99 quotes found
"Another day to live through. Better get started."
"December 1965. Is that all it has been since I inherited the world? Only three years. Seems like a hundred million."
"There was a time that eating was pleasurable. Now it bores me."
"A dying world. An empty, dead, silent world."
"I can't afford the luxury of anger. Anger can make me vulnerable. It can destroy my reason and reason's the only advantage I have over them."
"[filling up a bag with stakes] How many more of these will I have to make before they're all destroyed? They want my blood. It's their lives or mine. I still get squeamish."
"Better put that garlic back where it belongs. I can't live a heartbeat away from hell and forget it."
"Another day... another day to start all over again."
"This is Robert Morgan. If somebody can hear me, answer me. For God's sake, answer me!"
"Your new society sounds charming."
"Freaks! All of you, freaks! Mutations! I'm a man! The last... man..."
"Kathy Morgan: Mommy, where are you? Mommy, I can't see."
"Ben Cortman: Morgan! Do you hear, Morgan? Morgan, come out!"
"Virginia Morgan: [after becoming a vampire] Let... me... in."
"By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood!"
"Do you dare to imagine what it would be like to be... the last man on Earth... or the last woman?"
"Alive among the lifeless... alone among the crawling creatures of evil that make the night hideous with their inhuman craving!"
"Vincent Price as Dr. Robert Morgan"
"Franca Bettoia as Ruth Collins, an infected individual"
"Emma Danieli as Virginia Morgan, the wife of Robert Morgan"
"Giacomo Rossi-Stuart as Ben Cortman"
"Umberto Raho as Dr. Mercer"
"Christi Courtland as Kathy Morgan"
"Antonio Corevi as the Governor"
"Ettore Ribotta as the TV Reporter"
"Rolando De Rossi"
"Carolyn De Fonseca dubbed for Ruth Collins' voice in the English release of the film. She was uncredited."
"Giuseppe Mattei as the leader of the survivors. He was also uncredited."
"Well, hurry it up. We're working on a locomotive, not a pocketwatch."
"You crazy bastard."
"[last words] Labiche! Here's your prize, Labiche. Some of the greatest paintings in the world. Does it please you, Labiche? You feel a sense of excitement at just being near them? A painting means as much to you as a string of pearls to an ape. You won by sheer luck. You stopped me without knowing what you were doing or why. You are nothing, Labiche. A lump of flesh. The paintings are mine. They always will be. Beauty belongs to the man who can appreciate it. They will always belong to me, or a man like me. Now, this minute, you couldn't tell me why you did what you did."
"Those paintings are part of France. The Germans want to take them away. They've taken our land, our food, they live in our houses, and now they're trying to take our art. This beauty, this vision of life, born out of France, our special vision, our trust. We hold it in trust, don't you see, for everyone? This is our pride, what we create and hold for the world. There are worse things to risk your life for than that."
"One man's impossible mission - to save his country's priceless treasures!"
"It carried their hopes, their nation's honour!"
"Burt Lancaster as Paul Labiche"
"Paul Scofield as Col. Franz von Waldheim"
"Jeanne Moreau as Christine"
"Suzanne Flon as Mademoiselle Villard"
"Michel Simon as Papa Boule"
"The man of violence in whose place Christ died"
"The motion picture that begins where the other big ones leave off"
"Now! Step Into a World of Passion and Upheaval"
"Anthony Quinn — Barabbas"
"Arthur Kennedy — Pontius Pilate"
"Jack Palance — Torvald"
"Silvana Mangano — Rachel"
"Harry Andrews — Peter"
"The fantastic deeds... The Incredible daring of the thief who defied an empire!"
"Steve Reeves — Karim"
"Giorgia Moll — Amina"
"Edy Vessel — Kadeejah"
"Arturo Dominici — Prince Osman"
"A century ago on the low hills along the border between the southern states and turbulent Mexico, a mystery man appeared... a man with a sad, impenetrable face. Who was that man? What was his secret?"
"He was pitiless in revenge, quick to decide, and a master of every weapon... a man everybody would liked to have seen dead!"
"DJANGO - The title of a film you'll never forget!"
"Django. An audacious man of action, capable of a tender, hopeless love which could only last a day... But a day which was worth all eternity."
"Django! A new, ruthless, violent film! Featuring a great new star... Franco Nero! And a great supporting cast!"
"He killed for gold... He killed for his woman... He killed for himself!"
"The Most Controversial and Sought-After Spaghetti Western Of Them All!"
"The movie that spawned a genre."
"I had no idea it would turn out to be so special. It wasn't just a success; it was a phenomenon. Everywhere I go people shout "Django" at me. Even today, as I am working in Brazil, kids call me Django. In Japan, they won't even put my name on movie posters, they put "Django". In Germany, they call all my movies Django; I did a great movie about the Sicilian mafia and they called it Django in the Mafia. The Shark Hunter they called Django Django. They say: "Well, it's your problem.""
"The opening – a medium shot on the back of Django’s head as he walks away from camera – is the opening shot of Yojimbo. And the ending could be Fistful of Dollars, or A Pistol for Ringo, or Return of Ringo, or any of the Spaghetti Westerns in which the hero’s gun-hand is injured. Except that this is Django, and while the idea may be the same, Corbucci takes it to some weirder, crueller level of Surrealist violence; amplifies the sacrificial religious symbolism of the hero-with-damaged-hands by staging the showdown in a cemetery; and, in case we still don’t get the joke, naming his lead character after the jazz guitarist Django Reinhardt, famous as a brilliant musician despite a serious deformity of one hand."
