Bruce Lee

"Nowadays you don't go around on the street kicking people, punching people — because if you do (makes gun shape with hand), well that's it — I don't care how good you are."

"When I look around I always learn something, and that is to be yourself always, express yourself, and have faith in yourself. Do not go out and look for a successful personality and duplicate him. Now that seems to be the prevalent thing happening in Hong Kong, like they always copy mannerism, but they never start from the root of his being and that is, how can I be me?"

"You know what I want to think of myself? As a human being. Because, I mean I don't want to be like "As Confucius say," but under the sky, under the heavens there is but one family. It just so happens man that people are different."

"When you're talking about fighting, as it is, with no rules, well then, baby you'd better train every part of your body!"

"All types of knowledge, ultimately mean self knowledge."

"When I look around, I always learn something: to be always yourself, and to express yourself, to have faith in yourself. Do not go out and look for a successful personality and duplicate it."

"Boards don't hit back."

"A good martial artist does not become tense, but ready. Not thinking, yet not dreaming. Ready for whatever may come. When the opponent expands, I contract; and when he contracts, I expand. And when there is an opportunity, "I" do not hit, "it" hits all by itself."

"Don't think, feel....it is like a finger pointing a way to the moon. Don't concentrate on the finger or you will miss all that heavenly glory!"

"Man, the living creature, the creating individual, is always more important than any established style or system."

"Use only that which works, and take it from any place you can find it."

"Forget about winning and losing; forget about pride and pain. Let your opponent graze your skin and you smash into his flesh; let him smash into your flesh and you fracture his bones; let him fracture your bones and you take his life. Do not be concerned with escaping safely — lay your life before him."

"There are no limits. There are plateaus, but you must not stay there, you must go beyond them. If it kills you, it kills you. A man must constantly exceed his level."

"Don't get set into one form, adapt it and build your own, and let it grow, be like water. Empty your mind, be formless, shapeless — like water. Now you put water in a cup, it becomes the cup; You put water into a bottle it becomes the bottle; You put it in a teapot it becomes the teapot. Now water can flow or it can crash. Be water, my friend."

"For a moment The surrounding utters no sound. Time ceases. The Paradise of Dreams come true."

"Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles. As a result, Jeet Kune Do utilizes all ways and is bound by none and, likewise, uses any techniques which serve its end."

"When there is freedom from mechanical conditioning, there is simplicity. The classical man is just a bundle of routine, ideas and tradition. If you follow the classical pattern, you are understanding the routine, the tradition, the shadow — you are not understanding yourself."

"Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there."

"Truth has no path. Truth is living and, therefore, changing. Awareness is without choice, without demand, without anxiety; in that state of mind, there is perception. To know oneself is to study oneself in action with another person. Awareness has no frontier; it is giving of your whole being, without exclusion."

"To contemplate a thing implies maintaining oneself OUTSIDE it, resolved to keep a distance between it and ourselves."

"Running water never grows stale. So you just have to 'keep on flowing.'"

"If one loves, one need not have an ideology of love."

"The happiness that is derived from excitement is like a brilliant fire — soon it will go out. Before we married, we never had the chance to go out to nightclubs. We only spent our nights watching TV and chatting. Many young couples live a very exciting life when they are in love. So, when they marry, and their lives are reduced to calmness and dullness, they will feel impatient and will drink the bitter cup of a sad marriage."

"Of course you’re there. Death is always there. So why was I afraid? Your leap is swift. Your claws are sharp and merciful. What can you take from me which is not already yours? . . . Everything I have done until now has been fruitless. It has led to nothing. There was no other path except that it led to nothing — and before me now there is only one real fact — Death. The truth I have been seeking — this truth is Death. Yet Death is also a seeker. Forever seeking me. So — we have met at last. And I am prepared. I am at peace. Because I will conquer death with death."

"Neither. I think of myself as a human being."

"The Three Stages of Cultivation — The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined."

"Using no way as way; Having no limitation as limitation."

"In Jeet Kune Do, it’s not how much you have learned, but how much you have absorbed from what you have learned. It is not how much fixed knowledge you can accumulate, but what you can apply livingly that counts. ‘Being’ is more valued than "doing"."

"You have to keep your reflexes so that when you want it — it’s there. When you want to move — you are moving. And when you move, you are determined to move! Not accepting even one inch less than 100 percent of your honest feelings. Not anything less than that. So that is the type of thing you have to train yourself into. To become one with your feelings so that, when you think — it is."

