178 quotes found
"Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. This is where, I think, language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. It had to be easy when it was just simple survival. “Water.” We came up with a sound for that. “Sabretooth tiger right behind you!” We came up with a sound for that. But when it gets really interesting, I think, is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is “frustration”? Or, what is “anger” or “love”? When I say “love” - the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain, through their memories of love or lack of love, and they register what I'm saying... and they say yes they understand, but how do I know? Because words are inert. They’re just symbols. They’re dead - you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed, it’s unspeakable. And yet, you know, when we communicate with one another and we feel that we have connected - and we think we’re understood, I think we have a feeling of almost spiritual communion... and that feeling may be transient, but I think it’s what we live for."
"For looking at the highlights of human development, you have to look at the evolution of the organism, and then at the development of its interaction with the environment. Evolution of the organism will begin with the evolution of life, proceed through the hominid, coming to the evolution of mankind. Neanderthal, Cro-magnon man. Now interestingly, what you are looking at here are three strings: Biological, Anthropological, development of cities, cultures, and Cultural, which is human expression. Now, what you've seen here is the evolution of populations, not so much the evolution of individuals. And in addition, if you look at the time scales that's involved here, two billion years for life, six million years for the hominid, 100,000 years for mankind as we know it, you begin to see the telescoping nature of the evolutionary paradigm. And then, when you get to agriculture, when you get to scientific revolution and industrial revolution, you're looking at 10,000 years, 400 years, 150 years. You've seen a further telescoping of this evolutionary time. What that means is as we go through the new evolution, it's going to telescope to the point we should be able to see it manifest itself within our lifetime, within a generation. The new evolution stems from information, and it stems from two types of information: Digital and Analog. Digital is artificial intelligence. The analog results from molecular biology, the cloning of the organism, and you knit the two together with neurobiology. Before, under the old evolutionary paradigm, one would die, and the other would grow and dominate, but under the new paradigm, they would exist as a mutually supportive, non-competitive grouping, independent from the external. And what is interesting here is that evolution now becomes an individually centered process emanating from the needs and the desires of the individual, and not an external process, a passive process where the individual is just at the whim of the collective. So, you produce a neo-human, okay, with a new individuality, and new consciousness, But that's only the beginning of the evolutionary cycle because as the next cycle proceeds, the input is now this new intelligence. As intelligence piles on intelligence, as ability piles on ability, the speed changes, until what? Until you reach a crescendo. In a way, it could be imagined as an almost instantaneous fulfillment of human, human and neo-human potential. It could be something totally different. It could be the amplification of the individual, the multiplication of individual existences, parallel existences, now, with the individual no longer restricted by time and space. And the manifestations of this neo-human-type evolution, manifestations could be dramatically counterintuitive. That's the interesting part. The old evolution is cold, it's sterile, it's efficient, and its manifestations are those of social adaptation. You're talking about parasitism, dominance, morality, war, predation. These will be subject to de-emphasis. These will be subject to de-evolution. The new evolutionary paradigm would give us the human traits of truth, of loyalty, of justice, of freedom. These would the manifestations of the new evolution. And that is what we would hope to see from this. That'd be nice."
"Anchors aweigh! So what do you think of my little vessel? She's what we call a see-worthy. S-E-E, see with your eyes. I feel like my transport should be an extension of my personality. Voila. And this, this is like my little window to the world, and every minute's a different show. Now I may not understand it. I may not even necessarily agree with it. But I'll tell you what, I accept it and just sort of glide along. You want to keep things on an even keel, I guess is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. It saves on introductions and goodbyes. The ride does not require an explanation - just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box. Now you may get the eight-pack, you may get the sixteen-pack, but it's all in what you do with the crayons, the colors, that you're given. And don't worry about drawing within the lines or coloring outside the lines. I say color outside the lines, you know what I mean? Color right off the page. Don't box me in! We're in motion to the ocean. We are not land-locked, I'll tell you that. So where do you want out?"
