Best Animated Feature Academy Award winners

"[repeated phrase] Showtime!"

"Every superhero has a secret identity. I don't know a single one who doesn't. I mean, who wants the pressure of being super all the time?"

"No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved! You know?! For a little bit. I feel like the maid: "I just cleaned up this mess! Can we keep it clean for, for 10 minutes?! Please?!""

"Sometimes, I think I just like the simple life, you know, relax a little and raise a family."

"Heavyweight problems need heavyweight solutions."

"Of course I have a secret identity. [about her super-suit] Can you see me in this at the supermarket? Come on! Who wants to go shopping as Elastigirl? You know what I mean?"

"Brace yourselves! Everybody calm down! Now, I will tell you what we are not going to do. We're not gonna panic, and we're not gonna... LOOK OUT!"

"Settle down? Are you kidding? I'm at the top of my game! I'm right up there with the big dogs! Girls, come on. Leave the saving of the world to the men? I don't think so! I don't think so."

"Remember the bad guys on those shows you used to watch on Saturday mornings? Well, these guys are not like those guys. They won't exercise restraint because you're children. They will kill you if they get the chance. Do not give them that chance."

"Super-ladies, they're always trying to tell you their secret identity. Think it'll strengthen the relationship or something like that. I say, "Girl, I don't wanna know about your mild-mannered alter ego or anything like that." I mean, you tell me you're, uh, super-mega-ultra-lightning babe? That's all right with me. I'm good. I'm good."

"I don't see anyone from the old days, Bob. Just you. And we're pushing our luck as it is."

"It means it's hot! And I'm dehydrated, Bob!"

"There is no water in this air! What's your excuse, run out of muscle?"

"We look like bad guys! Incompetent bad guys!"

"[After a huge explosion destroys the Parrs' house] Does this mean we have to move again?"

"I feel different. Is different okay?"

"[After Elastigirl's plane is destroyed] Ah, you'll get over it. I seem to recall you prefer to… ”work alone”?"

"I knew you couldn't do it, even when you have nothing to lose. You're weak! And I've outgrown you."

"It tore me apart, but I've learned an important lesson. You can't count on anyone. Especially your heroes."

"[After Mr. Incredible begs him to stop the missiles from hitting Elastigirl's plane] Too late! 15 years too late."

"[has just caught the entire Parr family] WHOA, WHOA, WHOA! HEY, TIME OUT! What have we here? Matching uniforms? [sees Helen] Oh, no... Elastigirl? You married Elastigirl?! [laughs, then looks at Violet and Dash] And got biz-zay! It's a whole family of Supers! Looks like I've hit the jackpot! [laughs, then says in a twangy accent] Oh, this is just too good!"

"I'll give them heroics. I'll show them the most spectacular heroics anyone's ever seen! And when I'm old and I've had my fun, I'll sell my inventions so that everyone can be superheroes. Everyone can be super! And when everyone's super... [walks away laughing before he talks in a remorseless tone] No one will be."

"[freezes the Parr family as they barge into the house while holding a sleeping Jack-Jack; quietly] Shh. The baby is sleeping. [snickers sinisterly] You took away my future. I'm simply returning the favor. Don't worry, I'll be a good mentor. Supportive, encouraging. Everything you weren't! And in time, who knows, he might make a good sidekick."

"[last words before his death] This isn't the end of it! I will get your son, eventually! I'll get your son! [laughs and gasps as he sees Mr. Incredible hurling his car into the air] Oh, no."

"[on message computer] The Supers aren't gone, Mr. Incredible. You're still here. You can still do great things. Or… you can listen to police scanners. Your choice. You have 24 hours to respond. Think about it. [fades out]"

"[about Syndrome] He's attracted to power. So am I. It's a weakness we share."

"[having had enough of Syndrome's evil after he taunted Mr Incredible with his family's apparent demise] Next time you gamble, bet your own life."

"I never look back, darling. It distracts from the now!"

"You will show him you remember that he is Mr. Incredible, and you will remind him who you are!"