"In life, what more can you ask for than to be real? To fulfill one’s potential instead of wasting energy on [attempting to] actualize one’s dissipating image, which is not real and an expenditure of one’s vital energy. We have great work ahead of us, and it needs devotion and much, much energy. To grow, to discover, we need involvement, which is something I experience every day — sometimes good, sometimes frustrating. No matter what, you must let your inner light guide you out of the darkness."

"None whatsoever."

"To be perfectly frank, I really do not."

"I believe in sleeping."

"There is no such thing as maturity. There is instead an ever-evolving process of maturing. Because when there is a maturity, there is a conclusion and a cessation. That’s the end. That’s when the coffin is closed. You might be deteriorating physically in the long process of aging, but your personal process of daily discovery is ongoing. You continue to learn more and more about yourself every day."

"I have come to discover through earnest personal experience and dedicated learning that ultimately the greatest help is self-help; that there is no other help but self-help— doing one’s best, dedicating one’s self wholeheartedly to a given task, which happens to have no end but is an ongoing process. I have done a lot during these years of my process. A swell in my process, I have changed from self-image actualization to self-actualization, from blindly following propaganda, organized truths, etc. to searching internally for the cause of my ignorance."

"Whether or not we can get together, remember well that art “lives” where absolute freedom is. With all the training thrown to nowhere, with a mind (if there is such a verbal substance) perfectly unaware of its own working, with the “self” vanishing nowhere, the art of JKD attains its perfection."

"You must have complete determination. The worst opponent you can come across is one whose aim has become an obsession. For instance, if a man has decided that he is going to bite off your nose no matter what happens to him in the process, the chances are he will succeed in doing it. He may be severely beaten up, too, but that will not stop him from carrying out his objective. That is the real fighter."

"Jeet Kune Do rejects all restrictions imposed by form and formality and emphasizes the clever use of the mind and body to defend and attack."

"An instructor should exemplify the things he seeks to teach. It will be of great advantage if you yourself can do all you ask of your students and more."

"As an instructor, you must be able to distinguish between poor performance caused by lack of ability or aptitude on the part of the student and poor performance caused by lack of effort. You should treat the first with patience and the latter with firmness. You must never apply sarcasm and ridicule."

"Even today, I dare not say that I have reached a state of achievement. I'm still learning, for learning is boundless."

"The man who is really serious, with the urge to find out what truth is, has no style at all. He lives only in what is."

"Take inventory of everyone with whom you have contact."

"Faith is a state of mind that can be conditioned through self-discipline. Faith will accomplish."

"Faith makes it possible to achieve that which man's mind can conceive and believe."

"Possession of anything begins in the mind."

"Thoughts are things."

"Make at least one definite move daily toward your goal."

"The intangible represents the real power of the universe. It is the seed of the tangible."

"The spirit of the individual is determined by his dominating thought habits."

"I'm in the midst of preparing my next movie, Enter the Dragon a coproduction between Concord and Warner Bros., plus another Concord production, The Game of Death, which is only halfway done"

"Emptiness the starting point. — In order to taste my cup of water you must first empty your cup. My friend, drop all your preconceived and fixed ideas and be neutral. Do you know why this cup is useful? Because it is empty."

"Life is wide, limitless. There is no border, no frontier."

"Life lives; and in the living flow, no questions are raised. The reason is that life is a living now! So, in order to live life whole-heartedly, the answer is life simply is."

"The meaning of life is that it is to be lived, and it is not to be traded and conceptualized and squeezed into a pattern of systems."

"The aphorism "as a man thinketh in his heart so is he" contains the secret of life."

"Meaning is found in relationship. — Meaning is the relationship of the foreground figure to the background."

"Life is never stagnation. It is constant movement, unrhythmic movement, as we as constant change. Things live by moving and gain strength as they go."

"Life itself is your teacher, and you are in a state of constant learning."

"The primary reality is not what I think, but that I live, for those also live who do not think."

"The timeless moment. — The "moment" has no yesterday or tomorrow. It is not the result of thought and therefore has no time."

"Knowledge, surely, is always of time, whereas knowing is not of time. Knowledge is from a source, from accumulation, from conclusion, while knowing is a movement."

"To realize freedom the mind has to learn to look at life, which is a vast movement, without the bondage of time, for freedom lies beyond the field of consciousness — care for watching, but don't stop and interpret "I am free," then you're living in a memory of something that has gone before."

"To spend time is to pass it in a specified manner. To waste time is to expend it thoughtlessly or carelessly. We all have time to spend or waste, and it is our decision what to do with it. But once passed, it is gone forever."

"Time means a lot to me because, you see, I, too, am also a learner and am often lost in the joy of forever developing and simplifying. If you love life, don't waste time, for time is what life is made up of."