"Man wants chaos. In fact, he's got to have it. Depression, strife, riots, murder. All this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things, painting them up as great human tragedies; but we all know the function of the media has never been to eliminate the evils of the world, no! Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers. Hey, you got a match? And they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. "You want the puppet on the right, or the puppet on the left?" I feel the time has come to project my own inadequacies and dissatisfaction into the sociopolitical and scientific schemes. Let my own lack of a voice be heard. [douses himself in gasoline and sets himself on fire]"
"The reason why I refuse to take existentialism as just another French fashion or historical curiosity, is that I think it has something very important to offer us for the new century. I'm afraid we're losing the real virtues of living life passionately in the sense of taking responsibility for who you are, the ability to make something of yourself and feeling good about life. Existentialism is often discussed as if it's a philosophy of despair, but I think the truth is just the opposite. Sartre once interviewed said, he never really felt a day of despair in his life. But one thing that comes out from reading these guys is not a sense of anguish about life so much as a real kind of exuberance, a feeling on top of it. It's like your life is yours to create. I've read the post-modernists with some interest, even admiration, but when I read them I always have this awful nagging feeling that something absolutely essential is getting left out. The more that you talk about a person as a social construction, or as a confluence of forces, or as fragmented or marginalized, what you do is you open up a whole new world of excuses. And when Sartre talks about responsibility, he's not talking about something abstract. He's not talking about the kind of self or soul that theologians would argue about. It's something very concrete. It's you and me talking, making decisions, doing things, and taking the consequences. It might be true that there are six billion people in the world, and counting. Nevertheless - what you do makes a difference. It makes a difference, first of all, in material terms. It makes a difference to other people, and it sets an example. And in short, I think the message here is that we should never simply write ourselves off and see ourselves as the victim of various forces. It's always our decision who we are."
"There are two kinds of sufferers in this world: those who suffer from a lack of life and those who suffer from an overabundance of life. I’ve always found myself in the second category. When you come to think of it, almost all human behavior and activity is not essentially any different from animal behavior. The most advanced technologies and craftsmanship bring us, at best, up to the super-chimpanzee level. Actually, the gap between, say, Plato or Nietzsche and the average human is greater than the gap between that chimpanzee and the average human. The realm of the real spirit, the true artist, the saint, the philosopher, is rarely achieved."
"The trick is to combine your waking rational abilities with the infinite possibilities of your dreams. Because, if you can do that, you can do anything."
"The worst mistake that you can make is to think you're alive when really you're asleep in life's waiting room."
"A thousand years is but an instant. There's nothing new, nothing different; same pattern over and over. The same clouds, same music, the same things I felt an hour or an eternity ago. There's nothing here for me now, nothing at all. Now I remember, this happened to me before. This is why I left. You have begun to find your answers. Although it will seem difficult the rewards will be great. Exercise your human mind as fully as possible knowing that it is only an exercise. Build beautiful artifacts, solve problems, explore the secrets of the physical universe, savor the input from all the senses, filled with joy and sorrow and laughter, empathy, compassion, and tote the emotional memory in your travel bag. I remember where I came from, and how I became human, why I hung around, and now my final departure's scheduled. This way out, escaping velocity. Not just eternity, but Infinity."
"On this bridge, Lorca warns: Life is not a dream. Beware, and beware, and beware. And so many think because then happened, now isn't. But didn't I mention? The ongoing WOW is happening, right now! We are all co-authors of this dancing exuberance, where even our inabilities are having a roast. We are the authors of ourselves, co-authoring a gigantic Dostoevsky novel starring clowns! This entire thing we're involved with, called the world, is an opportunity to exhibit how exciting alienation can be. Life is a matter of a miracle that is collected over time by moments flabbergasted to be in each others' presence. The world is an exam, to see if we can rise into the direct experiences. Our eyesight is here as a test, to see if we can see beyond it, matter is here as a test for our curiosity, doubt is here as an exam for our vitality. Thomas Mann wrote that he would rather participate in life than write a hundred stories. Giacometti was once run down by a car, and he recalled falling into a lucid faint, a sudden exhilaration, as he realized at last, something was happening to him. An assumption developed that you cannot understand life and live life simultaneously. I do not agree entirely, which is to say, I do not exactly disagree. I would say that life understood is life lived. But, the paradoxes bug me, and I can learn to love and make love to the paradoxes that bug me, and on really romantic evenings of self, I go salsa dancing with my confusion. Before you drift off, don't forget, which is to say remember, because remembering is so much more a psychotic activity than forgetting. Lorca, in that same poem said that the Iguana will bite those who do not dream, and as one realizes that one is a dream-figure in another person's dream - That is self-awareness!"
