52 quotes found
"…If you start thinking about representation too much—and you think about what movie should exist for an Asian-American person, and for an Asian-American male, or what you would like to see an Asian-American male doing on TV or in movies, even though that’s a legitimate thing to think about—it clouds my ability to go, “Oh, that’s just a fun thing. I’d like to throw myself into that situation”..."
"I’ve always said that it really bothers me that so much of Asian representation in cinema has been people running away from their Asian-ness to find love elsewhere…"
"I’ve spent my life trying to figure out what Asian-ness means…but you know, I really gotta figure out what whiteness means. We all have to figure out what it means, apparently, for our survival."
"On a political level, I just found that I was more excited by what my skill-set could bring to film and television. Asian [American] theater has stretched the boundaries a little bit, but at the time, [it] was much more involved in what I thought was an older form of expression. It was much more about identity plays, explaining who we were as Asian Americans through dramas. And that didn't interest me as much. I was interested in people who weren't going to theater, and reaching them. That always excited me more, and to this day, theater, though on a formal level is the ideal place for an actor, on some political level, I find it frustrating that theatergoers are mostly rich -- maybe that's unfair -- mostly white…"
"I want to try new creative things and find refreshing stories. That's how I've come to choose the roles that I've done."
"The main reason for choosing a project is not really the renown of the director that's making the project. I feel like it's the fact of an actor to constantly want to do different things."
"When I first read the script, I thought it has such a unique structure. That was my first impression. And the character I was going play, it was very important. It’s kind of the centre of the story. That’s the sense I had when I read it."
"Relatively speaking, there’s no film that I feel like, “Oh, I really wish I had done that.” Because there are a lot of proposals and I was just in a really fortunate situation where I could just choose good screenplays, and there was no work that I kind of wanted but never been proposed. So I’m very lucky."
"A film like Parasite could be a very kind of positive stimulation to the Korean film industry. And maybe not all the films will achieve the same level of success, you know, it will be very difficult, but I think this will definitely inspire a lot of young filmmakers to make very creative and new works."
"I’m not very familiar with K-Pop, but with cinema – and Parasite in particular – I think Korean cinema carries this destructive dynamic and sensibility. Korean culture in itself is very dynamic and I think that’s why K-Pop is so popular as well. It’s a dynamic form of music, and that draws people in and makes them go crazy."
"Of course, there might be some influence in my performances, but it’s not as if I intentionally sought out those experiences for my acting career. For actors, everyone goes through a difficult period early on and you do these sorts of jobs."
"I don’t keep any notion of certain lines that shouldn’t be crossed. I want my fellow actors to feel like they are free and can give any kind of performance, whatever seems natural. I think all actors would feel that way and I think it’s what the director would want as well."
"I do not separate the scripts and decide on doing either movies or drama series in a certain year. I always think of what I can do best and how I can entertain the public when I first receive the script."
"I am not sure if I can work in Hollywood or overseas entertainment business with my insufficient English skills, so I cannot say anything for certain at this moment. But I hope to meet the international fans with the works that I am currently shooting."
"I was in a phase where I was contemplating what my next project should be. Because as I got older, the roles I was offered were mostly villains or other such fierce characters."
"One thing I did differently (from previous works) was that I would go for a walk a night before filming and observe the people on the streets in order to find elements to add to the character."
"I didn't expect this kind of success at all when I first boarded Squid Game as a project. But when I read the script, I understood that it contained elements that could resonate with everyone and work outside of Korea."
"I have seen some reactions on social media and on YouTube, and I have been trying to wrap my mind around them. I watched a lot of YouTube reaction videos, videos of the viewers themselves watching Squid Game in real time. I had never seen these so-called reaction videos before in my life. I find that very interesting and funny. So yes, I have kept an eye on how the global audience is reacting."
"I found the concept of Squid Game interesting from the beginning. Although it was a survival competition between adults, the games were actually played by little kids. Despite being a survival game genre, it carefully explained the sorrows and hardships of the people who participated in the game. I think this made the movie different from other works as it effectively revealed the stories of the characters one by one without exaggerating them."
"A role with strong characters is easy if everything is set up in the beginning and you just need to push forward. However, with a role of a man in daily life, I paid a little more attention to make this man look natural."
"I still don’t know how to define or answer what is the meaning behind life and death. And I don’t think I will be able to define them in the future either. It’s difficult. What I can do, is to live my life, which is only given to me once, without regret until it runs its course. That’s I think the best I can do, at the present."