"Be aware of doing your best to understand the ROOT in life, and realize the DIRECT and the INDIRECT are in fact a complementary WHOLE. It is to see things as they are and not to become attached to anything — to be unconscious meant to be innocent of the working of a relative (empirical) mind — where there is no abiding of thought anywhere on anything — this is being unbound. This not abiding anywhere is the root of our life."

"Concentration is the ROOT of all the higher abilities in man."

"Seek to understand the root. — It is futile to argue as to which single leaf, which design of branch, or which attractive flower you like; when you understand the root, you understand all its blossoming."

"What we are after is the ROOT and not the branches. The root is the real knowledge; the branches are surface knowledge. Real knowledge breeds "body feel" and personal expression; surface knowledge breeds mechanical conditioning and imposing limitation and squelches creativity."

"Flow in the living moment. — We are always in a process of becoming and NOTHING is fixed. Have no rigid system in you, and you'll be flexible to change with the ever changing. OPEN yourself and flow, my friend. Flow in the TOTAL OPENNESS OF THE LIVING MOMENT. If nothing within you stays rigid, outward things will disclose themselves. Moving, be like water. Still, be like a mirror. Respond like an echo."

"You cannot force the Now. — But can you neither condemn nor justify and yet be extraordinarily alive as you walk on? You can never invite the wind, but you must leave the window open."

"The Moment is freedom. — I couldn't live by a rigid schedule. I try to live freely from moment to moment, letting things happen and adjusting to them."

"The Now is indivisible. — Completeness, the now, is an absence of the conscious mind to strive to divide that which is indivisible. For once the completeness of things is taken apart it is no longer complete."

"The Western approach to reality is mostly through theory, and theory begins by denying reality — to talk about reality, to go around reality, to catch anything that attracts our sense-intellect and abstract it away from reality itself. Thus philosophy begins by saying that the outside world is not a basic fact, that its existence can be doubted and that every proposition in which the reality of the outside world is affirmed is not an evident proposition but one that needs to be divided, dissected and analyzed. It is to stand consciously aside and try to square a circle."

"In Science we have finally come back to the pre-Socratic philosopher Heraclitus, who said everything is flow, flux, process. There are no "things." NOTHINGNESS in Eastern language is "no-thingness". We in the West think of nothingness as a void, an emptiness, an nonexistence. In Eastern philosophy and modern physical science, nothingness — no-thingness — is a form of process, ever moving."

"What IS is more important than WHAT SHOULD BE. To many people are looking at "what is" from a position of thinking "what should be.""

"Conditioning obstructs our view of reality. — We do not see IT in its suchness because of our indoctrination, crooked and twisted."

"True thusness is without defiling thought; it cannot be known through conception and thought."

"Reality is apparent when one ceases to compare. — There is "what is" only when there is no comparison at all, and to live with what is, is to be peaceful."

"Reality is being itself. — It is being itself, in becoming itself. Reality in its isness, the "isness" of a thing. Thus isness is the meaning — having freedom in its primary sense — not limited by attachments, confinements, partialization, complexities."

"A self-willed man obeys a different law, the one law I, too, hold absolutely sacred — the human law in himself, his own individual will."

"One should be in harmony with, not in opposition to, the strength and force of the opposition. This means that one should do nothing that is not natural or spontaneous; the important thing is not to strain in any way."

"The dualistic philosophy reigned supreme in Europe, dominating the development of Western science. But with the advent of atomic physics, findings based on demonstrable experiment were seen to negate the dualistic theory, and the trend of thought since then has been back to the monistic conception of the ancient Taoists."

"If thought exists, I who think and the world about which I think also exist; the one exists but for the other, having no possible separation between them. Therefore, the world and I are both in active correlation; I am that which sees the world, and the world is that which is seen by me. I exist for the world and the world exists for me. … One sure and primary and fundamental fact is the joint existence of a subject and of its world. The one does not exist without the other. I acquire no understanding of myself except as I take account of objects, of the surroundings. I do not think unless I think of things — and there I find myself."

"When we hold to the core, the opposite sides are the same if they are seen from the center of the moving circle. I do not experience; I am experience. I am not the subject of experience; I am that experience. I am awareness. Nothing else can be I or can exist."

"Taoist philosophy … is essentially monistic. … Matter and energy, Yang and Yin, heaven and earth, are conceived of as essentially one or as two coexistent poles of one indivisible whole."

"Voidness is that which stands right in the middle between this and that. The void is all-inclusive; having no opposite, there is nothing which it excludes or opposes. The all illuminating light shines and is beyond the movement of the opposites."