"We have got to realize that we are being conditioned on a mass scale. Start challenging this corporate slave state. The 21st century is going to be a new century. Not the century of slavery; not the century of lies and issues of no significance and classism and statism and all the rest of the modes of control. It's going to be the age of human kind standing up for something pure and something right. What a bunch of garbage! ... liberal, democrat, conservative, republican ... It's all there to control you; two sides of the same coin! Two management teams bidding for control of the CEO job of slavery incorporated. The truth is out there in front of you but they lay out this buffet of lies. I'm sick of it; and I am not going to take a bite out of it! Do you got me?!"
"Wiley Wiggins - The Dreamer"
"Bill Wise - Boat Car Guy"
"Robert C. Solomon - Philosophy Professor"
"Kim Krizan - Herself"
"Eamonn Healy - Shape-Shifting Man"
"J.C. Shakespeare - Burning Man"
"Richard Linklater - Pinball Playing Man"
"Ethan Hawke - Jesse"
"Julie Delpy - Celine"
"Alex Jones - Man in Car with P.A."
"Timothy Levitch - Himself"
"[first lines] What makes you happy? What makes you happy? Where do you go? Where do you go? Where do you hide? Where do you hide? Who do you see? Who do you see? Who do you trust? Who do you trust? Who do you screw? Who do you screw? What kills the pain? What kills the pain? Game up, game win. Bug around, set it straight. Transaction. Play it hard, hurts so bad. Gotta win. Everyone loses. Everything loses. Gotta win big. Sick and tired of losing. Where does it all go? Where does it all go? Where does it lead us? Where does it lead us? Tilt City, Pinball Alley. Blinkin' lights shot to Hell, fuck it all!"
"[after accidentally knocking Rosalyn off the roof] She had it coming."
"Mick Jagger I'm not!"
"Rosalyn Schecter: What do you think of my tits, Michael?"
"Bongo: Sonofabitch... this broad's got a hard-on!"
"The amorous life and misadventures of a virginal young pinball player...his Chicks...his Chums and a host of assorted weirdos in all colors."
"Heavy Entertainment!"
"More Spice from the makers of Fritz the Cat!"
"It's animated, but it's not a cartoon. It's funny, but it's not a comedy. It's real. It's unreal. It's heavy. Heavy Traffic."
"One family, four generations, in love with the greatest music of all time."
"Whether you dance to it, drive to it, sing with it, or swing to it...Whether you can crank it up, plug it in, or switch it on...It assaults your senses, rocks your body, and touches your soul. It's American Pop."
"All those years...All those dreams...All those sons...One of them is going to be a star."
"Zalmie should have been a star, but there were complications. Benny could have been famous, but life got in the way. Tony had a brush with success, but had to let it go. So it was up to Pete...to grab it, to hold it, to make himself heard."
"Ron Thompson as Tony Belinksy / Pete Belinksy"
"Lisa Jane Persky as Bella"
"Jeffrey Lippa as Zalmie Belinksy"
"Richard Singer as Benny Belinksy"
"Jerry Holland as Louie"
"Marya Small as Frankie Hart"
"Hilary Beane as Showgirl"
"Robert Beecher as Hobo #2"
"Gene Borkan as Izzy"
"Beatrice Colen as Prostitute"
"Frank Dekova as Crisco"
"Ben Frommer as Nicky Palumbo"
"Roz Kelly as Eva Tanguay"
"Amy Levitt as Nancy"
"Leonard Stone as Leo Stern"
"Richard Moll as Poet"
"Sometimes there's no lesson. That's a lesson in itself."
"What is to be human? What is it to ache? What is it to be.. alive? Each person you speak to has had a day. Some of the days have been good, some bad. Each person you speak to has had a childhood. Each has a body. Each body has aches. Look for what is special about each individual. Focus on that. Remember there is someone out there for everyone. Our time is limited, we forget that. Death comes, that’s it. Soon it’s as if we never existed. So, remember to smile."
