. It's about the people you have, how you're led, and how much you get it."

"I think Pixar has the opportunity to be the next Disney — not replace Disney — but be the next Disney."

"I found that there were these incredibly great people at doing certain things, and that you couldn't replace one of these people with 50 average people. They could just do things that no number of average people could do."

"Unfortunately, people are not rebelling against Microsoft. They don’t know any better."

"<!-- Rolling Stone: It's been 10 years since the Macintosh was introduced. When you look around at the technological landscape today, what's most surprising to you?"

"<!-- Rolling Stone: Nevertheless, you've often talked about how technology can empower people, how it can change their lives. Do you still have as much faith in technology today as you did when you started out 20 years ago?"

"Rolling Stone: It's been 10 years since the PC revolution started. Rational people can debate about whether technology has made the world a better place –"

"Microsoft has had two goals. One was to copy the Mac and the other was to copy Lotus' success in the spreadsheet. And over the course of the last 10 years, Microsoft accomplished both of those goals. And now they are completely lost. They were able to copy the Mac because the Mac was frozen in time. The Mac didn't change much for the last 10 years. It changed maybe 10 percent. It was a sitting duck. It's amazing that it took Microsoft 10 years to copy something that was a sitting duck. Apple, unfortunately, doesn't deserve too much sympathy. They invested hundreds and hundreds of millions of dollars into R&D, but very little came out. They produced almost no new innovation since the original Mac itself."

"We made the buttons on the screen look so good you'll want to lick them."

"You've baked a really lovely cake, but then you've used dog shit for frosting."

"I would trade all of my technology for an afternoon with Socrates."

"It will go down in history as a turning point for the music industry. This is landmark stuff. I can't overestimate it!"

"There are sneakers that cost more than an iPod."

"People think it's this veneer — that the designers are handed this box and told, 'Make it look good!' That's not what we think design is. It's not just what it looks like and feels like. Design is how it works."

"We don't believe it's possible to protect digital content … What's new is this amazingly efficient distribution system for stolen property called the Internet — and no one's gonna shut down the Internet. And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock — open every door. It only takes one person to pick a lock. Worst case: Somebody just takes the analog outputs of their CD player and rerecords it — puts it on the Internet. You'll never stop that. So what you have to do is compete with it."

"The subscription model of buying music is bankrupt. I think you could make available the Second Coming in a subscription model and it might not be successful."

"We used to dream about this stuff. Now we get to build it. It's pretty great."

"We think basically you watch television to turn your brain off, and you work on your computer when you want to turn your brain on."

"Why would I ever want to run Disney? Wouldn't it make more sense just to sell them Pixar and retire?"

"The cure for Apple is not cost-cutting. The cure for Apple is to innovate its way out of its current predicament."

"It wasn't that Microsoft was so brilliant or clever in copying the Mac, it's that the Mac was a sitting duck for 10 years. That's Apple's problem: Their differentiation evaporated."

"I'm the only person I know that's lost a quarter of a billion dollars in one year.... It's very character-building."

"I get asked a lot why Apple's customers are so loyal. It's not because they belong to the Church of Mac! That's ridiculous."

"I've always wanted to own and control the primary technology in everything we do."

"The system is that there is no system. That doesn't mean we don't have process. Apple is a very disciplined company, and we have great processes. But that's not what it's about. Process makes you more efficient. But innovation comes from people meeting up in the hallways or calling each other at 10:30 at night with a new idea, or because they realized something that shoots holes in how we've been thinking about a problem. It's ad hoc meetings of six people called by someone who thinks he has figured out the coolest new thing ever and who wants to know what other people think of his idea. And it comes from saying no to 1,000 things to make sure we don't get on the wrong track or try to do too much. We're always thinking about new markets we could enter, but it's only by saying no that you can concentrate on the things that are really important."

"Mac OS X Tiger will come out long before Longhorn."

"Pixar is the most technically advanced creative company; Apple is the most creatively advanced technical company."

"They are shamelessly copying us."

"Because I'm the CEO, and I think it can be done."

"And one more thing..."

"I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next."

"You know, you keep on innovating, you keep on making better stuff. And if you always want the latest and greatest, then you have to buy a new iPod at least once a year."

"Our friends up north spend over five billion dollars on research and development and all they seem to do is copy Google and Apple."

"Look at the design of a lot of consumer products — they're really complicated surfaces. We tried to make something much more holistic and simple. When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can often times arrive at some very elegant and simple solutions. Most people just don't put in the time or energy to get there. We believe that customers are smart, and want objects which are well thought through."

"We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless."

"I've seen the demonstrations on the Internet about how you can find another person using a Zune and give them a song they can play three times. It takes forever. By the time you've gone through all that, the girl's got up and left! You're much better off to take one of your earbuds out and put it in her ear. Then you're connected with about two feet of headphone cable."

"I make 50 cents for showing up … and the other 50 cents is based on my performance."

"A lot of companies have chosen to downsize, and maybe that was the right thing for them. We chose a different path. Our belief was that if we kept putting great products in front of customers, they would continue to open their wallets."

"I wish developing great products was as easy as writing a check. If that was the case, Microsoft would have great products."

"It's like giving a glass of ice water to somebody in hell!"

"Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do."

"Yes, it's true."

"Now, I have something to tell you today. Mac OS X has been leading a secret double life — for the past five years. There have been rumors to this effect... but this is Apple's campus in Cupertino — let's zoom in on it — in that building right there... we've had teams doing the "just-in-case" scenario; and our rules have been that our designs for OS X must be processor independent, and that every project must be built for both the Power PC and Intel processors. And so today for the first time, I can confirm the rumors that every release of OS X has been compiled for both Power PC and Intel — this has been going on for the last five years. Just in case."

"So Mac OS X is cross-platform by design, right from the very beginning. So Mac OS X is singing on Intel processors, and I'd just like to show you right now. As a matter of fact... this system I've been using here... Let go have a look... [reveals that the system he had been using for the presentation was running Mac OS X 10.4.1 on a machine using a 3.6 GHz Pentium 4 processor] So.. we've been running on an Intel machine all morning."

"We intend to release Leopard at the end of 2006 or early 2007, right around the time when Microsoft is expected to release Longhorn."

"I decided to take a calligraphy class to learn [the art of decorative or hand lettering]. I learned about serif and sans-serif typefaces, about varying the space between different letter combinations, about what makes great typography great. It was beautiful. Historical. Artistically subtle in a way that science can't capture. And I found it fascinating. None of this had any hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would never have multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them."

"Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. Because believing that the dots will connect down the road will give you the confidence to follow your heart even when it leads you off the well-worn path and that will make all the difference."

"I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life."

"Sometimes life hits you in the head with a brick. Don’t lose faith. I’m convinced that the only thing that kept me going was that I loved what I did. You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking. Don’t settle."

"When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something."

"Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure — these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart."

"No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true."

"Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary."

"When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and Polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you. Stay Hungry. Stay Foolish."

"We’ve got a great week plan for you. You know, this year we’ve got 42 hundred registered attendees. This is the largest WWDC ever so thank you very much for making this a record event for us."

"There are folks here from 48 different countries."

"If you have a chance to go to New York I really encourage to go visit the store. This is one of the fifty-seven we now have."

"Last quarter alone we hosted 17 million visitors throughout our stores."

"Last quarter, we had our best Mac quarter ever. We shipped 1.33 million Macs last quarter. We are really, really happy about this, but even better, was the growth rate because the growth rate was dramatically faster than the rest of the industry which means we are gaining market share."

"Every once in a while a revolutionary product comes along that changes everything. It's very fortunate if you can work on just one of these in your career. … Apple's been very fortunate in that it's introduced a few of these."

"Well, what we're going to do is get rid of all these buttons, and just make a giant screen—a giant screen. Now, how are we going to communicate (with) this? We don't want to carry around a mouse, right? So what are we going to do? Oh, a stylus, right? We're going to use a stylus. No. —No. Who wants a stylus? You have to get them and put them away and you lose them. Yuck! Nobody wants a stylus. So let's not use a stylus."

"And boy, have we patented it."

"Most people don’t have very many numbers in their address book they use their recents as their address book. Right? How many of you do that? I bet more than a few."

"We also know first hand that Flash is the number one reason Macs crash."

"By the way, what have you done that's so great? Do you create anything, or just criticize others work and belittle their motivations?"

"The HD revolution is over, it happened. HD won. Everybody wants HD."

"From: Steve Jobs To: Steve Jobs Subject: Date: September 2, 2010, 11:08 p.m. I grow little of the food I eat, and of the little I do grow I did not breed or perfect the seeds. I do not make any of my own clothing. I speak a language I did not invent or refine. I did not discover the mathematics I use. I am protected by freedoms and laws I did not conceive of or legislate, and do not enforce or adjudicate. I am moved by music I did not create myself. When I needed medical attention, I was helpless to help myself survive. I did not invent the transistor, the microprocessor, object oriented programming, or most of the technology I work with. I love and admire my species, living and dead, and am totally dependent on them for my life and well being. Sent from my iPad"

"- digital hub (center of our universe) is moving from PC to cloud - PC now just another client alongside iPhone, iPad, iPod touch, ... - Apple is in danger of hanging on to old paradigm too long (innovator's dilemma) - Google and Microsoft are further along on the technology, but haven't quite figured it out yet - tie all of our products together, so we further lock customers into our ecosystem"

"Sometimes I believe in God, sometimes I don’t. I think it’s 50-50 maybe. But ever since I’ve had cancer, I’ve been thinking about it more. And I find myself believing a bit more. I kind of – maybe it’s ’cause I want to believe in an afterlife. That when you die, it doesn’t just all disappear. The wisdom you’ve accumulated. Somehow it lives on, but sometimes I think it’s just like an on-off switch. Click and you’re gone. And that’s why I don’t like putting on-off switches on Apple devices."

"If you want it, you can fly, you just have to trust you a lot"

""If it could save a person’s life, could you find a way to save ten seconds off the boot time? If there were five million people using the Mac, and it took ten seconds extra to turn it on every day, that added up to three hundred million or so hours per year people would save, which was the equivalent of at least one hundred lifetimes saved per year."

"I wanted to meet my biological mother mostly to see if she was OK and to thank her, because I'm glad I didn't end up as an abortion. She was twenty-three and she went through a lot to have me."

"You always have to keep pushing to innovate. Dylan could have sung protest songs forever and probably made a lot of money, but he didn’t. He had to move on, and when he did, by going electric in 1965, he alienated a lot of people. His 1966 Europe tour was his greatest…. The Beatles were the same way. They kept evolving, moving, refining their art. That’s what I’ve always tried to do — keep moving. Otherwise, as Dylan says, if you are not busy being born, you’re busy dying."

"Stay hungry, stay foolish."

"Good artists copy; great artists steal."

"My girlfriend always laughs during sex — no matter what she's reading."

"The musicians play their instruments. I play the orchestra."

"Man at audience microphone: Mr. Jobs, you're a bright and influential man."

"Jobs: Here it comes [audience laughter]."

"Man at the audience microphone: It's sad and clear that on several counts you've discussed you don't know what you're talking about. I would like, for example, for you to express in clear terms, how, say Java, in any of its incarnations, expresses the ideas embodied in OpenDoc. And when you've finished with that, perhaps you could tell us what you personally have been doing for the last seven years."