"Like everyone else you want to learn the way to win. But never to accept the way to lose. To accept defeat — to learn to die — is to be liberated from it. Once you accept, you are free to flow and to harmonize. Fluidity is the way to an empty mind. You must free your ambitious mind and learn the art of dying."

"True thusness is the substance of thought, and thought is the function of true thusness. There is no thought except that of true thusness. Thusness does not move, but its motion and function are inexhaustible."

"Liberate yourself from concepts and see the truth with your own eyes. — It exists HERE and NOW; it requires only one thing to see it: openness, freedom — the freedom to be open and not tethered by any ideas, concepts, etc. … When our mind is tranquil, there will be an occasional pause to its feverish activities, there will be a let-go, and it is only then in the interval between two thoughts that a flash of UNDERSTANDING — understanding, which is not thought — can take place."

"Balance your thoughts with action. — If you spend too much time thinking about a thing, you'll never get it done."

"Concepts vs. self-actualization. — Instead of dedicating your life to actualize a concept of what you should be like, ACTUALIZE YOURSELF. The process of maturing does not mean to become a captive of conceptualization. It is to come to the realization of what lies in our innermost selves."

"Life is better lived than conceptualized. — This writing can be less demanding should I allow myself to indulge in the usual manipulating game of role creation. Fortunately for me, my self-knowledge has transcended that and I've come to understand that life is best to be lived — not to be conceptualized. If you have to think, you still do not understand."

"Knowledge will give you power, but character respect."

"What you HABITUALLY THINK largely determines what you will ultimately become."

"Know the difference between a catastrophe and an inconvenience. — To realize that it's just an inconvenience, that it is not a catastrophe, but just an unpleasantness, is part of coming into your own, part of waking up."

"The change is from inner to outer. — We start by dissolving our attitude not by altering outer conditions."

"Choose the positive. — You have choice — you are master of your attitude — choose the POSITIVE, the CONSTRUCTIVE. Optimism is a faith that leads to success."

"Cease negative mental chattering. — If you think a thing is impossible, you'll make it impossible. Pessimism blunts the tools you need to succeed."

"A goal is not always meant to be reached, it often serves simply as something to aim at."

"Don't fear failure. — Not failure, but low aim, is the crime. In great attempts it is glorious even to fail."

"Research your own experience; absorb what is useful, reject what is useless and add what is essentially your own."

"When asked what the difference between a karate punch and a kung-fu punch was during his first U.S. screen test in 1965, Bruce Lee replied, “Well, a karate punch is like being hit by an iron bar—whack! A kung-fu punch is like being hit by an iron ball swung on an iron chain with an iron ball attached to the end—it goes WHANG!—and it hurts inside.” Then he stood up and showed exactly what that might look like in a flurry of hands and feet moving so fast they blurred."

"Bruce Lee was grateful to those who helped his career. When The Green Hornet was cancelled, he wrote to producer William Dozier to say, "I like to take this opportunity to thank you personally for all that you've done to start my career in show business. Without you, I would never have thought about being in Hollywood. I've gained tremendous experience from the Green Hornet and believe I've improved steadily since the first show----that of minimizing and hacking away the unessential.""

"The perfect way is only difficult for those who pick and choose. Do not like, do not dislike; all will then be clear. Make a hairbreadth difference and heaven and earth are set apart; if you want the truth to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease."

"When I was having dinner with Chuck Norris I did ask him: "If you and Bruce would be in a real fight to death, who would win?", and he said without thinking: "Bruce of course. Nobody can beat him.""

"Bruce Lee lived martial arts every day! He could do things in the martial arts that others could not. He was very friendly and outgoing and usually the center of attention. We met after the national championships in 1964 during a dinner. Because I had just won the championship, he immediately challenged me. He said, "I want to challenge you to an arm wrestling match." I thought this guy barely weighs 120 pounds soaking wet. This will be simple, and I immediately accepted his challenge. Then he said, "But we’re going to arm wrestle — Chinese style." I agreed since I really thought I could take him any way that he wanted to wrestle. At the time, I weighed about 225 pounds to his 120 pounds. So we got to it, and I will confess that trying to twist his arm was like trying to twist a piece of steel! He looked at me and smiled while I was giving it all I had. Then he just dumped me over like it was nothing at all. He was quite a martial artist– the best I’ve ever seen. Yet with skill that masterful, he was always very warm and friendly — the kind of guy everyone wanted to meet."

"I wouldn't have put a dime on anyone to beat Bruce Lee in a real confrontation. Bruce Lee was the best street fighter I ever saw, even to this very day, and not just pound for pound — but against anyone in a real fight."

"His martial art skills made Lee arguably the greatest martial artist of his time — or any other."