"Always remember the customer is an individual. Just like you. Each person you speak to has had a day. Some of the days have been good, some bad, but they've all had one. Each person you speak to has had a childhood. Each has a body. Each body has aches. What is it to be human? What is it to ache? What is it to be alive? [scoffs.] I don't know. What is it to ache? I don't know. What is it to be alive? I don't know... Uh, yes. "How do I talk to a customer?" How do I talk to a customer? These are the important questions for a customer service representative. What do I say? Do I smile while I'm on the phone? Well, they can tell, if you're smiling, even if they can't see you. Did you know that? Try it as an experiment on the phone with a friend. Try it. Go ahead. Watch. [turns around.] I'm lost. [chuckles and turns back around.] See I was smiling when I said that? I've lost my love. She's an unmoored ship and she's drifting off to sea. I have no one to talk to. I have no one to talk to. I have no one to talk to. I'm sorry. I don't mean to burden you with that, I just don't know what else to do because I have no one to talk to... Be friendly to the customer. Think of the customer as a friend... [sighs.]"
"I think there's something very very wrong with me..."
"David Thewlis - Michael Stone"
"Jennifer Jason Leigh - Lisa Hesselman"
"Tom Noonan - Everyone Else"
"You make me sick. [vomits and walks to the four dogs] I've seen cats with more balls than you dogs. [yells at Duke] STOP LICKING YOUR WOUNDS!!! [Duke's eyes shift awkwardly as he just sits with his tongue out. Chief walks up to Boss] You hungry? Kill something and eat it. [walks up to Duke] You sick? Take a long nap. [walks up to King] You cold? Dig a hole in the ground, crawl into it, and bury yourself. [walks up to Rex] But nobody's giving up around here, and don't you forget it, ever. You're Rex. You're King. You're Duke! You're Boss! I'm Chief. We're a pack of scary indestructible alpha dogs. You're talking like a bunch of housebroken...pets."
"Go ahead, say it. I'm a stray, yeah."
"We’ll find him. Wherever he is, if he’s alive, we’ll find your dog."
"[to Rex] You're not our leader, we all are. Let's take a vote."
"I don't sit."
"[enraged; to Spots] You son of a bitch!! If we don't drown, I'm gonna strangle you myself. I don't care how many exploding teeth you try to spit out at me. Do you have any idea what that little pilot just went through to try to rescue you? How DARE you!"
"[to the owl] You'll meet a bitch named Nutmeg. Tell her Chief says, "I'll see you in Megasaki.""
"Wait, what?"
"[to Rex, Duke, King, and Boss] Let's take a vote."
"[growls after Atari tries to pet him] I bite."
"I've never been offered a Puppy Snap in my life. I don't even know what they taste like. Okay, I'll try it. [trying his first Puppy Snap] Crunchy. Salty. Supposedly, it cleans your teeth. This is my new favorite food. Thank you."
"Why should I?"
"I've been hunted by dog-catchers all my life. I'm not easy to trap. I've only got three captures on my record where I actually got sent to the pound, I mean, and the first two times, I escaped within 24 hours, but the third time... I got adopted before I could finish digging the break-out-tunnel. It was a big family. Five kids, two other dogs, already. They stuck me in the back of a station-wagon and drove me out to the middle of the sticks. Grass, trees, swimming pool, cartoons on TV. Anyway, one morning a week later, the youngest boy, his name was Toshiro, woke me up at 6:15, bright-eyed, wide-awake, and he tried to pet me. He didn't mean anything by it. He was just being friendly. Apparently, I bit him so hard, I nearly chewed his hand off. Blood all over the kitchen floor. They rushed him to the emergency room and I got pad-locked out in the tool-shed with the lights out. It gave me some time to think. What happened? Why did I do that? To this day, I have no idea. I guess he scared me. I bite. That night, an old woman, she must've been the grandmother brought me out a bowl of some homemade hibachi-chili. I like to think she cooked it for me, personally, but who knows? Maybe it was just more leftovers. But... You've got a tick. [takes off the tick off Rex's nose and spits onto the golf hole] Anyway, that's my favorite food I ever ate. The old woman made a great bowl of chili. [Rex: What happened after that?] I dug my way out by morning, jumped on the back of a dump-truck, and hitched back to Megasaki. I was always a street-dog, let's face it."