"Jobs: [audible gasps from the audience] Uh... You know, you can please some of the people some of the time, but...One of the hardest things, when you're trying to affect change, is that people like this gentlemen are right in some areas. I'm sure there are some things OpenDoc does, probably even more that I'm not familiar with, that nothing else out there does. And I'm sure that you can make some demos, maybe a small commercial app, that demonstrates those things. The hardest thing is, how does that fit into a cohesive larger vision that's gonna allow you to sell 8 billion dollars - 10 billion dollars of product a year?One of the things I've always found is that you've got to start with the customer experience and work backwards to the technology. You can't start with the technology and try to figure out where you're going to try to sell it. I've made this mistake probably more than anybody else in this room, and I've got the scar tissue to prove it. And I know that it's the case. As we have tried to come up with a strategy and a vision for Apple, it started with "What incredible benefits can we give to the customer? Where can we take the customer?" not starting with, "Let's sit down with the engineers and figure out what awesome technology we have and then how are we going to market that. And I think that's the right path to take.I remember, with the LaswerWriter - we built the world's first laser printer, as you know, and there was awesome technology in that box. We had the first Canon cheap laser printing engine in the United States. We had a very wonderful printer controller, we had Adobe's PostScript software in there, we had AppleTalk in there, just awesome technology in the box. And I remember seeing the first print-out come out of it. Just picking it up and looking at it, and thinking, "You know, we can sell this." Because you don't need to know anything about what's in that box. All we have to do is hold it up and go, "do you want this?" And if you can remember back to 1984 before laser printers, it was pretty startling to see that. People went, "Whoah. Yes."That's where Apple's gotta get back to. I'm sorry that OpenDoc is a casualty along the way, and I readily admit there's many things in life that I don't have the faintest idea what I'm talking about. So I apologize for that too. But there's a whole lot of people working super, super hard right now at Apple. You know - Avie, John, Guerrino, Fred, I mean the whole team is working - burning the midnight oil, and hundreds of people below them - to execute on some of these things, and they're doing their best.And some mistakes will be made along the way, by the way. That's good. Because at least some decisions are being made. We'll find the mistakes, and we'll fix 'em. And I think what we need to do is support that team. Going through this stage, as they work their butts off - they're all getting calls to go do this, do that, the valley's hot - none of them are leaving. And I think we need to support them, and see them through this, and write some damn good applications out in the market.Mistakes will be made, some people will be pissed off, some people will not know what they're talking about, but I think it's so much better than where things were not very long ago. And I think we're gonna get there."

"Man in audience: What about OpenDoc?"

"Jobs: What about OpenDoc? Yeah...what about it?"

"[audience groans and laughs]"

"Jobs: It's dead, right? Yeah, well, you know, let me say something that's sort of generic. I know some of you spent a lot of time working on stuff that we put a bullet in the head of. I apologize. I feel your pain!"

"While Mr. Jobs's stated positions on management techniques are all quite noble and worthy, in practice he is a dreadful manager."

"I have always liked Steve personally, but I have found it impossible to work for him and retain much enjoyment in my work."

"Jobs regularly misses appointments. This is so well-known as to be almost a running joke. It's not funny, hurts Apple's image when he does it to outsiders, and wastes our time and energy when it is done to another employee."

"He acts without thinking and with bad judgment."

"He does not give credit where due. This is an especially damaging trait in a company that depends on innovation for its surival."

"Very often, when told of a new idea, he will immediately attack it and say that it is worthless or even stupid, and tell you that it was a waste of time to work on it. This alone is bad management, but if the idea was a good one he will soon be telling people about it as though it was his own."

"Jobs also has favorites, who can do no wrong--and others can do no right. He will uncritically dismiss an idea saying: "Oh, that's X's idea. His ideas aren't worth anything.""

"He is a prime example of a manager who takes the credit for his optimistic schedules and then blames the workers when deadlines are not met."

"[as an interview was taking place] I could tell that Steve was losing patience when he started to roll his eyes at the candidate's responses. Steve began to grill him with some unconventional questions."How old were you when you lost your virginity?", Steve askedThe candidate wasn't sure if he heard correctly. "What did you say?"Steve repeated the question, changing it slightly. "Are you a virgin?". Burrell and I started to laugh, as the candidate became more disconcerted. He didn't know how to respond.Steve changed the subject. "How many times have you taken LSD?"The poor guy was turning varying shades of red, so I tried to change the subject and asked a straight-forward technical question. But when he started to give a long-winded response, Steve got impatient again."Gooble, gobble, gobble, gobble", Steve started making turkey noises. This was too much for Burrell and myself, and we all started cracking up. "Gobble, gobble, gobble", Steve continued, laughing himself now.At this point, the candidate stood up. "I guess I'm not the right guy for this job", he said."I guess you're not", Steve responded. "I think this interview is over.""

"Steve insists that we're shipping in early 1982, and won't accept answers to the contrary. The best way to describe the situation is a term from Star Trek. Steve has a reality distortion field.… In his presence, reality is malleable. He can convince anyone of practically anything. It wears off when he's not around, but it makes it hard to have realistic schedules."

"I never really get to see, except second hand, how abrupt he is with people. I couldn't be that way with people. But maybe that's what you need to run a business, to find things that are worthless and get rid of them."

"If you just want to say, "Steve Jobs invented the world, and then the rest of us came along," that's fine. If you’re interested, [Vista development chief] Jim Allchin will be glad to educate you feature by feature what the truth is. … Let’s be realistic, who came up with "File/Edit/View/Help"? Do you want to go back to the original Mac and think about where those interface concepts came from?"

"One lesson many people took from the Steve Jobs story is that great entrepreneurs can anticipate what their customers want even before they ask for it."

"The most telling lesson to be learned from Jobs’s example might be summed up by inverting one of his favorite marketing slogans: Think Indifferent. That is, care only about the product, not the myriad producers, whether factory workers in China or staff members in Cupertino, or colleagues like Wozniak, Kottke, and Tevanian, who had been crucial to Apple’s success."

"Steve Jobs was the best marketeer at the intersection of science and art that existed in the 20th century ... he understood not just marketing and not just technology, but how to sell incredibly technical products to your mother, who would never care about bits, bytes, RAM’s, ROM’s, or whatever."

"Vulture: Were you always interested in Steve Jobs?"

"Aaron Sorkin: My point is that Steve could make these products and make them likable, slip them under the door, and people would slip back a tray of food. It worked. He was right. That cult of Apple, this love for Steve — when he died, I was overwhelmed by the eulogizing, which I hadn’t seen since John Lennon. I’ll be honest with you, I didn’t really understand it, even though I was asked to eulogize him for Time magazine and accepted. But I thought, There’s something I’m not getting here, but plainly I should — I’ve missed something."

"When I wasn't sure what the word "charisma" meant, I met Steve Jobs, and then I knew."

"He wanted you to be great, and he wanted you to create something that was great, and he was going to make you do that."

"Bill Gates: Jobs was a genius, what he did, particularly when he came back to Apple... no one else could do what he did there. I couldn’t have done that. He was such a wizard at over-motivating people — I was a minor wizard so I couldn’t fall under his spell — but I could see him casting the spell. I was so jealous."

"Jobs was a practicing Buddhist and his computers are directly inspired by Tibetan Buddhist dialectics."

"In a society that tries to standardize thinking, individuality is not highly prized."

"The Artist is a tiny reflection of the One Creative Spirit that generates and is all realities. God creates the cosmos with love. God is the creator of the unfinished masterpiece, "Time/Space Continuum," which each of us helps co-create. The artist faces the blank canvas and invents new realities, and in a very tiny microcosmic way this reflects the macrocosm. The highest art aligns us with the "Divine Imagination," as Blake called it, and empowers our Soul, catalyzing our path to becoming the greatest person we can be."

"I've noticed various stages of receptivity to my art. The work points to a mystic core of truth at the heart of all wisdom traditions and affirms an integral universal spirituality. If you have ever had a mystical experience you will understand my work immediately, if not it may take awhile. The human species is evolving and waking up to our self-destructive bender called materialism and the 20th century. Human evolution will allow access to dormant visionary physiology that allows us to see clearly, to more easily see when people are lying, and to recognize the common heart of love behind all our dualistic thoughts."

"I worked as a medical illustrator for about ten years. It was not my career ambition; it was a way to finance my addiction to art and support my family. Medical illustration gave me the opportunity to investigate and portray the bodily systems in dramatic ways. Prior to my work as a medical illustrator, I prepared bodies at a medical-school morgue, which provided important training for understanding the fleeting nature of life. It also provided unforgettable studies into the iridescent, fibrous architecture that forms our physical body."

"Around the age of 20, I was doing unusual performance pieces focused on the exploration of polarities. This was a somewhat naive and intuitive venture based on my dreams and visions. I hadn’t yet encountered Taoism or other mystical teachings related to duality and the union of opposites. … One of my more dramatic polarity performances was to journey up to the North Magnetic Pole. After returning from the Pole, having spent all my money, two life-changing events occurred: At a party, I took LSD for the first time. Sitting with my physical eyes closed, my inner eye moved through a beautiful spiral tunnel. The walls of the tunnel seemed like living mother-of-pearl; it felt like a spiritual rebirth canal. I was in the darkness, spiraling toward the light. The curling space going from black to gray to white suggested to me the resolution of all polarities. My artistic rendering of this event was titled "The Polar Unity Spiral." Soon after this, I changed my name to Grey as a way of bringing the opposites together. The other life-changing event was meeting my wife, Allyson, that same evening. She was the only other person at the party who had taken LSD. We made a profound connection at that time, and have been together ever since. It’s been twenty-five years."

"I was bom on November 29, 1953, which makes me a Sagittarius. I'm no astrologer, but I am interested in its symbols. The Sagittarian is a centaur archer aiming for the stars. You could say this is the sign of a philosophical idealist, someone who aims high. The horse/human hybrid aiming higher unites the animal body, the human mind and the flaming-arrow spirit. Sagittarius is also a fire sign; fire shows up strongly as a motif in my work."

"Art can be a spiritual practice. Not all artists consider this to be true for them, but with the proper motivation and focus, it can be. A spiritual practice is an activity that enables you to develop the qualities of mental clarity, mindfulness of the moment, wisdom, compassion and access to revelations of higher mystic states of awareness. A contemplative method, such as yoga or meditation, will stabilize and assist in the progress of spiritual awareness. An artist’s craft can become a contemplative method, and the creations may provide outward signs of an inner spiritual journey."

"The twentieth-century Surrealists operated in a territory without clear moral order: a dreamship adrift in the ocean of the unconscious. … The visions of the Surrealists help to define a dream realm where any bizarre juxtaposition is possible. A profound truth resides in such strangeness, for these visions can shock us into deepening our acknowledgement and appreciation of the Great Mystery."

"Every artist who’s really into their work disappears into the creative flow. This is akin to some of the concentration-oriented meditations of the various sacred traditions. Images come in all different ways. You can get visions when you’re tripping on drugs, when you’re dreaming or in a hypnogogic state before dropping off to sleep, while listening to music or even waiting for the subway."

"People generally begin to understand my work after they’ve had some experience with the subtle visionary inner-worlds. These altered states can occur in many ways, from meditation to psychedelics to near-death experiences. A fellow in Japan came to my exhibit and showed me a five-inch elliptical scar over his heart where he had been struck nearly dead by lightning. He claimed that he had entered the "universal mind lattice," one of the "sacred mirrors" I’ve painted, during his near-death experience. What these various experiences or altered states have in common is the person who experiences them is profoundly transformed. They now know there are dimensions beyond the physical that are deeply mysterious and equally infinite to the outer worlds."

"A universal spiritual art would be art that any person would recognize as having a spiritual intention. It could speak to the heart and soul of the individual and orient them toward the greater aspect of their own being, their interconnectedness with all life and the cosmos. A universal spiritual art would return the viewer to their own ultimate identity, which lies beyond representation, but can be pointed to when our inspired visions are brilliantly transmitted. The challenge to artists today is to integrate the vast history of art from as many cultures as possible, to reach deep inside themselves for their own personal insights into the transcendental and allow this to coalesce into the most powerful imagery possible."