"The story was particularly serious . . . I know Bruce Lee from secondary school in Nigeria. I come from Ghana, and there has always been a race, a loving rivalry between two countries. So I was picked on. Every child who is bullied, has an imaginary hero. I had several, and Bruce Lee was the greatest. Every little boy has a little bit of Bruce Lee in him."

"There's no doubt in my mind that if Bruce Lee had gone into pro boxing, he could easily have ranked in the top three in the lightweight division or junior-welterweight division."

"The slender, swift Bruce Lee was the Fred Astaire of martial arts, and many of the fights that could be merely brutal come across as lightning-fast choreography."

"I wanted to do in boxing what Bruce Lee was able to do in the martial arts. Lee was an artist and, like him, I try to get beyond the fundamentals of my sport. I want my fights to be seen as plays."

"In a dictionary, you say "greatest", you say "Bruce Lee", that's the way it is. He is second to no one."

"When Bruce Lee kicked, you don't shut your eyes. Because when you shut your eyes, you cannot see Bruce Lee kick it's so fast! Human beings cannot move like cartoon [sound effects], that's the fastest you can be. Even Muhammad Ali or Mike Tyson, their punches are fast, but you still can see [them]."

"If Bruce Lee wasn't the greatest martial artist of all time, then certainly he is the number one candidate."

"I considered him by far the greatest. And for those who don't considering him the greatest, at least he is the top candidate for being actually the greatest."

"Every kid, I believe, in America noticed that guy behind The Green Hornet— the one who could kick, the one who could punch, the one who could move so amazingly—all eyes centered on him. … The makers of The Green Hornet had to actively restrain Bruce Lee from being himself because they realized every time they saw the rushes that everything else was wiped off-screen."

"I truly liked and admired Bruce. I worked with him some and he helped me in my foot movement and back fist. Bruce probable weighed 135 pounds at most, but he could hit like a mule. I know, because he knocked me under Sharon Tate’s barstool at Columbia Pictures in 1968. Bruce never confronted any big men to my knowledge. There are stories out there, but none I personally know of. I will say this; I would have picked Bruce in any street situation. He had the knowledge and the attitude to carry him through anything."

"I remember many times my father (Ed Parker) talking about, pound for pound, Lee was the best martial artist, he'd ever seen."

"Bruce Lee is my idol. I need to learn some techniques of Bruce Lee, especially the quickness of his hands and legs."

"Actually, the father of mixed martial arts, if you will, was Bruce Lee. If you look at the way Bruce Lee trained, the way he fought, and many of the things he wrote, he said the perfect style was no style. You take a little something from everything. You take the good things from every different discipline, use what works, and you throw the rest away."

"A good fight should be like a small play, but played seriously. A good martial artist does not become tense, but ready. Not thinking, yet not dreaming. Ready for whatever may come. When the opponent expands, I contract. When he contracts, I expand. And when there is an opportunity, I do not hit. It hits all by itself. (to his teacher)"

"What was that? An exhibition? We need emotional content. Now try again! (to his student Lahn)"

"I said emotional content. Not anger! Now try again! With me! (to his student Lahn)"

"Don't think, feel! It is like a finger pointing away to the moon. Don't concentrate on the finger or you will miss all that heavenly glory. Do you understand? (to his student Lahn)."

"Never take your eyes off your opponent, even when you bow. (to his student Lahn)."

"My style? You can call it "the art of fighting without fighting". (to Parsons)"

"You have offended my family, and you have offended the Shaolin Temple. (to Han before starting the fight)"

"Boards... don't hit back. (to O'Hara before starting the fight)"

"I admire your judgement. Nobody's more loyal than daddy's little girl. (to Han after being attacked by Han's female guards)"

"I don't waste my time with it, when it comes, I won't even notice; I'll be too busy looking good. (to Han)"

"I was outside, but I wasn't the only one. (to Han)"

"Mr. Han, suddenly, I'd like to leave your island. (to Han)"

"Bullshit, mister Han-Man! (to Han)"

"Been practicing huh? (to Han)"

"Man, you've come right out of a comic book! (to Han)"

"Gentlemen, welcome, you honor our Island, I look forward to a tournament of truly epic proportions, we are unique Gentlemen, in that we create ourselves, through long years of rigorous training, sacrifice, denial, pain, we forge our bodies in the fire of our will, but tonight let us celebrate. Gentlemen, you have our gratitude! (speech at the party previous to tournament)"

"Very few people can be totally ruthless. It isn't easy. It takes more strength than you might believe! (to Roper)"

"There is a point that you will not go beyond. (to Roper)"

"You fought well yesterday, your style is unorthodox. (to Williams)"