"[after Atari gives him a bath] Where'd you get that dog? He looks like me with a pink nose. I come from a nine-dog litter, but they drowned the sisters. We're not a rare breed: short-haired-Oceanic-speckled-ear/sport-hound-mix. [stammers] I'm getting confused now. My--my belly feels funny."
"Don't ask me to fetch that stick."
"I'm telling you, I don't fetch."
"I'm not doing this because you commanded me to, I'm doing it because I feel sorry for you."
"[to Atari, as he was checking his size to ride the Pagoda Slide] No, you can't ride the Pagoda Slide. You're below the safety-limit, anyway. Let's go. We made an emergency plan, even if we didn't get to vote and agree to it yet: rendez-vous at the cause-way to the Far-away Cuticles, and go find your dog. Maybe everybody else just got crushed, compacted, and incinerated- but we're going to be there. Let's go. [Atari goes up the stairs] Don't. Repeat: don't. I am not your pet. I never liked you. I don't care about you. I won't wait for you. I bite. [Atari goes up the slide] Good luck."
"I don't think I can stomach anymore of this garbage."
"We get the idea. You're looking for your lost dog, Spots. [to the other dogs] Does anybody know him?"
"To the north, a long rickety causeway over a noxious sludge marsh leading to a radioactive landfill polluted by toxic chemical garbage. That’s our destination. Get ready to jump."
"[to Chief, Boss, Duke, and King] All in favor of not eating the little pilot, say "Aye"."
"I used to sleep on a lambswool beanbag next to an electric space heater, that's my territory. I'm an indoor dog."
"Chief, sit!"
"I want my master."
"Let's take a vote. All in favor, say "Aye"."
"I think I might give up."
"[losing his patience; to Chief] You're disobedient! Sit!"
"You think we booked this ride to a travel agent?"
"[to Duke, King and Boss] All in favor of Chief fighting the robot dog, say "Aye"."
"All in favor of kicking Chief out of the pack and never speaking to him again, say "Aye"."
"I starred in twenty-two consecutive Doggy Chop commercials. Look at me now, I couldn't land an audition."
"[after seeing Nutmeg] How's she keep her fur so clean? There's no shampoo on Trash Island."
"[to Peppermint] Oh, dear. Uh, I think I offended him. I'm truly sorry. I had-- I had no idea. What is this place? How long have you been here? I can see you've been mistreated."
"[to the owl] We're listening, owl. Tell us your message."
"We're crossing the river tonight. Begin preparations immediately."
"Are you okay? My name's Spots, Spots Kobayashi. How can I be of service to you?"
"That's highly confidential. Um, anyway, I'm not the mayor's accountant's dog. That's Butterscotch, and she got crushed in a glass compactor the day before yesterday. No, my duties are, uh, focused entirely on the protection of the mayor's ward, Atari. I'm not supposed to be his friend, but I love him very much, but that's a private matter. Um, the only reason I even said that was because we're all probably going to die out here and I'll never see him again."
"Mayor Kobayashi, elected leader of Megasaki City. For 150 years, you and your ancestors, known as the Kobayashi Dynasty, a procession of dog-hating thugs, stooges, felons, and their criminal underlings, have betrayed and deceived the citizens of Uni Prefecture. You make me so mad! Professor Watanabe, Science-Party Candidate, deceased. The wasabi in your blood showed poison-levels in excess of ten times the maximum dosage required to stop the heart of a whale. Why'd you do it? Atari Kobayashi, adopted ward to the mayoral-household. You heroically hi-jacked a Junior Turbo-Prop XJ750, and flew it to the island--"
"Atari, you heroically, as I was saying, stole the little airplane, because of your dog and... [stammers] I lost my train of thought. [turns off her recorder] Damn it. I’ve got a crush on you."
"We call upon dog-lovers everywhere to harken to this transmission."
"Thank you, Editor Hiroshi. You all know me. I speak my mind and sometimes that ruffled some feathers. Please forgive my bluntness. Mayor Kobayashi is a crook and I hate him. Right now, he faces a divided congress to a hotly contested re-election year. Dogs are dying on a miserable island, gullible masters have been brainwashed, the Science-Party Candidate is being held against his will with no recourse to legal counsel. Somebody is up to something."