"The Sacred Mirrors speak to our highest aspirations as a species: universal compassion, respect for all life, a deep appreciation of all cultures and wisdom traditions, awakened consciousness and a full flowering of our human potential. In a "chapel of beauty," they could contribute to the radical raising of awareness we so desperately need if we are to successfully navigate our way to a saner, more loving and life-affirming civilization."

"We seek through art To recover our center, To remember our soul's task, To stop sleepwalking in confusion, To stop managing our depression, To harness the passion of inexhaustible love, To find the One Godself Hidden throughout creation, Art is the scab healing the wound Of the separate self-illusion."

"Creators aligned with Divine Will Make the soul perceptible. Artist priests with minimal dogma Transfix, transform, and evolve The chaotic melding of cultures, Through the dross of ego To superconsciousness fusion With the Nature-field."

"uni : one verse : poem or song Godself sings one song moment by moment with infinite variations"

"Our current artistic dilemma is to wake up To the truth that we are the One Godself, Creating the Universe — Every day."

"1. GOD CREATES THE COSMOS WITH LOVE. 2. WHEN WE CREATE WITH LOVE WE ALIGN OURSELVES WITH THE GOD FORCE. 3. THE COSMOS AND OUR WORLD IS GOD’S EVOLVING CREATION, AN UNFINISHED MASTERPIECE WE EACH CO-CREATE."

"7. CREATING SACRED SPACE MIRRORS GOD’S CREATION. 8. OUR CHALLENGE AS CO-CREATORS IS TO MIRROR GOD’S LOVE AND BEAUTY IN ALL OUR CREATIONS."

"22. BECOME A WORTHY CONDUIT OF GOD’S LOVE AND CREATIVE POWER OF REALIZATION. 23. LIKE A LIGHTNING FLASH, WHEN CONDITIONS ARE PRESENT, THE LIGHT SUDDENLY FILLS US, ILLUMINATING THE WORLD FOR AN INSTANT."

"36. HUMANITY MUST BE AWAKENED, AND CREATIVE SPIRITUALITY HAS A VITAL AND HEALING ROLE IN THE ARCHETYPE OF AN UNDOGMATIC AND LOVINGLY ECSTATIC RELIGION. ALL ARE CALLED TO SEE THEIR OWN DIVINE BEAUTY AND UNFINISHED MASTERPIECE STATUS. 37. BUILDING SACRED SPACE TOGETHER IS A TASK BEYOND OUR INDIVIDUALITY TO WHICH WE CAN DEDICATE OURSELVES AND PROVE THE POSSIBILITY OF PEOPLE GETTING ALONG AND MAKING SOMETHING BEAUTIFUL TOGETHER. 38. THE DAWN OF PLANETARY CONSCIOUSNESS IS UP TO EACH OF US AS ARTISTS OF INNER LIGHT."

"40. ALL CREATURES ARE HOLY AND EACH ARE GOD’S CHILDREN. REVERE AND PROTECT THEM AND THEIR HOME."

"42. PRESERVATION AND RENEWAL OF WHAT REMAINS OF THE LIFEWEB IS STILL A POSSIBILITY. 43. SCIENCE AND SPIRIT MUST COMBINE FORCES THROUGHOUT ART, BRIDGING KNOWLEDGE WITH WISDOM, ENTERING HISTORY THROUGH CREATIVE ACTION. 44. FORGIVENESS OF HUMANITY BY THE WEB OF LIFE WILL BEGIN WHEN RITUALS OF CONFESSION OF WRONGDOING ARE ENACTED WORLDWIDE AND PRAYERS FOR HEALING THE LIFEWEB ARE COLLECTIVELY ENGAGED. 45. WHETHER OR NOT THE NEW ALLIANCE OF COLLECTIVE INTELLIGENCES CAN SAVE THE UNFINISHED MASTERPIECE OF LIFE ON EARTH IS UNKNOWN; HOWEVER, THE PLAN IS UNDER WAY."

"Mystic Art is spirit expressed into matter. A mystic artist receives and transmits revelation, providing their art as a medium for messages from the divine matrix of Creation."

"Mystic Art affirms the holy mystery and the ideals of truth, goodness and beauty. No other artistic ideal can fulfill the longing soul like the creation and appreciation of relevant sacred art."

"Universal Creativity, Flow through me, From my heart Through my mind to my hand, Infuse my work with spirit To feed hungry souls."

"Embryonic artworks grow In the womb heart of the artists, Until the fever of making seizes their limbs, And they deliver their art through labors of love."

"Bathe your eyes in images Divine, All Heaven unfolds, the opposites combine. Your eyes become temple domes for the Pleides Crystalline mandalas inhabited by Deities. Blessing every moment you see As glimpses of eternity."

"Drawing the line, The Boundary line Between this form and that Is what the mind does."

"Our minds are artists, always drawing lines. Making decisions, differentiating One thing from another, Calling it something. This is the way we know. This is how we think. We define by drawing the line."

"We separate. We oppose. We dramatize. We exaggerate. We add colors. We make it beautiful. We make it ugly. We separate."

"Behold, Just Behold. To speechlessly and artlessly Behold the Infinite One, The inseparable ground from whence all forms are drawn, Dissolves the tyranny of separation, The war of opposites, Caused by drawing lines."

"All Beings and Things are radiances interweaving, Seamlessly welded to the boundless ground."

"Between our fear of failure And our ultimate potential We are called to action, A line must be drawn. Commit to Realization And experimentation, Stay centered in the Uncreated Source of Creation, Leave the critics behind. Let Love draw the line."

"I acknowledge the privilege of being alive In a human body at this moment, Endowed with senses, memories, emotions, thoughts, And the space of mind in its wisdom aspect."

"It is the prayer of my innermost being To realize my supreme identity In the liberated play of consciousness, The Vast Expanse. Now is the moment, Here is the place of Liberation."

"The infinite vibratory levels, The dimensions of interconnectedness Are without end. There is nothing independent. All beings and things are residents in your awareness."

"I subject my awareness to the perfection of being, The perfection of wisdom and perfection of love, All of these being co-present in the Vast Expanse. I share this panorama of Being And appreciate all I can share it with… The seamless interweaving of consciousness With each moment Create perfection wherever you go With your awareness."

"Life is infinite creative play. Enjoyment and participation in this creative play Is the artists profound joy. We co-author every moment With universal creativity."

"Love is what makes us alive, That is why we feel so alive when we love. Service is being available to love. Life is the combustion of love. That we love ourselves here, That is the true magnificence In the mountains of being."

"We are constantly drawing the line between love and not love — Enter into the Non-duality Zone. All judgements dissolve in the Vast Expanse."

"Like an eruption of consciousness, We discover the source of love. Experience yourself as the Source And appreciate every moment as perfection. Sunrise–Sunset. Thank you, Thank you, Creator; Profound unstoppable connectedness of all beings, Pattern to everything, most radical no-thing, The Vast Expanse."

"You can never be lost. When have you ever been apart from me?"

"Alex Grey is one of the mast widely recognized psychedelic artists of our time. His paintings — they’ve graced Nirvana's In Utero and the Beastie Boys' Ill Communication albums, as well as the covers of High Times — peel back reality, showing the human body in ways both spiritual and startling. To see his work is to get a crash course in human anatomy, higher consciousness and magic."

"If we can't keep our Palestinian neighbors and Muslim neighbors alive with good water and fresh air, we'll never get them to the peace table."

"I'd have sex with a number of the Muppets. I just don't talk about it publicly. It's private. Although a hint is, that there was a character in Elmo in Grouchland who was called "My Lady" and that's all I'll say."

"It's pretty early out here in L.A., but I can guarantee it will happen today, I sure am lucky. It's better than NOT having it."

"Everything I am came from my parents. I don't take that much credit for who I am and what I am."

"I always sang at temple growing up. I got a good reaction from Mrs. Goldberg and Mrs. Rosenbaum and the other old ladies."

"No one is going to beat the crap out of me more than me."

"It's the first movie I feel really proud of. But I know it's not a movie for everyone. Some people will embrace it, but some people will hate it, and I'm not really sure how to deal with that. In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them."

"Gradually I got tuned into the world — that happens on every movie. I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along."

"The stern dad stuff doesn't work anymore. You have to be level with the kids, you have to be a nice guy... The authority thing just doesn't work anymore. It's like directing a Chinese film vs. directing an American film. On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy."

"Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience."

"I love to compete. That's the essence of who I am."

"I don't see myself as the Great Black Hope. I'm just a golfer who happens to be black and Asian. It doesn't matter whether they're white, black, brown or green."

"My goal is to remain healthy my entire career, and a healthy diet seems like a good start."

"I think the best thing is being able to play golf competitively for a living. Ever since I was a little boy, that's something I've always wanted to do, and now I get a chance to live out my dreams."

"I've done it before. It won't be the last time. You're going to go years where you just don't win. That's okay, as long as you keep trying to improve."

"I am pretty health-conscious, so when my girlfriend and/or I make dinner--no, I don't have a cook!--we choose the healthier options: lean meats, steamed veggies, fish, etc. Of course, there are always those cravings for the "bad foods" that I do give in to once in a while!"

"My body is a little bit sore from all of the practicing and playing and training, and your mind gets a little tired of it, too. It's nice to be able to recharge and come back fresh for the remainder of the year."

"We have a lot of fun every year, and I really enjoy being part of junior golf and the development of these players."

"I don't want to be the best black golfer, I want to be the best golfer, period."

"You can always become better"

"Buddhism teaches that a craving for things outside ourselves causes an unhappy and pointless search for security. It teaches me to stop following every impulse and to learn restraint. Obviously, I lost track of what I was taught."

"Life isn't all Golf."

"Tiger Woods was raised from infancy to be a great golfer and is not just intact but graceful and charming. The ranks of great golfers, swimmers and Dominican shortstops are not more noticeably skewed to the deranged than the general population."

"If you're paying any attention at all, you'll see that the first person who ever publicly got away with being mixed was Barack Obama. Tiger Woods came close, but he never got away with it. Both blacks and whites questioned Woods."

"He didn't seem concerned about his injuries at the time, which is not uncommon in traffic collisions. Many times people tend to be in shock. It's a traumatic experience. It's not uncommon for people to be focused on unimportant things or even if they are in pain, they may not feel it until much later"

"Listen, smile, agree, and then do whatever the f**k you were gonna do anyway."

"It's like I've got a shotgun in my mouth with my finger on the trigger, and I like the taste of the gun metal."

"I have a really interesting political point of view, and it’s not always something I say too loud at dinner tables here, but you can’t go from a $2,000-a-night suite at La Mirage to a penitentiary and really understand it and come out a liberal. You can’t. I wouldn’t wish that experience on anyone else, but it was very, very, very educational for me and has informed my proclivities and politics ever since."

"By creating and associating and synergizing with Tony Stark and the Marvel Universe..and being a good company man but also being a little off kilter and being creative and then getting into all these other partnerships, it was a time when it’s like…[how] owners start looking like their pets…occasionally you would pull back from it and go, ‘Let me stop, let me get off the teet of this archetype and let me see where I stand.’ And you can feel really buffeted, you can get really spun out by it."

"It’s hard not to be occasionally overwhelmed by the enormity of the challenge we’re facing in this pandemic but nothing has slowed for the strong of spirit during this time. It has been a relentless, pride-swallowing siege of a time, yet productive."

"I have the best fans in the world and I aim to utilise my platform for good — to share things I uncover about the world, climate, technology."