"It isn't the art but combat that you enjoy? (to Williams)"

"We are all ready to win, as we are born knowing only life, it is defeat you must prepare for.(to Williams)"

"What were you looking when you attacked my guards? (to Williams)"

"You were the man outside the palace? (to Williams)"

"You will tell me who else! (to Williams)"

"Bruce Lee - Lee"

"John Saxon - Roper"

"Jim Kelly - Williams"

"Ahna Capri - Tania"

"Robert Wall - O'Hara (- Bob Wall)"

"Angela Mao - Su Lin (- Angela Mao Ying)"

"Betty Chung - Mei Ling"

"Geoffrey Weeks - Braithwaite"

"Bolo Yeung - Bolo (as Yang Sze)"

"Peter Archer - Parsons"

"Ho Lee Yan - Old Man"

"Marlene Clark - Secretary"

"Allan Kent - Golfer"

"William Keller - L.A. Cop"

"Mickey Caruso - L.A. Cop"

"Pat E. Johnson - Hood"

"Darnell Garcia - Hood"

"Mike Bissell - Hood"

"Jackie Chan - Han's henchman"

"Sammo Hung - Shaolin fighter"

"Roy Chiao Shaolin Abbott"

"Paul Heller - Radio Operator"

"Lam Ching Ying"

"Tony Liu - Tournament fighter"

"Yuen Biao -Tournament fighter"

"Yuen Wah - Tournament fighter/Bruce Lee's Stunt Double"

"Hidy Ochiai"

"Wei Tung - Lao"

"Tadashi Yamashita"

"Mars - Guard"

"Mang Hoi - Ship's mate"

"Shih Kien - Han (voice dubbed by Keye Luke)"

"While we may never know how The Game of Death would have turned out had Bruce Lee lived we do know, with unimpeachable certainty, the vision Lee had for the film during the time that he was filming its finale. According to his 12-page storyline the film would begin on an airplane that hade departed from Hong Kong. The character that Bruce Lee was to play in the film was named Hai Tien a retired, undefeated martial arts champion. Accompanying him on the flight would be his sister and young brother. The family are preparing to take a tour of Southheast Asia. When en route an annoucement is made that there will be a one-hour stopover in Korea. The plane then touches down and taxis into the gate at South Korea's Kimpo Airport."

"[ Dialogue ]"

"Later, in the training garden of the Boss,s home avery member of the team is training but Hai Tien who is still reticent and worried about the safety of his family."

"[ Dialogue: Hai Tien: I want you to remember me"

"Upon arriving at the compound the team must first fight their way through 10 guards all black belts in Karate. After dispatching the Karate men, the team heads for the pagoda. On man, the locksmith, opens the door to the temple. The martial artists enter the pagoda to do battle while the locksmith stands watch below. It was within the pagoda that the epic battles in The Game of Death were to take place as each floor of the pagoda was to be guarded by as killed martial arts stylist. On the first floor, one of the team would be killed. The second floor, The Floor of the Praying Mantis would see what was now the quartet lose another member of the team. Fortunately, the battle on the third floor of the pagoda and on the remaining floors as well, Bruce Lee captured on film."

"[1972 original footage]"

"At the end of the film an exhausted Hai Tien Staggers down the steps from the pagoda and departs the village. Although Bruce Lee never finalized the details for the ending of the film it is evident from his scene breakdowns that the boss would be arrested. Hai Tien, his sister and brother would be reunited after returning of the Korean airport. The storyline perfectly justified the action that would be required in the film while the choreography of the fight sequences served to related Lee's message of personal liberation in the art of combat."

"Good morning Fellas!"

"[ Announcer: Attention: there is a call for Mr. Tien. Mr. Hai Tien, please pick up the white courtesy phone at gate 16.(Hai Tien answers)] Voice (Tien): We've got your sister and little brother. Listen carefully - there is a car waiting for you outside. I want you to calmly walk out and get into the car. The lives of your sister and brother depend on you doing exactly what you are told."