"Do you remember Thunderhead? Tall, storm powers? Nice man. Good with kids. November 15th of '58! All was well, another day saved, when... his cape snagged on a missile fin."

"Stratogale! April 23rd, '57! Cape caught in a jet turbine!"

"Meta Man, express elevator! Dynaguy, snag on takeoff! Splashdown, sucked into a vortex! NO CAPES!"

"Behold: The Underminer! I am always beneath you, but nothing is beneath me! I hereby declare war on peace and happiness! Soon, all will tremble before me!"

"Save the day."

"Discover the Side of Superheroes You've Never Seen Before"

"Expect The Incredible"

"Twice the hero he used to be"

"Super cool"

"No gut, no glory"

"Sock'er Mom"

"Craig T. Nelson – Robert "Bob" Parr/Mr. Incredible"

"Holly Hunter – Helen Parr/Elastigirl"

"Samuel L. Jackson – Lucius Best/Frozone"

"Jason Lee – Buddy Pine/Syndrome"

"Dominique Louis – Bomb Voyage"

"Teddy Newton – Newsreel Narrator"

"Jean Sincere – Mrs. Hogenson"

"Eli Fucile Maeve Andrews – Jack-Jack Parr"

"Wallace Shawn – Gilbert Huph"

"Spencer Fox – Dashiell "Dash" Parr"

"Lou Romano – Bernie Kropp"

"Wayne Canney – Principal"

"Sarah Vowell – Violet Parr"

"Michael Bird – Tony Rydinger"

"Elizabeth Peña – Mirage"

"Bud Luckey – Rick Dicker"

"Brad Bird – Edna "E" Mode"

"Bret Parker – Kari"

"Kimberly Clark – Honey"

"John Ratzenberger – Underminer"

"Nicholas Bird – Rusty McAllister"

"Frank Thomas – Himself"

"Ollie Johnston – Himself"

"Teddy Newton – Jet's Automated Captain/Robotic Security Bird/Tablet (uncredited)"

"Joe Ranft – Soldier"

"Phil Proctor – Guard #1 (uncredited)"

"Jack Angel – Guard #2 (uncredited)"

"Randy Nelson – Police Officer #1"

"Mark Andrews – Police Officer #2"

"Peter Sohn – Mugger"

"Patrick Pinney – Oliver Sansweet (uncredited)"

"Bill Farmer – Oliver Sansweet's Lawyer (uncredited)"

"Rodger Bumpass – Mr. Incredible's Lawyer (uncredited)"

"Pete Docter – Police Officer #3"

"Mickie McGowan – Citizen Mother (uncredited)"

"Elizabeth Greenberg – Citizen #1"

"Katherine Ringgold – Citizen #2"

"Deirdre Warin – Old Lady"

"John Walker – Minister (uncredited)"

"Corey Burton (uncredited)"

"Rick Miller (uncredited)"

"I finally get a bouquet and it's a goodbye present. That's depressing."

"[before realizing that her parents have become pigs] Mom! Dad! Come on, quit eating! Let's get out of here!"

"I'm see-through!"

"[to Haku, grabbing his arm] No! Don't leave me, I don't want to be alone!"

"It's a bath house..."

"I'm dreaming, I'm dreaming! Come on, wake up! Wake up! Wake up..."

"[to Yubaba] I'm not leaving until you give me a job!"

"Hey, Lin - what's a foreman?"

"I think he needs help! It feels like there's a thorn in his side!"

"[as Bo is twisting her arm] That hurts! Please, I'll play with you later okay?"

"[to Bo, holding out the palm of her hand, which has Haku's blood on it] Germs! I've got germs, see?!"

"[to one of Yubaba's shrunken heads] Shut your mouth!"

"Open your mouth...That's it... [forces Haku's mouth open while he's in dragon form] Got it. Now swallow! [holds his mouth shut as he thrashes around]"

"[approaching a giant No-Face] I was saving this for my parents, but I think you'd better have it. [throws the leftover medicine into his mouth]"

"You shouldn't be here. Get out of here now!"

"That bird is looking for you. You've gotta get out of here."