"Franco Nero as Django"
"Loredana Nusciak as María"
"José Bódalo (as José Bodalo) as General Hugo Rodríguez"
"Ángel Álvarez (as Angel Alvarez) as Nathaniel"
"Eduardo Fajardo as Major Jackson"
"Gino Pernice (as Jimmy Douglas) as Brother Jonathan"
"Simón Arriaga (as Simon Arriaga) as Miguel"
"Giovanni Ivan Scratuglia (as Ivan Scratuglia) as Klansman #1"
"Should we remain in Algeria? If you answer "yes," then you must accept all the necessary consequences."
"We aren't madmen or sadists, gentlemen. Those who call us Fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, don't know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win."
"So we now average 4.2 attacks a day. We must distinguish between attacks on individuals and bombings. As usual, the problem involves first, the adversary, and second, the means to destroy him. There are 400,000 Arabs in Algiers. Are they all our enemies? We know they're not. But a small minority holds sway by means of terror and violence. We must deal with this minority in order to isolate and destroy it. It's a dangerous enemy that works in the open and underground, using tried-and-true revolutionary methods as well as original tactics."
"We have to start from scratch. The only information we have concerns the organization's structure. Let's start from there. It's a pyramid organization made up of a series of sections. These sections, in turn, are made up of triangles. At the apex is the Executive Bureau. The military head of the Executive Bureau finds a competent person and names him section head: No. 1. No. 1 finds two others: Nos. 2 and 3. This makes up the first triangle. Now Nos. 2 and 3 each select two men: Nos. 4, 5, 6 and 7. The reason for these geometrics is that each organization member knows only three other members. The one who chose him and the two he himself chose. Contact is made only in writing. That's why we don't know our adversaries. Because, in point of fact, they don't know each other."
"It's a faceless enemy, unrecognizable, blending in with hundreds of others. It is everywhere. In cafés, in the alleys of the Casbah, or in the very streets of the European quarter."
"To know them is to eliminate them. Consequently, the purely military aspect of the problem is secondary. More important is the policing aspect. I know you dislike that word. But it's the only one that describes the work at hand."
"The basis of our job is intelligence. The method interrogation. Conducted in such a way as to ensure we always get an answer. In our situation, humane consideration can only lead to despair and confusion. I'm sure all units will understand and act accordingly. Unfortunately, success doesn't depend only on us."
"We need to have the Kasbah at our disposal. We have to sift through it and interrogate everyone. And that's where we find ourselves hindered by a conspiracy of laws and regulations that continue to operate as if Algiers were a holiday resort and not a battleground. We've requested a carte blanche, but that's very difficult to obtain. Therefore, it's necessary to find an excuse to legitimize our intervention and make it possible. It's necessary to create this for ourselves, this excuse. Unless our adversaries think of it themselves, which seems to be what they're doing."
"The word "torture" doesn't appear in our orders. We've always spoken of interrogation as the only valid method in a police operation directed against unknown enemies. As for the NLF, they request that their members, in the event of capture, should maintain silence for twenty-four hours, and then they may talk. So, the organization has already had the time it needs to render any information useless. What type of interrogation should we choose, the one the courts use for a murder case, that drags on for months?"
"Any of you ever suffer from tapeworm? It's a worm that can grow infinitely. You can destroy its thousands of segments, but as long as the head remains, it rebuilds and proliferates. The FLN is similarly organized. The head is the Executive Bureau. Several persons. As long as they're not eliminated, we're back to zero."
"Like rabbits in a cage. Just as I hoped."
"Gentlemen, believe me, it's a vicious circle. We could talk for hours to no avail, because that isn't the problem. The problem is this: The FLN wants to throw us out of Algeria and we want to stay. Even with slight shades of opinion, you all agree that we must stay. When the FLN rebellion began, there were no shades at all. Every paper, the communist press included, wanted it crushed. We're here for that reason alone."
"The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with."
"Okay, I'll explain. First, we need to get organized and secure our hideouts. Then we can take action. The organization's getting stronger, but there are still too many drunks, whores, junkies, people who talk too much, people ready to sell us out. We must win them over or eliminate them. We need to clean house first, organize the country. Only then can we take on our real enemy."
"[distributing the bomb baskets to female FLN fighters] Air France, Rue Mauritania. The café, Rue Michelet. The milk bar, Rue d'Isly. The bomb timers are short. They'll be set outside the Casbah. Taleb is waiting for you at the fish market. But then you must hurry. You only have 30 minutes to place them. Good luck. Good luck. God be with you."
"It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do."
"French Interrogator: Couldn't you have talked sooner? It would've gone easier for you."
"Political Prisoner: [handcuffed, walking to the guillotine] God is great! God is great! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria!"
"FLN Official: Remember, we are at war against colonialism. A strong army has occupied our country for 130 years. This is why the FLN has to make decisions concerning the civil life of the Algerian people. With this marriage we fulfill our duty, a duty of resistance."
"Jean Martin - Colonel Philippe Mathieu"
"Saadi Yacef - El-Hadi Jafar"
"Brahim Hadjadj - Ali La Pointe"
"Si Mohamed Baghdadi - Larbi Ben M'hidi"
"Tommaso Neri - Captain Dubois"
"Samia Kerbash - Fathia"
"Ugo Paletti - a Captain"
"Fusia El Kader - Hassiba Ben Bouali"
"Franco Moruzzi - Mahmoud"
"Mohamed Ben Kassen - Little Omar"