"The Boss: This Is The Temple of the Leopard. It Is located there hours from here. This Temple contains one of our national treasures - It's irreplaceable and worth many millions of dollars to the Korean government. Your job will be to get it for me. As no guns are allowed here, the temple is guarded by trained fighters - martial artist. The temple has five floors - and we believe that the treasure Is on the top floor. The martial artists guard each level of the temple. I have acquired footage of some of them to let you know what you'll be up against. This man's specialty Is Escrima - a Filipino stick fighting art. He Is very dangerous and, I'm told, guards the third level of the pagoda the Hall of the Tiger. He has also been known to be an exponent of the nunchaku - a weapon I'm sure most of you gentlemen are familiar with. This man is a Hapkido master, 7th degree. He guards the fourth level. His skill is extraordinary. It may take all of you to subdue him. The first floor will be protected by this man. As you can see, his kicks are devastatingly powerful and incredibly fast. The entranceway will be blocked by karatemen. But you should be able to get past them. The real talent Is within the pagoda. If the door to the temple is locked Is locked - which It has been since our last attempt to get the treasure - our locksmith here should be able to pick the lock and let you in. Once inside the temple, I don't really know what you will be facing. There was a prior group that attempted to make It to the before you. Only one man from that group, Mr. Huang, survived. Seeing the members of his team killed by whomever guards that last level caused him considerable mental stress. He has since been committed to a local asylum. All he could tell us was Unbelievable agility and power. We don't know who guards the upper level, but whomever he is - he is extremely dangerous and skillful. Mr. Huang was a formidable martial artist in his own right - a very effective kicker - one of Hai Tien's students, I believe. I'm hoping that where the student fails, the master will succeed. Hai Tien and Mr. Tien will be in charge of the operation. That's It, gentlemen."

"Hai Tien Fans: Aren't you Hai Tien - the fighter? Hai Tien:Yes, I am Hai Tien Fans: I'm a huge fan of tours. May I please get your autograph? Hai Tien: Sure."

"Hai Tien: Will you excuse me a Moment?"

"Hai Tien: Nice weather"

"Hai Tien:Man! That's a big snake! That's more likes It - don't be so stiff. Hai Tien: It's very kind of Uncle Wong to have picked us up and allowed us to stay in his house while we are in Korea. The Boss: Ha, ha, ha. At last we have the pleasure of your company. Tien: "Lee Guo Hao," It's said that the foreigners call him "the yellow faced tiger." The Boss: I have five martial artist here that I would likes ti introduce to you. Hai Tien: Not yet Hai Tien: I thik there May be some Toys in your room. Hai Tien: Maybe you should go and help him look for them?Hai Tien: I'll be back in a Moment."

"Hai Tien: Do not let the kid know what's going on here. Stay insider and don't run around! sister: We'll be okay."

"The Boss: Ah, nice, of you rejoin us. These men Will all be taking part in our mission. This man is a fighter from America. This is Mr. Wong -- he is being paid $2000 - wich he needs for his mother for his mother's operations. This is Yuan, he is being paid only $700 but he is very strong. This is our locksmith, Mr. Kuan -- he makes me laugh. And this is Mr.Tien -- he has cost me the most because he is extremely efficient and is the current Asian Champion. Tien:By the way, I don't like retired and undefeated champions. I've Just spoken to you at the have forgotten my voice? Hai Tien:You know something, you sound tougheter than you look. The Boss: Hey, we're all froends here. Don't worry, I Will pay you for your part in this Mission! Hai Tien: I don't want your money The Boss: Perhaps not -- but you Will join us anyway because I know you want your brother and sister to remain healthy. We Will all meet back here in four hours to Watch a film of where we're going on our mission."

"Hai Tien: I would like to ask permissione to use your car to go to the asylum tomorrow mornig -- alone The Boss: To see Huang? Of course you can use my car but I can tell you it's a waste of time. Hai Tien: Thank you for letting just me go The Boss: That is why I like you: you know you HAVE to come back! For you know that if you don't, you Will never see your sister and brother again."

"Tien: I sure don't like the way you dress as a martial artist. Hai Tien: It's about what a martial artist wears. What really counts Is the ability of the man behind those clothes. By the way, have you looked at how you dress lately?"

"Huang: Unbelievable power and agility."

"Tien: You have a bad habit of being late! Hai Tien: You want your job done, don't you? The Boss: I can assurde you that the boy and girl are fine and know nothing about "our project." Hai Tien: You have no choice anyway - you need me and by the way, don't you or anyone in this house lay even one finger on either one of them! The Boss: I can assure you that my guardas personally Will take good care of then. And I might even be generous enough to let you see them anytime you want - but don't even try or think that you can leave this house. My generosity, you see, has a limit. Take today easy and conserve your energy. You can have a light workout later."

"Hai Tien: I want you to remember me"

"Another unexpected surprise Is discovered among his choreography writings. His hand-written storyline, 12 pages in length and containing all scene breakdowns and select dialogue passages the original storyline stands in sharp contrast to the one presented in the film released under the same name. After the discovery of Lee's script notes a search to find the [[The Game of Death (1972)|missing footage [1972 original footage]]] is launched."