"I don’t really have a lot of desires, or that’s what I think of myself. But if I were to pick one, I would want for people to live peacefully. I don’t understand why some people harass or hurt others, or why they do these things because they envy others — we fight and wound each other and it might be a natural phenomenon that arises among weak humans, but I still hurt thinking about social issues such as Asian hate."
"I think I was pretty much constant, unvarying, for 20 years. So, I do want to give myself a pat on the back for focusing on one career without any dramatic slumps for the last 20 years. But [personally] I don’t want a son like me. I don’t think that highly of myself."
"In the perspective of the audience, the movies that make me think are the most precious. I want to naturally be projected onto the film or role. From there, applying my tendencies and emotions is what I believe is the most natural way for actors to tell a story."
"I am extremely grateful for all the attention and anticipation for my work, but I will admit that sometimes it does put pressure on me. Honestly speaking, I tend to be someone who follows my own heart and is drawn to and chooses productions that resonate with me."
"Even when I choose projects, if before, I looked only at my own character, I am now more interested in what the producers are trying to say through this project and what kind of statement they want to make."
"Usually, I'm attracted by screenplays that stir my curiosity. I try to ask myself why the writer wants to tell this story."
"I think an actor's filmography represents the direction and the course of the acting that an actor has pursued. I'm filling in my filmography to let people know who I am and how I see the world as an actor."
"As long as you have a television screen or a streamer, we are living in an era where we can connect and enjoy any content from any place around the world very easily."
"I tend to pick projects that give me a sense of freshness. So my filmography, especially after hitting my 30s, has become a lot more diverse."
"But if there’s something you gain, there’s also something you can lose. Therefore, I try not to showcase my personal life."
"When I become a character in a movie or drama … I can think about the character only and not the complicated matters of my own life. I feel ecstasy in those moments and it’s what keeps me going as an actor. It’s not about the money, it’s not about the honor."
"Script in television is easier: you can study it and do your homework. When doing “Kim’s,” I’m often three days ahead of schedule, learning my lines and making choices because I have the luxury of an almost complete script in front of me. It’s different from doing a television show that’s improvised and ad-libbed; basically what you are saying is predicated by what the competitors do. As a host, you have to think about so many different things because there are so many different moving parts—not only technically being aware of where the cameras are, but also reacting to what you are given by the competitors and making it seem effortless is probably one of the hardest things I’ve ever done in my life!"
"When you are improvising a show, it’s different as well, because people understand you are improvising, you’re allowed to make mistakes. When you watch game shows, the really good ones, [they] look like they don’t ever miss a beat. I’ve realized that it’s because they are all edited within an inch of their lives, there were probably tons of mistakes, but it looks like everything is going smooth, but it’s like getting into the deep end of the pool and being forced to sink or swim. I’m curious to see how I was in the first episode versus the finale, as almost two different hosts because at the end I found my comfort zone, and I was more familiar with the language, the technical aspects of what was going on and being more engaged, getting to know the kids a lot better and getting to know the format a lot better."
"I learned that intelligence is something that isn’t easy to measure and I’ve come to believe that heart matters. I don’t want to spoil things, but you can see during certain moments the heart of the competitors rise above."
"For a large part of my youth, I was very angry and very pissed off. It’s one of those things where you’re allowed to feel that. However, if you spend all your time pissing and moaning about and just talking about it, instead of doing something about it, that’s the problem. When you are complaining about the status quo, it’s easy to rail against the man and it’s comfortable because usually when you are ranting about it, so many people agree with you. The hardest thing is doing something about it. It’s a painful lesson to learn, but I’m on the other side now and I understand completely, especially younger people, being super pissed and stuff. I needed to understand when I was young too, that no one is just going to hand it to you because of the color of your skin or because you think you deserve it. This is a difficult industry we are in. You have to focus on doing your job, doing your best, so next time they can’t ignore you."
"Show what you can do and be excellent at it, then you can’t be ignored anymore. It doesn’t have to be a culturally or ethnically specific role or project; you can just be a talented filmmaker, artist, actor, producer or whatever, you can turn that corner. If that’s what gets you in great, but that isn’t what we should always be limited to (culture/ethnicity)."
"I would say follow your passion, follow what you love. You are going to be doing it for a long time, so at least you have to like it! I know a lot of people who have a good paying job and when I ask if they like it, they say “no.” Then why are you doing it then and what would you rather be doing? “Well, to make money.” You make these choices in life, you can choose to be comfortable or choose to be passionate and do both, few can do both at the same time. That’s life too. I had to work retail jobs just so I could stay acting. But there was never a question for me to quit acting. I was just too stupid and stubborn to quit! Things change, if you have a family too, I get it! You need more money for your kids to eat! If acting doesn’t pay for it, then you need to get that job and you find a way to make things work. Sometimes you have to wait, but at the end of the day, nobody owes you anything!"