"[to Chihiro] I've known you since you were very small. Good luck, and whatever you do, don't make a sound."

"Don't talk to me. And address me as Master Haku."

"Three days of eating our food and her smell will go away. And if she doesn't work hard, roast her, boil her, do whatever you want. Now get back to work. Where is Lin?"

"Meet me at the bridge. I'll take you to your parents."

"Aren't you even going to knock? You're the most pathetic little girl I've ever seen!"

"[to Chihiro, after heavily persisting her request to have a job, sounding malevolent] Or maybe you'd like the worst, nastiest job I've got, until you breathe your very last BREAAAAATH?!"

"[upset] Oh, dear, you woke up the baby!"

"So, your name's Chihiro? What a pretty name! [uses magic to steal the kanji of Chihiro's name] And it belongs to me now."

"Sen, you did great! We made so much money!"

"[sounding annoyed] Oh, Haku's bleeding all over the carpet. Get him out of here; he'll be dead soon, anyway."

"[about to blast No-Face] Enough's enough! I don't care if he's rich; This nonsense has gotta stop!"

"I see you failed to bring my baby back."

"[to Bo; sounding hurt] But a deal's a deal, sweetie! I get to give Sen one final test!"

"[after Chihiro completes her challenge; huffing] All right, fine, you win. Now get out of my sight!"

"There's no need to get upset. I'm sure they'll find Sen somewhere."

":Chichiyaku: Hurry! This way! Madam, Sen is here now."

"Finally! Sen has arrived, sir. She'll be with you in just a few minutes. He's destroying everything, it's costing us a fortune! So suck up to him and get every last speck of gold he's... Eww, what's that dirty mouse doing here?"

":Chihiro: Huh? He's your... He doesn't look familiar?"

"Familiar? Don't be stupid. Now, get in there. Here's Sen."

":Chichiyaku: Will Sen be all right in there by herself?"

"You wanna take her place?"

":Chichiyaku: Huh?"

"Daveigh Chase – Chihiro/Sen (voice)"

"Jason Marsden – Haku (voice)"

"Suzanne Pleshette – Yubaba/Zeniba (voice)"

"Lauren Holly – Chihiro's mother (voice)"

"Michael Chiklis – Chihiro's father (voice)"

"David Ogden Stiers – Kamaji (voice)"

"John Ratzenberger – Assistant Manager (voice)"

"Susan Egan – Lin (voice)"

"Tara Strong – Baby (voice)"

"Bob Bergen – Frog/No Face (voice)"

"You must be imaginative, and strong-hearted. You must try things that may not work, and you must not let anyone define your limits because of where you come from. Your only limit is your soul. What I say is true. Anyone can cook, but only the fearless can be great."

"But you don't, Remy. You never did!"

"Amusing title, "Anyone Can Cook!". What's even more amusing is that Gusteau actually seems to believe it. I, on the other hand, take cooking seriously and no, I don't think anyone can do it."

"I don't like food, I love it. If I don't love it, I don't swallow. [Linguini gulps nervously] I will return tomorrow night with high expectations. Pray you don't disappoint me."

"[in Linguini's dream] [Linguini: Do you know what you would like this evening, sir?] Yes, I'd like your heart roasted on a spit. [laughs]"

"[in his review] In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new, an extra-ordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: 'Anyone can cook.' But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more."

"[looks at Remy in the kitchen door-window] Surprise me....!"

"I don' really know."

"Hey there, li'l brother!"

"Food is fuel. You get picky about what you put in the tank, your engine is gonna die. Now shut up and eat your garbage."

"First of all, we are not thieves. Secondly, stay out of the kitchen and away from the humans. It's dangerous."

"[captures Remy in a cage] You may think you are a chef, but you are still... only a rat. So! I have in mind a simple arrangement; you will create for me a new line of Chef Skinner frozen foods, and I, in return, will not kill you. Au revoir, rat!"

"[takes a bite of the ratatouille; last words before his defeat] No. It can't be. [barges into the kitchen] Who cooked the ratatouille?! I demand to know! [sees the kitchen full of rats and gasps]"

"He's dying to become a chef."