"I had an incredible 10-year run with Marvel which pushed me creatively. I now have tons more ambition to do things I haven’t done before. Evolving is key — the worst thing you can do is get in your own way. Just in the matter of me wanting to be a fit father, husband and citizen, it’d be irresponsible of me to not keep my eye ahead so I can prepare my mind for what’s to come and the transition. As an actor, every time I get a script now, I think about the commitment and time I’d be away from my missus and kiddos."

"I was fortunate in that I was pre-Internet with much of my misbehavior, but I think I always had a bit of a moral psychology and I always wanted to kinda do the right thing, which doesn’t count for much, and then I kinda took it on the chin."

"It’s a very American thing to build up and break down and come back. It is in its own weird way the heroes journey."

"I like the idea of a kind of–a guy who used to be on the world. I just love the hermit will, like, I’ve known folks who have verged on agoraphobia and I think it’s weird–it’s just the funniest thing but I think of everyone can relate to it. Could you imagine at some point you just like I’m never leaving the house again except his is also I’m never interacting with another human again. And then, things to these kids that come along, he has to change it."

"I always had an interest in the story of everything. A little bit of an existential crisis always helps when you’re looking for a sea change. If I know anything, it’s that I never learned anything while I was talking."

"You don’t get an education if you press a space bar, you know? You get an education if you open up the back of the TV. So yes. I don’t care about social media, but seeing how it is a tool, I am finally paying attention to the strategy and the culture of what has been going on. I’m just playing catch up."

"How sweet Japanese woman is! All the possibilities of the race for goodness seem to be concentrated in her."

"Whatever doubts or vexations one has in Japan, it is only necessary to ask one's self: "Well, who are the best people to live with?""

"Japanese affection is not uttered in words; it scarcely appears even in the tone of voice; it is chiefly shown in acts of exquisite courtesy and kindness."

"My friends are much more dangerous than my enemies. These latter – with infinite subtlety – spin webs to keep me out of places where I hate to go, – and tell stories of me to people whom it would be vanity and vexation to meet; – and they help me so much by their unconscious aid that I almost love them."

"Times are not good here. The city is crumbling into ashes. It has been buried under a lava flood of taxes and frauds and maladministrations so that it has become only a study for archaeologists. Its condition is so bad that when I write about it, as I intend to do soon, nobody will believe I am telling the truth. But it is better to live here in sackcloth and ashes than to own the whole state of Ohio."

"They are hideous Golgothas, these old intermural cemeteries of ours. In other cities cemeteries are beautiful with all that the art of the gardener and sculptor can give....There the horror is masked. Here it glares at us with empty sockets. The tombs are fissured, or have caved in, or have crumbled down into shapeless bricks and mortar...[and] crawfish undermine the walls to feast upon what is hidden within."

"With the acceptance of the doctrine of evolution, old forms of thought crumbled; new ideas everywhere arose to take the place of worn-out dogmas; and we now have the spectacle of a general intellectual movement in directions strangely parallel with Oriental philosophy. The unprecedented rapidity and multiformity of scientific progress during the last fifty years could not have failed to provoke an equally unprecedented intellectual quickening among the non-scientific. That the highest and most complex organisms have been developed from the lowest and simplest; that a single physical basis of life is the substance of the whole living world; that no line of separation can be drawn between the animal and vegetable; that the difference between life and non-life is only a difference of degree, not of kind; that matter is not less incomprehensible than mind, while both are but varying manifestations of one and the same unknown reality – these have already become the commonplaces of the new philosophy."

"After the first recognition even by theology of physical evolution, it was easy to predict that the recognition of psychical evolution could not be indefinitely delayed; for the barrier erected by old dogma to keep men from looking backward had been broken down. And today for the student of scientific psychology the idea of pre-existence passes out of the realm of theory into the realm of fact, proving the Buddhist explanation of the universal mystery quite as plausible as any other. "None but very hasty thinkers," wrote the late Professor Huxley, "will reject it on the ground of inherent absurdity. Like the doctrine of evolution itself, that of transmigration has its roots in the world of reality; and it may claim such support as the great argument from analogy is capable of supplying.”"

"With the massacre of Shimabara ends the real history of the Portuguese and Spanish missions. After that event, Christianity was slowly, steadily, implacably stamped out of visible existence. It had been tolerated, or half tolerated, for only sixty-five years: the entire history of its propagation and destruction occupies a period of scarcely ninety years. People of nearly every rank, from prince to pauper, suffered for it thousands endured tortures for its sake - tortures so frightful that even three of those Jesuits who sent multitudes to useless martyrdom were forced to deny their faith under the infliction;* and tender women, sentenced to, the stake, carried their little ones with them into the fire, rather than utter the words that would have saved both mother and child. Yet this religion, for which thousands vainly died, had brought to Japan nothing but evil disorders, persecutions, revolts, political troubles, and war. Even those virtues of the people which had been evolved at unutterable cost for the protection and conservation of society, - their self-denial, their faith, their loyalty, their constancy and courage, - were by this black creed distorted, diverted, and transformed into forces directed to the destruction of that society. Could that destruction have been accomplished, and a new Roman Catholic empire have been founded upon the ruins, the forces of that empire would have been used for the further extension of priestly tyranny, the spread of the Inquisition, the perpetual Jesuit warfare against freedom of conscience and human progress. Well may we pity the victims of this pitiless faith, and justly admire their useless courage: yet who can regret that their cause was lost? ... Viewed from another standpoint than that of religious bias, and simply judged by its results, the Jesuit effort to Christianize Japan must be regarded as a crime against humanity, a labour of devastation, a calamity comparable only, - by reason of the misery and destruction which it wrought, - to an earthquake, a tidal-wave, a volcanic eruption."

"The religion of the Jesuits could never have adapted itself to the social conditions of Japan; and by the fact of this incapacity the fate of the missions was really decided in advance. The intolerance, the intrigues, the savage persecutions carried on,~-all the treacheries and cruelties of the Jesuits may simply be considered as the manifestations of such incapacity; while the repressive measures taken by Iyéyasu and his successors signify sociologically no more than the national perception of supreme danger. It was recognized that the triumph of the foreign religion would involve the total disintegration of society, and the subjection of the empire to foreign domination. Neither the artist nor the sociologist, at least, can regret the failure of the missions. Their extirpation, which enabled Japanese society to evolve to its type-limit, preserved for modem eyes the marvellous world of Japanese art, and the yet more marvellous world of its traditions, beliefs, and customs. Roman Catholicism, triumphant, would have swept all this out of existence. The natural antagonism of the artist to the missionary may be found in the fact that the latter is always, and must be, an unsparing destroyer. Everywhere the developments of art are associated in some sort with religion; and by so much as the art of a people reflects their beliefs, that art will be hateful to the enemies of those beliefs. Japanese art, of Buddhist origin, is especially an art of religious suggestion,—not merely as regards painting and sculpture, but likewise as regards decoration, and almost every product of aesthetic taste. There is something of religious feeling associated even with the Japanese delight in trees and flowers, the charm of gardens, the love of nature and of nature's voices,—-with all the poetry of existence, in short. Most)assuredly the Jesuits and their allies would have ended all this, every detail of it, without the slightest qualm. Even could they have understood and felt the meaning of that world of strange beauty.—result of a race-experience never to be repeated or replaced,—-they would not have hesitated a moment in the work of obliteration and effacement. To-day, indeed, that wonderful art-world is being surely and irretrievably destroyed by Western industrialism. But industrial influence, though pitiless, is not fanatic; and the destruction is not being carried on with such ferocious rapidity but that the fading story of beauty can be recorded for the future benefit of human civilization."

"It may remain for us to learn … that our task is only beginning; and that there will never be given to us even the ghost of any help, save the help of unutterable unthinkable Time. We may have to learn that the infinite whirl of death and birth, out of which we cannot escape, is of our own creation, of our own seeking;—that the forces integrating worlds are the errors of the Past;—that the eternal sorrow is but the eternal hunger of insatiable desire;—and that the burnt-out suns are rekindled only by the inextinguishable passions of vanished lives."

"Any idealism is a proper subject for art."

"The time of illusion, then, is the beautiful moment of passion; it represents the artistic zone in which the poet or romance writer ought to be free to do the very best that he can."

"But what is after all the happiness of mere power? There is a greater happiness possible than to be lord of heaven and earth; that is the happiness of being truly loved."

"Mr Hearn began really to count as a writer only when his Hellenic qualities of mind, stunted at first by the conditions of life in North America, were at last developed among a people distinguished by somewhat of that instinctive feeling for beauty which formed an incomparable element in the genius of ancient Greece. His æsthetic sense luxuriated in a land where fineness of taste is still a common characteristic. Through the gate of their art he entered, not only into the ways of life of the Japanese, but into their moods and their religion."

"To denounce Hearn is the same thing as a denunciation of Japan. Lafcadio Hearn was as Japanese as haiku."

"He is the writer in our language who can best be compared with Hans Christian Andersen and the brothers Grimm."

"Your information is based on the meagre translations of our immense literature, if not on the unreliable anecdotes of passing travellers. It is rarely that the chivalrous pen of a Lafcadio Hearn or that of the author of "The Web of Indian Life" enlivens the Oriental darkness with the torch of our own sentiments."

"Only a few of us had been able to face directly the obscene conditions we inflicted on animals in our farm factories and modern slaughter houses; but most of us knew on some level that they entailed a suffering that was too much to “stomach.” We can appreciate now what it did to us to eat animals kept long in pain and terror. Because the mass methods employed to raise and kill animals for our tables were relatively new, we did not fully realize the deprivation and torture they entailed. Only a few of us guessed that the glandular responses of the cattle and pigs and chickens pumped adrenalin into their bodies and that we ate with their flesh the rage of the chickens, the terror of the pigs and cattle… Acting now with more respect for other beings, we find we have more respect for ourselves."

"Joanna Macy writes that until we can grieve for our planet we cannot love it—grieving is a sign of spiritual health. But it is not enough to weep for our lost landscapes; we have to put our hands in the earth to make ourselves whole again. Even a wounded world is feeding us. Even a wounded world holds us, giving us moments of wonder and joy. I choose joy over despair."

"The soldier came knocking upon the queen's door, He said "I am not fighting for you any more.""

""I've watched your palace up here on the hill And I've wondered who's the woman for whom we all kill But I am leaving tomorrow and you can do what you will Only first I am asking you why."

"I have swallowed a secret burning thread."

"I won't march again on your battlefield."

"If you were to kill me now right here, I would still look you in the eye"

"And when they ask me, "What are you looking at?" I always answer, "Nothing much" (Not much)"

"I think they know that I'm looking at them I think they think I must be out of touch But I'm only In the outskirts And in the fringes On the edge And off the avenue And if you want me You can find me Left of center Wondering about you"

"I am sitting in the morning at the diner on the corner I am waiting at the counter for the man to pour the coffee and he fills it only halfway and before I even argue he is looking out the window at somebody coming in."

""It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella And I look the other way As they are kissing their hellos And I'm pretending not to see them"

"I open up the paper, there's the story of an actor who had died while he was drinking, it was no one I had heard of."

"My name is Luka. I live on the second floor. I live upstairs from you. Yes, I think you've seen me before."

"If you hear something late at night, Some kind of trouble, some kind of fight, Just don't ask me what it was."

"They only hit until you cry, After that, you don't ask why."