"Television is a gateway for other people too. It reaches such a mass audience and it only makes sense that this is the easiest way for newcomers to learn about Canadian society and a love of pop culture comes out of that. That’s why shows like Star Trek that have such a positive and hopeful view of society in the future are so important because they will reach that audience and give them hope. It’s a powerful medium that has so much influence, so much power to abuse the trust that audiences give to it."
"I’ve always found solace in being able to lose myself in a story. It fueled my imagination – my own desire to tell stories. I didn’t have brothers growing up… I didn’t have close friends, so I was left to my own devices. I took to writing, reading a lot and building Lego kits and creating my own worlds and stories."
"I fell in love with the craft of acting. Breaking down a scene, finding the beat, understanding character motivation – all of these things became real to me on a level that I had never before appreciated. It was more than just memorizing lines; it was excitement and never in a million years before this, did I think that this would be a job for me. And that was exciting as well!"
"When you’re 18 and you’re starting to lose your hair – it sucks. So, my agent always got me roles that were older than my actual age. I’m Asian and an actor and I worried about my appearance. I played dads, grand-dads and that was my career. But that taught me something: I learned that I’m never going to have a leading role but that doesn’t matter; I’m going to be the best actor I can – bit roles, whatever and that attitude made me a better actor. I believed I could be a character actor and that’s a thing to aspire to."
"You hone your craft so that you can be excellent in whatever it is that you do. I say that to my kids but it really is about the way you approach your work, your craft, whatever, that’s what makes you a success. You can be pissy about not getting the lead role or the attention you think you deserve, but when it comes down to it, it’s all about doing the best role you can. Our industry is based on hope – being discovered and all that, but that accounts for only 0.001% of success. I’m pragmatic, I just decided I was going to be excellent and realistic and be a grinder at my work. I was just going to keep going, be happy, work hard, and accept the roles that came to me."
"When you are raised in a culture and have grown to accept that everybody else’s story is normal, you believe that your story isn’t important. I have never seen a representation of my story on television."
"Good storytelling stands for itself."
"I was glad to just be able to work together, and I feel like my worldview got wider. I also felt a lot of different emotions after observing the attitude of the actors I worked with. I thought I should be an actor who thinks even more deeply than I do now, and also one that can help motivate others. Start Up was a drama that was like a gift that allowed me to meet Han Ji-pyeong. I'm super happy and grateful that many people are recognizing the effort I put into portraying Han Ji-pyeong’s character."
"When I act, I feel a sense of ecstasy being able to portray different characters,” he said. “Being able to intensely focus on one character and essentially live as that character is something that draws me to acting. The fact that there are people who watch the character that I portray through my acting in itself is something that makes me happy. Because of the love and attention of viewers, I am able to improve, and continuously want to improve."
"In stage acting, we can interact with the audience live, so we know their response right away. I think the audience contributes to the play as well because their laughter, or even the sound of their breathing instigates our next move or spurs us to do something more. That was an ecstatic feeling that I cannot forget."
"I usually take a fairly long time to understand one character. I would choose about three or four lines that I like from a script, and then repeat them over and over again in my head. This could be when I’m walking, when I’m in the shower, or when I’m eating. Sometimes I also make use of music. I would put on some good music, put myself in front of a stunning view, and then read out the lines. And as I do that, there would be moments where I realise, 'This is it. This is how this character would say it.' From that point onwards, everything else falls into place itself. For this method to work and in order to get closer to a character, studying the script in detail has to come first. It’s important to have a good grasp of a character’s language and habits."
"To be frank, I have always challenged myself when I decide to go for a character. Though, I do feel scared when I need to play a role that I’ve played before. Therefore, I don’t think there is a safe zone or a comfort zone when I pick a role. But I think it was more difficult to express my characters in The Tyrant and Mangnaein."
"Rather than changing my approach, I think that acting in silence in front of the audience on the stage required me to be very focused and immersed. I was able to grow without knowing it. Whenever I do a project, I think I am growing a little because I sometimes make choices that are different than before."
"Shin Min-a's leading role as Hye-jin and Kim Seon-ho's performance as Chief Hong is the glue that holds the series together. Their magnetic on-screen chemistry is akin to that of Julia Roberts and Richard Gere in Pretty Woman."