"A Comedy with Great Taste."

"A Rat in a Kitchen... Cooking?!?!?!"

"Patton Oswalt — Rémy"

"Lou Romano — Linguini"

"Janeane Garofalo — Colette"

"Ian Holm — Skinner"

"Peter Sohn — Émile"

"Brad Garrett — Gusteau"

"Brian Dennehy — Django"

"Peter O'Toole — Anton Ego"

"Will Arnett — Horst"

"Julius Callahan — Lalo & Francois"

"James Remar — Larousse"

"John Ratzenberger — Mustafa"

"Teddy Newton — Talon Labarthe"

"Tony Fucile — Pompidou & Health Inspector"

"Jake Steinfeld — Git"

"Brad Bird — Ambrister Minion"

"Stéphane Roux — the narrator of the cooking channel"

"Thomas Keller — the male dining patron who asks what's new"

"Winston I. Steve Barnum — the chef-friendly male"

"Dan Lee (1969—2005)"

"I think our goal is to get the impression of something rather than perfect photographic reality. It’s to get the feeling of something so I think that our challenge was the computer wants to do things that are clean and perfect and don’t have any history to them. If you want to do something that’s different than that you have to put that information in there and the computer kind of fights you. It really doesn’t want to do that and Paris is a very rich city that has a lot of history to it and it’s lived in. Everything’s beautiful but it’s lived in. It has history to it, so it has imperfections and it’s part of why it’s beautiful is you can feel the history in every little nook and cranny. For us every single bit of that has to be put in there. We can’t go somewhere and film something. If there’s a crack in there, we have to design the crack and if you noticed the tiles on the floor of the restaurant, they’re not perfectly flat, they’re like slightly angled differently, and they catch light differently. Somebody has to sit there and angle them all separately so we had to focus on that a lot. And it was a movie about good food and the food had to look delicious and its data. How do you define what makes food look good. It’s actually a bunch of really subtle little complicated things and everybody worked really hard on it."

"I entered this movie as director kind of late. I was asked to come on the project a little less than a year and a half ago, so several characters had been cast before I got there. Famous people like Ian Holm, Brian Dennehy, and Brad Garrett were already on board and some Pixar people happened to have perfect voices, like Lou Romano who did Linguini. He was a production designer on The Incredibles. And Pete Sohn is a young, very gifted story guide and animator who worked on Iron Giant and Incredibles and he did the voice of Emile, who is Remy’s brother. So those guys are in-house and they were already involved in the project and I didn’t see any reason to change what was perfect. I re-cast a couple characters and there was a lot of difficulty in casting Remy and I heard Patton Oswalt on the radio and I thought he’d be perfect. I brought Peter O’Toole on and when I was first writing the character of Anton Ego that was the voice I heard in my mind and I was just hoping that he would say yes and he did. But Janeane Garofalo we cast after I came on and she does Colette and a lot of people can’t even recognize her because she so completely disappears into this role, which is a testament to how great an actress she is, and I’m really happy with the voice track on this film because it put the challenge to the animators to come up to the quality and be inspired by the voices – and I think they did."

"It was six years ago and you look at the scope of your film and we knew it would be about rats and we knew we needed the rats to be able to move in certain ways. Pixar’s never really done a film with four-legged critters in it to any great extent, so I was excited because some of Disney’s great classical animated films have critters running around like this. We threw down to the tools group, who writes our code because it’s all proprietary software, that we need this to be phenomenal so we actually experimented for about a year in sort of a dead end, but it was always going to be promising and something special. Brad Bird made several things work that weren’t working. We figured that once we got them outfitted correctly with the right technical setup so that they could squash and stretch beyond what’s been done before in animation, that in the hands of a director like Brad who knows animation inside and out, that it would be phenomenal. As far as the food looking great, we hoped we would pull it off and I think we did. I think appetizing food in a film like this is a surprise and if people come out hungry, which I’ve heard has happened, then that’s a testament to that"

"This is amazing"

"[Walking in the freezing snow in her gown; Disappointed] Snow. It had to be snow! She couldn't have had tropical magic that covered the f-fjords in white sand and warm... [Sees smoke; happily] Fire!"