"The light and sweet coffee color of her skin"

"Kids will grow like weeds on a fence She says they look for the light, they try to make sense They come up through the cracks like grass on the tracks She touches him goodbye"

"By day give thanks By night beware Half the world in sweetness The other in fear"

"When the darkness takes you With her hand across your face Don't give in too quickly Find the thing she's erased"

"Solitude stands by the window she turns her head as I walk in the room I can see by her eyes she's been waiting Standing in the slant of the late afternoon"

"And she turns to me with her hand extended Her palm is split with a flower, with a flame ...And she says, "I've come to set a twisted thing straight", And she says, "I've come to lighten this dark heart""

"If language were liquid It would be rushing in Instead here we are In a silence more eloquent Than any word could ever be These words are too solid They don't move fast enough To catch the blur in the brain That flies by and is gone."

"I'd like to meet you In a timeless, placeless place Somewhere out of context And beyond all consequences ...And we'll sit in the silence (That flies by and is gone) That comes rushing in And is gone"

"You come from far away With pictures in your eyes Of coffeeshops and morning streets In the blue and silent sunrise But night is the cathedral Where we recognized the sign We strangers know each other now As part of the whole design"

"You're the jester of this courtyard With a smile like a girl's Distracted by the women With the dimples and the curls By the pretty and the mischievous By the timid and the blessed By the blowing skirts of ladies Who promise to gather you to their breast"

"Oh Mom, the old man is telling me something His eyes are wide and his mouth is thin And I just can't hear what he's saying Oh Mom, I wonder when I'll be waking It's just that there's so much to do And I'm tired of sleeping"

"Those whole girls... Breathe with ease Need no mercy Move in light Run in grace"

"Travel, arrival Years of an inch and a step toward a source I'm coming to you I'll be there in time"

"The stresses the ideal of the , who out of boundless compassion dedicates oneself to helping others. A Zen master, when asked where he would go after he died, replied, "To hell, for that's where help is needed most.""

"To put the flesh of an animal into one's belly makes one an accessory after the fact of its slaughter, simply because if cows, pigs, sheep, fowl, and fish, to mention the most common, were not eaten they would not be killed."

"Every individual who eats flesh food, whether an animal is killed expressly for him or not, is supporting the trade of slaughtering and contributing to the violent deaths of harmless animals."

"Anyone familiar with the numerous accounts of the Buddha's extraordinary compassion and reverence for living beings … could never believe that he would be indifferent to the sufferings of domestic animals caused by their slaughter for food."

"Ultimately the case for shunning animal flesh does not rest on what the Buddha allegedly said or didn't say. What it does rest on is our innate moral goodness, compassion, and pity which, when liberated, lead us to value all forms of life. It is obvious, then, that wilfully to take life, or through the eating of meat indirectly to cause others to kill, runs counter to the deepest instincts of human beings."

"Although one can sympathize with lay persons trying to break their attachment to a diet featuring meat, it is something else again to extend those sympathies to monks, priests, and teachers. What business have these latter to propound the Dharma when they possess neither the perception nor compassion to see the connection between meat eating and the killing of harmless animals, and when they lack the self-discipline to put Buddhist compassion before the pleasures of their palates? What right have they to wear the Buddha's robes when they won't or can't honor the bodhisattvic vows they recite daily to liberate all beings?"

"Buddhism, it may be said, finds religious authority not only in texts and institutions, but also in enlightened people. Certainly, those undersood as realized have occupied and important if not always well defined place within the early and developed tradition."

"What is it then, which makes me say what in deepest seriousness and a full knowledge of its truth I have said? What is it that makes me not only content but proud to stand for the brief moment as the mouthpiece and figure-head of this movement, risking abuse, misrepresentation, and every vile assault? It is the fact that in my soul I feel that behind us, behind our little band, behind our feeble, newborn organization, there gathers a mighty power that nothing can withstand—the power of truth!"

"What the Society has hitherto done…is to make people think. No one can for long belong to the Theosophical Society without beginning to question himself. He begins to ask himself: “How do I know that?” “Why do I believe this?” “What reason have I to be so certain that I am right, and so sure that my neighbors are wrong?” “What is my warrant for declaring this action, or that practice, to be good, and their opposite bad?” The very air of Theosophy is charged with the spirit of enquiry. It is not the “skeptical” spirit, nor is it the “agnostic”. It is a real desire to know and to learn the truth…."

"If the tendency of Fellowship in the Society is to develop certain habits of philosophic thought, its tendency is even stronger to give rise to definite ethical views and moral principles. However much and bitterly the Fellows may disagree as to... [details concerning] occult doctrine, it would be hard to get up a dispute among the brethren as to the evil of intemperance, or the abomination of cruelty, or about any other of the crying sins of our times."

"A great Brahmin Pandit of the Vedantin school came to see us that evening, evidently with the sole object of showing up our ignorance; but in us two old campaigners, especially in H. P. B., with her wit and sarcasm, he got more than he bargained for, and in a couple of hours we were able to expose to the company present his intense selfishness, vanity, and bigoted prejudices. Our victory cost us something, however, for I see a Postscriptum note in my Diary that he subsequently showed himself “our active enemy.” Good luck to him and to all the noble army of our “enemies”; their hatred never did them the least good nor the Society the least harm. Our ship does not sail on the wind of favor."

"The thoughtful student, in scanning the religious history of the race has one fact continually forced upon his notice, viz., that there is an invariable tendency to deify whomsoever shows himself superior to the weakness of our common humanity. Look where we will, we find the saint like man exalted into a divine personage and worshiped for a god. Though perhaps misunderstood, reviled and even persecuted while living, the apotheosis is almost sure to come after death: and the victim of yesterday’s mob, raised to the stage of an Intercessor in Heaven, is besought with prayer and tears, and placatory penances to mediate with God for the pardon of human sin. This is a mean and vile trait of human nature, the proof of ignorance, selfishness, brutal cowardice, and a superstitious materialism. It shows the base instinct to put down and destroy whatever or whoever makes men feel their own imperfections; with the alternative of ignoring and denying these very imperfections by turning into gods men who have merely spiritualized their natures, so that it may be supposed that they were heavenly incarnations and not mortal like other men."

"The handbills announce me as the President of the Theosophical Society, and you gathered here to learn what Theosophy is and what are its relations with Spiritualism. Let me say then, that in the sense given to it by those who first used it, the word means divine wisdom, or the knowledge of divine wisdom, or the knowledge of divine things... Essentially, a Theosophical Society is one which favours man’s original acquisition of knowledge about the hidden things of the universe by the education and perfecting of his own latent powers."

"The mention of religion leads me to a certain fact. While the Protestant Church has, in our time, ever resolutely denied the reality of such manifestations of occult agencies, the Church of Rome has always admitted them to be true. In her rubrics there are special forms of exorcism, and when Miss Laura Edmonds... one of the most remarkable mediums... united herself with the Catholic Church, her confessor, a Paulist Brother of New York, drove out her obsessing “devils” in due form, after - as he told me - a terrific struggle. Mediumship was anathematized by the late Pope himself, as a dangerous device of the Evil One, and the faithful warned against the familiars of the circle, as his agents for the ruin of souls... Though there is never a grain of religious orthodoxy in me, and I do not in the least sympathize with the demoniacal theory, yet I find, after learning what I have of Asiatic psychological science, that the Catholics are much nearer right in recognizing and warning against the dangers of mediumship, than the Protestants in blindly denying the reality of the phenomena. Mediumship is a peril indeed...and if mediumship is to be encouraged at all, it shall be under such protective restriction as the ancient Sybils enjoyed in the temple, under the watchful care of initiated priests. This is not the language of a Spiritualist, nor am I one: in the reality of the phenomena and the existence of the psychic force I do most unreservedly believe, but here my concurrence with the Spiritualists ends."

"The lampooners and denunciators of our time have as little succeeded in shaking the faith of believers in the reality and value of mystical initiation, as did their precursors in the olden times that of their believing contemporaries. It has been simply the array of conjecture against experience, of surmise against knowledge. The wise have had but a feeling of contemptuous pity for the army of critics whose conclusions have rested upon wholly mistaken premises, and whose verdict has been colored by exaggerated prejudice and foolish mistrust."

"Those who, in our own days, have been blessed with personal relations with the "Wise Men of the East," have found them teaching an identical philosophy, whether they were externally Hindu, Buddhist, Christian, Jew, Parsi, or Mussulman as to social environment and nominal caste. And what they are now teaching is the same as that which was taught to students in all countries, at all preceding epochs."

"So long as one's perceptions are restricted to sensuous experiences, one's knowledge will be proportionately small; to become truly wise, one must burst the bonds of illusion, tear away the curtain of MAYA, break the chains of passion, learn the self and put it in command of our consciousness and our actions."

"The neophyte is never in greater danger of falling a victim to delusion than when he has subjected his grosser passions and begun to develop his psychic sight, hearing, and touch. He is like the newborn babe getting its first lessons of cisuterine life, grasping at the pretty silver moon, clutching at fire and lamp, miscalculating distances, tottering upon its feeble legs."

"There are fewer potential adepts in an epoch than the superficial imagine. The fate of those who tread this dizzy precipice of wisdom with weak and faltering steps may be readily inferred. What happens to the dizzy-brained and slippery-footed alpine climber? His brain turns, and he falls headlong into the chasm, with a last shriek and a clutching at the air."

"Patanjali tells us that the "... local deities will assail such a Yogi [one who is only in the rudimentary stage], and will endeavor to divert him from the religious abstraction which he has attained, by bringing before him sensual gratifications, or by exciting in his mind thoughts of personal aggrandizement, but he should partake of these gratifications without interest, for if these deities succeed in exciting desire in the mind, he will be thrown back to all the evils...""

"The attainment of perfection is but postponed to a future birth. Every preliminary step in self-conquest and self-knowledge is so much experience and developed power, stored up psychic energy, for the use of the individuality in its next incarnation."

"2. Q. What is Buddhism? A. It is a body of teachings given out by the great personage known as the Buddha."

"4. Q. Would you call a person a Buddhist who had merely been born of Buddha parents? A. Certainly not. A Buddhist is one who not only professes belief in the Buddha as the noblest of Teachers, in the Doctrine preached by Him, and in the Brotherhood of Arhats, but practises His precepts in daily life."

"10. Q. Was he a man? A. Yes; but the wisest, noblest and most holy being, who had developed himself in the course of countless births far beyond all other beings, the previous BUDDHAS alone excepted."

"12. Q. Was Buddha his name? A. No. It is the name of a condition or state of mind, of the mind after it has reached the culmination of development."

"13. Q. What is its meaning? A. Enlightened; or, he who has the all-perfect wisdom. The Pālī phrase is Sabbannu, the One of Boundless Knowledge. In Samskrt it is Sarvajña."

"19. Q. Tell me again when Prince Siddhārtha was born? A. Six hundred and twenty-three years before the Christian era."

"26. Q. Did he become Buddha in his splendid palaces? A. No. He left all and went alone into the jungle."

"27. Q. Why did he do this? A. To discover the cause of our sufferings and the way to escape from them."

"29. Q. But how did he acquire this boundless love? A. Throughout numberless births and aeons of years he had been cultivating this love, with the unfaltering determination to become a Buddha."

"32. Q. But have not many men given up all earthly blessings, and even life itself, for the sake of their fellow-men? A. Certainly. But we believe that this surpassing unselfishness and love for humanity showed themselves in his renouncing the bliss of Nirvāna countless ages ago, when he was born as the Brāhmana Sumedha, in the time of Dīpānkara Buddha: he had then reached the stage where he might have entered Nirvāna, had he not loved mankind more than himself. This renunciation implied his voluntarily enduring the miseries of earthly lives until he became Buddha, for the sake of teaching all beings the way to emancipation and to give rest to the world."

"33. Q. How old was he when he went to the jungle? A. He was in his twenty-ninth year."