"Hak-kyu Kim — Hai Tien"

"Byung-joo Kim — Tien"

"Sung-woo Park — Yuan"

"Sun-man Bae — First Tung"

"Hee-soo Hwang — Sister"

"Kang-kook Lee — Wong"

"Se-kyn Oh — Second Thung"

"Tong-il Pang — The Boss"

"Marty Rhodes — Narrator"

"Ho-you Yun — Kid"

"Bill Katz — American Fighter"

"Bruce Lee — Written by (for The Game of Death, 1972)"

"Bruce Lee — Hai Tien (only a 1972 short footage in credits cloused without dialogue)"

"Hwang In-shik — (1rd Floor Guardian: only a 1972 short footage outdoors without dialogue)"

"Dan Inosanto — (3rd Floor Guardian: only a 1972 short footage outdoors without dialogue)"

"Ji Han-jae — (4rd Floor Guardian: only a 1972 short footage outdoors without dialogue)"

"In 1972, Bruce Lee began working on his second directorial project, Game of Death. The Plot involved Lee playing the role of Hai Tien, a retired martial arts champion who is confronted by a Korean crime syndicate that Kidnaps his sister and younger brother and force him to partecipate in a raid on a five-story pagoda located in South Korea."

"Guns are prohibited on the grounds, and the pagoda, known as the Temple of the leopard, is guarded by highly skilled martial artists who are protecting an unidentified object of value held on the top level of the tower. Hai Tien, along with four companions, must fight his way up the temple, facing a guardian of a different martial art style on each floor. Two of his companions are killed prior to the group reaching the third floor."

"Complete scenes were filmed for the final three floors of the pagoda: the Hall of the tiger, featuring Dan Inosanto as the Escrima master; the Hall of the Dragon, featuring Ji Han-Jae as the Hapkido expert; and the Hall of the Unknown - the final level, featuring Kareem Abdul-Jabbar as the practitioner of an unorthodox and formiess style of combat."

"The footage begins in the Hall of the tiger, where a battle is already in progress with the remaining members of Hai Tiens team... The Game of Death 死亡的遊戲 Redux"

"American Fighter: Legend has that man's greatest beard dwells and temple. The Game of Death is as old as time itself ... many attempt to challenge you survived. [Some assumed that it was a trailer narrator, but it’s really the American mercenary who befriends Bruce’s character prior to the mission. This role was going to be played by Bob Baker. The V.O. is Kincaid speaking to Hai Tien the night before they leave for the temple. Exclusively for the trailer. (Trailer for the second version of Game of Death Redux in 2022 on <!--cityonfire.comand[https://youtu.be/ZSXPzjtKBPs"

"4rd Floor Guardian: As you gentleman know red means danger. Therefore, I advise to you people not to step into this warning arena. If you want to go an living, stop here. Go back downstairs. Life Is precious."

"A masterpiece of action and emotion."

"Game of Death Redux is a lovely tribute that essentially functions as a Bruce Lee-direted short film."

"Watching Game of Death Redux, is like inhaling the pure essence of Bruce Lee. Alan Canvan has completed Lee's vision and the three levels of the pagoda now feel like a cinematic novella."

"Prequel: While we may never know how The Game of Death would have turned out had Bruce Lee lived we do know, with unimpeachable certainty, the vision Lee had for the film during the time that he was filming its finale [...]"

"Game of Death Redux showcased 23 minutes of the 1972-era Game of Death footage that was presented closely the way Bruce intended, while at the same time, keeping in-tact some of the stronger as aspects of the universally panned, pieced together 1978 film, such as John Barry’s acclaimed score, as well some of the film’s strong audio design."

"Golden Harvest and Niche Pictures:"

"Alan Canvan — Bruce Lee Voiced / Creative Editor / Produced and Adapted"

"Cristopher Wasmer — Edited by"

"Alan Pattillo — Acknowledgment"

"— (Voiced American Fighter: only for the trailer. Candidate Bob Baker)"

"Chris Kent — Bruce Lee War Cries Voiced (from Game of Death, 1978)"

"John Barry — Music (from Game of Death, 1978)"

"Concord Production Inc. and Golden Harvest:"

"Raymond Chow — Co-producer"

"Tadashi Nishimoto — Cinematography"

"Bruce Lee — Written / Directed / Co-producer / Choreography / Acknowledgment / Starring :"

"Bruce Lee — Hai Tien"

"James Tien — (Tien)"

"Chieh Yuan — (Yuan)"

"Dan Inosanto — (3rd Floor Guardian)"

"Ji Han-jae — (4rd Floor Guardian)"

"Kareem Abdul-Jabbar — Mantis (5rd Floor Guardian)"

"Golden Harvest and The Criterion Collection (Distribution)"