"Look I know how to stop this winter."

"It is not nice to throw people!"

"You won't get away with this."

"The snow glows white on the mountain tonight Not a footprint to be seen. A kingdom of isolation, and it looks like I'm the Queen."

"The wind is howling like this swirling storm inside Couldn't keep it in — Heaven knows I've tried."

"Don't let them in, don't let them see Be the good girl you always have to be. Conceal, don't feel, don't let them know … Well now they know!"

"It's funny how some distance Makes everything seem small And the fears that once controlled me Can't get to me at allǃ"

"It's time to see what I can do To test the limits and break throughǃ No right, no wrong, no rules for me, I'm free!"

"Let it goǃ Let it go! I am one with the wind and sky! Let it goǃ Let it go! You'll never see me cry!"

"Here, I stand In the light of dayǃ Let the storm rage onǃ My power flurries through the air into the ground"

"[While alone, Elsa stressfully attempts to control her powers, reverting her father's mantra] Get it together. Control it. Don't feel, don't feel, don't feel. Don't feel. [gasps]"

"[sounding like he's about to cry] Anna?"

"Hi, everyone. I'm Olaf, and I like warm hugs."

"Knock. Just knock. Why isn't she knocking? Do you think she knows how to knock?"

"Stop it, Sven! I'm trying to focus here."

"It’s been overwhelming, the year. We still get YouTube sent to us. I mean, I got one just yesterday…It’s actually very funny. Um, so I just, It’s been overwhelming. It really has. Starting with the Reddit… Round table. Reddit round table is where a woman wrote in saying, um, that she was, uh, in a bad place and was gonna commit suicide, and saw Frozen and inspired by Elsa and, and her journey, and she said, and I’m still here. Thank you. So, you know, we’re overwhelmed by that."

"Well, our art director knew it would be a Scandinavian area. He was just going through books, and, he’d seen a lot of internet stuff too. He was posting all these pages on Scandinavia you know, beautiful scenery and architecture, and almost all the post-its were Norway. So he said okay. Well, you know, we needed our trip to Norway. Now we say that it’s set in Norway. But it helps to have something specific to kind of draw from. So it makes the world very believable. And there are ideas in Norway, we’d never have come up with on our own, the, the stave church, which was very beautiful."

"- Kristoff"

"- Prince Hans of the Southern Isles"

"- The Duke of Weselton"

"- Pabbie the Troll King"

"Chris Williams - Oaken"

"Do you ever look at someone, and wonder: What is going on inside their head? Well, I know. Well, I know Riley’s head."

"Pete Docter: Yeah, we - I was just thinking about, like, OK, I've seen a lot of movies about all these different subjects, including - for some reason, I got thinking about the human body and realizing, well, I've seen, like, traveling through the bloodstream and into the, you know, stomach and things. Well, what if we did this in the mind as opposed to the brain? So instead of blood vessels and dendrites, what if it was consciousness and dream production? And that would allow us to have characters that represent emotions. And that felt like, man, that's exactly what animation does best - strong, opinionated, caricatured personalities. And that just got me excited."

"I'm not actually sure if guilt is an emotion. In fact, that was - at the very beginning of this process, we realized, man, we really don't know very much about the subject. So, we better do some research, and we started looking around online. We found some scientists think that there are basically three emotions. Others went up to 27. Others had 16. Some were in the middle. So, we were kind of left with no definitive answer to our basic question - how many are there? Dr. Paul Ekman, who worked in San Francisco - still does - which is where Pixar Animation Studios is - he had, early in his career, identified six. That felt like a nice, manageable number of guys to design and write for. It was anger, fear, sadness, disgust, joy and surprise. And as I was sort of doodling, I was thinking, surprise and fear - probably fairly similar, so let's just lose surprise. And that left us with five."

"Meet the little voices inside your head."