"40. Q. And how did he expect to learn the cause of sorrow in the jungle? A. By removing far away from all that could prevent his thinking deeply of the causes of sorrow and the nature of man... He went away into the forest near Uruvela, and spent six years in deep meditation, undergoing the severest discipline in mortifying his body... five Brāhman companions attended him."

"116. Q. When our Bōdhisattva became Buddha, what did he see was the cause of human misery? Tell me in one word. A. Ignorance (Avidyā)."

"117. Q. Can you tell me the remedy? A. To dispel Ignorance and become wise (Prājña)."

"118. Q. Why does ignorance cause suffering? A. Because it makes us prize what is not worth prizing, grieve when we should not grieve, consider real what is not real but only illusionary, and pass our lives in the pursuit of worthless objects, neglecting what is in reality most valuable."

"119. Q. And what is that which is most valuable? A. To know the whole secret of man's existence and destiny, so that we may estimate at no more than their actual value this life and its relations; and so that we may live in a way to ensure the greatest happiness and the least suffering for our fellow-men and ourselves."

"120. Q. What is the light that can dispel this ignorance of ours and remove all sorrows? A. The knowledge of the "Four Noble Truths," as the Buddha called them."

"121. Q. Name these Four Noble Truths? A. 1. The miseries of evolutionary existence resulting in births and deaths, life after life. 2. The cause productive of misery, which is the selfish desire, ever renewed, of satisfying one's self, without being able ever to secure that end. 3. The destruction of that desire, or the estranging of one's self from it. 4. The means of obtaining this destruction of desire."

"122. Q. Tell me some things that cause sorrow? A. Birth, decay, illness, death, separation from objects we love, association with those who are repugnant, craving for what cannot be obtained."

"123. Q. Do these differ with each individual? A. Yes: but all men suffer from them in degree."

"124. Q. How can we escape the sufferings which result from unsatisfied desires and ignorant cravings? A. By complete conquest over, and destruction of, this eager thirst for life and its pleasures, which causes sorrow."

"125. Q. How may we gain such a conquest? A. By following the Noble Eight-fold Path which the Buddha discovered and pointed out."

"126. Q. What do you mean by that word: what is this Noble Eight-fold Path? (For the Pālī name see Q. 79.) A. The eight parts of this path are called angas. They are: 1. Right Belief (as to the law of Causation, or Karma); 2. Right Thought; 3. Right Speech; 4. Right Action; 5. Right Means of Livelihood; 6. Right Exertion; 7. Right Remembrance and Self-discipline; 8. Right Concentration of Thought. The man who keeps these angas in mind and follows them will be free from sorrow and ultimately reach salvation."

"127. Q. Can you give a better word for salvation? A. Yes, emancipation."

"128. Q. Emancipation, then, from what? A. Emancipation from the miseries of earthly existence and of rebirths, all of which are due to ignorance and impure lusts and cravings."

"129. Q. And when this salvation or emancipation is attained, what do we reach? A. NIRVĀNA."

"130. Q. What is Nirvāna?..."

"The thoughtful student, in scanning the religious history of the race, has one fact continually forced upon his notice, viz., that there is an invariable tendency to deify whomsoever shows himself superior to the weakness of our common humanity."

"What he taught may be summed up in a few words, as the perfume of many roses may be distilled into a few drops of attar: Everything in the world of Matter is unreal; the only reality is in the world of Spirit."

"The history of Sākya Muni's life is the strongest bulwark of his religion. As long as the human heart is capable of being touched by tales of heroic self-sacrifice, accompanied by purity and celestial benevolence of motive, it will cherish his memory."

"Though all suggestions of death were banished from the royal palace, though the city was bedecked with flowers and gay flags, and every painful object removed from sight when the young Prince Siḍḍārtha visited it, yet the decrees of destiny were not to be baffled, the "voices of the spirits," the "wandering winds" and the ḍevas, whispered the truth of human sorrows into his listening ear, and when the appointed hour arrived, the Suḍḍha Ḍevas threw the spell of slumber over the household, steeped in profound lethargy the sentinels (as we are told was done by an angel to the gaolers of Peter's prison), rolled back the triple gates of bronze, strewed the sweet moghra-flowers thickly beneath his horse's feet to muffle every sound, and he was free. Free? Yes—to resign every earthly comfort, every sensuous enjoyment, the sweets of royal power, the homage of a Court, the delights of domestic life: gems, the glitter of gold: rich stuffs, rich food, soft beds..."

"Gauṭama Buḍḍha, Sākya Muni, has ennobled the whole human race. His fame is our common inheritance. His Law is the law of Justice, providing for every good thought, word and deed its fair reward, for every evil one its proper punishment. His law is in harmony with the voices of Nature, and the evident equilibrium of the universe. It yields nothing to importunities or threats, can be neither coaxed nor bribed by offerings to abate or alter one jot or tittle of its inexorable course."

"Many difficulties have confronted this lion-hearted man, during these thirty-one years. He stood unflinchingly through the discreditable attack on Madame Blavatsky by the Society for Psychical Research, and has lived to see Dr. Hodson accept more marvels than he then denounced. He steered the Society through the crisis which rent from it for a time nearly the whole American Section, to see that Section welcome him to his native land with pride and exultation. He saw his colleague pass away from his side, and bore the burden alone, steadfastly and bravely for another sixteen years, knitting hands with... her favorite pupil, as loyally and firmly as with herself. Through good report and evil report he has worked unwaveringly, until his Master’s voice has called him home... He endured his last prolonged sufferings bravely and patiently, facing death as steadfastly as he had faced life, and cheered in the last weeks of his illness by the visits of the great Indian Sages, to whom he had given the strength of his manhood, the devotion of his life. He has passed away from earth, and left behind him a splendid monument of noble work, and on the other side he still will work, till the time comes for his return. India has had no more faithful helper in the revival of her religions than this noble American, and she may well send her blessing to the man who loved and served her."

"The doctrine we promulgate... must - supported by such evidence as we are preparing to give - become ultimately triumphant as every other truth. Yet it is absolutely necessary to inculcate it gradually enforcing its theories, unimpeachable facts for those who know, with direct inferences deducted from and corroborated by the evidence furnished by modern exact science. That is why Col. H.S.O. who works but to revive Buddhism may be regarded as one who labours in the true path of theosophy, far more than any other man who chooses as his goal the gratification of his own ardent aspirations for occult knowledge. Buddhism stripped of its superstitions is eternal truth, and he who strives for the latter is striving for theo-sophia - Divine Wisdom, which is a synonym of truth."

"Some, most unjustly, try to make H.S.O. and H.P.B., solely responsible for the state of things, those two are, say, far from perfect — in some respects, quite the opposite. But they have that in them (pardon the eternal repetition but it is being as constantly overlooked) which we have but too rarely found elsewhere —Unselfishness, and an eager readiness for self-sacrifice for the good of others; what a multitude of sins does not this cover! It is but a truism, yet I say it, that in adversity alone can we discover the real man. It is a true manhood when one boldly accepts one's share of the collective Karma of the group one works with, and does not permit oneself to be embittered, and to see others in blacker colours than reality, or to throw all blame upon some one "black sheep," a victim, specially selected. Such a true man as that we will ever protect and despite his shortcomings, assist to develop the good he has in him. Such an one is sublimely unselfish; he sinks his personality in his cause, and takes no heed of discomforts or personal obloquy unjustly fastened upon him. (370)"

"Olcott is doubtless out of time with the feelings of English people of both classes; but nevertheless more in time with us than either. Him we can trust under all circumstances, and his faithful service is pledged to us come well — come ill... my voice is the echo of impartial justice. Where can we find an equal devotion? He is one who never questions, but obeys; who may make innumerable mistakes out of excessive zeal but never is unwilling to repair his fault even at the cost of the greatest self-humiliation; who esteems the sacrifice of comfort and even life something to be cheerfully risked whenever necessary; who will eat any food, or even go without; sleep on any bed, work in any place, fraternise with any outcast, endure any privation for the cause..."

"A million-plus readers have followed Natalie's bold plunge into the world of words. "Just dive in," urges Natalie, teaching, "Begin where you are." […] "Keep your hand moving," she commands. "Don't cross out, don't worry about spelling, punctuation, and grammar, lose control, don't think, don't get logical, go for the jugular." "Include original detail," Natalie urges her students."

"You tell the truth and you depict it in detail."

"I went home with the resolve to write what I knew and to trust my own thoughts and feelings and to not look outside myself. I was not in school anymore: I could say what I wanted."

"Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. […] Some techniques are appropriate at some times and some for other times. Every moment is different. Different things work. One isn't wrong and the other right. In class we try different techniques or methods."

"First, consider the pen you write with. Think, too, about your notebook. […] A cheap spiral notebook lets you feel that you can fill it quickly and afford another. Also, it is easy to carry."

"The basic unit of writing practice is the timed exercise. 1. Keep your hand moving. 2. Don't cross out. 3. Don't worry about spelling, punctuation, grammar. 4. Lose control. 5. Don't think. Don't get logical. 6. Go for the jugular. […] That is the discipline: to continue to sit."

"This is the practice school of writing. Like running, the more you do it, the better you get at it. […] You practice whether you want to or not. Through practice you actually do get better. Sit down with the least expectation of yourself; say "I am free to write the worst junk in the world." You have to give yourself the space to write a lot without a destination."

"It is a good idea to have a page in your notebook where you jot down, as they come to you, ideas of topics to write about. […] Add to the list any time you think of something. Then when you sit down to write, you can just grab a topic from that list and begin. Making a list is good. It makes you start noticing material for writing in your daily life, and your writing comes out of a relationship with your life and its texture. [...] Naturally, once you begin writing you might be surprised where your mind takes the topic. That's good. You are not trying to control your writing. You are stepping out of the way. Keep your hand moving."

"Don't worry about your talent or capability: that will grow as you practice. […] If you want to write a novel, write a novel. If it's essays you want or short stories, write them. In the process of writing them, you will learn how. You can have the confidence that you will gradually acquire the technique and craft you need. […] We learn writing by doing it. That simple."

"Of course, you can sit down and have something you want to say. But then you must let its expression be born in you and on the paper. Don't hold too tight; allow it to come out how it needs to rather than trying to control it."

"Use original detail in your writing. Life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else."

"In a rainstorm, everyone quickly runs down the street with umbrellas, raincoats, newspapers over their heads. Writers go back outside in the rain with a notebook in front of them and a pen in hand. They look at the puddles, watch them fill, watch the rain splash in them."

"Writers move with grace in and out of many worlds."

"Read a lot, listen well and deeply, and write a lot. […] If you read good books, when you write, good books will come out of you."

"Be specific. "Don't say "fruit". Tell what kind of fruit. Learn the names of everything: birds, cheese, tractors, cars, buildings."

"As writers we have to walk in the world in touch with that present, alert part of ourselves, that animal sense part that looks, sees, and notices - street signs, corners, fire hydrants, newspaper stands."

"The world isn't always black and white. A person may not be sure if she can go some place, but it is important, especially for a beginning writer, to make clear, assertive statements. "This is good." "It was a blue horse." Not "Well, I know it sounds funny but I think it was a blue horse." […] After I read the article, I went home and looked at a poem I had just written. I made myself take out all the vague, indefinite words and phrases. […] It made the poem much better."

"If you want a room to write in, just get a room. Don't make a big production out of it. If it doesn't leak, has a window, heat in the winter, then put in your desk, bookshelves, a soft chair, and start writing."

"Writers write about things that other people don't pay much attention to. […] A writer's job is to make the ordinary come alive, […] When we live in a place for too long, we grow dull. We don't notice what is around us. That is why a trip is so exciting. We are in a new place and see everything in a fresh way."