"(throws a board eraser at Editor Hiroshi) I'll spell it out. I believe Municipal Dome propaganda has deliberately stoked irrational Anti-Dog fear and suppressed a medically proven dog flu treatment in order to promote a secret campaign to turn the country against its innocent house pets! (regains her composure) There, I said it."
"Young masters of Megasaki, UNITE!"
"That crook! He's stealing the re-election again! Let's go!"
"This landslide re-election is a massive fraud, and we demand a recount!"
"Mayor Kobayashi has dog's blood on his hands. You all do! Atari was a hero. Professor Watanabe was murdered. The serum works! The mayor is a crook, and I hate him."
"Bryan Cranston – Chief"
"Koyu Rankin (Japanese), Rohan Chand (English Version) – Atari Kobayashi"
"Edward Norton – Rex"
"Bob Balaban – King"
"Bill Murray – Boss"
"Jeff Goldblum – Duke"
"Kunichi Nomura (Japanese), Idris Elba (English Version) – Mayor Kobayashi"
"Akira Takayama (Japanese), Steve Buscemi (English Version) – Major Domo"
"Greta Gerwig – Tracy Walker"
"Frances McDormand – Interpreter Nelson"
"Akira Ito (Japanese), Ben Kingsley (English Version) – Professor Watanabe"
"Scarlett Johansson – Nutmeg"
"Harvey Keitel – Gondo"
"F. Murray Abraham – Jupiter"
"Yoko Ono (Japanese), Ariel Winter (English Version) – Assistant Scientist Yoko Ono"
"Tilda Swinton – Oracle"
"Ken Watanabe – Head Surgeon"
"Mari Natsuki, Betty White (English Version) – Auntie"
"Fisher Stevens – Scrap"
"Nijiro Murakami (Japanese), Fred Tatasciore (English Version) - Editor Hiroshi"
"Liev Schreiber – Spots"
"Courtney B. Vance – the Narrator"
"Yojiro Noda, Maurice LaMarche (English Version) – News Anchor"
"Frank Wood – Simul-Translate Machine"
"Does this college town have a name or do you just turn left at the kid with the tractor?"
"Life sucks no matter where you are so don't be fooled by location changes."
"That's it. Must... contact... intelligent... life..."
"I'm sorry, but the confidentiality agreement I signed with the Government prevents me revealing that. I've already said too much."
"The guys here are a lot better looking in person than on their wanted posters."
"Any kid who looks to you for nurturing is more than just lost."
"Uh-oh, don't look now but it's 'Toulouse Lau-dreck'."
"But that's not fair. I didn't have time to study with my Fashion Club duties. Don't extracurricular activities count for anything?"
"You can't judge someone by their family. What if people judged me by.... blech! Got to go."
"Tracy Grandstaff as Daria Morgendorffer"
"Julián Rebolledo as Jake Morgendorffer"
"Wendy Hoopes as Helen Morgendorffer, Quinn Morgendorffer, and Jane Lane"
"Alvaro J. Gonzales as Trent Lane"
"Russell Hankin as Tom Sloane"
"Marc Thompson as Anthony DiMartino, Timothy O'Neill, Kevin Thompson and Jamie White"
"Tim Novikoff as Jeffy"
"Steven Huppert as Joey"
"Jessica Cyndee Jackson as Jodie Landon"
"Amir Williams as Michael Jordan "Mack-Daddy" Mackenzie"
"Janie Mertz as Sandi Griffin and Brittany Taylor"
"Sarah Drew as Stacy Rowe"
"Ashley Albert as Tiffany Blum-Decker"
"Nora Laudani as Angela Li"
"Corey Block as Link"
"Carson Daly as David Sorenson"
"Dave Grohl as Daniel"
"Bif Naked as Alison"
"John Lynn as Sick, Sad World Announcer"
"Bart Fasbender as Andrew Landon"
"Laurine Towler as Michele Landon"
"Rand Bridges as Bill Woods"
"Jessica Hardin as Lindy"
"Daniel Milledge as Angier Sloane"
"Amanda Fox as Katherine Sloane"