"A Major Emotion Picture"

"Amy Poehler as Joy"

"Phyllis Smith as Sadness"

"Richard Kind as Bing Bong"

"Bill Hader as Fear"

"Lewis Black as Anger"

"Mindy Kaling as Disgust"

"Kaitlyn Dias as Riley Andersen"

"Diane Lane as Jill Andersen (credited as "Mom")"

"Kyle MacLachlan as Bill Andersen (credited as "Dad")"

"Paula Poundstone as Forgetter Paula"

"Bobby Moynihan as Forgetter Bobby"

"Paula Pell as Dream Director, Jill's Anger, and Teacher's Disgust and Sadness"

"Dave Goelz as Subconscious Guard Frank"

"Frank Oz as Subconscious Guard Dave"

"Josh Cooley as Jangles the Clown and Bill's Sadness"

"Flea as Mind Worker Cop Jake"

"John Ratzenberger as Fritz"

"Carlos Alazraqui as Bill's Fear and a Brazilian Helicopter Pilot"

"Peter Sagal as Clown's Joy"

"Rashida Jones as Cool Girl's emotions"

"Patrick Seitz as Train of Thought Conductor and Pizza Delivery Bear"

"Pete Docter as Bill's Anger"

"Molly Jackson as Dying Mouse"

"Patton Oswalt"

"Well, my little friend, I am not. Because the truth is, gift or no gift, I'm just as special as the rest of my family."

"And I might not be super strong like Bruno, or effortlessly perfect like Señorita Perfecta Helene Leroux with her life all roses and flowers, but... [sighs] Whatever."

"Bruno, your room is the worst!"

"Come on... Okay, I can do this. Oh... Whoo! [Toucan flies away] Quitter!"

"Abuela worried about the magic. So she begged me to look into the future. See what it meant. And I saw the magic in danger, our house breaking, and then I saw you... But the vision was different. It...it would change and there was no one answer, no clear fate. Like your future was undecided, but I knew how it was gonna look, I knew what everyone would think because I'm Bruno and everyone always assumes the worst. So..."

"Did someone say flowers?"

""Hug it out"? Hana can't lift an empanada. [pulls off a flower and crushes it] Mariano's nose looks like a smashed papaya. HAVE YOU LOST YOUR MIND?!"

"Everything was perfect. Abuela was happy. The family was happy. You wanna be a better sister? Apologize for ruining my life. Go on. Apologize."

""Selfish"?! I've been stuck being perfect my whole entire life! And literally, the only thing you have ever done for me is mess things up!"

"I never wanted to marry him! I was doing it for the family!"

"[to Pico] I understand you."

"Use my room. The rats told me everything. [to Parce who is about to eat the rats] Don't eat those."

"Long ago, when my three babies had just been born, your Abuelo Pedro and I were forced to flee our home. And though many joined us, hoping to find a new home, we could not escape the dangers, and your abuelo was lost."

"There is nothing wrong with La Casa Madrigal. The magic is strong! And so are the drinks."

"I was given a miracle. A second chance. And I was so afraid to lose it... that I lost sight of who our miracle was for. And I am so sorry. You never hurt our family, Mirabel. We are broken because of me."

"I asked my Pedro for help. Mirabel. He sent me you."

"There's a little magic in all of us ...almost all of us."

"Magical House. Magical Family."

"Meet la familia Madrigal. where all are magical... except one."

"Stephanie Beatriz - Mirabel Madrigal"

"María Cecilia Botero - Abuela Alma Madrigal"

"John Leguizamo - Bruno Madrigal"

"Diane Guerrero - Isabela Madrigal"

"Jessica Darrow - Luisa Madrigal"

"Wilmer Valderamma - Augstin Madrigal"

"Angie Cepeda - Julieta Madrigal"

"Carolina Gaitán - Pepa Madrigal"

"Mauro Castillo- Felix Madrigal"

"Rhenzy Feliz - Camilo Madrigal"

"Ravi-Cabot Conyers - Antonio Madrigal"

"Adassa - Dolores Madrigal"

"Maluma - Mariano Guzman"

"Alan Tudyk - Pico"