"Just write. Just write. Just write. [...] When we are in the heart of writing it doesn't matter where we are. We can write anyplace."

"Push yourself beyond when you think you are done with what you have to say. […] It is beyond the point when you think you are done that often something strong comes out."

"What is important is not just what you do - "I am writing a book" - but how you do it, how you approach it, and what you come to value. […] There are many realities. We should remember this when we get too caught in being concerned about the way the rest of the world lives or how we think they live."

"Wait until you are hungry to say something, until there is an aching in you to speak. Then come back. Don't worry. You won't have lost time. Your energy will be more direct and less wasted."

"See the big picture. You are committed to writing or finding out about it. Continue under all circumstances. Don't be rigid though."

"But last night we started to work with the Samurai. Tom brought in a loosely finished piece, xeroxed copies, and we went over it. First of all, we looked for where there was energy. It was mainly in the third paragraph. William Carlos Williams said to Allen Ginsberg: "If only one line in the poem has energy, then cut the rest out and leave only that one line." That one line is the poem. Poetry is the carrier of life, the vessel of vitality. Each line should be alive. Keep those parts of a piece; get rid of the rest. […] it's where our writing is burning through to brilliance that it finally becomes a poem or prose piece. And anyone can hear the difference. Something that comes from the source, from first thoughts, wakes and energises everyone. I've seen it many times in a writing group. When someone reads a really hot piece, it excites everyone. Be willing to look at your work honestly. If something works, it works. If it doesn't, quit beating an old horse. Go on writing. Something else will come up. There's enough bad writing in the world. Write one good line, you'll be famous. Write a lot of lukewarm pieces, you'll put people to sleep."

"As you reread, circle whole sections that are good in your notebooks. They often glow off the page and are obvious. […] Naturally, there should be a place for editing and revision, but when we hear the word editor, we think, "Okay. I let the creator in me go wild, but now I'm going to get back to the proper, conventional, rational state of mind and finally get things in order." We bring out the man or woman in a tweed suit from the East Coast with a doctorate in literature who is critical of everything. Don't do that. That person in the tweed suit is just another disguise for the ego that is trying to get control of things any way it can. […] Instead, when you go over your work, become a Samurai, a great warrior with the courage to cut out anything that is not present."

"Anything we fully do is an alone journey. […] You are alone when you write a book. Accept that and take in any love and support that is given to you, but don't have expectations of how it is supposed to be."

"We give a lot of names to our excuses, to the reasons we don't want to write or we're afraid to. Finally, if you want to write, you have to just shut up, pick up a pen, and do it. I'm sorry there are no true excuses. Shut up and write. […] It's pretty nice to be talented. If you are, enjoy, but it won't take you that far. Work takes you a lot further. […] In writing I have confidence. Because I say I'm going to do it and I do it. That's all. Writing is the one thing in my life I continually show up for. I have given 100 percent to writing practice. That's what builds confidence. […] Don't be tossed away by your monkey mind. … These little voices are constantly going to be nagging at us. If you make a decision to do something, you do it. Don't be tossed away. … Don't be thrown off by yourself or anyone else. Let your big mind move forward."

"The stories, at first, were folklore. My grandmother would tell a ghost story, then she would say: oh, that was after the napalm. So through cycles of these stories, that world started opening and as a child I would ask: what’s napalm? They ploughed on. It was almost intoxicating for them to create a mythology of their lives, because they were so powerless. They were all women. The men were gone; they did their harm and were gone. And they were empty hands, had no English, were powerless everywhere else. But when it was time to tell the story, they held everything."

"I think that might not have been enough, were it not for me being my family ’s only hope. Because they were also dying, in a different way: financially, mentally. And I thought, I can’t die. Literally I can’t die."

"When I really assess Western culture in how it grapples with other bodies and other ecologies of thinking, at the end of the day, my response is: please catch up. And I do mean – please – because we want you to catch up, we want you to be here, because where you’re at is a quicksand that’s killing you."

"The incredible thing that I can never quite understand was how they were able to kick them all out. The men had access to jobs, money, a patriarchal presence in the world, and even though they had troubles too, as immigrants and refugees, we come from a patriarchal tradition in the old country just as deeply rooted as in the west. In some cases, when men are talking to each other, women aren’t supposed to even be in the room. So that was what they were coming out of. And to think divorce?! These things were still taboo where they came from. And they all really did it."

"We’re talking about a claim to storytelling. We are taught that a valid or useful education is one in medicine, science, bioengineering. That storytelling, or the ‘liberal arts’, are defunct or fading. Yet, in the Fortune 500 companies, in the Googles, the Amazons and the Facebooks, they’re obsessed with storytelling. So you can have technology, but it’s moot if you do not have a story to provoke it. We also see this in political campaigns. They’re all about manipulation of story. I agree with you a hundred per cent, the urgency of the moment now is to create new myths.This is also informed by Buddhism, because Buddhist practice is so interested in lucid dreaming. Monks constantly practice lucid dreaming. If you can be aware that you are dreaming, then you can also be aware that you are being foggy or ignorant in the living stage. This sharpens your ability for discernment, and the capacity to look at the world more clearly. Buddhism is very clear to me because it is this feeling, above all else – above even the object – that matters. So reading is not about the book, it’s about the transition of the thought, orchestrated through language, into the brain. That’s why it’s so real to us. I think that’s very true to how we live: sometimes the feeling is much more than the world can support. That’s why myth-making, like you said, is where we’re going. That’s the future."

"The great male writers of the European tradition, be it Proust, Tolstoy, Turgenev, deemed that those most inspiring to them existed in a white aristocracy…You read those books and you wouldn’t even know that people of colour existed in Europe. To each his own, and that was their choice. But I wanted to say: these lives, of women, and even of poor white people – these lives are worthy of literature. As Turgenev looked at the crumbling Russian empire, I look at these folks in a different crumbling empire and deemed that these are inspiring lives to an artist."

"This book is as much a coming-of-age story as it is a coming-of-art. I would say that I begin with the voices of those I care for, family or otherwise, and follow them until they drop off, until I have to create them in order to hear them. My writing is an echo. In this way, On Earth is not so much a novel, but the ghost of a novel. That’s the hope anyway."

"The novel insists that there is power, and with it, agency, in survival—which includes the interracial tensions you speak of—because trauma is still an integral reality for queer folks. But these bodies do know joy, and they know it by acknowledging and honoring the tribulations they outlived. We often think of survival as something that merely happens to us, that we are perhaps lucky to have. But I like to think of survival as a result of active self-knowledge, and even more so, a creative force."

"The world can misread us, and they will, and they have, and they won’t stop. But we do not have to misread ourselves. We can’t lose sight of what we came here for, which is to write for ourselves or for the people we love. The Western myth tells us to discard our former selves, that we have to constantly improve, move towards perfection. There’s a sort of verticality to Judeo-Christian values. But I think when I am writing I’m going back. I think it’s important for us to go back and say thank you to who we were, to go back and rescue that person and actually invite them into the present. I think writing is a dispersing of selves. When you sit down to write and to do your work, you must gather the phantoms in one place so they can work together."

"...you realize that grief is perhaps the last and final translation of love. And I think, you know, this is the last act of loving someone. And you realize that it will never end. You get to do this to translate this last act of love for the rest of your life. And so, you know, it's - really, her absence is felt every day. But because I'm becoming an author again in another book, it's doubly felt. And ever since I lost her, I felt that my life has been lived in only two days, if that makes any sense. You know, there's the today, where she is not here, and then the vast and endless yesterday where she was, even though it's been three years since. How many months and days? But I only see it in - with one demarcation. Two days - today without my mother, and yesterday, when she was alive. That's all I see. That's how I see my life now."

"When I lost my mother, I thought, there's no point. Everything I have done, I'd done for her. I went to school for her. She gave me no pressure. You know, and it's important for me to say this because, you know, there's a stereotype of the Asian tiger mom. My mother was never such a mother. She said, whatever you want to do, as long as you're happy, you can do it. And worse comes to worst, she points to the desk. She works in a nail salon. She points to the desk beside her. There's always an empty desk in the salon. She says, you can sit down right here, and then we'll work together. So I had ultimate freedom to explore. And I think for me, you know, that freedom really was all to serve her. It was, how do I help my mother get out of the projects? Every immigrant has that dream."

"(The book that…kept me up way too late:) Ocean Vuong’s On Earth We’re Briefly Gorgeous. The sheer lyricism of his writing had me incapable of abandoning the story."

"In our culture ... people who don't submit to their lust are said to be repressed and have all kinds of warped beasts in the basement. So the part of the mind that thrives when it's freed from lust doesn't get a chance. It gets pushed into the corner of the basement. It becomes the repressed part."

""The Interactive Present" (2002)"

"Ardently alert means that when the mind is staying with the breath, you try to be as sensitive as possible in adjusting it to make it feel good, and in monitoring the results of your efforts. Try long breathing to see how it feels. Try short breathing, heavy breathing, light breathing, deep, shallow. The more refined you can make your awareness, the better the meditation goes because you can make the breath more and more refined, a more and more comfortable place for the mind to stay. Then you can let that sense of comfort spread throughout the body. Think of the breath not simply as the air coming in and out the lungs, but as the flow of energy throughout the whole body. The more refined your awareness, the more sensitive you can be to that flow. The more sensitive you are, the more refined the breath becomes, the more gratifying, the more absorbing it becomes as a place to stay."

"This is the basic trick in getting the mind to settle down in the present moment — you've got to give it something that it likes to stay with. If it's here against its will, it's going to be like a balloon you push under the water. As long as your hand has a good grasp on the balloon, it's not going to pop up, but as soon as you slip a little bit, the balloon pops up out of the water. If the mind is forced to stay on an object that it really finds unpleasant, it's not going to stay. As soon as your mindfulness slips just a little bit, it's gone."

"Maybe you can't make the whole body comfortable, but make at least part of the body comfortable and stay with that part. As for the pains, let them be in the other part. They have every right to be there, so make an arrangement with them. They stay in one part, you stay in another. But the essential point is that you have a place where the mind feels stable, secure, and comfortable in the present moment. These are the beginning steps in meditation."

"Society tends to slough off the problems of aging, illness, and death, tends to push them off to the side because other things seem more pressing. Making a lot of money is more important. Having fulfilling relationships is more important. Whatever. And the big issues in life — the fact that you're headed for the sufferings and indignities that come with an aging, ill, or dying body — get pushed off, pushed out of the way. "Not yet, not yet, maybe some other time." And of course when that other time does arrive and these things come barging in, they won't accept your "not yet," won't be pushed out anymore. If you haven't prepared yourself for them, you'll really be up the creek, at a total loss."

"our sense of self is an activity, a strategy for avoiding suffering, for maximizing happiness."

"You let go of the grosser forms of happiness, the grosser strategies for happiness, and get used to more and more refined ones. And they finally take you to the point where there’s no course left but to let go of strategies. All strategies. It’s like painting yourself into a corner. The only way to get out of the corner is not to be anywhere. When you can manage that, you see that what the Buddha taught was right. He really knew what he was talking about. This is the way to true happiness."

"Sometimes you hear the idea that the ego is so corrupt that anything it tries to do is going to be corrupted as well. That idea closes off all the doors except for one: the hope that somebody is going to come along and save you. But that hope is irresponsible. The responsible attitude is that you’re responsible for the actions of your mind. You really can choose. And fortunately your motives are not always corrupt. As the Buddha said, you can take advantage of the fact that you want true happiness, and develop some noble qualities out of that. The qualities of purity, compassion, and wisdom come from taking your desire for true happiness seriously."

"I remember when I first went to Singapore. I marveled at how planned everything was. But the sense of marvel was not totally positive. They had everything laid out for you: where you were going to be born, what you were going to do as a child, where you were going to get your education, where they would channel you when you’d go to work. They had things planned out for your retirement, and then for your death. It gives rise to the feeling that you might as well go ahead and die and get it over with, if that was going to circumscribe the totality of your life. But thinking about the possibility that true awakening can be found through your efforts: that breaks through those circumscribed limits. That’s not part of anybody else’s plan, but that can be part of your plan. And to whatever extent you can nurture that conviction, it keeps your heart nurtured and nourished as well."

"There’s a passage where [the Buddha] contrasts his way of teaching with what he calls training in bombast. Training in bombast is where you’re taught things that are very poetic, that sound very high, very lovely, very inspiring, but no one is encouraged to ask what, precisely, they mean. After all, in bombast there really is no precise meaning. It’s all just vague, high-sounding words. But, as the Buddha said, he taught cross-questioning. Your training with him was in cross-questioning. When there was a teaching you didn’t understand, he encouraged you to ask, “What’s the meaning of this? What’s the purpose of that? How far should this word be taken?” That way, wherever there are any doubts or uncertainties, you can clear them up."

"I really think as long as you have a good story that relates to a lot of people it doesn't matter what ethnicity it is."

"The whole reason why we’re in this business is to please our fans. When I go to conventions, I see the reactions of women and men alike, and some girls actually shake and cry when they tell me stories about how much Mulan has influenced their lives and had such a strong impact in their lives. It’s profoundly moving for me. So I think it is important to not just gain new fans with the live-action adaptation, but really pay tribute to the fans that have been around for so long with the film and now have passed it on down to their kids and their families."

"I think, definitely with this business, it was part luck, part timing, and maybe some destiny. I think we’re all destined for something. So I’m just very grateful, I’m always extremely grateful for any job that comes along and any dreams that can come true. Because it’s a really tough business, especially if you’re a woman, and especially if you’re an ethnic woman, and especially now, if you’re an older woman. So I’m always very, very grateful."

"Being Buddhist, I do believe we are reincarnated. Our spirit goes back into the celestial forces and we come back based on how well we’ve treated others — whether we come back better or in worse forms."

"I was a nerd! I was president of my science fiction club. Doesn’t get any nerdier than that. I took Latin — that’s pretty nerdy. And theater. I was a trainer for our football team. I got into the boy’s locker room that way, ha! I loved being in high school. I had a boyfriend all through high school. I was friends with all different kids in different clubs. A floater!"

"I used to pray to god, Buddha, and the Force because that’s how much a belief it was for me. It was a religious experience for me. No small thing! No small connection there… I’ve been part of the [fandom] family for so many decades that now to actually be in the family is pretty crazy."

"I'm not one of those actresses that's going to feel like I never achieved my dreams and goals and just get disgruntled and hate everything about the business. I've had so much fun."

"That's what was so amazing about Mulan. Here is this story with all Chinese characters, and yet so many people related to her character and loved the story. So I really think as long as you have a good story that relates to a lot of people, it doesn't matter what ethnicity it is."

"Mom takes all the credit for my success. Now Mom says, 'I read your face when you were a baby, and it said you were going to be a star. That's why I named you Ming - because it's all about the sun and the stars and enlightenment.'"

"I love doing TV. It's so great for my world as a mom, as someone who likes to have a steady job and go to work feeling secure because I'm with a family."

"We all need to be reminded and encouraged to relax with whatever arises and bring whatever we encounter to the path."

"Fear is a natural reaction to moving closer to the truth."

"Impermanence becomes vivid in the present moment; so do compassion and wonder and courage. And so does fear."

"In fact, anyone who stands on the edge of the unknown, fully in the present without reference point, experiences groundlessness."

"The trick is to keep exploring and not bail out, even when we find out that something is not what we thought... Nothing is what we thought."

"Emptiness is not what we thought. Neither is mindfulness or fear. Compassion—not what we thought. Love. Buddha nature. Courage."

"When things fall apart and we’re on the verge of we know not what, the test of each of us is to stay on that brink and not concretize."

"The spiritual journey is not about heaven and finally getting to a place that’s really swell. In fact, that way of looking at things is what keeps us miserable."

"Thinking that we can find some lasting pleasure and avoid pain is what in Buddhism is called samsara, a hopeless cycle that goes round and round endlessly and causes us to suffer greatly."

"The very first noble truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last — that they don’t disintegrate, that they can be counted on to satisfy our hunger for security."

"From this point of view, the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep."

"When anyone asks me how I got involved in Buddhism, I always say it was because I was so angry with my husband... When that marriage fell apart, I tried hard—very, very hard—to go back to some kind of comfort, some kind of security, some kind of familiar resting place... I knew that annihilation of my old dependent, clinging self was the only way to go."

"Life is a good teacher and a good friend. Things are always in transition, if we could only realize it."

"Every day, at the moment when things get edgy, we can just ask ourselves, “Am I going to practice peace, or am I going to war?”"

"Generally speaking, we regard discomfort in any form as bad news. But for practitioners or spiritual warriors — people who have a certain hunger to know what is true — feelings like disappointment, embarrassment, irritation, resentment, anger, jealousy, and fear, instead of being bad news, are actually very clear moments that... teach us to perk up and lean in when we feel we’d rather collapse and back away."

"This very moment is the perfect teacher, and, lucky for us, it’s with us wherever we are."

"Meditation is an invitation to notice when we reach our limit and to not get carried away by hope and fear."

"Through meditation, we’re able to see clearly what’s going on with our thoughts and emotions, and we can also let them go."

"The natural quality of mind is clear, awake, alert, and knowing. Free from fixation. By training in being present, we come to know the nature of our mind. So the more you train in being present - being right here - the more you begin to feel like your mind is sharpening up. The mind that can come back to the present is clearer and more refreshed, and it can better weather all the ambiguities, pains, and paradoxes of life."

"The principle of nowness is very important to any effort to establish an enlightened society."

"Meditation is just gently coming back again and again to what's right here."

"But the Buddhist teachings are not only about removing the symptoms of suffering, they’re about actually removing the cause, or the root, of suffering."

"When we multitask and split up our mind into a million directions, we are actually creating our own suffering, because these habits strengthen strong emotional reactivity and discursive thought."

"We can't control what's going to happen but we can grow in awareness of what is happening."

"But there is that feeling. And there’s always another challenge, and that keeps us humble. Life knocks you off your pedestal."

"The experience of a sad and tender heart is what gives birth to fearlessness."

"Meditation helps you to meet your edge; it’s where you actually come up against it and you start to lose it."

"This is a standard meditation instruction that you can embody in the entirety of your life: do not act out and do not repress. See what happens if you don’t do either of those things."

"To all the people out there, you know just live out your dreams, if you dream something, just pursue it and do it because if you can put your mind to it you can do basically anything and everything you want to. I mean look at me, I came from a country that was falling apart because of communism and escaping to America, not knowing the language and then not learning it from beginning, and overcoming that and where I am now, you know it just shows you that if you put your mind to it you can do anything you want to."

"Tell all the fans that I completely adore them, and tell them I say, 'Thank you so much', for their love and support; and that I miss them terribly, and hopefully I get to see them or they get to see me up on the screen soon. And send my love, definitely."

"I was in school studying civil engineering. A guy approached me on the street and said that I had a interesting look-very exotic. He told me I should try to be in the industry."

"Lynda Carter played Wonder Woman and was one of the first female superheroes. It gives me more of an encouragement that we can be strong and can do whatever a guy can do."

"Each one of us has to take responsibility for reality, and present it so that kids will grow up familiar with that and say, OK. I've seen that before. I'm not afraid of it."

"She came over as a refugee from Vietnam, escaping from Vietnam War. Her family came over by a boat, things that we could not fathom. Then they had to come here and learn a whole new language, and just integrate themseleves to America."

"She is one of the fearless people I ever met. She's just thoughtful about life and I am just gonna miss her a lot."

"The enlightenment tradition discovered the micro and macro dimensions more than two thousand years ago by using sophisticated contemplative practices to augment the sixth mental sense of inner vision … This realm is supernatural only in relation to a constricted definition of natural. It is mystical only when its analytic investigation is not completed. It is magic only when the technique involved is not understood."

"The most important message of our denomination is to let people know that we can all be saved regardless of our sexuality, gender or fashion preferences."

"In other words, people of all colors shine their own color"

"Because I am a different shape and color, I can fill the space that’s missing in a big puzzle piece and complete the picture"

"Don’t hide your honesty in the shadows! Be who you really are and let your heart blossom!"

"When I got my hair dreadlocked ahead of New York fashion week, I had some pushback from people in the industry worried that I wouldn’t get jobs – the suggestion was that I might look “too black”. But I enjoy being different and standing out – so I decided to keep them and take my chances."

"When working I say to myself, ‘I am a product. It’s not about you. It’s about the vision these people have for their product and you just either happen to fit or not into their idea"

"I want to do documentaries that change the way people view Africa"

"A lot of images I’ve seen of women in hijabs are negative. I want to show the world that Islam isn’t a scary thing. I want everyone to see what I see."

"I wanted to do a project that was digestible for everyone. The idea was to do a video that showed beauty in Muslim women. Just because you’re wearing a hijab doesn’t mean you’re scary. It is not about race. It’s not about religion. It’s not about clothes. It’s about beauty."

"It is a very difficult thing to take up modelling as a profession in Nigeria because of the influence of our parents. You won’t get your parents support especially when they want you to be something else like being a lawyer or doctor."

"I am on a mission to destigmatize America’s interpretation and views toward Islam. For the record, I am a Buddhist. The objective is to promote unity."

"My ultimate end game and destination is far from the runways of New York. I want to continue my work in cinema and the arts. Nigeria is so nostalgic for me because it is the only place I have ever felt at home. When I get back to Nigeria to see dilapidated building, poor infrastructures and bad road network I begin to think that we need to do more to fix things beyond waiting for government. It is time to make things work for our race and country. Nobody will do this for the black race"

"I think awareness is probably a better word. Because if you are imbalanced, you’re aware enough to see it and to correct it."

"Because the only time I think about aging is when I’m asked about how I think about aging."

"I think aging is hard because it gets you closer to the inevitable—that we are impermanent. And the question becomes, what do you seek out of life? What is it that makes you feel alive and excited to be a part of this experience?"

"People talk about joy and happiness and ask me, ‘You seem like you’re so happy all the time’—and that’s just not the case. But I do choose it. And I choose it sometimes when it’s really hard to."

"I found Buddhism to be more existential in character and not as concerned with doctrines to the extent I had encountered in my Christian experience. Buddhism understands the symbolic and provisional nature of human thought. The principle of not being attached to views and the understanding of egoism and delusion all gave me a different perspective on religious phenomena and experience."

"The connotation of the Sanskrit word for a hell, Naraka, is a joyless."

"But if you want to tap into Berzin’s authority, then you should also acknowledge the latter’s belief in a soft and whitewashing view of Islam. He has devoted his best energies to Buddhist-Islamic dialogue, and like most people engaged in dialogue with Islam, he has interiorised a rosy view of Islam, where Jihad becomes a moral struggle against the evil in oneself, where “the enemies of religion” are not the unbelievers out there but the untamed passions inside. The same view prevails among Western converts to Buddhism about the “real” meaning of the Shambhala War, where the enemies of Buddhism who have to be destroyed are the evil tendencies in ourselves."

"Things don't just happen in this world of arising and passing away. We don't live in some kind of crazy, accidental universe. Things happen according to certain laws, laws of nature. Laws such as the law of karma, which teaches us that as a certain seed gets planted, so will that fruit be."